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534325 Los(e)/Seite
Los 248
A sterling silver baluster shaped mug, by Mappin & Webb, engraved Alexander William Murphy, 27th June 1971, Sheffield 1968, marked to the base Mappin & Webb Ltd London & Sheffield, 10cm high, 6.2oztCondition report: Surface marks/scratches/light tarnish.Foot of mug is dented, and a dent to the handle.
Los 10
Guild of Handicraft Ltd (British 1888-1907), an Arts and Crafts copper and enamel small circular box and cover c.1900, stamped G of H Ltd The plain circular form with hammered sides having a cover centred with a blue green enamel plaque in a riveted collet 5 cm high, 7.2 cm across Condition ReportThe seam for the base and collar of the cover can be seen - but this is how it was made. There are some tiny abrasions and light natural wear to copper including natural wear to base. No damages detected to the enamel.
Los 101
Puiforcat and Baccarat (French), a glass and silver gilt vide poche20th Century, stamped with a partial lozenge mark, stamped 'Puiforcat', French poincon and glass with Baccarat acid markThe square clear glass tray with circular recess framed with a silver gilt border21 cm x 21 cmSmall chip to one corner on the underside of the glass and possibly one corner polished. Some light wear and a few scratches to glass surfaces. Metal with some rubbing to gilt, with some old marks and general wear.
Los 104
Claude Mirval (French), an Art Deco cold-painted bronze figural lamp with globular agate shadec.1930, signed C. MirvalModelled and cast as a seated and partially draped young woman, her scarf decorated with gilt floral motifs, she holds an agate ball, that conceals the light above her head, raised on a stepped oval marble base, with electrical fitments35 cm high, approximately 37 cm wideThe silvering to the figure is rubbed and streaked. The join for the front arm is beginning to show because of the wear to the cold painting - the join is how it is made and is not damage. Some wear and rubbing to the green on the scarf/drape. General wear in keeping with age and natural use. There is a 'hot-spot' on the agate shade. There are some small nicks and nibbles to the stepped marble base on the edges.It comes with some extra old bulbs.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed.
Los 106
Moroccan, a handwoven long pile wool rugSecond quarter 20th centuryWoven with irregular stylised motifs and lozenge motifs in black, grey and cream on a red field208 x 96 cmThe rug has a few long possibly pulled threads. A couple of old repairs to the end without tassels. Some of the decorative tag inclusions have "gold-coloured" thread in them. Some light natural wear overall.
Los 108
Attributed to Dominique (French), an Art Deco rosewood dining table Circa 1930The table with two matching extension leaves, raised on U-shaped supports united but a broad low stretcher, on splayed feet with plated metal ends Table 75.8 cm high; 250 cm long; 100 cm deep, each extension leaf 50 cm Property from a Private London Collection.Purchased Tajan, Paris, 11 February 2009 Table top, one corner has a knock which runs into the side with loss to veneer - would need some attention. There is a small veneer loss to end of one leaf pull support.signs of small restorations to edges of top. There is some fine wear and scratches and a few heat marks with a few small scrapes and small losses to veneer on the edges, but overall the surface presents well. Light natural wear to the supports and stretchers. The overall structure is good and looks impressive.
Los 119
Jean Lurcat (French 1892-1966), a glazed terracotta tileSigned ‘I Dessin, J. Lurcat, Sant-Vincens, S.I.’Decorated with a stylised mermaid, inset in frameTile 16 cm x 13 cm, frame 53.5 cm x 30 cm; together with another Jean Lurcat glazed terracotta tile, Signed ‘III Dessin, J. Lurcat, Sant-Vincens, S.E.’, decorated with a stylised face and foliage Tile 16 cm square, frame 30.2 cm square (2) (ARR)Vertical tile: a small chip on the right hand edge and some small patches of glaze shrinkage. Frame has a few marks.Square tile: some marks in the top right corner to the surface of the glaze. Frame with light wear in overall good condition.
