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534297 Los(e)/Seite
Los 822
1929/30 FA Cup Semi Final Football Programme: Arsenal v Hull City played at Leeds United. Dated 22 3 1930. Lightly pencilled team changes and light creasing. The spine is taped mainly inside and the bottom square on front cover has been replaced with a new piece which is not a professional repair. See photos online. Very low starting price considering this would fetch a four figure sum when in better condition.
Los 32
A fine selection of antique and early 20th century meershaum or sepiolite tobacco pipes various designs including horse heads Very good, All have been used so would benefit from a clean. general light wear ( slight scuffs here and there. Horse has had the tip of his ear re attacthed and possible hairline to one side however could be there since manifactured
Los 503
* TOM HOVELL SHANKS RSW RGI PAI (SCOTTISH 1921 - 2020), LOCH AILORT watercolour on paper, signed 20cm x 64cm Mounted, framed and under glass. Note: Tom was born in Glasgow and spent his early years in Dennistoun. After his father’s death, when Tom was just ten years old, he and his older brother were raised by their mother and her two sisters. Shelving his dream of going to art school, he left school in his early teens and got a job as an office boy at Templeton’s carpet factory, but art remained his passion. As young as seven, on family holidays to Skye he would set off with his drawing book and sketch the mountains. He later spoke of this as a formative experience which defined what would be his key subject for the rest of his artistic life. At Templeton’s he began to exhibit his drawings and paintings in the art club and worked his way up to a job in the design department at the time when the company was creating the carpets for Cunard’s new liner, the Queen Mary. Returning to Glasgow after the war, he started attending night classes at Glasgow School of Art where his exceptional work was spotted by the director, Harry Barnes, who encouraged him into full-time study. He graduated in 1950, winning a prestigious travelling scholarship which took him to France, Italy and Belgium, painting as he went. Tom’s wife-to-be, June, was a fellow student at Glasgow School of Art. They married in 1953 and were together for 65 years until her death in 2018. Tom and June moved to Rosehill in Kilbarchan in 1956, sharing the big house with artist friends Bill Birnie and his wife Cynthia (Wall). Tom and June’s daughters, Judy and Wendy, grew up alongside the three Birnie children, forming lifelong friendships. Tom also began to exhibit his own paintings with Glasgow gallery Cyril Gerber Fine Art, a relationship which continued until Cyril’s death (2012) and after the gallery passed to his daughter Jill. Tom was elected to membership of the Royal Scottish Society of Painters in Watercolour (RSW) in 1957. The family often spent the six-week summer holiday in the Highlands, where Tom would head off daily to paint and draw. Working en plein air was an important aspect of his practice, whether painting the mountains or sketching seascapes on the deck of a ferry bound for the islands. He took early retirement from teaching to concentrate on painting. Always productive, Tom was now able to exhibit regularly with a range of galleries and a following quickly grew for his work. Never one for self-promotion, he preferred to leave June to work the room at private views and could often be found in quiet conversation with art students or gallery assistants, learning about their work. He was made RGI in 1983 and PAI in 1996. At no point did advancing age curb Tom’s productivity as an artist. If anyone ever asked why he was still wielding a paintbrush in his nineties, they would be quietly told: “I’m an artist, that’s what I do.” A master of watercolour, he particularly enjoyed capturing the moods and weather of the Highlands, the shifting patterns of cloud and light over panoramas of mountains. In old age, he decided to experiment with oil paint and produced a handful of exquisite works, adapting the techniques he used so masterfully in watercolour to this new medium. His last solo show was at Jill Gerber Fine Art in 2018, and he continued to supply paintings for group shows, and painted well into his 99th year. He celebrated his 99th birthday in April during the pandemic lockdown with his three great-grandchildren singing to him through his window. The pandemic meant attendance at his funeral was limited, but friends and neighbours lined the streets of Kilmacolm as his cortege passed, to honour a man who is remembered as a caring, modest gentleman and an exceptional artist. Notable collections include HRH Prince Philip, The Hunterian (Glasgow) and The House of Lords (London).
Los 527
* DAVID JOY (SCOTTISH CONTEMPORARY), STILL SEASCAPE oil on canvas, signed 60cm x 92cm Framed. Note: David Joy is a Scottish professional wildlife illustrator. Respected and admired for his many talents, David is also a seascapes artist, golf historian and author. Hailing from St Andrews he lives in a 15th century country cottage on the fringe of this great Scottish town. His artwork is displayed and sold worldwide. David’s Seascapes are of locations around Fife. David’s latest project is an extensive series of seascapes capturing his day to day observations of the ever changing atmosphere of Scotland’s east coast light, using the foreshore of the North Sea from the Firth of Forth to St Andrews Bay and the Eden Estuary as his inspiration.
