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534325 Los(e)/Seite
Los 901
Football - England v Ireland at Ayresome Park, Middlesbrough, 14th Feb 1914. Sports Picture Post Official Programme. This was also the programme for Stockton v Oxford City English Amateur Cup, and Bishop Auckland v Leytonstone. No pen or pencil marks, light foxing, few very tiny pin holes to cover. Very Rare
Los 211
Three Worcester dishes. Ground in cobalt blue, with tooled gilding and decorated in coloured enamels with flowers. Two with underglaze open crescent marks and one with a square seal mark, c1775. Widest 24cm wide. Condition Report. To be used as a guide only. Light wear. No chips, cracks or restoration.
Los 600
An early twentieth century Indian embroidered silk and stumpwork picture. Depicting two peacocks perched on branches and with a palace in the background. Carriage label verso for the Station Hotel, Blyth. 88cm x 48cm Condition Report. To be used as a guide only. Some staining. Light wear and wrinkling.
Los 705
A Victorian walnut two over three chest of drawers. With burr veneered drawer fronts and turned knobs. 110cm wide, 47cm deep, 97cm high. Condition Report. To be used as a guide only. Some wear but in overall fair condition. Light scuffs to the top. Top and sides free from splits. No wood worm damage. Drawer runners replaced.
Los 709
A George III mahogany bureau bookcase. The top astrigal glazed section is raised on a frieze of dummy drawers over the bureau with fitted interior raised on bracket feet. 192cm high, 97cm wide 57cm deep. Condition Report. To be used as a guide only. One handle missing. Overall fair but would benefit from some light restoration.
Los 755
A late twentieth century English light oak refectory table and six dining chairs upholstered in burgundy leather. The four plank oblong table top over a frieze carved with Eely pheasant motifs is raised on turned bulbous supports. The chairs including two carver armchairs have bobbin turned spindle back rests. Table 180cm x 90cm. Commissioned by the vendor. Condition Report. To be used as a guide only. Excellent condition. Top removable.
Los 485
Daniel Havell after T L Rowbotham (early 19th century) ``A View of part of the Bay and City of Dublin, taken from Marino`` ``A View of the New Pier & Lighthouse at Howth Near Dublin`` Published by Colnaghi & Co, London 1817, hand-coloured aquatints, 25cm by 87cm, contained in verre eglomise frames ``A View of the New Pier & Lighthouse at Howth Near Dublin`` Light staining to paper which is more pronounced along top exposed margin and other sporadic areas. Cluster of medium sized foxing mostly contained but not entirely exclusively, in the central area of the sky and into the margin. Light creasing to right hand side edge. Rubbing to paper above the printed word ``Dublin`` in the title. Light creasing to left hand side margin and small hole. Colour depth OK- good. Full text, title and publisher details intact. ``A View of part of the Bay and City of Dublin, taken from Marino`` In a comparable overall condition to the former. Rubbed/ worn/ grubby appearance to left hand side margin. Text and title intact but not as clear as the former. Creasing and odd nick to the paper of the right hand side margin. Light scuffing lower margin. Colour depth OK- good. Not examined out of the frames.
Los 486
R Havell after J B Fraser (19th century) ``The Ridge & Fort of Jytock`` ``The Junction of the Touse and Pabur`` Taken from James Baillie Fraser`s ``Views of the Himala Mountains``, 1820, coloured aquatints, 42cm by 59.5cm Light time staining to the paper. Overall good colour and condition. Small cluster of dark coloured spots to top right hand corner of ``The Junction of the Touse and Pabur`` . Attached to backing board with masking tape along top edge, free otherwise.
Los 493
Charles Edward Dixon RI (1872-1934) ``The Port`` - Pool of London Signed and dated (19)09, watercolour, 26cm by 75.5cm In basically strong colour. Possible minor area of light rubbing towards upper top right hand corner. There are a few nicks to the paper below the burnt orange sail on the left hand side approx. 0.5 -1cm in length and another less pronounced nick to the left of the rowing boat in the foreground. There are three further nicks to the centre of the paper just to the right of the ``Wesley Ship``. Very light staining to the paper. Not examined out of the frame. Water stain to mount on left hand side running just over half the length. Thunderflies trapped under the glass.
