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Forum Auctions
Los 281

Tibet.- Kinloch (Alexander A.A.) Large Game Shooting in Thibet and the North West, first edition, 12 mounted albumen prints on 11 ff., folding map, folding wood-engraved plates, errata slip, some light scattered foxing, original pictorial cloth, spine ends and corners bumped and a little frayed, 1869 § Rundall (Lieut. L. B.) The Ibex of Sha-Ping, colour tipped-in plates, captioned tissue-guards, browning to endpapers, cracking to hinges but firm, original pictorial cloth, light toning to spine, spine ends and corners slightly bumped at frayed, light rubbing to extremities, 1915; and 2 others, similar, 4to & 8vo (4)

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Forum Auctions
Los 287

NO RESERVE Turkey.- Montagu (Lady Mary Wortley) The Letters and Works, 3 vol., first edition, engraved frontispieces, lacking half-titles, occasional scattered spotting, bookplate of Sir William Eden, contemporary half calf, spines gilt in compartments, light rubbing to extremities, some spotting to spine and corners, 8vo, Richard Bentley, 1837.

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Forum Auctions
Los 41

Africa.- Egypt.- Grogan (Ewart S.) & Arthur H. Sharp. From the Cape to Cairo, first edition, half-title, portrait frontispiece, plates and illustrations, 2 folding colour maps, light spotting to first and last few leaves, bookplate, original pictorial cloth, fractional bumping to corners and spine extremities, an excellent example, [Hosken p.88], 1900 § Budge (Sir E. A.) By Nile and Tigris: A Narrative of Journeys in Egypt and Mesopotamia ..., 2 vol., first edition, half-titles, frontispieces, plates and illustrations, folding map, short tear at gutter, scattered spotting, bookplate, original pictorial cloth, vol. 1 recased, rubbed and worn, bumping to corners and extremities, 1920 § Moffat (Robert) Missionary Labours and Scenes in Southern Africa, second thousand, Baxter print frontispiece, vignette title, plates, folding map, bookplates, contemporary calf, richly gilt spine, slight bumping to spine extremities, 1842 § Rey (C. R.) In the Country of the Blue Nile, first edition, frontispiece, plates, scattered spotting, bookplate, previous owner's ink initials to front free endpaper, 1927, 8vo (5)

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Forum Auctions
Los 42

Africa.- Egypt.- Lane (Edward William) An Account of the Manners and Customs of the Modern Egyptians, 2 vol., illustrations, bookplates, contemporary calf, richly gilt spine, green and red leather spine labels, 1842 § Kumm (H. Karl W.) From Hausaland to Egypt, through the Sudan, first edition, portrait frontispiece, plates and illustrations, folding map at end, bookplate, original pictorial cloth, light rubbing, slight bumping to corners and extremities, 1910 § Tristram (H. B.) The Great Sahara, wood-engraved frontispiece, vignette title, plates and illustrations, 2 folding maps, 1 at end with tear at hinge with old tape repair to verso, bookplate, modern morocco-backed boards, 1860 § Edwards (Amelia B.) A Thousand Miles up the Nile, wood engraved frontispiece, vignette title, illustrations, many full-page, previous owner's ink inscription to half-title, ink-stamps of Ricardo A. Caminos to 'Preface', bookplate, original pictorial cloth, gilt, 1889, 8vo (5)⁂ Provenance: The first with the bookplate of the Bromley-Martins of Ham Court.

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Forum Auctions
Los 6

Africa.- Archaeology.- Arkell (A. J.) Early Khartoum: an account of the Excavation ... carried out by the Sudan Government Antiquities Service in 1944-5, faint spotting to endpapers, original cloth, fractional bumping to spine extremities, dust-jacket, tiny tear to spine head, light creasing to top edge, 1949; Shaheinab: an account of the excavation ... carried out by the Sudan Government Antiquities Service in 1949-50, light spotting to endpapers, original cloth, dust-jacket, small tear to spine head, light creasing to top edge, 1953; Wanyanga and an Archaeological Reconnaissance of the South-West Libyan Desert, colour frontispiece, one folding map, original cloth, light mottling to bottom edge, dust-jacket, short tear to spine head, slight creasing to top edge, 1964; first editions, plates and illustrations, one or two folding, bookplate, 4to (3).