Los 722
* MARY DAVIDSON (SCOTTISH CONTEMPORARY), CARNATIONS IN THE STUDIO oil on board, signed 50cm x 60cm Framed and under glass. Note: Mary was born in Dundee and lived in Australia for a few years as a child. She lived in Glasgow for 12 years from 1986 before moving to West Lothian in 1998. Mary studied at Glasgow School of Art and has been exhibiting regularly since 1994. Since then she has taken part in many exhibitions, to wide acclaim, on both sides of the Atlantic and now has works in numerous private collections in Britain and abroad. She is an artist member of the Glasgow Society of Women Artists and the Paisley Art Institute and regularly exhibits at the R.S.W., R.G.I. and Laing Art Exhibitions. Her paintings are also exhibited in prestigious art galleries around the UK. Mary works mainly in oil. She paints a range of subject matters in an expressive manner that captures light and colour. She is perhaps best known for her still life paintings. Her work is in numerous corporate, private and public collections including Vanity Fair in New York; the Duke of Bedford collection; Gray's School of Art, Aberdeen; East Dunbartonshire Council and Cala Homes.
Los 809
* JOHN CUNNINGHAM RGI D Litt (SCOTTISH 1926 - 1998), STILL LIFE WITH APPLES oil on linen, signed 50cm x 50cm Framed. Provenance: Private Scottish Collection. Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for colour, displaying bold, confident brush-strokes along with subtle sensitivity. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. His still lifes such as the painting on offer here are typified by a sense of connection to nature, an honesty depicted – nothing is sentimentalized or diminished – and a lavish generosity of engagement with colour, tone, shade and light. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public, corporate and private collections.
Los 850
* TOM BARRON, FINDHORN SANDS II oil on canvas, signed 61cm x 91cm Framed. Note: Tom Barron is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.
Los 851
* TOM BARRON, SUMMER LIGHT, ARISAIG oil on canvas, signed 61cm x 92cm Framed. Note: Tom Barron is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.
Los 129
Herend Porcelain Manufactory (Hungary) Queen Victoria Plates3x Herend Queen Victoria Plate Dimensions: 18.5cmEach Marked with blue Herend underglaze mark, Herend Hungary Handpainted.6x Herend Queen Victoria Plate Dimensions: 16.5cmEach Marked with blue Herend underglaze mark, Herend Hungary Handpainted. Red design and decorator number.Condition: Pre-owned, in excellent condition, as seen on photos.No chips, no cracks or repairs. Light wear visible.
Los 130
Herend Porcelain Manufactory (Hungary) Queen Victoria Mocca cups & saucers.6x Herend Queen Victoria cups Dimensions: 5cm deep6x Herend Queen Victoria saucers Diameter: 11.5cmEach Marked with blue Herend underglaze mark, Herend Hungary Handpainted. Red design and decorator number.Condition: Pre-owned, in excellent condition, as seen on photos.No chips, no cracks or repairs. Light wear visible.
![A Light oak wine table with wine storage shelving, designed to look like a barrel. [62cm height]](https://cdn.globalauctionplatform.com/f9b96414-d04f-4627-b354-ac3a00d765d5/509d41a0-5046-4912-ac06-ac3e00841d0b/468x382.jpg)
Los 215
A Chinese export blue & white cylindrical vase, together with one other decorated in the famille rose palette, a Japanese Kutani vase, and an oriental blue & white plate (4)Condition report: Canton jar – some handling wear to enamel around the rim.Blue and white dish – approx. 2cm crack and chip to rim.Kutani vase – light handling wear.Crackle vase – no apparent faults.
Los 235
An Augustus Rex porcelain miniature cabaret set, comprising tea-for-two service on oval tray, all panel decorated and heightened in gilt, tray w.27cmCondition report: Teapot and smallest pot with cover have D under crown mark rather than A.Rex mark (possibly for Helena Wolfsohn?).Teapot – finial with some minor chips.One spoon is snapped and missing terminal (present).Some very light rubbing to gilt in places.Otherwise all appears intact.If the teapot and sugar are matched, then they match the rest of the set extremely well.
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534297 Los(e)/Seite