Los 495
Mary Weatherill (1834-1913) Edinburgh Castle and the surrounding environs Signed and dated 1878, watercolour heightened with white, 26cm by 40cm In overall good colour and condition. Light staining to the paper evident in the sky and exposed or unpainted areas. There is a small cluster of medium sized brown spots just to the right of the castle and running down towards the city itself. Not examined out of the frame.
Los 508
Herbert F Royle (1870-1958) ``Sunset on the Marsh`` Signed, inscribed verso ``number 26``, titled, and priced £8.8.0, oil on canvas board, 24cm by 34cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot In an overall good stable and original state of preservation. Good thick impasto remaining across entire surface. Covered in a layer of dirt and discoloured varnish. Two small losses to the canvas top left hand corner. Very light cracquelure in isolated areas across the surface.
Los 510
Alfred Pollentine (fl.1861-1880) View of Santa Maria della Salute, Venice View of Piazza San Marco, Venice One signed and dated (18)82, oil on canvas, 29cm by 49cm (2) Provenance: John Noott Galleries, Broadway Each in fully restored condition. Re-lined, cleaned and re-varnished. Not examined with a UV light.
Los 514
Sidney Richard Percy RA (1821-1886) Cattle watering in before Mount Snowdon with a figure looking on Signed and dated 1854, 36.5cm by 57cm In fully restored gallery condition. Re-lined, cleaned and re-varnished. Paint work is somewhat thin and flat, especially around the mountain area. Not examined with a UV light.
Los 519
William Mason Brown (1828-1898) American Figures conversing in a mountainous landscape, a figure droving cattle in the distance Signed, oil on panel, 17cm by 28.5cm Bears a W Scott & Sons, 1739 Notre Dame Street, Montreal label verso. In overall good, stable condition. Covered in a thick layer of dirt and discoloured varnish. Area of crazing and cracquelure to the left of the almost centrally placed crop of trees and another along the left hand side edge towards the lower corner. Painting is glazed. Not examined with a UV light. Generally tired, dirty and tatty frame with losses along full length of left hand side.
Los 521
Thomas Sidney Cooper RA (1803-1902) ``Twins`` Signed and incised ``TSC``, dated 1865 and inscribed with the title verso, oil on panel, 43cm by 59.5cm Provenance : Thomas Agnew & Sons, Manchester Hewston & Forster, Sheffield Christie`s, 10th June 1921, Lot 62 (70gns to Vicars) Literature : Westwood. Kenneth J, ``Thomas Sidney Cooper, His life and Work``, Volume One, p.329 (0.1865.24) In restored condition - cleaned and re-varnished. Paint is slightly thin in some isolated patches in the sky, but mostly retaining good delicate brushwork within the composition. Minor retouching to most edges, most prominently along the top edge and lower especially towards the right hand side. Sporadic minor retouching in the sky, mostly on the right hand side. Light strengthening to the coat of the ewe along the curve of the hind quarters. Some very minor and stable cracquelure here and there.
Los 522
W J Murray (19th century) A shepherd herding a flock of sheep in a Surrey landscape Signed and dated (18)76, oil on canvas, 80cm by 110cm In need of some general conservation and restoration. Original canvas. Large sized cracquelure consistently throughout the sky which is flaking in am mostly horizontal line above the horizon and towards the upper level. Small paint losses along the top edge. Rather pronounced crazing in various areas of the dark paint ( bitumen?) within the vegetation of the foreground. Covered in a layer of dirt and discoloured varnish. Not examined with a UV light.
Los 523
Charles Leaver (19th century) ``An Avenue in the Deerpark, Savernake Forest, Wiltshire`` Signed and dated 1885, signed, inscribed and dated 1885 verso, oil on canvas, 74.5cm by 62cm Provenance: Sutcliffe Galleries, Harrogate Sold together with a copy of a bill of sale dated 21.5.94 for £2,250 In an overall good state of preservation. Cleaned and re-varnished. Minor and sporadic crazing in the sky. Not examined with a UV light.
