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Preisdatenbank abonnierenA MID 20TH CENTURY YELLOW METAL NECKLACE, set with seven pale blue square cut pastes, each claw set in a yellow metal mount, interspaced with oval imitation pearls, fitted to a fine trace chain with spring clasp stamped 9ct, length 400mm, approximate gross weight 5.3 grams (condition report: stones are secure, general light wear, clasp in working order, overall condition good)
NINE SILVER STAMP INGOTS, all silver gilt replica stamps, six from the Empire collection including Malta Five Shillings, Cyprus £1., three stamps from The 25th Anniversary of the Coronation 1953-1978 collection, all with import marks for London, lengths 28mm to 44mm, approximate gross weight 180 grams (condition report: overall good condition, some light tarnishing)
A COLLECTION OF SILVER AND WHITE METAL GEM SET JEWELLERY, to include a tiger's eye bangle, Swedish hallmarks, 1973, sponsors mark VJ, bangle signed Vicson, a white metal printed ceramic pendant depicting a woodland scene, a green chalcedony bracelet stamped Mexico Alpaca, an opal single stone ring, a rose quartz pendant, a tiger's eye pendant, two further pendants, a white metal fancy link chain and a hardstone key ring, approximate gross weight 177.4 grams (condition report: overall condition good to fair, scratches, scuffs, tarnish, light abrasion present)
AN ASSORTMENT OF YELLOW AND WHITE METAL JEWELLERY, to include a yellow metal open work pendant set with a large circular cut cubic zirconia, unmarked, together with three pairs of earrings, unmarked, approximate gross weight 10.7 grams (condition report: general light wear, overall condition good)
A YELLOW METAL SAPPHIRE AND DIAMOND RING, centering on an oval cut deep blue sapphire, collet set, flanked with two round brilliant cut diamonds, total estimated diamond weight 0.20cts, each collet set, leading onto a polished band, rubbed hallmark, ring size O, approximate gross weight 3.2 grams (condition report: general light wear, stones are secure in their settings, would benefit from a gentle clean, overall condition good)
THREE 9CT GOLD GEM SET RINGS, the first designed with a four claw set, oval cut tanzanite, flanked with single cut diamond accents to each crossover terminal, leading onto a polished band, hallmarked 9ct Birmingham, ring size R, the second designed with a four claw set, oval cut garnet, openwork shoulders leading onto a thin polished band, hallmarked 9ct Birmingham, ring size M 1/2, together with a cubic zirconia set wishbone ring, hallmarked 9ct, ring size Q 1/2, approximate gross weight 4.8 grams (condition report: general light wear, stones are secure, overall condition good)
A MOTHER OF PEARL PENDANT, designed as a square shape panel with mother of pearl panel front and back, within a plain polished border, stamped 9K KN, approximate length 31mm, approximate gross weight 15.2 grams (condition report: overall condition good, minor light scratches and scuffs in keeping with general wear)
AN EARLY 20TH CENTURY GOLD BROOCH, open work brooch with floral detail, set with two seed pearls and a light blue topaz, fitted with a gold pin, stamped 9ct, approximate gross weight 5.1 grams (condition report: general moderate wear, all stones currently intact, would benefit from a gentle clean)
TWO 9CT GOLD GEM SET RINGS, the first a yellow gold, half eternity ring set with three blue sapphires (one stone is missing) interspaced with three round brilliant cut diamonds, estimated total diamond weight 0.21cts, each in a shared collet setting, leading onto a polished band, hallmarked 9ct Birmingham, ring size N, the second a wish bone ring with a row of channel set diamonds, estimated total diamond weight 0.09cts, leading onto a polished band, hallmarked 9ct Birmingham, ring size M, approximate gross weight 4.0 grams (condition report: one stone is missing, general light wear, overall condition good)
A 9CT GOLD CAMEO BROOCH, blue agate laser carved to depict a girl with a flower, set in a yellow gold collet setting with a twisted rope surround, fitted with a pin and safety clasp, and a hinged bail, hallmarked 9ct Birmingham 1990, approximate gross weight 9.6 grams (condition report: general light wear, overall condition)
A LADY'S WRISTWATCH, quartz movement, rectangular dial with a 999.9 fine gold 1g ingot dial, dot markers at the three, six, nine and twelve o'clock position, gold plated case, approximate case width 19mm, fitted with a block link bracelet and folding clasp (condition report: general light wear, not currently working, time keeping not tested)