Los 120
Monart (British), a cased cylindrical glass vase 20th Century, possibly shape L in a taller sizeMottled glass, blue and pink, clear casing30 cm highThere is a flaw on the inside of the vase near the bottom which you can feel if you put your hand in side - perhaps a partial open bubble. Light natural wear and slightly heavier wear to base.
Los 124
Monart (British), an oviform glass vase with everted neck 20th Century, shape HFMottled pale green glass decorated with mica inclusions, 20 cm high; together with a smaller, similar shaped Monart vase, partial Monart label HF IX, mottled pale blue with aventurine inclusions, 12.5 cm high (2)Larger vase: Some marks and wear to exterior, natural wear and slightly heavier wear to base.Smaller vase: light natural wear and slightly heavier wear to base.
Los 125
Vasart (British), a cased glass vase 20th Century, signed Vasart Pink and pale green glass decorated with swirls, 20 cm high; together with six variously shaped and sized bowls, all signed Vasart largest 29 cm wide, smallest 11.2 cm diameter (7)Some light natural wear to surfaces and heavier wear to the underside bases in all cases.Plus - texturing to the rim of the largest bowl, possibly a few minute nicks to the glass, but seems to be the folds in the glass at the rim.Small chip to the rim of the yellow/blue bowl.Small chip to the rim of smallest bowl.
Los 126
A British cased glass vase possibly made by Vasart 20th Century, unsignedThe bubble suffused shouldered oviform with cylindrical neck, internally streaked with colours, predominantly blue, green and grey24.5 cm highThe vase has a raised central pontil but no polished outer rim. There are some marks to the outer edge of the neck rim from the making. Light general wear, with heavier wear to the outer rim of the foot.
Los 127
Barnaby Powell (British 1891-1939), a James Powell and Sons 'Ruby' glass ribbon trailed glass vase Pattern number 9296, Shape 1930s, Ruby colour produced 1940-1960Flared form on a circular spreading foot, 14 cm high; together with another similar shaped vase in gold amber, 14 cm high; and two ribbon trailed vase, without feet, one in sea green and one in gold amber, 13.5 cm high; and an amethyst ribbon trailed bowl, on foot, 19.3 cm diameter (5)Literature: Edited by Lesley Jackson, ‘Whitefriars Glass – the Art of James Powell & Sons’, Richard Dennis, Somerset, 1996, (similar shapes and colours illustrated p. 121, Pl. 104; p.122 Pl 105; p.123, Pl 110) Small chips to edge of pontil on pale amber vase with foot. Otherwise, light general wear to interiors and to feet, a few abrasions, heavier general wear to base of the sea green vase and to interior and base of the bowl.
Los 128
Barnaby Powell (British 1891-1939), a James Powell and Sons gold amber glass 'tumbler' vase c.1939, pattern number 9030 With self colour ribbon trailing, 22 cm high; together with a flared glass vase, pattern no. 8886, 21 cm high; together with a high side bowl and broad dish, both in pale green with blue ribbon trailing, the dish is engraved with a camel in the middle, 25 cm and 30 cm diameter respectively (4)Edited by Lesley Jackson, ‘Whitefriars Glass – the Art of James Powell & Sons’, Richard Dennis, Somerset, 1996, p. 121, Pl 104; and p.122, Pl 105 & 106 (similar shapes illustrated)Vases: some small nicks around the pontils, a few scratches, light natural wear with heavier wear to underside of the feet in keeping with age and use. Bowls: both with some wear to interiors and and to the bases. The dish is engraved with a camel which would have happened after it left the factory and there is a bruise on the interior.
Los 129
Webb Corbett, an English cut glass vase1930s, with acid maker's markFlared form on a circular spreading foot, both the side and the foot with cut decoration, 24 cm high; together with a Webb Corbett cut glass decanter (no stopper) designed by Irene Stevens, c.1949, with a set of 8 sherry glasses and two port glasses, each cut with with horizontal banding and circular discs, two sherry glasses and one port with maker's marks, 19.5 cm, 10.5 cm and 9.8 cm high respectively (12)Literature: Charles R. Hajdamach, '20th Century British Glass', Woodbridge, 2009, p.279, pl. 593, (vase illustrated with similar pattern found on the decanter and glasses)Light natural wear, a few abrasions and scratches. No stopper with the decanter. Only vase, 2 sherry & 1 port glass marked.
