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534325 Los(e)/Seite
Los 1
A 100-BORE FLINTLOCK BOXLOCK DOUBLE-BARRELLED TAP-ACTION POCKET PISTOL SIGNED BRUNTON, DONCASTER, circa 1817-20, 6 3/4in. overall, with turn-off barrels each engraved with a band of foliage at the muzzle and respectively numbered '3' and '4', signed engraved action decorated on each side with a martial trophy, thumb-piece safety-catch also locking the steel, folding trigger, chequered walnut butt, silver oval escutcheon, and silver lion-mask pommel (some light discolouration throughout), Birmingham view mark.
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A 16-BORE FLINTLOCK VOLUNTEER LIGHT DRAGOON SERVICE PISTOL, circa 1800, 15 1/4in. overall, with 9in. swamped barrel, flat bevelled border engraved lock with 'GR' cypher, full stock (some repairs and cracks), and brass mounts including side-plate engraved with the number '50' (ramrod missing, iron parts with some surface corrosion), London proof marks.
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A 54-BORE PERCUSSION DOUBLE-BARRELLED OVER AND UNDER BOXLOCK OVERCOAT PISTOL BY WESTLEY RICHARDS, LONDON, circa 1840, 6 3/4in., with turn-off barrels each respectively numbered '1' and '2', signed scroll engraved action with thumb-piece safety-catch and folding trigger, finely chequered figured walnut butt, silver oval escutcheon, and engraved flat pommel with hinged trap-cover (some light discolouration throughout), Birmingham proof marks.
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WESTLEY RICHARDS .500/.450 (NO.2 MUSKET) 1881 PATTERN SPORTING RIFLE, serial no. 4736, 30in. round Metford rifled barrel with full length raised matt sighting rib with bone fore-sight and rear express sight of one standing and five folding leaves each with platinum centre-line and calibrated to 600 yards, the rib signed 'WESTLEY RICHARDS & CO. LONDON' and 'METFORD RIFLING', the barrel engraved 'FOR W.R. METFORD MILITARY & NO.2 MUSKET CARTRIDGE', action engraved 'WESTLEY RICHARDS & CO. LONDON' on the left side, 14 1/4in. figured pistolgrip stock (repair behind action on the right side), chequered grip and fore-end, oval silver escutcheon, horn fore-end cap, iron sling eyes, the barrel and action retaining slight traces of original blued finish (some light external surface corrosion throughout).
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Yomut Turkmen chuval, second half 19th century, 2ft.3in. x 3ft.10in. 0.69m. x 1.17m. Overall even wear. A good old chuval with a rich palette - aubergine (field and elems), red, deep salmon, dark green, light blue, mid blue, dark brown, yellow and ivory; on an all wool foundation it has asymmetric knotting open right
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Kurdish long rug, north west Persia second half 19th century, 8ft.7in. x 5ft. 2.62m. x 1.52m. Two small worn kinks left side. The heavy symmetric knotting on an all wool foundation, with pale brownish red wefts, as well as the design and palette, all indicate a Kurdish origin in one of the three main west Persian tribal areas of eastern and northern Kurdistan, the Sanjabi, Jaf or Sauj Bulagh (running from central west to north west Persia). The rich vegetable palette consists of nine colours - red, reddish brown, purple-brown, very dark brown, mid blue, light blue, green, yellow and ivory.
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Pair of Shahsavan sumac khorjin faces, probably Moghan region, south Caucasus or Khamseh region, north west Persia, second half 19th century, each 22in. 0.56m. sq. Each face with slight uneven wear overall, dark brown unevenly corroded, one face with area of moth damage in end border and damage to one side border. These bags have a very rich and varied palette of eleven colours - dark blue, light blue, emerald green, pistachio green, red, salmon, yellow, dark brown, tan brown, aubergine and ivory. (2)
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A pair of cast three light silver candelabra in George Ist style, the campana shape candleholders with girdle moulding, having hexagonal drip pans and scroll branches, a baluster central finial and knopped baluster stem on welled hexagonal bases. 10.75in. (27.5cm.) high. Makers Garrard and Co Ltd. London, 1969. 76oz. (2370g.). (2).