* ETHEL WALKER (SCOTTISH b. 1941), ALSTROEMERIA AND IMARI oil on board, signed, titled verso image size 54cm x 60cm, overall size 73cm x 79cm Framed and under glass. Comment: an outstanding and highly detailed Ethel Walker still life. Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from The Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
Thinite Period, 1st-2nd Dynasty, Ca. 3100-2700 BC. An early marble vessel in piriform amphora-like shape which widens towards the neck with two central suspension holes for attachment. A rare object with beautiful light marble stone. For other examples of early Egyptian vessels see El-Khouli, A.; Egyptian Stone Vessels Predynastic Period to Dynasty III. Provenance: NYC Collection; Ex. Edward Merrin Gallery 1970s-1980s.Size: L:Without Stand 77mm / W:39mm ; With Stand 225.53 gProvenance: London Art Market, Ex New York Gallery pre-2000
Late Period, Ca. 663-323 BC. An ancient Egyptian mummy shroud of beadwork from the chest of a mummified person, consisting of a net of dark green barrel and light green tubular beads with a green ring of beads to forming the face, the skin made of green beads, the nose formed and mouth formed of red beads, a winged scarab pectoral and four sons of Horus: Imsety, Duamutef, Hapi, Qebehsenuef. Protectors of the organs of the deceased. Shrouds of this type became popular in the Late Dynastic Period all the way through the Ptolemaic period and had both decorative and more importantly symbolic use, as the burial was a highly magical process. To the Egyptians, rebirth and accession into the afterlife were more important than the life they first lived. The afterlife was eternal, so every precaution was taken in order to achieve eternal life. Manley, B and Dodson, A., (2010) Life Everlasting. National Museums Scotland Collection of Ancient Egyptian Coffins (Edinburgh: NMS Enterprises Ltd.), Cat.43, p. 115 For a similar example, see National Museums of Scotland; Accession Number: A.1906.384.Size: L:255mm / W:150mm ; 94gProvenance: From an old British collection of Ancient Art formed in the 1990s on the UK and European art market.
Late Period, Ca. 664-332 BC. An ancient Egyptian mummy shroud of beadwork from the chest of a mummified person, consisting of a net of dark green barrel and light green tubular beads with a green ring of beads to forming the face, the skin made of green beads, the nose formed and mouth formed of red beads, a winged scarab pectoral and four sons of Horus: Imsety, Duamutef, Hapi, Qebehsenuef. Protectors of the organs of the deceased. Shrouds of this type became popular in the Late Dynastic Period all the way through the Ptolemaic period and had both decorative and more importantly symbolic use, as the burial was a highly magical process. To the Egyptians, rebirth and accession into the afterlife were more important than the life they first lived. The afterlife was eternal, so every precaution was taken in order to achieve eternal life. Manley, B and Dodson, A., (2010) Life Everlasting. National Museums Scotland Collection of Ancient Egyptian Coffins (Edinburgh: NMS Enterprises Ltd.), Cat.43, p. 115 For a similar example, see National Museums of Scotland; Accession Number: A.1906.384.Size: L:240mm / W:145mm ; 90gProvenance: From an old British collection of Ancient Art formed in the 1990s on the UK and European art market.
Cypro-Geometric Period, Ca. 1050-700 BC. A decorated pottery juglet with painted salmon color wide band and dark brown painted concentric ring elements. Elegant rounded flared lips and an ear type single handle. Scattered light surface deposits. Intact, exc. cond. Nice example.Size: L:115mm / W:70mm ; 135gProvenance: Ancient Art Gallery in London, Ex NYC collection; Ex. Edward H. Merrin Gallery Inc., NYC., 1968-69.
Ca. 200-300 AD. An elaborately modelled glass flask in light green with long everted neck and bulbous shaped body, the neck has a wheel made trailing decoration which has been applied afterwards. For examples of Roman glass from the same period see: Roman Glass in the Corning Museum, Volume one, David Whitehouse. For an introduction to Roman glass see: Brill, R.H., 1967: "A Great Glass Slab from Ancient Galilee," Archaeology. Charleston, R.J., 1978: "Glass Furnaces through the Ages," Journal of Glass Studies 20. Fleming, S.J., 1999: Roman Glass: Reflections on Cultural Change, Appendix A (Philadelphia: University of Pennsylvania Museum). Grose, D.F., 1989: Early Ancient Glass, various sections (New York: Hudson Hills). Stern, E.M. and Schlick-Nolte, B., 1994: Early Glass of the Ancient World, 72-79 (Ostfildern: Verlag Gerd Hatje). Weinberg, G.D., 1988: Excavations at Jalome, 38-102.Size: L:170mm / W:100mm; 99gProvenance: Private London collection; acquired in the 1990s on the UK art market.