Los 525
Sydney Robert Watson (ex.1921-1939) Highland Cattle Sheep in a Highland landscape Signed and dated 1901, oil on canvas, 34cm by 52.5cm (a pair) Provenance: Sutcliffe Galleries, Harrogate Sold with the original bill of sale dated 28.6.93 In fully restored condition. Re-lined, cleaned and re-varnished. Not examined with a UV light.
Los 526
Alfred Fontville de Breanski Jnr. (1877-c.1945) ``Summer Morning Loch Katrine`` Signed, oil on canvas, 62cm by 75.5cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Cleaned and re-varnished but retains surface and impasto. Area of overpainting towards the top right hand corner with repair to the reverse of the canvas and associated restoration in rocky outcrop on the right hand side . Few smaller minor repairs visible by eye to reverse. Nail hole bottom right hand corner. Light surface dirt and discoloured varnish. overall good and sound condition.
Los 527
William Mellor (1851-1931) ``On the Wharfe, Bolton Woods, Yorkshire`` Signed, oil on canvas, 89.5cm by 69.5cm Provenance: Sutcliffe Galleries, Harrogate Sold together with a copy of a bill of sale dated 28.6.93 In fully restored, good condition. Re-lined, cleaned and re-varnished. Not examined with a UV light.
Los 528
William Mellor (1851-1931) ``A Lane near Ripley, Yorkshire`` Signed, oil on canvas, 29cm by 18.5cm Sold together with a copy of a bill of sale September 5th 1996 Provenance: Sutcliffe Galleries, Harrogate In good, fully restored condition, re-lined, cleaned and re-varnished. Retains good surface texture and brushwork. Not examined with a UV light.
Los 529
William Mellor (1951-1931) ``Old Bridge, Bolton Woods, Yorkshire`` ``On the Wharfe, Nr Bolton Woods, Yorkshire, Nr Strid`` Signed and inscribed verso, oil on canvas, 19cm by 28.5cm Sold together with a copy of a bill of sale September 5th 1996 Provenance: Sutcliffe Galleries, Harrogate In overall good condition. Cleaned and re-varnished. Not examined with a UV light.
Los 531
Cornelis Kuypers (1864-1932) Dutch A summer landscape with cattle grazing Signed, oil on canvas, 52cm by 130.5cm In fully restored condition. Replacement canvas to the reverse - the surface is very dense and could be a thin board laid down ? or extremely thick original canvas. Some surface dirt and discoloured varnish. Medium sized cracquelure across surface which is stable and slightly more pronounced in areas. There is a pink/red coloured scuff centre top edge. Not examined with a UV light.
Los 538
Attributed to David Dalby of York (1794-1836) ``Down Hill`` Bears signature and date 1820 in ink verso, oil on canvas, 21cm by 28cm Re-lined, superficial scratch on right hand side towards outer edge. Very light and sporadic craquelure. Covered in a layer of dirt and discoloured varnish. Not examined with a UV light.
Los 539
George Armfield (1808-1893) Two terriers in a interior Signed, oil on canvas, 41.5cm by 51cm In overall good original stable condition. Covered in a layer of dirt and discoloured varnish with surface splashes. Small rub/ loss to paint surface top left hand corner and scuff to top centre. Not examined with a UV light. Size and condition of of Frame :Frame in complete condition with various cracks to the gesso. Odd chip to the corners with rubbed gilt. One small section approx 1cm long missing to the beading on the left hand side. Approx 15cms -17cms wide on each side including slip. Surface dirt and minor rubbing to edges of slip which is slightly loose from frame.
Los 540
British School (mid 19th century) An English pointer retrieving a partridge before an extensive landscape Indistinctly signed and dated, oil on canvas, 41cm by 54cm In overall good original stable condition. Covered in a layer of dirt and discoloured varnish. Scratch/ paint loss/ tear approx. 1cm in length in the sky above the hounds hind quarters. Fine cracquelure across entire surface with stretcher shadow visible. Inscribed in the foreground ``Pan``. Very minor scuff to dogs neck. Not examined with a UV light.
