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Three 1930s cherry Bakelite graduated necklaces. 164g approx. together with a Japanese design bangle with figures etc. (B.P. 21% + VAT) Images added of light shining through bead. Only one bead has any marbling inside, others have small bubbles. The weights of each necklace are: 60g, 67g and 39g approx.
A 9CT GOLD OPEN FACED EVERITE POCKET WATCH circular white enamel dial signed Everite H Samuel Manchester Non Magnetic, with black roman indices and outer minute track, sub seconds dial at 6 o'clock position, gilt hands, plain case with crown and bow at 6 o'clock position, hinged double case back internally hallmarked 9ct Gold sponsors mark ALD, Birmingham 1936, keyless movement signed Everite H Samuel Manchester 17 Jewels Swiss Made. Case diameter 48.5mmThe watch is currently functioning. light scratches and marks to the case commensurate with normal wear and tear.The inner dust cover is hallmarked 9ct gold. No inscriptions.Gross weight 80 grams.
A JAPANESE SILVER AND MIXED METAL TABLE BOX Meiji period, signed, with an inset top panel inlaid using mixed metals to depict three ducks. 14.5cm wide, 20.9 troy ounces gross Wear and tear commensurate with age, clear marks, light surface scratches from age, cover sits well, no rocking to base.
A CHINESE GUAN-TYPE VASE, HU well potted with a slender ovoid body, the neck flanked by a pair of tubular lug handles, covered overall in a caesius-coloured glaze suffused with a network of light grey and colourless crackles, save for the rounded footrim dressed in a dark brown wash in imitation of Song dynasty guan ware. 31.5cm high
A VICTORIAN SILVER-GILT SHOE HORN by Charles Asprey & Charles Asprey Junior, London 1890, foliate scroll handle, the tongue of plain form. 17.5cm long, 4.1 troy ouncesgenerally good, wear commensurate with age, some wear to gilding on handle, some tarnishing to edges, light scratches overall
AN 18TH CENTURY TORTOISESHELL AND GOLD SNUFF BOX unmarked yellow metal, of rectangular form, the hinged cover inlaid with gold birds, quivers and arrows, below a heart garland, inset mother of pearl panels, the base inlaid with a gold Chinoiserie scene with mother of pearl detail. 8.2cm widewear commensurate with age, the cover closes well, a couple of chips to tortoiseshell on the base, light scratches overall, assessed as approx 18ct.
Silbermontierter Yatagan mit Nashorngriff, Algerien, um 1800 Typisch geschwungene Rückenklinge mit beidseitiger flacher Kehlung. Fein gravierte und ziselierte silberne Zwinge mit Rankendekor. Vernietete Griffschalen aus hellem Nashornhorn, silbernes Griffband mit floralem Dekor. Hölzerne Scheide mit drahtvernähtem roten Samtbezug. Reich getriebene, teilvergoldete Silbergarnitur, das Mundblech mit Besatz aus tropfenförmigen Korallencabochons (zwei Fehlstellen). Länge 79 cm. Achtung: Ein Export dieses Loses aus der EU ist leider nicht möglich. A silver-mounted Algerian yatagan with rhino-horn grips, circa 1800 A silver-mounted Algerian yatagan with rhino-horn grips, circa 1800Typically curved single-edged blade with flat fuller on both sides. Finely engraved and embossed silver collar decorated with scrolling vines. Riveted grip panels of light-coloured rhino horn, silver grip strap with floral décor. Wooden scabbard with wire-sewn red velvet cover. Richly chased, part-gilt silver mounts, the locket set with two tear-shaped coral cabochons (two losses). Length 79 cm.Attention: This lot can only be shipped within the European Union.Condition: I - II
Three items of Doulton Lambeth stoneware, comprising relief moulded and blue glazed jug, 16cm high, gilt patterned bowl, 10cm high, and a brown treacle glazed jug, 8cm high, together with two Royal Doulton stoneware jugs, comprising a light brown and dark brown relief moulded jug, with hunting scene, 15cm high, and a blue flower daisy jug, 15cm high. (5)
KUCHABSKA, ANNA (Ukrainian active from 1962), 'Willows' painting of a willow grove in early spring, 63 x 63 cms, Acrylic on canvas (1) Further Information: Anna Kuchabska: Member of the Union of Artists of Ukraine, Union of Designers of Ukraine, Mondial Academia, France. Participant in regional, all-Ukrainian, international exhibitions, festivals and competitions.Anna Kuchabska was born in the village of Verbivtsi in Ukraine. She received secondary special and higher art education in Lviv. Since 1987 she has been working at the Ivan Trush Lviv Professional College of Decorative and Applied Arts, where she has been the head of the graphic design department since 1999. Anna teaches the professional subjects of: drawing, painting and composition. Anna's favorite pastime is painting. The following materials are most often used in her works: watercolor, oil, and acrylic. Anna's creative contribution is very diverse. She likes to experiment, look for various means of expression, revealing several areas of creative search. One of Anna Kuchabska’s favorite genres is the portrait, which attracts people in search of psychological expression. She also paints landscapes, still lifes, and conducts creative research in the field of associative and abstract painting. Participant, finalist and winner of more than 30 international competitions, exhibitions and festivals. The works of Anna Kuchabska are held in private collections in Ukraine, Poland, Great