Los 130
Geoffrey Baxter (British 1922-1995), a Whitefriars 'Glacier' decanter and stopperc.1969Of shouldered square section and with stopper, 27 cm high; together with William Wilson designed bowl in gold-amber with lobed base, c.1954, 22 cm diameter; and a 'diamond mould' bowl, 21.5 cm diameter, and a small footed bowl, 14.6 cm diameter, both attributed to Powells; together with a set of 5 smoky glass tumblers, one with Whitefriars and Design Centre label, 12.5 cm high (9)Edited by Lesley Jackson, ‘Whitefriars Glass – the Art of James Powell & Sons’, Richard Dennis, Somerset, 1996, p. 91, fig 235 similar decanter illustrated; p.131, Pl 134, similar Wilson bowl illustrated)Decanter: engraved 5 on neck and stopper; some tiny nicks to shoulder of stopper. A couple of open bubbles on the rim of the decanter but not damage as this is how it was made. Light natural wear. Wilson bowl: small chip and a bruise to two of the lobed feet; quite heavy wear and scratches to interior and base and on rim.Diamond bowl: a couple of inclusions evident on the inside. Wear and scratches to interior and base.Small bowl with foot: light natural wear.Glasses: light natural wear.
Los 131
A Webbs faceted glass bowl'Webbs Made in England' acid mark used c.1935-1949The sides frosted, textured and with amber flashed facets, 20 cm diameter; together with two Webbs amber glass bowls with inherent-prunt like decoration, one having a spreading circular foot, both with 'Webbs England' acid mark used c.1950-1966; together with a Stuart green glass flared bowl with foot, 'Stuart' acid mark to base used c.1950, 18 cm diameter, and a similar vase, unmarked, 16 cm high (5)Webbs faceted bowl: some tiny chips to neck rim, scratches and wear to interior and light wear to base.Webbs amber bowls: scratches and wear to interior and light wear to base.Green bowl & vase: scratches and wear to interior and light wear to base.
Los 135
Per Lutken (Danish 1916-1998), a Holmegaard green glass vasec.1963, signed Holmegaard, PL monogram 18111Gently flared vase with inherent horizontal bands, 23 cm high; together with an Orrefors smoky faceted and polished glass vase designed by Simon Gate, signed Orrefors GA 1505/13, 13.5 cm high; and another in green, signed Of. GA 417/1, 8.5 cm high; an Orrefors clear glass cut and polished vase by Ingeborg Lundin, engraved Orrefors DA 3658/4, and paper label, 15.5 cm high; together with a Nanny Still (Finnish 1926-2009), squat glass candleholder made by Riihimaen Lasi Oy, signed, 10.5 cm diameter; and a heavy green and clear glass ribbed and textured glass vase possibly by Poul Kedelv for Reijmyre, 14 cm high; and a small green glass vase, illegible signature, 7.5 cm high (7)(7)Holmegaard: a few scratches and wear and natural wear to baseOrrefors smoky vase: tiny nicks and nibbles to facet edges, heavy wear to foot. Orrefors green: wear to base.Orrefors clear: wear to base.Nanny Still: a few tiny abrasions. Light natural wear.Poosibly Kedelv: some small chips, nicks and nibbles around the edge of the foot. Heavy wear to foot. Some polishing to rim. General wear.Small green glasss vase: chip to the outer edge of the rim. Wear to base.