Ca. 4th–5th century AD. A glass unguentarium with a piriform body standing on an applied disc base featuring an everted mouth and applied handles that join the shoulder to the rim. The original light blue glass shines through in places and the patina that has formed over the glass displays patches of beautiful iridescence. Unguentaria, like alabastra in ancient Greece, were vessels used to store perfume or toilet oil in the Roman period. For a similar unguentarium, see https://www.christies.com/en/lot/lot-3912071, item n. 545.Size: L:115mm / W:50mm ; 79.2gProvenance: Private UK collection; From an old British collection formed in the 1990s;
Ca. 1st-3rd century AD. Blown glass flask with a roughly cuboid body and an elongated neck that flares outwards towards the top. Deep green-brown hue. Roman glass expanded upon Hellenistic techniques with the arrival of glass blowing in the 1st century, popularising the material and allowing the manufacture of vessels that looked ethereal, then and now, with swirling colours that catch the light magnificently. Although the Romans did not invent glass, they certainly revolutionised it. Developing techniques of glass blowing, it allowed them to create unusual shapes, make the glass thinner and have it be accessible for large proportion of the population.Size: L:120mm / W:70mm ; 45gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market.
Ca. 300 AD. A beautiful flat circular broach featuring a central raised boss and a concentric ring decoration inlaid with coloured enamelling in a green, red, and light blue palette; two circular additions on the sides, one of which is a loop; excellent condition.Size: L:33mm / W:43mm ; 12.6gProvenance: From an old British collection formed in the 1980s.
Ca. 1000-1100 AD. An iron axe head with a broad blade flaring to the curved cutting edge, with an eared socket with a round aperture. Commonly referred to as the Danish axe. Axes were commonly used within the Viking communities, almost everything was formed of wood making it unsurprising that many axes existed for constructing ships, houses, carts, as well as other objects. The axe was also one of the choice weapons of the battlefield due to its light weight.Size: L:120mm / W:175mm ; 295gProvenance: Property of a UK art professional; Formerly acquired on the European art market from pre-2000 collections.
Subgeometric III, Ca. 4th century BC. With a rosette in the tondo enclosed within a band of alternating lines and dots, framed by thick, plain bands, a band of ivy below the rim, light-brown umber paint on a cream background. Two raised handles with applied decorative protrusions on either side. Daunian or Messapian with clear Greek influence.Size: L:126mm / W:358mm ; 1.7KgProvenance: Ex. High Wycombe Estate collection 2000, Ex. Gorny & Mosch, previously in a Bavarian collection acquired in 1970s. Exhibited: Olympia Art & Antiques fair, London June 2022.
Ca. 3100-2900 BC. A storage vessel formed of a light terracotta with a spherically shaped body and seven protruding nodules for decoration. The vessel has a wide, slightly out-turned mouth. Standing on a flat base. Cf. Ruth Amiran, Pottery of the Holy Lands. Der Konigs Weg; 9000 Jahre Kunst und Kultur, Koln 1987.Size: L:220mm / W:180mm ; 2.1KgProvenance: Ex High Wycombe Estate Collection, Ex Dr Bron Lipkin, From Large Swiss Collection
Ca. 1900 BC. A clay cuneiform tablet in a light brown fabric with a written script on both sides. Cuneiform (from cuneus, Latin for "wedge") writing, which derives its name from the distinctive shape of its letters, is one of the earliest forms of writing and developed in ancient Mesopotamia in the 4th millennium BC.Size: L:90mm / W:62mm ; 195gProvenance: Property of a North London gentleman; previously acquired on the UK/European art market in the 1970s.
Ca. 1900 BC. A clay cuneiform tablet in a light brown fabric with a written script on both sides. Cuneiform (from cuneus, Latin for "wedge") writing, which derives its name from the distinctive shape of its letters, is one of the earliest forms of writing and developed in ancient Mesopotamia in the 4th millennium BC.Size: L:50mm / W:42mm ; 45gProvenance: Property of a North London gentleman; previously acquired on the UK/European art market in the 1970s.