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Duggleby Stephenson of York
Los 8004

18ct gold three stone oval cut sapphire and oval cut diamond ring, stamped 750, sapphire approx 0.95 carat, total diamond weight approx 0.40 caratCondition Report:Approx 3.2gm, size J-K, overall well presented ring, light chips/nibbles to vertical facet edge of sapphire, diamond bright good colour with some inclusions under 10x loop, shank slightly rubbed to base but sound

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Duggleby Stephenson of York
Los 8005

18ct gold oval sapphire and diamond cluster ring, stamped 18ct PlatCondition Report:Approx 2.5gm, size K, overall head = 10.5mm x 8.5mm, some diamond light yellow colour, bright with good movement

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Duggleby Stephenson of York
Los 8006

Early 20th century rose gold graduating link bracelet, with spring clasp, each link stamped 9 375Condition Report:Approx 13.2gm, length = 18.5cm, overall good condition, some light wear, spring in clasp good

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Duggleby Stephenson of York
Los 8011

Early 20th century 9ct rose gold textured and polished link bracelet, with heart locket clasp, each link stampedCondition Report:Approx 17.85gm, length approx 19cm, hollow links, overall good condition with some light rubbing dents - not detrimental

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Duggleby Stephenson of York
Los 8021

14ct gold two stone old cut diamond and two stone ruby cluster ring, total diamond weight approx 0.30 caratCondition Report:Approx 3.4gm, tested to 14ct, size N-O, diamonds bright good colour with some light inclusions visible under 10x loop, a few claws receding back - need attention, some light surface abrasions to rubies under 10 x loop, shank good

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Duggleby Stephenson of York
Los 8023

18ct gold three stone oval aquamarine and pear shaped diamond ring, hallmarked, aquamarine approx 1.10 caratCondition Report:Approx 4.85gm, size O, max depth = 10mm, some light surface scratches to gold otherwise good condition

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Duggleby Stephenson of York
Los 8048

Victorian gold multi gemstone set ring, with engraved decoration shouldersCondition Report:Tested 12-15ct, size L, been re-sized, max depth = 8.5mm, soldering marks to one area in head setting, well presented stones with some light abrasions

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Duggleby Stephenson of York
Los 8077

22ct gold wedding band, Birmingham 1921Condition Report:Approx 7.05gm, size I-J, depth = 4.5mm, some light surface scratches otherwise good condition

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Duggleby Stephenson of York
Los 8161

18ct gold three stone round brilliant cut diamond ring, stamped 18ct Plat, total diamond weight approx 0.35 caratCondition Report:Approx 1.7gm, size M-N, diamonds bright well matched with some light inclusions under 10x loop

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Duggleby Stephenson of York
Los 8175

Art Deco 9ct gold manual wind wristwatch, London 1935, on brown leather strap, boxedCondition Report:Approx 20.7gm gross, movement currently working, some light marks to dial, case diameter = 26mm (excluding crown), minute hand loose, crown very stiff to turn

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Duggleby Stephenson of York
Los 8177

Rolex 9ct gold manual wind wristwatch, Glasgow import marks 1924, on expanding gilt strapCondition Report:Approx 21.8gm, movement intermittingly working - needs a service, hinge broken - back cover loose, dial okay, some light marks around edge, cover with scratches, case diameter = 25mm excluding crown

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Duggleby Stephenson of York
Los 8182

Gucci stainless steel quartz wristwatch, Ref. 5500 XL, on original stainless steel strapCondition Report:Movement functioning - tested with battery but no battery included, clean dial and cover, some light scratches to case and bracelet, case diameter = 38mm (excluding crown), no box or papers

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Bonhams
Los 166

A Roman moss-green glass handled cup Circa 4th Century A.D.The spherical body with six groups of pincered ribs forming a net pattern, a band of dark blue glass trail below the flared mouth, the dark blue glass trailed handle folded at the rim to form a thumb-rest, 9.2cm high Footnotes:Provenance:With Fortuna Fine Arts, Ltd, New York. The Nico F. Bijnsdorp Collection (NFB 141), acquired from the above on the 15 January 2003.Published: Glasses of Antiquity, Fortuna Fine Arts, Ltd, New York, 2002, no.95.A light greenish example was found in the Roman cemetery at Zadar, Croatia, in a grave dating to the second half of the 1st Century A.D. See Anamarija Eterović Borzić and Berislav Štefanac, Ancient Glass. Catalogue of the Permanent Exhibition of the Museum of Ancient Glass in Zadar (Zadar 2021), p.437, no.1422. The dark blue handle on this example would also suggest an earlier date although one found in the cemetery along the Severin Strasse, Cologne, now in the Römisch-Germanisches Museum, is dated to the 3rd Century A.D. See Fritz Fremersdorf, Römische Gläser mit Fadenauflage in Köln, Die Denkmäler des Römischen Köln V (Cologne 1959), p.72, no.104, pl.111.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Los 54