Britain, Canada, Germany and Japan... CONDITION: Further Information:Anna Kuchabska: Member of the Union of Artists of Ukraine, Union of Designers of Ukraine, Mondial Academia, France. Participant in regional, all-Ukrainian, international exhibitions, festivals and competitions.Anna Kuchabska was born in the village of Verbivtsi in Ukraine. She received secondary special and higher art education in Lviv. Since 1987 she has been working at the Ivan Trush Lviv Professional College of Decorative and Applied Arts, where she has been the head of the graphic design department since 1999. Anna teaches the professional subjects of: drawing, painting and composition. Anna's favorite pastime is painting. The following materials are most often used in her works: watercolor, oil, and acrylic. Anna's creative contribution is very diverse. She likes to experiment, look for various means of expression, revealing several areas of creative search. One of Anna Kuchabska’s favorite genres is the portrait, which attracts people in search of psychological expression. She also paints landscapes, still lifes, and conducts creative research in the field of associative and abstract painting. Participant, finalist and winner of more than 30 international competitions, exhibitions and festivals. The works of Anna Kuchabska are held in private collections in Ukraine, Poland, Great Britain, Canada, Germany and Japan. EXHIBITIONS: 2021- International Watercolour Masters 2021; IWS California USA Watercolour; Christmas light watercolor, Poland ;III Step by Step, Poland-Ukraine;«Everything NEW»International Watercolor Elite Online Exhibition 国际水彩菁英网络大展; Indonesia Int'l Watercolor Online Competition & Exhibition; Third International Online Cofee-Painting Contest; 1st International Watercolor juried contest IWS Argentina; «INTERNATIONAL WATERCOLOR EXHIBITION JAPAN; «CALL FOR ENTRIES JIWI» 日本国際水彩画会JIWI «Our Wonderful World» - International watercolor exhibition, Poland, Ukraine; 1st Korea International Watercolor Biennale; 2022 - 3 International Watercolor Society India Biennale 2022; IMPSART ERA NEW CREATIVE PARTICIPATION ART; 7TH INTERNATIONAL “ LOVE, PEACE AND TOLERANCE THROUGH ART’’ WATERCOLOR FESTIVAL AND GOLDEN BRUSH CONTEST-IZMIR; FabrianoinAcquarello2022 "ZOBACZ I POCZUJ" Fundacja OK.ART, Wrocław; RAZEM DLA UKRAINY “Formaty” Wrocław; New Expression of International Art Exhibition. Malaysia 2023 - IWS Japan Watercolor Triennale 2023 AWARDS: 2021-IWS California USA Watercolour TOP100 finalists; 2021- Christmas light watercolor, Poland finalists, silver winner; 2021 - III Step by Step, Poland-Ukraine finalists, winner of 1 selection; 2021- «CALL FOR ENTRIES JIWI» 日本国際水彩 画会JIWI finalists; 2022 - 7TH INTERNATIONAL “ LOVE, PEACE AND TOLERANCE THROUGH ART’’ WATERCOLOR FESTIVAL AND GOLDEN BRUSH CONTEST-IZMIR, Among the 20 winners 2023 - IWS Japan Watercolor Triennale 2023 finalist.
ZASTAVNA, NATALIA (Ukrainian, b.1988), "A woman who smokes", figurehead in mixed media and oil on canvas, 60 x 80 cms Further information on artist: Natalia Zastavna, born in 1988 in New Rozdol, which is situated not far from Lviv, Ukraine. In 2011, graduated from the Lviv Polytechnic National University, Department of design. The artist is a member of a National Artist's Union of Ukraine since 2017. Participant of numerous national and international exhibitions, plein airs, residences. Lives and works in LViV. EXHIBITIONS: 2019 - 8th Beijing International Art Biennale «BIAB-2019», 2019, National Art Museum of China (NAMOC) (certificate, catalog), Beijing, CHINA, 2019 -AIl-Ukrainian exhibition "Art-Nova"', Kremenchuk, Grand prix, UKRAINE, 2018 -Group exhibition in fortress "Rocca dei Rettori", Benevento, ITALY, 2017 -Hotel "Karolina" exhibition "Colours of Vilnius-2017", Vilnius, LITHUANIA, 2017 -Group exhibition Light and Shadows, Museum of Contemporary Art, Kyiv, UKRAINE, Private collections: Ukraine Europe USA, Museum of Modern Art, CYPRUS CONDITION: NATALIA ZASTAVNA, born in 1988 in New Rozdol, which is situated not far from Lviv, Ukraine. In 2011, graduated from the Lviv Polytechnic National University, Department of design. The artist is a member of a National Artist's Union of Ukraine since 2017. Participant of numerous national and international exhibitions, plein airs, residences. Lives and works in LViV.EXHIBITIONS:2019 - 8th Beijing International Art Biennale «BIAB-2019»2019, National Art Museum of China (NAMOC) (certificate, catalog), Beijing, CHINA2019 -AIl-Ukrainian exhibition "Art-Nova"', Kremenchuk, Grand prix, UKRAINE2018 -Group exhibition in fortress "Rocca dei Rettori", Benevento, ITALY2017 -Hotel "Karolina" exhibition "Colours of Vilnius-2017", Vilnius, LITHUANIA2017 -Group exhibition Light and Shadows, Museum of Contemporary Art, Kyiv, UKRAINEPrivate collections: Ukraine Europe USAMuseum of Modern Art, CYPRUS
Excellent craftsmanship in this wooden figure of an adorable young boy with his hands covered with mittens behind his back and his scarf blowing in the wind as he skates gracefully on the ice. Painted in colors of winter reds, light purples, browns and rustic white. Anri metal logo emblem on the upper part of the base. Sarah Kay carved in the lower back. Artist: Sarah KayDimensions: 4"L x 3"W x 7"HIssued: c. 1990Edition Number: 102 of 1000 Manufacturer: AnriCountry of Origin: ItalyCondition: Age related wear.