Los 541
Richard Barrett Davis (1782-1854) Portrait of Isaac Sadler Esq. on his horse ``Dangerous``, Winner of the Derby, 1833 Oil on canvas, 65.5cm by 88.5cm Provenance: The Lefevre Gallery, London In fully restored condition. Re-lined, cleaned and re-varnished. Consistent re-touching throughout the sky, around the figure, within his attire, the outline of the horse and within tail and across horizon and less so within the foreground. Overall appearance of the painting is somewhat flat from the restoration process and paint is rather thin in places. Fine - medium sized cracquelure across the surface which is stable. Light surface dirt and discoloyred varnish.
Los 544
Colin Graeme Roe (fl.1858-1910) Two Setters in a moorland landscape Signed and dated (18)96, oil on canvas, 46cm by 61cm The work is in good original unlined condition with thick impasto in places and delicately applied glazes in the mountains and in the dogs` coat. There is dirt and discoloured varnish across most of the surface. There is some light re-touching in the sky which is now rather dull and possibly starting to discolour slightly. The work is contained within its original late Victorian early Edwardian gilt plaster and wooden frame with inner gilded slip, one or two small pieces of plaster are missing from the frame (220410)
Los 549
George Vernon Stokes (1873-1954) Two greyhounds with a hare in a landscape Signed, inscribed in pencil ``RA, 1914`` verso oil on canvas, 49.5cm by 60cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot In overall good original condition. Surface dirt and discoloured varnish. Not examined with a UV light.
Los 550
Renato Cataldi (1909-1981) Brazilian A pair of scarlet macaws resting on a branch A pair of scarlet macaws in a rain forest Each signed, with Atelier Cataldi labels verso, 117.5cm by 57cm and 119.5cm by 63.5cm respectively (2) Provenance: The Tryon Gallery Limited, London Parrots in the rainforest: Minor scuff in lower left hand corner. Crease to board and circular shaped indentation to the left of this. Covered in a layer of dirt and discoloured varnish and sporadic dark coloured splashes. Light abrasion in top right hand corner. Minimal crazing to the tail feather of one parrot. Horizontal scratch around the tendril on the right hand side. Companion : Covered in a layer of dirt and discoloured varnish with sporadic small dark coloured splashes here and there. Superficial scratch lower right hand corner. Not examined with a UV light.
Los 553
John Wood (1801-1870) An elegant lady in an interior Signed, bears fragments of an artist`s label verso inscribed ``A Lady in a Boudoir, 1834`` label verso, oil on panel, 41cm by 27cm In fully restored condition, cleaned and re varnished. Paint somewhat thin in areas of the background, two superficial scratches upper section centre, has not been examined with a uv light.
Los 558
Michael Dahl (1659-1743) Portrait of a Gentleman Oil on canvas, 239cm by 146cm Provenance: Allerton Castle, North Yorkshire Ex Sotheby`s, Anonymous Sale, Lot 42, 1985 Michael Dahl was a Swedish portrait painter who lived and worked in England for most of his career. His success and prominence as a leading light in the artistic world was attested by securing many illustrious commissions for portraits, including Queen Anne of Great Britain, Queen Christina of Sweden and Prince George of Denmark, in addition to many members of the British Royal Court and aristocracy. His work is remarkable in depicting the subject in a full length pose, which creates an added presence and sense of importance to the overall impression
Los 562
Circle of Frank Brangwyn (1867-1956) A head and shoulders portrait of an Arabian man Indistinctly inscribed, bears Brangwyn Studio label verso and stencil nos. DDS79 & HE544 verso, oil on canvas, 53cm by 43cm This is copy of a work by John S Sargent `` A Bedouin Arab`` . In overall good stable and restored condition. Re-lined cleaned and re-varnished. Covered in a thin layer of dirt and discoloured varnish. Two small areas of paint loss along the right hand side edge - one being approx 0.5cms in length and the other more of a chip. There is a small amount of lifting to the paint in this area also. Light cracquelure to areas and a superficial scratch to the top of his headdress. Light surface dirt.
Los 564
Manner of J.P Monnoyer (19th century) A still life of assorted summer flowers in an urn before a landscape A still life of assorted summer flowers in an urn before a landscape Oil on canvas, 77cm by 58cm (a pair) Contained in octagonal frames In restored condition. Not examined with a UV light.
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534325 Los(e)/Seite