A collection of Phoenician glass 'eye' beads Circa 6th-2nd Century B.C.Strung as three bracelets, the largest with twenty-one dark blue beads with white and blue eyes, 7.5cm diam; the smallest with twenty dark blue beads with white and blue eyes, 5cm diam.; a third with seventeen light blue beads with yellow, blue and white eyes, 6.5cm diam. (3)Footnotes:Provenance:Mrs G. Landois (d.2014) Collection, Lugano, acquired between 1980 and 1990.Private collection, Europe, a gift from the above.Private collection, The Netherlands.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Los 7

An Attic black-figure white-ground neck amphora of the Light-Make Class Attributed to the Pescia Painter, circa 525-475 B.C.Side A: depicting a symposium scene with Dionysus holding a drinking horn behind Ariadne, both reclining against cushions, vine tendrils above them, a satyr facing Ariadne beneath one handle, another satyr behind Dionysus beneath the other handle; side B: with a central dancing maenad and satyrs, enlivened with incisions, palmettes decorate the neck, rays emanate from the base, 20cm highFootnotes:Provenance:Lucerne market, Ars Antiqua, Auktion II, 14 May 1960, pl.57, no.145.Dr. Hans Stenzl (1880 Munich, Germany - 1980 Riehen, Switzerland), acquired in 1960.Dr Stenzl was a research chemist at F. Hoffmann-La Roche & Cie. AG and J.R. Geigy AG; he was the inventor of important pain-relieving and anti-rheumatic medications.He formed his collection of antiquities between 1953-1968. Private collection, London, inherited by the present owner in 1980.Beazley Archive no. 352198.Published:J.D. Beazley, Paralipomena, Oxford, 1971, 298.1bis.For further information on this lot please visit Bonhams.com

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Bonhams
Los 80

A Greek core-formed glass unguentarium Circa 3rd Century B.C.Of cobalt-blue glass, the ovoid body with opaque yellow, red, white and light-green marvered glass, combed into a feather pattern, the disc rim edged with yellow, two lug handles below the sloping shoulders, tapering towards the pedestal foot, edged in opaque yellow, 9.7cm highFootnotes:Provenance:Paul E. Cuperus Collection, Laren, Netherlands. The Nico F. Bijnsdorp Collection (NFB 162), acquired from the above on the 16 April 2004.There is a Greek unguentarium of similar form in the Metropolitan Museum of Art, coll.no.1972.118.171.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bushey Auctions
Los 121

Schierholz porcelain four light candelabrum on triform base decorated with putti and applied flowers, marks to the base, 30.5cm (h)

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Bushey Auctions
Los 225

A pair of brass three light candelabra, 34.5cm and a copper conical vase chased with deer and trees, 18cm (h)

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Roseberys London
Los 282

Sandra Blow RA, British 1925–2006 - Summer (Ridgeway), 2005; acrylic and hessian collage on canvas, signed and dated lower right 'Blow 05', further signed, titled, dated and inscribed on the reverse 'Blow 05 Title: Ridgeway', 59 x 59 cm (ARR) Note: together with exhibition catalogue: New Millennium Gallery, St Ives Provenance: with Caroline Weissman Modern Art, London (according to the label on the reverse); private collection Note: Blow is considered to be one of the pioneering abstract artists of the 1950s who introduced a new form of expressive painting to Britain, often using everyday discarded materials such as sawdust, sackcloth and plaster, as well as paint. Although considerably younger than many of her contemporaries of this early period, she was at the forefront of the abstract movement. The present work is an exemplary piece of her later period, showing her skillful techniques towards creating abstract form, light, space, texture and rhythm.

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Roseberys London
Los 61

William Samuel Horton, American 1865-1936 - Landscape study; oil on panel, inscribed on the reverse 'Horton L431', 23.5 x 33 cm Provenance: with Christies, South Kensington, Topographical Pictures 24th May 1990, lot 39, illus. p.34 Note: Horton spent a large part of his life living and training in France and England. Having trained along side Whistler, Monet, Degas and Pissarro, Horton developed his own personal style, influenced by the Impressionists. His primary focus was the effects of light on shapes, and he would often paint the same landscape at different times of the day, exploring the variation in light and shadows. Horton would go on to be one of the main members of the American Impressionist movement alongside Mary Cassett and Childe Hassam.