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Bruce (James, of Kinnaird). Travels to Discover the Source of the Nile, in the Years 1768, 1769, 1770, 1771, & 1773, to which is Prefixed a Life of the Author, vol. 8 only (Atlas vol.), 3rd ed., corrected & enlarged, Edinburgh, 1813,. eng. port. frontis. (spotted & damp stained), eighty eng. plts., maps & plans (3 maps folding), occ. minor spotting & some light damp staining to few plts., contemp. half calf, gilt dec. spine, joints cracked & worn, spine & extrems. rubbed, 4to (1)
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Burton (Richard F.). Wanderings in West Africa from Liverpool to Fernando Po, by A F.R.G.S., 2 vols., 1st ed., 1863,. folding b&w litho. map frontis. to first vol., b&w frontis. to second vol., single-word annotation to page 153 of second vol., frontis. to second vol. with very small portion to extreme upper outer corner torn away and missing, half-titles present, orig. yellow chalk-glazed endpapers, inner hinges cracked and shaken, orig. purple cloth gilt, blind-ruled borders to each cover, spine lettered in gilt, with pubs. name at foot (printed on two lines), rubbed and a little fraying to extrems., first vol. with some light damp discol., mainly to upper portion of upper cover, 8vo. Casada 70. Penzer pp. 70-71. (2)
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Harvey (Colonel J.R., and Lieut.-Colonel H.A. Cape). The History of the 5th (Royal Irish) Regiment of Dragoons from 1689 to 1799, afterwards The 5th Royal Irish Lancers from 1858 to 1921, Aldershot, 1923,. half-title, col. frontis., plts., maps and plans, some folding, occasional light spotting, orig. cloth gilt, 4to, together withGretton (Lieutenant-Colonel G. Le M.), The Campaigns and History of the Royal Irish Regiment from 1684 to 1902, 2nd thousand ed., 1911, b & w plts. and folding maps, orig. cloth, faded, 4to, plus other related volumes (approx. 20)
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Veron (Eugene). La Troisiene Invasion, Eaux-Fortes par Auguste Lancon, 2 vols., Paris, 1876-77,. 154 etched plates, fifteen b&w maps, scattered spotting or light browning, all loosely contained with letterpress as issued in two large cloth portfolios with ties, sl. rubbed, atlas folio. Limited edition, 240/500 on papier velin, from a total edition of 550.. (2)
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Wright (G.N. & L.F.A. Buckingham). Belgium, the Rhine, Italy, Greece, and the Shores and Islands of the Mediterranean, 2 vols. in one, c.1840, addn. eng. vign. title to each, and 152 steel-eng. plts. after Allom, Bartlett and others, some light marginal foxing, hinges split, contemp. half morocco gilt, extrems. rubbed, some fading and lifting to cloth covers, 4to Blackmer 1845. (1)
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Beeton (S.O., ed.). Beeton's Dictionary of Geography. A Universal Gazetteer, c.1860s, additional engraved title, numerous folding maps and topographical wood engravings, contemp. half calf, some fraying to extrems., 8vo, together with Owen (William), Owen's New Book of Roads; or, a Description of the Roads of Great Britain, new ed., 1805, double-page engraved map of England & Wales, some light foxing, early 20th century library binding, 8vo, and others including three volumes of the Newgate Calendar, Smollet's History of England, Baedeker guides, etc. (a carton)
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Gilpin (William). Remarks on Forest Scenery, and other Woodland Views, Relative Chiefly to Pictuesque Beauty, Illustrated by the Scenes of New Forest in Hampshire, 2 vols., 3rd ed., 1808, thirty-one mostly sepia aqua. plts., and double-page map, half-titles, contemp. gilt dec. calf, rubbed and worn, with spines deficient and covers detached or nearly so, 8vo, together with Observations on Several Parts of Great Britain, Particularly the High-lands of Scotland, Relative Chiefly to Picturesque Beauty, made in the year 1776, 2 vols., 3rd ed., 1808, forty mostly sepia aqua. plts., ex. lib. with ink stamps to titles and plt. versos, occn. light foxing, rough-trimmed, orig. boards, foxed, spine to vol. 1 detached at upper joint and with some loss at foot, vol. 2 lacking spine, plus Observations on the Western Parts of England, relative chiefly to Picturesque Beauty; to which are added, A Few Remarks on the Picturesque Beauties of the Isle of Wight, 2nd ed., 1808, eighteen sepia aqua. plts., ex. lib. with ink stamps to plt. versos and text, rough-trimmed, orig. boards, foxed, spine lacking and covers detached, 8vo (5)