Los 136
Vicke Lindstrand (Swedish 1904-1983), a Kosta hand-formed cased glass vase1955-1956, engraved Kosta LH/1116The red centre streaked in white and cased, 13 cm high; together with a Vicke Lindstrand Kosta internally streaked vase, signed Kosta LH/1403, for 1958-1959; and an oval bowl, bears signature, 18.5 cm wide; together with a Kosta solifleur clear glass vase by Goran Warff, signed Kosta Y7800 Warff, 21.5 cm high; and an anonymous cased glass vase, 17.5 cm high (5)Red streaked vase: there are small nicks and nibbles around the edge of the foot. A few scratches and abrasions and natural wear to base.2nd LH vase: and few tiny abrasions and light natural wear to base.Oval bowl: bears an engraved signature on the foot, but not on the polished pontil where you'd expect. No factory mark with, just says "LH 1401". A few scratches and abrasions to the inside and natural wear to base.Warff: deposits and cloudy film on the inside. Some tiny abrasions. Wear to base.Anon: A few scratches and abrasions and natural wear to base.
Los 138
Tapio Wirkkala (Finnish 1915-1985), an Iittala 'Tatti' vase 1955, engraved 'Tapio Wirkkala, ittala, 55 The mushroom shape with line cut decoration10.5 cm high, 13 cm diameter There are 3 small bruises and a small chip on the edge of the top and a small chip on a rib on outside of the base. Some tiny abrasions and light natural wear.
Los 139
A Curta Type I mechanical Calculating Machine by Contina AG Ltd, Vaduz, Liechtenstein Mid 20th Century, in dust and shock proof carrying case, with instruction manual and computing examples booklet, calculator 11cm high, in case 12cm high Note: The Curta calculating machine was developed by Curt Herzstark as a successor to the design of Gottfried Leibniz's Stepped Reckoner and Charles Thomas's Arithmomete, but innovating with an extremely compact hand-held design. The manual accompanying this model has a publishing date of 1962.Condition Report:Outer case with some scuffs and general wear, causing some loss of colour. Heavier wear with some scratches to base.The calculator has some light cosmetic wear to the top carriage and the grip on the base and also to operating handle consistent with light natural use. Setting knobs move up and down through 0 to 9. The carriage lifts and rotates from 1 to 6.The operating handle rotates and makes the numbers change on the indicating dial and also on the answering dial. The handle can be lifted up and pushed down into its upper and lower positions. The clearing lever moves and locks in place.Please note Rosebery's do not guarantee the working condition of the mechanical elements, duration and accuracy of the calculator offered for sale.
Los 14
Georg Jensen (Danish 1866-1935), a pair of silver 'Blossom' pattern sugar nips Mark of Georg Jensen, 'GI' in an oval used 1915-1932, Sterling, 925, Denmark The spring loaded nips with openwork 'blossom' handles 9.7 cm longSome tiny, occasional indentations and abrasions, a few old marks and stains. Spring still functions. Light natural wear in keeping with age.
Los 140
Attributed to Dino Martens, a trefoil glass bowl with internal stripes in white, pink and pale green, 16 cm wide; together with a Seguso Vetri D’Arte bird and a pair of salts each with gilt leaf inclusions, and a cased scent bottle and stopper, rubbed label, 11.5 cm high; and a small green glass vase internally decorated, 6.5 cm high (6)Martens bowl: light natural wear.Bird: large chip and smaller chips to feet of bird, and light natural wear.Pair salts: light natural wear.Scent bottle: stopper wobbles in the neck. Light natural wear. Some chips to end of stopper shank.Sm Green vase: the base is frosted – un polished, Light natural wear.
Los 143
A pair of modern iron and glass uplighter floor lamps in the style of Louis Majorelle Late 20th Century The frosted glass shades of bowl form, the interiors with streaked blue and green enamel and having a separate border of leaded blue/green glass segments, supported within an openwork frame and three arms extending down to form the stems and tripod base, applied with berry and leaf decoration, with light fitments 178.5 cm high, the top approximately 46 cm wide (2)Condition Report:Visible glass appears to be in good order, although there is some natural wear and dirt and one shade has dropped slightly from the mount as there is a screw missing (attaches through the berries on the outside) and as such you can see that the top edge of the glass 'bowl' is a little uneven, but when the shade is properly fixed in place this would not be seen.The metal structure is sound and sturdy and there are some old marks and general wear in keeping with use and there is some oxidisation in places. Heavier wear to feet. The wiring and bulbs to the metal structure are quite obvious. Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed.