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Roseberys London
Los 71

Andrei Yakovlevich‏ Beloborodoff, Russian 1886-1965 - A Design for an Open-Air theatre at Ivy House, Golders Green, Home Of Anna Pavlova; watercolour on card, heightened with bodycolour and pen & sepia ink, signed lower right 'A Beloborodoff', signed and inscribed on the reverse '...[?] Beloborodoff /...z[?]iante per il Balletto di Anna Pavlova,gallo... / N. 16', 19 x 23.5 cm Note: Beloborodov began his career as an architect and designer at the very end of Russia's "Silver Age". He studied at the Academy of Arts in St Petersburg. Early on in his studies he developed a particular affinity for Italian architecture, in particular the Italian expatriate Quarenghi, whose buildings could be seen all around the old capital. He gave a speech in 1912 where he spoke of protecting the architect's Zavadovskii Palace, he began work on a project to issue a book with architectural plans and sketches of the Palace. Although global circumstances prevented this from coming to fruition, it established Beloborodov's reputation among St Petersburg high society. He received commissions from clients such as the Count & Countess Bobrinski, the Obolenskiis and Prince Felix Iusopov. His career in Russia reached its zenith with a commission from Tsar Nicholas II to design the public halls at the Cabinet of His Royal Highness at Anichkov Palace in 1913-14. During this period, he also came to know the leading figures of the arts in Russia, including Benois, Stravinsky, Nijinski and Anna Pavlova. His time in Russia was cut short by the Great War and subsequent revolution, and he moved to London in 1920. Here he designed sets for the Royal Albert Hall, including for his former client and friend Prince Iusopov's 'Blue Ball', held in support of refugees from Soviet Russia. It was while he was in London that this design for Anna Pavlova's ballet was executed (1). Pavlova was iving in Ivy House, in Golder's Green, where she kept a small ornamental pond for her pet swans, with which she became associated in the popular conception: "I stayed on in England for several months (executing a project for an open-air theatre for the great ballerina in "Swan" park...)" (2) The so-called 'Swan Park' at Ivy House was already well-known as the setting for many press photographs of Pavlova. Her performance of The Dying Swan, her posing as a Swan for The Sketch in a window of Selfridges and numerous other deliberate associations had solidified her image as this elegant creature in the mind of the public (3). Ivy House itself was built in the 18th century and is said to have been home to J.M.W. Turner at one point prior to Pavlova's purchase of it in 1913 (4). Beloborov went on to have a glittering career in Italy after his short stay in England. This was a place where he could fully indulge the innate Italophilia which he had already admitted to in 1911-1912: "The world of painting was always linked for me to my dream of Italy..." and he developed an "...'Italian backbone' which fuses all of my art" (5). In 1924 he held his first solo exhibition at the Galerie Charpentier in Paris and would continue to exhibit at other galleries across Europe. In Italy he became a close friend of the artist Giorgio de Chirico, and his architectural designs and interiors were critically acclaimed by collectors and the cognoscenti in that country. He is best remembered for his later fantastical views of Rome and other grand Italian cities: these are generally devoid of people and often sparkling in an otherworldly glow (de Chirico rightly perceptively saw it as a 'Platonic' light (6)) which have a surreal element to them and show off his fantastic architectural draughtsmanship. Later in life he also excelled in designing costumes and sets for opera and cinema in Italy.

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Roseberys London
Los 27

David Cheepen, British 1946-2016 - Travelling Light, 1991; acrylic on board, signed and dated lower left 'D.Cheepen 24.6.1991', titled to gallery label on the reverse, 29.5 x 20.7 cm (ARR) Provenance: the Artist; with Portal Gallery, London (according to the label on the reverse); The Geoffrey and Fay Elliott Collection, purchased from the above and thence by descent

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Wilson55 Auctioneers & Valuers
Los 106

Trevor Grimshaw (British 1947-2001) "Monoliths" Signed and numbered 382/450 in pencil in the margin, limited edition print.21cm x 25cm (8.25in x 9.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is some light staining and browning in the upper margin. The print is framed and glazed. The frame has some minor scuffs and scratches commensurate with age.

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Wilson55 Auctioneers & Valuers
Los 12

L.S. Lowry R.A. (British 1887-1976) "A Northern Town" 1969, signed and numbered 60/75 in pencil in the margin, published by Ganymed Press, two-tone lithograph.image size 47.5cm x 61cm (18.75in x 24in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There is some light time staining and browning together with other minor surface marks in the margins. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Los 127

"The Singing Street" by Mike Harding, drawings by Trevor Grimshaw. "The Singing Street - Poems of a Manchester Childhood and Beyond" by Mike Harding, drawings by Trevor Grimshaw, published by Moonraker Productions in 1979, softback.21.5cm x 14cm (8.5in x 5.5in)The book is in good, used condition. There are some light surface marks and scuffs to the covers and corners.