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Howitt (Samuel). The British Sportsman, pub. Edward Orme, 1812, seventy-two b&w etched plts., incl. addn. etched title, some foxing and light discol. to first and last few plts., water stain to lower inner margin at front and rear of vol., a.e.g., contemp. straight-grained full light brown morocco gilt, rubbed and covers dampstained, 4to (1)
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* Alken (Henry). Fores's Hunting Sketches, plates 1-6, pub. November 1st 1839,. a set of six hand-coloured aquatints by J. Harris after H. Alken, each signed by the artist to lower left margin 'Colouring Proofs H. Alken', some light foxing and a little discol., contemp. Hogarth-style frames, glazed (6)
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[America]. The Universe Display'd; or, a Survey of the Wonderful Works of Creation, 1777,. contains 16 engraved plates relating to the Americas including 'The Marriage Ceremony of Canada', 'The Manner of Making a Divorce, by the People of Canada', 'Virginian Conjurer/Priest of Virginia', 'The Virginians rejoicing round a Fire', 'The Mercury of the Mexicans calld' Quetzalcouatl', 'Ceremony of Marriage amongst the Mexicans' ,Mexican Lords with a Slave going before them with a Bow and Arrow', 'The Peruvians Light their Sacred Fire', 'View of Potosi', etc., a few leaves marked, one leaf toen with loss, contemp. calf-backed boards, upper cover detached, 8vo Sold as a collection of plates. (1)
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Americas. Lapie (Pierre & Alexandre Emile), Carte de L'Amerique Septentrionale, Carte des Etats-Unis d'Amerique, Carte des Antilles du Golfe du Mexique, Carte Generale de L'Amerique Meridionale, Carte du Perou, Carte de Colombie, Carte du Bresil, Carte de la Plata, 1838,. together eight maps with original outline colouring, some light foxing, each approx. 550 x 395 mm (8)
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Jerusalem. Schedel (Hartmann), Destruccio Iherosolime, [1493],. uncoloured woodcut view of Jerusalem showing the temple ablaze, Latin text to upper portion of sheet, some light toning, image size 257 x 537 mm, together with another engraved view by Schedel entitled 'Angliae Provincia' (235 x 225 mm) (2)
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* Prints & engravings. Poussin (Gaspar, after), The Cascade,. uncoloured engraving after Vivares, plate dimensions 310 x 405 mm, together with Rosa (Salvator, 1615-73), Diogenes Adolescentem manu bibentem intuitus Scyphum proycit, and Sensit Alexander, testa quum, uidit in illa Magnum habitatorem, two uncoloured engravings, some light foxing, each 460 x 275 mm, plus others including an 18th century engraving after Albrecht Durer, a book entitled 'Jos. Fuhrich's Triumph Christi in eilf Tafeln', published in 1839 containing eleven engraved plates, etc., some framed and glazed (11)
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* Aldin (Cecil, 1870-1935). The Harefield Harriers. The End of the Day, 1908, original colour print, laid onto board with some light browning, image size 370 x 605 mm, together with The Dover Road. The Bull at Dartford, 1903, original colour print, image 355 x 600 mm, and one other modern reproduction after Aldin (3)
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* Coaching. Montpezat de (Henri Auguste, 1817-59, after), La vie d'un Gentilhomme en toutes Saisons,. hand coloured aquatint by Jazet, some light water staining, image size 455 x 705 mm, together with Chevaux & Voitures. Traineau, hand coloured aquatint by Leblanc after Montpezat, image size 445 x 590 mm, and Col-Antwerp (David, after), The Catastrophe, pub. 1856, hand coloured aquatint engraving by J. Harris & C. Quentery, image size 485 x 660 mm, plus one other untitled hand coloured aquatint of a coach and horses (4)
