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534325 Los(e)/Seite
A collection of contemporary furniture including a pair of circular Ercol light elm occasional tables on four swept supports, with plate glass top, further painted occasional table with oak top, two ironwork frames, a square cut mirror panelled pillar with stepped plinth and a circular brass occasional table with plate glass top and a painted demi lune side or hall table in a Regency style on swept supports
Michele Gordigiani (Italian, 1835-1909) - A Half Portrait of a Gentleman wearing a Bowtie, in chiaroscuro light with his head turned slightly to his left looking out of the painting towards the viewer, signed upper right corner, with 'M. Gordigiani' inscribed in pencil to the stretcher verso, oil on canvas, 72.5 x 56 cm, in faded gilt frame with moulded details, frame size: 86 x 70.5 cm
An original b&w photograph of the total solar eclipse, 29 June 1927, taken by John Jackson under direction of Sir Frank Watson Dyson, Astronomer Royal, at Giggleswick, North Yorkshire. Signed to the margins by three astronomers and Fellows of the Royal Astronomical Society: John Jackson, Charles Rundle Davidson, and Philibert Jacques Melotte. Inscribed, "Chromosphere and Corona photographed at Giggleswick 1927 June 29." This image, which captures the Sun's corona and prominences, was featured in The Times newspaper the following day, 30 June, where it was captioned 'the official photograph'. This was the first total eclipse to be visible from mainland Britain for 203 years, powerfully recorded in a diary entry by Virginia Woolf, 'We had fallen. It was extinct. There was no colour. The earth was dead.' [A Writer's Diary, Hogarth Press, 1953]. Gelatin silver print, 30.5 x 38cm. The image is remarkably well-preserved with some light creasing to corners, a marginal pin-hole at each corner, and a 1cm tear to left-hand margin, the verso has some light toning & handling marks with tape residue at top edge
GREAT EXHIBITION. The Crystal Palace and Its Contents; Being an Illustrated Cyclopaedia of the Great Exhibition of the Industry of All Nations 1851, tall octavo, publisher's silver-embossed blue cloth, all edges gilt, pale yellow endpapers with steel-engraved portrait of Albert, Prince Consort, illustrated with wood-engravings throughout, light spotting in places, heavier at title, some bumping/wear to corners/extremities, London: W. M. Clark, 1852
MILNE, A. A. Winnie-the-Pooh, FIRST EDITION, first printing, 8vo, publisher's green cloth lettered in gilt, map endpapers, top edge gilt, binding good with a few light marks, light wear to extremities, corners lightly bumped and worn, shelf-lean, internally good with handling marks, heavier in places, a few pale splash-marks in places, no inscriptions, London: Methuen, 1926
BLYTON, Enid. The Secret Seven, first edition, first printing, 8vo, publisher's cream boards, unclipped dust-wrappers (priced 5/-), a very good example of the first book in the Secret Seven series, well-preserved & bright, wrappers very good & bold with only slight wear at extremities, light bumping to corners, Leicester: Brockhampton Press, 1949
HOROWITZ, Anthony. Forever and a Day, first edition, first printing, SIGNED by the author, Waterstones Exclusive, London: Jonathan Cape, 2018; Magpie Murders, first edition, second printing, SIGNED & INSCRIBED by the author, London: Orion, 2016. Very good, clean & bright, in unclipped dust-jackets, one light fold to front flap of first title (2)
ROWLING, J. K. Harry Potter and the Philosopher's Stone, second issue bearing bookplate signed by the author in green ink on front free endpaper, London: Ted Smart [The Book People], 1998. Octavo, hardback, unclipped dust-jacket. Internally very well-preserved, clean & bright, a light crease to edge of ffep/half-title, pulling slightly at gutters of title, binding tight & square, boards bold & vibrant, very faint & trivial bumping to extreme corners, jacket good with very slight discolouration to spine, some very light creasing around the top of jacket at spine
Paul Weaver (British, 20th century) - Light & Shade. An early 21st century oil on board painting depicting Northumberland Place, Bath. Signed bottom left. Framed. Measures approx. 34cm x 23cm (13.5" x 9"). Paul Weaver is a full-time artist, tutor and demonstrator, based in Bristol, UK. His primary inspirations are light and atmospheric effects. Townscapes, markets and the bustle of the city are favourite subjects, as well as landscape, marine and coastal scenes. He currently specialises in watercolour, but also enjoys working in oil, acrylic and line and wash.
A retro vintage 20th Century Italian Hollywood Regency upright standard lamp light of brass construction. The lamp having a series of protruding brass arms with with frosted glass shades in the form of flower heads with floral detailing to each panel. Cylindrical brass column raised on a circular base. Measures approx. 145cm tall x 46cm diameter. Sold as untested.
A SELECTION OF SILVER AND WHITE METAL JEWELLERY, to include a boxed silver hinged bangle with floral pattern, push button clasp with additional safety chain, hallmarked Chester, internal diameter 60.0mm, a ladies silver 'Rotary' wristwatch, quartz movement, fitted with a gate bracelet and folding clasp, hallmarked Birmingham, a heavy silver ingot pendant, hallmarked Birmingham, a George V coin necklace, spring clasp stamped Sterling, approximate gross weight including movement of watch 114.4 grams, together with assorted white metal chains, some tangled, pendants including a high relief lava cameo depicting a forward facing gentleman, three legs of man pendant, 'Cancer' star sign pendant etc (condition report: general light wear, some pieces may require attention, tangled chains)
A WHITE METAL FULL HUNTER POCKET WATCH, manual wind, round white Roman numeral dial, subsidiary dial at the six o'clock position, worn engine turned pattern case with vacant cartouche, approximate case width 49.2mm, inside case back stamped 'Fine Silver', stamped 10590, movement unsigned, approximate gross weight 91.6 grams (condition report: watch winds, sets and runs although time keeping is untested, general light wear)
A 'GEORG JENSEN' BRACELET AND EARRINGS, moonlight grapes bracelet, design 96, fitted with a circular push pin clasp, approximate length 175mm, signed 'Georg Jensen', stamped 925S Denmark 96, hallmarked London import 1997, approximate gross weight 29.3 grams, together with a matching pair of clip on earrings, design 50B, signed 'Georg Jensen', stamped 925S Denmark 50B, hallmarked London import 1996, approximate gross weight 5.2 grams, both with original signed 'Georg Jensen' boxes (condition report: general light wear, overall condition very good)
A 9CT GOLD, JADE LINE BRACELET, designed with a row of ten vary colour jade links, lavender, white, red, green and yellow, each within yellow metal mounts, each link approximately 15 to 15.5mm, fitted with an open work integrated box clasp, featuring an oriental symbol, with an additional figure of eight safety clasp, stamped 9k, hallmarked 9ct Sheffield, length 190mm, approximate gross weight 10.7 grams (condition report: general light wear, clasp in working condition)

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534325 Los(e)/Seite