Ca. 2050-1786 BC. A large limestone carved in raised relief with two columns of hieroglyphs containing titles of an official, the column on the left translated " The Seal Bearer (Treasurer) of the King of Upper Egypt. The sole companian..." and the second "{The one who is upon} His two River Bankks (meaning, one who is faitful to the Pharaoh), the Overseer of (The granary?) of Amun....". The titles are common to the Middle Kingdom of Dynasty XII to which period this piece can be assigned. Some normal light weathering to surface. Professionally repaired from three pieces. Custom mounted. Item comes with a professional historical report from Ancient Report Specialists. During Ancient Egypt’s Middle Kingdom stelae served and offer many different functions, not only funerary but also marking territories and publish law and decrees. The ancient Egyptians were renowned for their stelae; one of the earliest examples was carved in the mid-to-late third millennium BC. Stelae were used to publish specific laws and decrees, to record a ruler’s achievements, commemorating military victories. As the Pharaohs of the Middle Kingdom repaired and restored Egypt’s stability, they formed a resurgence of art, literature, and monumental building projects which including tombs and burial objects. Montuhotep II was thought to the first pharaoh of the Middle Kingdom who restored stability after a period of pharaonic weakness and civil war. The most power pharaoh of the Middle Kingdom was Senusret III who was led the kingdom to an era of peace and prosperity producing many beautiful limestones wall fragments and stelae providing accounts of his achievements. BIBLIOGRAPHY Oppenheim, Adela. “Egypt in the Middle Kingdom (Ca. 2030-1650 B.C) “In Heibrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000. Grajetzki, Wolfram. The Middle Kingdom of Ancient Egypt: History Archaeology and Society. Hayes, William C. The Scepter of Egypt: A Background for the Study of Egyptian Antiquities 2 vols. Cambridge.: Harvard Press, 1953-59.Size: L:733mm / W:330mm ; 22.KgProvenance: Private London, UK collection; formerly in NYC collection, ex. Secret Eye Gallery, N. Y. C., acquired in the 1970s
Late Dynastic Period, Ca. 664-332 BC. A mummiform figure in the form of an ushabti, moulded in a light-blue, glazed faience, wearing a tripartite wig and divine braided beard. The chest with folded arms, clenching a pick and hoe. The reverse with a dorsal pillar, representing the backbone of Osiris, symbolising stability and longevity.Size: L:128mm / W:40mm ; 70gProvenance: Private London collection; ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.
Original vintage advertising poster for Max Bill artwork exhibition at Kunsthalle Bern 6 April to 12 May 1968 featuring a great minimalist design by a Swiss architect, artist, painter and graphic designer Max Bill (1908-1994) depicting harmonic blue, red, yellow, green, purple and orange geometrical shapes set over light background, signed in print. Good condition, creasing, staining, tears, pinholes. Country of issue: Switzerland, designer: Max Bill, size (cm): 128x91, year of printing: 1968.
Original vintage advertising poster for Funktionelle Grafik / Functional Graphics exhibition Development phases of three decades documented using the example of Anton Stankowski's work, 20 October to 25 November 1973, featuring a geometrical composition in red, grey, black and blue set over light background. Anton Stankowski (1906-1998) was a German graphic designer, photographer and painter, developer of the Theory of Design, and Constructive Graphic Art pioneer. Good condition, creasing, tears, staining. Country of issue: Germany, designer: Unknown, size (cm): 128x91, year of printing: 1973.
Original vintage advertising poster for 9 Biennale Internationale de la Tapisserie / 9 International Tapestry Biennial at Musee Cantonal Des Beaux-Arts / Cantonal Museum of Fine Arts in Lausanne from 16 June to 30 September 1979, featuring a silhouette of a man with a square for his head and fabric threads for hear set over light background. Good condition, creasing, tears, pinholes, tape on top and bottom edges. Country of issue: France, designer: Unknown, size (cm): 128x91, year of printing: 1979.