Limited edition bone china that is part of the Cries Of London Collection. Depicts lady in a blue, white and light orange dress, holding a milk jug in one hand and basket in the other.Coalport backstamp. This item has no reserve. Artist: J. BromleyDimensions: 4.5"L x 6"W x 8.75"HIssued: 1993Edition Size: 2052 of 9500Manufacturer: CoalportCountry of Origin: EnglandCondition: Age related wear.
ALEXANDRE THIOLLET (FRENCH, 1824-1895)Three women resting in a landscape signed 'Thiollet' (lower left) oil on canvas 26.5 x 24cm Provenance Sale, Phillips, London, 17th March 1992, lot 135; Private collection, UKCondition ReportOriginal canvas. The paint surface is in good, clean condition. Ultraviolet light reveals no sign of retouching. Held in a plain wooden frame in fair condition.
ENGLISH NAIVE SCHOOL, LATE 18TH/EARLY 19TH CENTURYA gentleman outside a country with a horse, groom and two dogs oil on canvas 75 x 99cm Provenance The collection of the late Countess Bunny Esterhazy See Bellmans website for further details: https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCondition ReportThe canvas has been relined. The paint surface is clean with traces of craquelure throughout - stable. Ultraviolet light reveals retouching to a small repaired tear, upper centre, to stretcher marks along the upper border, and further retouching in the sky, upper right, and above the roof, upper left. Held in a later gilt frame in fair condition.
ENGLISH SCHOOL, LATE 17TH/EARLY 18TH CENTURYPortrait of James Radclyffe, 3rd Earl of Derwentwater (1689-1716) oil on canvas 77 x 64cm Provenance Private Collection, UKCondition ReportThe Canvas has been lined and restretched. A few areas of light craquelure, otherwise the paint surface is clean. Ultraviolet reveals infilling to craquelure to the left side of the sitter's wig, a few lines to the face, to the robe, lower left and to what appears to be a repaired tear, lower right; some further lines of infilling to the background. Held in a plaster gilt frame in fair condition.
GERMAN SCHOOL, 18TH CENTURYPortrait of lady wearing a black hat oil on panel 12.5 x 10.5cmCondition reportFine craquelure.Surface appears a little uneven and pitted in places when seen in a raking light.Small surface abrasion to upper centre edge.Some surface dirt.An opaque varnish prevents any conclusive readings under uv light.
THOMAS GEORGE COOPER (BRITISH, 1836-1901)Three sheep in the snow signed and dated 'T George COOPER 1891' (lower right) oil on canvas 51 x 76.5cmCondition reportThe canvas is lined.Areas of craquelure.Small bit of paint lifting lower right edge.Various small brown spots, marks and dirt.Some yellowing to varnish.Inspection under uv light reveals areas of scattered retouching.
H*** O*** RICHARDSON (BRITISH, 19TH CENTURY) (2)Outside The Red Lion signed 'H O Richardson' (lower left) oil on canvas 51 x 69cm together with On the Scent, a watercolour, signed and dated 'H O Richardson 1897' by the same hand (2)Condition ReportOriginal canvas. Pinholes to corners and mid borders. Light surface dirt, traces of discoloured varnish, few lines of craquelure consistent with a work of this age. No sign of retouching under Ultraviolet.
REMBRANDT VAN RIJN (DUTCH, 1606-1669)Self Portrait with Saskia (B.19) etching 11 x 10cmCondition ReportThe sheet has been adhered by the upper edge to the mount with two bits of tape. Very light discolouration to the upper margin, otherwise good, overall condition; margins very thin. Under glass and held in a modern frame in fair condition.
AFTER JEAN-MARC NATTIERPortrait of Mary Adelaide of France as Diana oil on canvas 50 x 65cm Provenance Private collection, UKCondition ReportOriginal canvas. Paint surface has light surface dirt, flecks of staining near the figure's feet, lower right, otherwise sound. Light vertical stretcher marks to centre of canvas. Ultraviolet reveals a few retouching to frame abrasions on each border but no further signs of retouching. Held in a plaster gilt frame with a few losses to the gilt.

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534325 Los(e)/Seite