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Automata broadside. Maelzel's Grand Exhibition, No. 29, St. James's Street, Consisting of the following unrivalled Automata, viz. The Automaton Chess Player ..., The Automaton Rope Dancer ..., The Automaton Trumpeter ..., The Conflagration of Moscow ..., Admission 2s.6d. Children 1s.6d. each, printed by W. Glindon, Rupert Street, Haymarket, [1818?], orig. printed broadside within decorative border and with woodcut vignette of 'The Turk' being played, faded ink note 'A4' top right, a little overall creasing and marginal dust-soiling, old paper guard to upper margin along edge of printed border, a few marginal small closed tears and small light damp stain to left margin not affecting border or text, 1 p., 255 x 190 mm The Turk was a famous hoax which purported to be a chess-playing automaton first constructed and unveiled in 1770 by Wolfgang von Kempelen (1734-1804). Kempelen first exhibited the Turk at the court of Austrian Empress Maria Theresa in 1770, and later took it on a tour of Europe for several years during the 1780s. Kempelen eventually decided that the Turk was occupying too much of his time and consigned it to a corner of the Austrian palace, and focused on other forms of automata. After Kempelen's death in 1804, the Turk passed through many hands, eventually ending up with Johann Maelzel, inventor of the metronome. He too toured it with mixed success. Eventually the Turk was destroyed in a museum fire in Philadelphia in 1854. No other copies of this broadside have been located during our researches. See illustration on front cover of this catalogue. (1)
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Bewick (Thomas and John). Select Fables; With Cuts, Designed and Engraved by Thomas and John Bewick... together with a Memoir; and a Descriptive Catalogue of the Works of Messrs. Bewick, Newcastle, 1820, eng. port. frontis., numerous wood engs. to text, occn. light foxing, first few leaves lightly browned, Qq1-Rr1 with marginal water-staining, hinges repaired, modern half calf retaining orig. marbled boards, 8vo in 4's (1)
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Erasmus (Desiderius). Apophthegmatum, [siue scite dictorum libri sex, Lyon: Sebastian Gryphius, 1531], lacks a1 (but title from Apophthegmatum libri duo, Lyon: Sebastian Gryphius, 1533, with woodcut device, supplied in its place, old ink amendments and deletions), also a2 (supplied as three pages in neat old manuscript), a8 and I8-L4 (from 'Festum' in Index to end), some old ink marginalia and occ. underscoring, old ink amendments and deletions to title, ink acid burn to margin of leaf k5, closely trimmed with loss to annotations, some light dampstaining and spotting throughout, contemp. sheep, wear to extremities and upper cover near det., 8vo Adams E489. The title page supplied was probably originally bound with its text at the end of this textblock so completing the work in eight books. Both works are rare, the work having been first published in Basle in 1531 and the edition of Libri Duo from which this title is taken is not in Adams, Brunet or The Erasmus Online Database. (1)
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Obsequens (Julius). Giulio Ossequente De' Prodigii. Polidoro Vergilio de' Prodigii lib. III..., Giovan di Tournes, Lyon, 1554,. pp.340,[18], title within dec. border (with erased signature& repair to verso of upper margin), woodcut port. to title verso, dec. initials and woodcut illusts., lacks leaf Z4 (final blank), lower outer corner of leaf a2 strengthened to verso, some minor marks and light damp staining to few leaves, recent toned endpapers, contemp. tan calf with blind roll-work decoration to boards, lacks ties, slightly rubbed to extrems., 8vo Adams O10. (1)
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Shakespeare (William). The Tragedie of King Lear/The Tragedy of Othello, the Moore of Venice/The Tragedy of Anthony, and Cleopatra, [drop-titles], together three consecutive plays extracted from Shakespeare's Second Folio, 1632, pp.303-88, printed in double-column, woodcut head and tail-pieces and initial letters, occn. light fox spots/soiling, aaa5 (Anthony and Cleopatra, Act 5, Scene 2) with small hole affecting a few letters, final leaf sl. frayed and expertly repaired to lower and fore-margin, three plays bound together in modern Cambridge pane calf by Henry Sotheran, spine blind-panelled, upper cover gilt lettered in centre, board edges gilt milled, gilt dec. turn-ins, slim folio (approx. 310 x 250 mm) (1)