Set of seven original vintage advertising posters. 1. Maggi Pecheur fisherman’s soup featuring a photograph of a gentleman in a tuxedo feeding a spoon of soup to a lady with a sachet of Maggi soup below, yellow and red lettering in French reads - Maggi Pecheur you love it or I die! - Maggi was founded in 1884, it is an international brand of seasonings, soups and instant noodles from Switzerland, it was acquired by Nestle in 1947. Good condition, creasing, tears. Country of issue: France, designer: Unknown, size (cm): 59x41, year of printing: 1990s.; 2. Galeries Barbes - Finally! A solid contract! / Enfin! Un contract ... solide! - featuring an illustration of a gentleman signing a contract and a little boy bouncing away. Good condition, creasing, foxing, small tears on edges. Country of issue: France, designer: Platon, size (cm): 60x60, year of printing: 1983.; 3.Grande Exposition De Musique Mecanique Orgues & Automates / Great Mechanical Music Exhibition Paris 1900 featuring an illustration of an organ decorated with roses and statues of ladies and gentlemen and sketches of the Eiffel Tower and a Ferris wheel with stylised black lettering set over light background. Good condition, creasing, small tears, minor staining, tape on reverse. Country of issue: France, designer: Unknown, size (cm): 63x43, year of printing: 1990s.; 4. Maggi Court-bouillon broth - Les cuissons les plus courtes sont les meilleures / The shortest cooking times are the best - featuring a photograph of fish served on a plate with lemons and parsley and a fun illustration of a smiling fish. Maggi was founded in 1884, it is an international brand of seasonings, soups and instant noodles from Switzerland, it was acquired by Nestle in 1947. Good condition, creasing, staining. Country of issue: France, designer: Unknown, size (cm): 53x40, year of printing: 1990s.; 5. Train Carnaval Narbonne - Beziers - Sete - Montpellier - Lunel - Nimes - Nice starting 22 February 1987 with two bar-dancing cars by French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938), the poster features a colourful illustration of a jester in pink, green, and blue clothing with the train travelling on a party horn set over yellow background. Very good condition, creasing. Country of issue: France, designer: Atelier Mona Lisa, size (cm): 59x40, year of printing: 1987.; 6. Maggi a l`Espagnole seasoning for rice - Et si on habillait votre riz a l'Espagnole / What if we dressed your rice the Spanish way - featuring a photograph of a casserole with rice and a fun illustration of matador bullfighter holding a fork. Maggi was founded in 1884, it is an international brand of seasonings, soups and instant noodles from Switzerland, it was acquired by Nestle in 1947. Very good condition, creasing. Country of issue: France, designer: Unknown, size (cm): 53x40, year of printing: 1990s.; 7.Pave De Vire - Charles Amand - Put 84 le pave on the plate! / Mets 84 le pavé est dans l'assiette! Great artwork features a plate of food alongside black and white photos of protestors and a riot policeman holding wearing a visor and shield. Very good condition, minor creasing on edges, small tears on edges. Country of issue: France, designer: Unknown, size (cm): 60x60, year of printing: 1980s.
Set of four original advertising posters for Waterstone's book store. 1. Spooky favourites for Halloween - featuring a fun illustration of a smiling witch with a long black pointy had and a magic wand with a star seen carrying cauldron as she is flying on a broom with an orange striped smiling cat. Excellent condition, paper skimming on reverse. Country of issue: UK, designer: Unknown, size (cm): 152x102, year of printing: 2010s.; 2. Jeffrey Eugenides The Marriage Plot author of Middlesex winner of the Pulitzer Prize featuring white lettering set over red background with three flies sitting on the letters. Large size. Very good condition, minor creasing on edges. Country of issue: UK, designer: Unknown, size (cm): 152x102, year of printing: 2010s.; 3. Be smart. Hit the books. Study guides, text books, paper, pens and more. We’ve everything you need to succeed this year. - featuring an image of a W shaped yellow table with pink chairs set over blue background. Excellent condition, paper skimming on reverse. Country of issue: UK, designer: Unknown, size (cm): 152x102, year of printing: 2010s.; 4. The Man Booker Prize for Fiction 2011, featuring an image of a book set over light green background. Good condition, creasing, small tears, minor staining. Country of issue: UK, designer: Unknown, size (cm): 152x102, year of printing: 2011.
Original vintage airline travel poster - Along the way of TWA... Switzerland The Matterhorn - featuring a colour photograph of trees on a green hill with a small town nestled in the valley overlooked by the snow topped Matterhorn mountain in the distance against a blue sky with the stylised text above and an illustration of a TWA Lockheed Constellation plane in the border below. The Matterhorn mountain peak dominates the Alps over Zermatt and lies on the alpine border between Switzerland and Italy. Issued by Trans World Airlines (TWA), a major American airline from 1924-2001, when it was acquired by American Airlines. Horizontal. Good condition, restored tears, restored paper skimming, staining,backed on light grey linen. Country of issue: USA, designer: Unknown, size (cm): 72x88, year of printing: 1950s.