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Wilson55 Auctioneers & Valuers
Los 3

Stuart Walton (British 1933-) "Leeds Bridge over the River Aire" Signed, with gallery label - 'The Railings Gallery, London' on verso, oil on canvas laid on board.54cm x 69.5cm (21.25in x 27.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. The surfaces of the painting and frame are stained by nicotine and would benefit from a light clean. There is one fleck of paint loss in the lower left-hand corner of the painting. The painting is framed but not glazed. The original frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Los 39

Reg Gardner (British 1948-) "Pollard Street East, Ancoats" Signed, oil on board.24.5cm x 29.5cm (9.75in x 11.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in good, original condition. The surfaces of both the painting and frame are stained by nicotine and would certainly benefit from a light clean. There are one or two small flecks of paint loss along the upper edge of the board. The painting is framed but not glazed. The original frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Los 5

Stuart Walton (British 1933-) Leeds street scene with terraced houses Signed and dated '69, oil on canvas laid on board.54cm x 76.5cm (21.25in x 30in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. The surface of the painting is stained by nicotine and would benefit from a light clean. The painting is unframed.

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Wilson55 Auctioneers & Valuers
Los 64

L.S. Lowry R.A. (British 1887-1976) "His Family" Signed in pencil in the margin, with Fine Art Trade Guild blind stamp, from an edition of 500, limited edition colour print.image size 53cm x 71cm (20.75in x 28in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The colours are slightly down across the image and there is a small surface mark in the upper right-hand corner of the print. There is some very light time staining and yellowing around the edges of the paper near the mount board. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

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Clevedon Salerooms
Los 142

Early 20th Century bar brooch set seed pearls and light blue stone, stamped '9ct', 5.5cm long approx, 2.2g gross approx

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Clevedon Salerooms
Los 516

Moorcroft 'Utility' ware tapered vase, together with a purple glazed jar, impressed marks, 12cm high and smallerThe purple piece has light crazing all over it and a few light scratches. The white piece has crazing all over and two very small chips to the glaze on the rim. Both would benefit from a clean.

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Clevedon Salerooms
Los 665

Gilt gypsy table with bead work fringe and light blue velvet top, 55cm diameter x 65cm high

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Clevedon Salerooms
Los 674

Ercol Windsor model 458 light elm three-tier trolley, 71cm x 44cm x 75cm high

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Clevedon Salerooms
Los 84

Native American Navajo white metal and turquoise necklace, attributed to Raymond Platero, of six foliate panels with turquoise matrix, stamped 'RBP', to a knife-wire chain, 47cm long, 38g gross approxSome light tarnishing to the metal, a couple of very small dents to the bar links, and the panels, with light surface scratches all over. One of the turquoise cabochons is noticeably darker in colour, the others are well-matched. No obvious signs of damage to the stones or the necklace. **General condition consistent with age and use.

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Duke's
Los 609

OMEGA GENEVE: A GENTLEMAN'S STAINLESS STEEL BRACELET WATCH with automatic movement, the black dial with white luminous hands and light blue seconds hands, date aperture and silver baton numerals, circa 1970's, the case c.42mm diam.

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McTear's
Los 1

* COLIN FRASER (SCOTTISH b. 1956),WHITE ORCHIDSegg tempura on card, titled label versoimage size 49cm x 49cm, overall size 71cm x 71cm Framed and under glass.Label verso: The Gatehouse Gallery, Glasgow.Note 2: Colin Fraser was born in Glasgow in 1956. He studied art in Brighton while in his twenties before moving to Lund in southern Sweden, where he lives with his wife and children. He exhibits regularly at the Royal Academy Summer Show, Catto Gallery and Petley Fine Art in London, Mira Godard Gallery in Canada as well as at galleries in New York and Glasgow. His work is held in numerous private and corporate collections throughout North America, the UK, Europe and Asia. Ever since his first exhibition in Brighton in 1978, Colin Fraser has worked almost exclusively in egg tempera, which has the benefit of being very long lasting, with examples over two thousand years old still in existence, and was the most widely used painting medium until the sixteenth century, when it was superseded by oils. However, it is also extraordinarily time-consuming. The painted surface must be built up layer by translucent layer, with the paint drying instantaneously and not amenable to manipulation afterwards, unlike oil paints. Although a notoriously difficult medium, it has become a firm favourite of Fraser’s, who says that the “restrictions have been paramount in helping me be more direct in my approach to the work, with the instant drying and transparency of the paint actively contributing to a higher level of spontaneity of execution”. Colin Fraser is particularly drawn to its vitality which reminds him “of the dynamism of the sun – never static, always changing”. “Observed light is usually what attracts me into the process of painting,” he says. “The surface of a work painted in tempera simply has a unique glow which cannot be imitated in other mediums”. Constructing each painting is an arduous process, each beginning with an idea or a chance observation followed by weeks of experimentation with arrangements and preparatory drawings. Many of his scenes are staged with strategic placement of chairs, diaphanous textiles and trays of fruit. He believes that the painter “chooses the content and the arrangement, and then it becomes a question of striving to achieve a particular mood”. The prestigious Catto Gallery (London) has staged highly successful solo shows for Colin Fraser in 2015, 2017, 2019 & 2022.