Los 146
Alessandro Mendini (Italian 1913-2019), an 'Ollo' stainless wrist watch for Studio Alchimia c.1980, incised to reverse 'Alchimia' The stainless steel case with glass crystal, encasing polychrome geometric design dial, with black and purple polyester strap Dial - 32cm diameter not including crown Property from a Private Collection NOTE: Studio Alchimia was a design collective founded, pre-Memphis, in 1976 in Milan by Alessandro Guerriero and his sister Adriana Guerriero-Reali. Designers Alessandro Mendini, Ettore Sottsass, Michele De Lucchi, Bruno and Giorgio Gregori, Paola Navone, Daniela Puppa, Andrea Branzi, and Franco Raggi all contributed to the work of the group. They encompassed Architecture, theatrical design, decorative arts, product and clothing designs and their ethos was at counterpoint to the aesthetic of the Bauhaus and the other industrial and minimalist designers. They were interested in a colour and the play between forms and were happy to embrace modern technologies. The Studio Alchimia closed in 1992. Condition reportThe watch works but we have not checked its time keeping. There is some light wear to the front of the metal casing, the glass face is good. There is wear - some scratches to the back - and were the back has been removed in the past there is some lifting/indentations to the edge. The strap has some wear and a few loose threads.Please note Rosebery's do not guarantee the working condition, duration or timekeeping of clocks & watches offered for sale.
Los 171
Bert Marsh (British 1932-2011), a turned wood bowl Late 20th century, signed to base A light turned wood bowl of goblet form, together with a large quantity of other treen objects to include a deep bowl by Richard Kell, a holly bowl by David Woodward, a lidded box by Peter Chatwin, a lidded box by Cecil Jordan and a further twenty two other wooden items Bert Marsh 8.5cm high (ARR) Please refer to department for condition report
Los 18
William Hutton & Sons (British), an Arts & Crafts silver box with hinged cover Mark of William Hutton & Sons Ltd, London 1901 The rectangular form embossed with a frieze of foliate motifs, the cover with strap hinges set with orange cabochons, with a clasp catch, on shaped feet, with wood lined interior 8 cm high, 22 cm long, 13.3 cm deep Condition report:Silver: there is light natural wear, some scratches and some rubbing to high points and silver surface. There is rubbing to the edges of the makers marks. Some tarnishing and polish deposits. The wooden interior of the box has some old marks and stains and from the underside the bare wood is exposed. The are some abrasions on the orange cabochons. There is no peg for the clasp.
Los 187
Jean Marais (French 1913-1998), a glazed terracotta 'Quatre Visages' vaseSecond half 20th Century, signed 'Jean Marais'Modelled and cast with four merging faces, the tapered base with four tear-drop shaped indents, covered with a slightly lustrous black glaze31cm highNo damages detected. Light natural wear. Some dust inside.
Los 202
Jean Claude Deveaux (French), a tall marquetry ribbon form Contemporary, rubber stamped mark to back A large marquetry sculpture in the form of a flowing ribbon constructed of light and dark wood marquetry mounted onto an MDF board; together with a smaller marquetry object in the shape of a pyramid with re and natural wooden veneers Ribbon form 45cm high pyramid form 30cm wide (2) (ARR) Please refer to department for condition report
Los 208
Poul Henningsen (Danish 1894-1967), a set of three 'PH5' ceiling lights for Louis Poulson c.1960 Two lights in red enamelled finish, one light finished in purple, each with uplighter shade above three curved and graduated shades 28cm high, 50cm diameter (3)Please refer to department for condition report
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534325 Los(e)/Seite