Original vintage travel poster advertising Paris featuring the Eiffel Tower with abstract lines and colourful butterflies designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Very good condition, light browning. Country of issue: France, designer: Salvador Dali, size (cm): 60x37, year of printing: 1970.
Original vintage travel poster advertising Roussillon featuring butterflies and figures in a red frame with yellow lines of light from the centre and a person with a butterfly casting a long shadow in front of snow topped mountains in the distance below, designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Lettering in German. Good condition, creasing, tears, light browning. Country of issue: France, designer: Salvador Dali, size (cm): 60x37, year of printing: 1970.
Original vintage travel poster advertising Paris featuring the Eiffel Tower with abstract lines and colourful butterflies designed by the renowned surrealist artist Salvador Dali (1904-1989) for the state-owned French National Railways (SNCF Societe Nationale des Chemins de Fer Francais; founded 1938). Lettering in German. Very good condition, light browning. Country of issue: France, designer: Salvador Dali, size (cm): 60x37, year of printing: 1970.
Original vintage travel advertising poster: La semaine a Londres / This week in London - Open air theatre Shakespeare’s Henry VIII at the Regents Park, Zoo by Night, Pageant Mother’s Union at the Royal Albert Hall, Exhibition on Imperial Airways at the Charing Cross, Flower Show Delphiniums & Sweet Peas at the Royal Horticultural Hall, League of Arts English Folk Dance & Song Society at Hyde Park from June 29 to July 5. - featuring text in blue and black letters against a light background, a frame in red, blue and black, with the London Transport roundel logo below. Good condition, creasing, tears, staining. Country of issue: UK, designer: Althea Willoughby, size (cm): 100x63, year of printing: 1935.
Original vintage World War Two poster - Ssh! The Enemy Is Always Listening - featuring a dynamic image showing a man in military uniform looking at the viewer with a warning about careless talk and keeping quiet, indicating his finger against his mouth with Ssh!... running diagonally across, the rest of the text below. The soldier in the poster looks remarkably similar to Nicholas Brody from TV series Homeland played by the actor Damian Lewis. Excellent condition, light browning. Country of issue: UK, designer: Noke, size (cm): 50x37, year of printing: 1940s.
Original vintage movie poster for the 1961 Soviet drama film Following the Sun / Chelovek idyot za solntsem, starring Nika Krimnus, directed by Mikhail Kalik, featuring an illustration of a little boy with a reflection of sunlight in his eyes, and smaller images of a lady with a sunflower, dancers, motorcyclist, a statue of lion, and a gymnast with a ball, stylised title and cast lettering, set over light background. The film tells a story about a boy named Sandu walking across the town following the sun. Poor condition, several tears, several large paper losses, creasing, staining. Country of issue: Russia, designer: Unknown, size (cm): 118x83, year of printing: 1960s.
Original travel and sport poster for Wimbledon 2013 Tournament All England Lawn Tennis Club 24 June to 7 July, the poster features colourful tennis balls set over light background. Issued by Transport for London. Excellent condition. Country of issue: UK, designer: Jon Hunter, size (cm): 102x64, year of printing: 2013.
11 x Exclusive First Editions EFE 00 Scale Commercial Vehicle Models. 3 Flatback Trucks - 10402 London Brick, 10401 Bath & Portland Stone Firms Ltd and 10702 Blue Circle Cement. 2 x Tankers - 10905 Welch's and 10605 Regent. 4 x Lorries - 10505 Oxydol, 2 x 10502 Start-Rite and 10504 Pek. Finally 2 x Buses - Private Star Construction and Birmingham Evening Dispatch. Models appear ununsed, packaging is generally excellent, with a 2cm tear and creases to end flap of Regent Red Tanker Box. Light storage wear and dust
14 x Motor Bike Collectables. 3 x Heavy Metal Models, 1 x Mounted with a Clock(Weight 700 Grammes), 2 x Mounted with Lighter Mechanisms, Redbox Model BMW F650T and a 10 x further models mostly Maisto with 8 x Maisto Display Bases. Makers include Yamaha, Ducati, Honda, Bmw and Kawasaki. Models various generally excellent, lighters and clock not tested, light dust
Matchbox Mattel 'Originals' Authentic Recreations selection. Includes the 40th Anniversary box set and the individual models from the set also in carded form. Included in Single Packs are numbers 1, 4, 5, 6, 7, 9, 11A, 12, 13, 17A, 18A, 19, 26, 32 & 52. All are sealed apart from the box, models inside are still in excellent condition. Sun fading to cards and boxes, light storage wear, occasional creases
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