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McTear's
Los 16

* ETHEL WALKER (SCOTTISH b. 1941),STUDY IN BLUEoil on board, signed, titled and dated 2001 label versoimage size 82cm x 82cm, overall size 101cm x 101cm Framed and under glass. Label verso: The Gatehouse Gallery, Glasgow.Comment: a superb example of Ethel Walker's celebrated still life paintings and almost certainly the largest Ethel Walker we've ever offered.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" (a slightly smaller oil on board than "Study in Blue") achieved £3000 (hammer).

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McTear's
Los 174

* IRENE LESLEY MAIN (SCOTTISH b. 1959),RADIANCEoil on board, signed and dated 1981, titled and dated label versoimage size 54cm x 77cm, overall size 68cm x 91cm Framed and under glass. Artist's label verso. Note: Irene Lesley Hope Main was born in Glasgow. She studied Drawing and Painting at the Glasgow School of Art from 1976 until graduating in 1980 (under Donaldson, Robertson, Shanks and Rae), the Patrick Allan-Fraser School of Art at Hospitalfield to which she won a scholarship in Italy. She has travelled extensively throughout Europe, America and Africa and has exhibited widely in one-person and group exhibitions in the United Kingdom, Europe and America. Main is a full-time painter, a winner of the Hiram Walker Award and the Lauder Award, and has studios in Glasgow, Athens and Brodick, Isle of Arran. The artist has been strongly influenced by the Scottish Colourists (in particular, J. D. Fergusson) and the Glasgow School, with its emphasis on light and shade, use of colour and sensuous handling of paint, and traditional pursuit of academic excellence. Her great love of nature underpins her joie de vivre and essential optimism, of which her work is a direct and fluent complement and statement. Lesley Main's work is well-known, and is in public and private collections world- wide, including those of: H.R.H. Diana, Princess of Wales; Allied Irish Bank; Argyll Group; Australian Capital Equity; Bank of Ireland; British Petroleum; Charterhouse Development Capital; Citicorp Scrimgeour Vickers International; Clyde Port Authority; Commonwealth Development Corporation; Robert Fleming Holdings; Henry Ford Foundation; G. K. Goh; Gouldens; Iomart Group; Lam Soon Group; Lanitis Development; Lithgow Group; John Makepeace; Mercury Asset Management; Metropole Group; Prudential Corporation; BWD Rensburg; Royal Bank of Scotland; Save and Prosper; Scottish Arts Council; Herbert Smith; South African Department of Foreign Affairs; Standard Life; Deloitte Touche; University of Strathclyde; Warwick Arts Trust; Yarrow.

