Fanny Mary Minns (aka Frances Mary Minns) 1847-1929 - Isle Of Wight-born artist. An unseen sketchbook of studies by Minns. The inner board signed ' FM Minns -Edinboro August 1900 '. The book features several finished and unfinished sketches, largely annotated by Minns noting details of the subject or location. Sketches of note include; Holy Loch, Lay's Yard Colchester, On Cowes Pontoon (studies of people), Court Chapel Dresden, Leopold Vienna, Hungarian Shepherd and many others. Some coloured. Fanny Mary Minns, was born at Node Hill, Carisbrooke, Isle of Wight, Hampshire in 1847, sixth and youngest child of William Minns, partner in the dry cleaning and dyeing business of Bright and Minns, and his wife Mary née Bright, who married at Niton, Hampshire on 28 March 1836. The dying business lasted for some 164 years and allowed Fanny, the luxury of training as an artist. In 1851, a 4 year old, living at Node Hill, Carisbrooke, Isle of Wight with her parents, 57 year old William of Southampton and 38 year old Mary, and five siblings, Jane 13, William 12, Charles 10, Walter 8 and Kate 6, all born at Newport. It seems probable that Fanny received painting lessons from Ellen Cantelo (c.1825-1898) of Carisbrooke, who made her living as an artist. As the Royal Academy in London was closed to women until 1862 Fanny proceeded to Dresden Art Academy and she established herself as a teacher of painting. Her father died in 1852 and Fanny continued to reside with her widowed mother on the Isle of Wight. Working in watercolour she produced a huge number of local landscapes, working 'al fresco' to capture the immediacy of light and colour. She also did hasty sketches for further work in her studio and her continental travels certainly took her to Switzerland where Alpine scenes, including the Matterhorn are among her works. A member of the Ipswich Art Club 1889-1890 and exhibited from Glen Cottage, Isle of Wight in 1889, three pictures, 'Roses', 'In the New Forest, Sunset' and 'Alpine Anemones' she also exhibited two items of earthenware but she exhibited widely, including the Birmingham Art Gallery, the Walker Gallery in Liverpool, the Royal Society of British Artists and the Society of Women Artists. As well as teaching painting, Fanny received commissions to illustrate books from several publishers, including for 'The Silence of Dean Maitland', by local author Maxwell Gray (Mary Gleed Tuttiett), and illustrated 'Romance of the Hill Station and Other Stories' by Mrs H S Lerverton and Mary's landscapes caught the attention of Ruddock and Co, providing views of the Island and Dorset in the 'Artist' series of postcards. In 1911, she held an exhibition of her work at the Unity Hall in Newport where she displayed 110 paintings. Mary travelled in search of new subjects until the end of her life. She was of Langsnek, Medina Avenue, Newport when she died Ryde, Isle of Wight on 11 May 1929, aged 82, and buried beside her mother at Mountjoy Cemetery in Carisbrooke, she was unmarried. She is sometimes recorded as Frances but her birth and death records are Fanny. (From www,suffolkartists.co.uk/index.cgi?choice=painter&pid=1909)
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Estate Of John Challis - Only Fools & Horses - Challis' personally owned collection of mock posters, each based on a theme from a particular Boycie episode; 'Boycie's Cottage' and 'Wanted'. All autographed by Challis to a light area. Each measures approx. 42cm x 29cm. A portion of the proceeds from the Estate Of John Challis will be donated to three charities that he supported: British Hedgehog Preservation Society (1164542), The Cuan Wildlife Rescue (1096812), and Tusk Trust (803118).
A Love Thy Neighbour 1773 film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
A Steptoe and Son Ride Again 1973 film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
A One Million Years BC 1966 film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
A Mutiny on the Buses 1972 film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
A The Likely Lads 1976 film poster, an original British, one sheet poster, folded, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
The Railway Children- A 1970 film poster, an original British, one sheet poster, folded, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
The Elephant Man-A 1980 film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
Up Pompeii-A 1971 film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
The Vengeance of Fu Man Chu-A 1972 film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
From the Land that Time Forgot-A film poster, an original British, one sheet poster, 27 x 40 inchesThis poster comes direct from the StudioCanal archive, (was at the world famous Pinewood Film Studios in Iver Heath, Buckinghamshire). StudioCanal acquired rights to many well known historic film distributors such as Ealing Studios, Hammer, Associated British Pathe, Associated British Picture Corporation, British Lion, Anglo EMI, Thorn EMI, EMI, Cannon and Lumiere. When StudioCanal acquired the titles, they did not just get access to the original 35mm films, they also got the associated original production paperwork and the original marketing materials. The archive was full of undistributed posters, lobby cards, press books and stills that had never seen the light of day since the film's original release. The archive moved from Pinewood Studios in 2017 and the decision was made to dispose of these marketing assets. This poster is from this archive. They are effectively new old stock, they look new, but they are not.Location:
SWAN, MABIE, TODD & CO; a 15ct gold fountain pen, with engine turned decoration in original leather case (2).Condition Report: The pen in good condition with only very slight surface wear, the pen has not been initialled, nib in good condition, slightly grubby to the underside of the nib, leather case with general light age wear.The pen case is solid 15ct gold.
DAIRY OUTFIT COMPANY LTD, KINGS CROSS LONDON; an Edwardian Ironstone twin handled advertising Pure Milk pail, with flow blue scrolls and moulded handles, height 27.5cm, width 42cm.Condition Report: There is a chip to the top rim, approx 1 x 1cm in size, there is U shaped hairline crack to the top rim above the M and I, light surface scratches, glaze crazing and signs or wear/use, the piece still rings true.
A Victorian gilt metal mounted desk tidy of rectangular form, possibly satin ash, with four applied porcelain roundels of cherubs, width 19cm. Condition Report: Lacking the key and the hinged panel is locked, minor losses to the timber, with leather lined interior, light scratches and scuffs.
A platinum and diamond solitaire ring, the eight claw set round brilliant cut stone weighing 2.45ct, size N 1/2, approx 4g.Footnote: Accompanied with AnchorCert Gem Lab Report stating colour G-H, clarity I1.Condition Report: The diamond is measured at 9.2-9.3 x 4.62mm. Light surface scratches to the shank, otherwise ok.
An 18ct yellow gold ruby and diamond oval ring, the rubover set ruby within a border of sixteen round brilliant cut diamonds, size M, approx 3.4g.Condition Report: The ruby measures approx 7.5 x 6mm, the ring head itself 13 x 11mm. Minor surface abrasions and light general surface wear throughout.
A 9ct yellow gold opal and diamond ring, centred with a small round brilliant cut diamond within a textured cluster setting of four opal oval cabochons, ring size J 1/2, approx. 4.1g.Condition Report: Light surface scratches to the opals but they do have life and colour to them. Free from any chips or cracks to the opals, just general rubbing to the mount and the band is slightly worn.
An 18ct yellow gold sapphire and diamond cluster ring, centred with a pale blue sapphire within a border of twelve brilliant cut diamonds, size N 1/2, approx. 3.7g.Condition Report: The ring head approx. 9.8 x 8.8mm. Some light surface abrasions to the sapphire and general wear throughout with light surface scratches.

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