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Sibbes (Richard). Bovvels Opened: or, A Discovery of the Near and Dear Love, Union and Communion Betwixt Christ and the Church, and Consequently Betwixt Him and Every Beleeving Soul..., 4th ed., 1658, bound with, Light from Heaven, Discovering the Fountaine Opened. Angels Acclamations. Churches Riches. Rich Povertie. In Four Treatises, 1638, pages slightly close-trimmed at foot, bound with The Glorious Feast of the Gospel. Or, Christ's Gracious Invitation and Royall Entertainment of Believers..., 1650, sewing broken and pages loose, contemp. calf, boards detached and lacking spine leather, 4to (1)
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Steier (Sylvestrus). Historia Genealogiae Domini Nostri Iesu Christi, Dei et Davidis filii, synopsi Gemina & tribus libris expressa & exposita, Frankfurt: Nicolas Bassaeus, 1594,. title within woodcut decorative border, large emblematic woodcut to title verso, woodcuts to text, 101 unnumbered leaves in total (lacking N4 blank as usual), occ. heaving browning, some light dust soiling and water staining to inner margins of early leaves, modern green stained antique-style vellum, gilt dec. spine and red leather label relaid, folio. Adams S1688. (1)
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Wilkinson (Robert). Londina Illustrata. Graphic and Historic Memorials of Monasteries, Churches, Chapels, Schools, Charitable Foundations, Palaces, Halls, Courts, Processions, Places of Early Amusement and Modern & Present Theatres in the Cities and Suburbs of London & Westminster, 2 vols. in one, 1819-25,. eng. title to each, num. eng. plts., some scattered spotting and light embrowning, later green cloth gilt, rubbed and dampstained, thick 4to Notable for a series of plates illustrating London's 'Ancient & Modern Theatres', including the Southwark Bear Garden, Bankside Globe and Theatre Royal Drury Lane. (1)
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Golden Cockerel Press. Maxims and Considerations of Chamfort, translated, with an Introduction, by E. Powys Mathers, 2 vols., 1926, untrimmed, orig. qtr. japanese vellum, vol. 2 in d.j., foxed, and with darkened spine repaired at ends, together with Byron (May), Babies of All Nations, Pictured by Rosa C. Petherick, 1st ed., [1909], col. illusts. throughout, hinges split, orig. cloth-backed pictorial boards, rubbed and stained, with sl. fraying to spine, and corners showing, 4to, plus Nister (Ernest, pub.), Fur Coats and Feather Frocks, [1892], full-page col. illusts. (frontis. with fore-margin creased and repaired with archival tape), b & w vigns. to text, scattered foxing, and some light soiling, hinges strengthened with fabric tape, orig. cloth-backed pictorial glazed boards, rubbed, 4to, plus ten others misc. (14)
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Greenaway (Kate). The Queen of the Pirate Isle, Frederick Warne, [c.1900], col. illusts. throughout, scattered foxing, one leaf with closed tear in gutter margin, hinges split, light green endpapers, orig. cloth-backed pictorial glazed boards with sunflower design, lightly stained and extrems. rubbed, lower cover faded, slim 4to, (Schuster & Engen 165.3b), together with Almanack for 1884, col. illusts. throughout, a.e.g., orig. light green morocco-grain wrappers gilt, approx. 130 x 90 mm, (Schuster & Engen 4.2e), plus sixteen others, mostly juvenilia, but incl. also some Ariel Poems (17)
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Wilde (Oscar). The Picture of Dorian Gray, first illustrated edition, Paris, Charles Carrington, 1908 [1910],. title printed in red and black, seven full-page wood engs. by Eugene Dete from drawings by Paul Thiriat, each with captioned tissue guard, light waterstain to lower margin, a.e.g., later red morocco by Times Book Club, a few minor marks, small 4to (1)
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Wilder (Thornton). The Woman of Andros, Longmans, 1930, ltd. ed. 227/260 signed by Thornton Wilder, tipped-in frontis., t.e.g., orig. cloth gilt, spine faded, 4to, together with Pope (Dudley), Corsair, 1st ed., Alison Press, 1987, presentation copy signed by the author, orig. cloth in edgeworn d.j., 8vo, plus Alastair, illust., Manon Lescaut, by the Abbe Prevost, John Lane, 1928, unnumbered copy from an edition of 1850 copies, frontis. and ten plts., occasional light spotting, new endpapers at rear, recent cloth, 4to, together with thirty-seven others, literature, 1st eds., illustrated, limited editions etc. (a carton)
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534325 Los(e)/Seite