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McTear's
Los 239

* CHARLES NEAL (BRITISH b. 1951),WOMAN GATHERING WOODoil on canvas, signed, titled versoimage size 51cm x 41cm, overall size 64cm x 54cm Framed.Note: Charles Neal is currently one of the leading landscape painters in England and has had many major exhibitions. His style blends realism and impressionism while focusing on light and shadow with stunning subtleties of colour. In 1994 his The Painted Garden Exhibition was opened by His Royal Highness the Prince of Wales at The Museum of Garden History in Lambeth, followed by “Coastline” in conjunction with the National Trust. Charles Neal has exhibited in London, New York and the Royal Society of British Artists and his work is represented in many private and corporate collections. Charles Neal is one of England’ s finest and most successful landscape painters. His works are sought after in increasing numbers for prestigious collections worldwide. As a trained engineer and artist, Neal utilises these two disciplines to produce a rare mix of developed skill and natural flair, making him an artist of choice for art collectors all over the world. Neal is committed to a plein air approach, blending the values of French Impressionism with the naturalistic traditions of English landscape painting. Expertly capturing and preserving fleeting effects of light, the physicality of the location with its unique atmosphere and sense of time and place, Charles Neal deftly crystallizes the essence of his chosen location in the painted image. Over the years his paintings have steadily increased in value. His paintings can be seen in Royal, private and commercial collections all over the world, and in recent years he has had two major public exhibitions under the patronage of HRH The Prince of Wales and HRH The Duke of Edinburgh. Neal has also had solo exhibitions with the National Trust, Royal Horticultural Society, Surrey Wildlife Trust, The Museum of Garden History in London, and The Docklands Museum London. His paintings have also been hung at the Royal Society of British Artists and, internationally, at exhibitions in New York, Palm Beach, Barcelona, Paris and Dubai. Charles Neal’s early painting period was initially influenced through frequent visits in his teenage years to the Amsterdam Rijksmuseum, Stedelijk and Van Gogh museums. In the 1980’s Neal began to paint professionally, working in association with Omell Galleries London and later joined Campbell’s of London and Astley House Fine Art. It was during this period that he became interested in the French Impressionists, in particular Claude Monet, Alfred Sisley and Camille Pissarro, for their lightness of touch, sense of celebration of nature and the daily round of life in general. Further, the ‘en plein air’ approach to painting was a logical move forward and at the same time had reference to Constable’s outdoor sketches. In 2003 Charles Neal joined Wally Findlay Galleries (New York and Palm Beach). Subsequently Neal has painted further thematic series of works that have been incorporated in gallery exhibitions or as special events linked to The National Trust, The Royal Horticultural Society, Surrey Wildlife Trust, The National Rowing Museum, Henley and the Docklands Museum London and The Blenheim Foundation.

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McTear's
Los 310

* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948),EVENING LIGHT, KNAPDALEoil on board, signed and dated 99, further signed and dated versoimage size 41cm x 41cm, overall size 62cm x 62cmFramed and under glass.Note: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick's Tug at Crinan" achieved £6000 (hammer). In our August 2021 auction, "Portnahaven, Islay" sold for £6000 (hammer). These being just three of numerous recent auction prices which reflect the strong and ever-growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison.Condition is very goood overall.

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McTear's
Los 5

* HOWARD BUTTERWORTH (SCOTTISH b. 1945),THE RIVER DEE (ROYAL DEESIDE)oil on canvas, signedimage size 60cm x 90cm, overall size 77cm x 107cm Framed.Provenance: We are grateful to The Butterworth Gallery for confirming: "the location is Royal Deeside Aberdeenshire probably painted in in the late 80's and early 90's. The River - Is the River Dee from the South Deeside Road between Aboyne and Dinnet, just before the sawmill with Morven and has a wee cottage and views of the gliding strip fields". The typical gallery price for a Howard Butterworth of these dimensions is in excess of £9000. Note: Born in Rochdale in 1945, Howard Butterworth is a renowned Scottish artist who has lived and painted professionally in Northern Scotland since 1968. Howard captures the atmospheric light and colours of Scotland especially around Balmoral, Royal Deeside, Cairngorms National Park and the Scottish Highlands. Capturing the moods and seasons as only an Aberdeenshire based artist painting outdoors can, Butterworth paints 'en plein air' and he describes his style of painting as "emotional realism". He conveys the sense of being in a particular place at a particular moment in time and the experience and feeling of Nature's constantly changing colours and light. Howard Butterworth paintings are held in private and corporate collections worldwide, particularly his paintings of Scotland including those of native birchwoods, Caledonian pine forests, heather covered moorland, snow-capped mountains and the lively waters and bridges of Royal Deeside. Howard Butterworth's patrons include private and corporate buyers with several paintings featuring in the Royal Collections of H.M. Queen Elizabeth II and Queen Elizabeth the Queen Mother who closely supported him over the years.

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McTear's
Los 84

* FIONA STURROCK,STILL LIFE OF FLOWERS IN A VASEoil on board, signedimage size 59cm x 59cm, overall size 79cm x 79cm Framed.Note: Fiona Sturrock’s paintings demonstrate her love of colour and the practice of mixing colour, laying down patterns of light, shade and texture to produce bold representations of what she is observing. She tends to work on one painting at a time, giving it full focus and energy, which often translates visibly in the intensity of colour and boldness of the finished piece of work. Fiona paints from a mixture of life scenes, photographs and imagination. She is influenced by historical works of Colourists and Impressionists, and is hugely inspired by the wealth and richness of contemporary Scottish art that surrounds us in the present day. Fiona’s work features across a number of galleries and is held in private collections internationally.

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Sheffield Auction Gallery
Los 14

Regimental Interest; A Victorian Hallmarked Silver Footed Bowl, Charles Boyton, London 1892, allover profusely detailed in relief with stylised leaf scrolls, engraved "Battalion Challenge Vase Presented by Colonel Sadler 1892" and bearing insignia of The 1st Volunteer Battalion, Durham Light Infantry, 28cm diameter (1060grams).Lot 14 - rippling to plain band round top, small nicks to inner edge, dents/creases visible to base. 

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Sheffield Auction Gallery
Los 15

Regimental Interest; A Victorian Hallmarked Silver Twin Handled Trophy Cup, Henry John Lias & Henry John Lias, London 1871, allover decorated, engraved "William Mitford ESQre To The Darlington Volunteers D & E Companies 1893" "Won By Sergt B Schoefield" and bearing insignia of The 1st Volunteer Battalion, Durham Light Infantry, 21.5cm high (380grams).

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C & T Auctioneers and Valuers Ltd
Los 140

Durham Light Infantry Interest, including 2nd V.B. Durham Light Infantry, circa 1880, nine glazed original regiment photographs,mixed sizes

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C & T Auctioneers and Valuers Ltd
Los 145

Panoramic Regimental Photograph Durham Light Infantry 1919 glazed 125cms x 25cms

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C & T Auctioneers and Valuers Ltd
Los 84

Sgt Douglas Edwin Smith Behar Light Horse Photograph Album. Certificate of service, first item in album, indicates he served from 1911 until 22 July 1915 when he was discharged and then served with a Voulunteer Special Service Company. Photographs show him with his wife and other images probably in the UK show family scenes a number with an Officer in uniform, unfortunately without captions. The cover is labelled "Captain D.E. Smith Indian Army", so they may be of Douglas Smith. At the end of the album is the King and Queen's "Sympathy" as a result of a service death and this is to Lieut Allan Higson Smith RFC and dated 21/8/17 A relative? c.65 clear images, others faded.

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Busby Auctioneers & Valuers
Los 171

A quantity of Henry Watson herb jars, together with a pestle and mortar and 2 ceramic tea light holders in the form of sheep

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Busby Auctioneers & Valuers
Los 436

MODERNISM AND POST-MODERNISM to include: SHULMAN, 'Modernism Rediscovered'; JAFFE, H. (ed.), 'Stijl: Visions of Utopia', Phaidon; OVERY, P. 'Light, Air and Openness', T and H, 2007; ELIEL, C., 'L'esprit Nouveau Purism in Paris 1918-1925', Abrams; CRINSON and ZIMMERMAN (eds.), 'Neo-Avant-Garde and Postmodernism', Yale, 2010. All in excellen condition.

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Busby Auctioneers & Valuers
Los 867

A Tiffany style stained glass light shade with floral design, 40cmD; together with a ceramic table lamp, 34cmH

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Hansons Auctioneers and Valuers
Los 17

A collection of vintage guitar adverts and cut outs plus a binder of Melody Music with tab, Plus New Musical Express Papers from the 1960s x 6 including The Beatles, Dusty Springfield, Scott Walker, Walker Brothers, Monkees. Plus a 1971 Sounds paper, plus 4 x Melody Maker 1979 papers with The Sex Pistols, Robert Fripp, ( see pictures ) papers have light tears , folds and creases and signs of age.

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Hansons Auctioneers and Valuers
Los 199

METALLICA ROCK BAND - A pair of Lars Ulrich`s custom drumsticks, played during Metallica's iconic set at Milton Keynes National Bowl, 5th June 1993, acquired by a member of the stage crew. The play damage is that of Lars from the show only. The sticks have been kept in storage with limited handling.Metallica formed in 1981 by vocalist/guitarist James Hetfield and drummer Lars Ulrich. The duo first met through an ad in a Los Angeles-based music newspaper. At the time, Ulrich had little musical experience and no band but managed to secure a slot on an upcoming compilation record called “Metal Massacre”. Metallica’s contribution, “Hit The Lights”, featured Hetfield, Ulrich and lead guitarist Lloyd Grant.Lars Ulrich has been with the band from the start and is still a prominant and important member of Metallica and sure to light up the stage at Donningtons Download.

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Hansons Auctioneers and Valuers
Los 25

Led Zeppelin - II - UK Vinyl lp Record in Excellent condition - Plum and Orange Atlantic label- Cat no 588198 - Matrix number 588198 A//5  1  1   12Record side A in excellent condition very little signs of play - side b with one visible mark. Gatefold sleeve with some light edge spine wear.

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Hansons Auctioneers and Valuers
Los 294

EURYTHMICS - UK 1981 ` for the new album and cassette - `In the Garden` ORIGINAL PROMOTIONAL POSTER Folded with a few light creases in overall very good condition. It measures 40 inches by 30 inches

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