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534297 Los(e)/Seite
Los 313
Tomlinson, William, and Masters, Richard, Bookcloth 1823-1980, 1st edn., pub Dorothy Tomlinson, Stockport, 1996, edition limited to 1500 copies, with 11 pages of bookcloth samples, hardcover. (1)Condition Report:Slip case very good, corners good, some light scuffs. Book very good, spine and corners very good, hardly creased from being opened, gilding to top of pages good, price written on 1st page in pencil.
Los 396
Gentleman's Rolex Oyster Perpetual Datejust wrist watch with a white enamelled dial and gold Roman numerals, date aperture with cyclops lens above surrounded by a yellow metal fluted bezel, enclosing an automatic movement, on a bi-metal jubilee bracelet, 35mm, with 2 booklets, chronometer certification, box and slip case, (engraved message to clasp, working when catalogued, serviced by Mappin & Webb in 2017)Condition Report:Garantie No. 16013Movement No.9275691No receipt - purchased 16 September 1988Clasp inscribed "With love P H & H" and dated "27.12.88"Bracelet slightly stretchedAll over light scratches
Los 1510
DIEGO MARADONA SIGNED ARGENTINA FOOTBALL SHIRT mounted with photos, framed and under glassNote: Whilst McTear's has no reason to doubt the authenticity of this shirt, we offer no guarantee in that respect.94.5cm x 74cmUnfortunately we do not offer a verification service, and note that, whilst McTear's has no reason to doubt the authenticity of this shirt, we offer no guarantee in that respect.Condition is generally good, with light wear to frame - which would benefit from light clean.
Los 1578
CELTIC F.C. VS. INTER MILAN PROGRAMME EUROPEAN CUP FINAL, 25TH MAY 1967 Note: Celtic famously beat Inter Milan 2-1 to lift the European Cup. Condition good to fair. Light age and leafing related wear including some minor creases and yellowing of pages - this more notable to front and reverse. Scores and scores noted to centre page. Additional images now available.
Los 104
SHIGEMASA: A FINE WOOD NETSUKE OF A SNAIL ON BUCKETBy Shigemasa, signed Shigemasa 重正 and kakihanJapan, Nagoya, mid-19th century, Edo period (1615-1868)Carved from a single block of wood and masterfully stained in various subtle tones. The snail slithers across an upturned bucket, its body arched (forming the himotoshi) over the edge of the bucket, its feelers extended. The finely polished shell is stained in two different colors, with stippling and minute incision work used to achieve the heterogenous surface of the shell as naturalistically as possible – to great effect! The mollusk's body and inside of the shell is worked with further minute stippling and even the pneumostome (breathing hole) is accounted for. The bucket, as well, is carved true to life, showing the various hues of the wood and grain. Signed on top of the bucket SHIGEMASA with the artist's kakihan.HEIGHT 3.4 cmCondition: Excellent condition. Only very minor wear, some light surface scratches.Provenance: Dutch private collection, purchased from Kunsthandel Klefisch, Cologne, in 2013.The artist excelled at the carving of snails and was superior in the staining of his work.Literature comparison:For a similar netsuke by Shigemasa, signed with the same kakihan, see Lazarnick, George (1982) Netsuke & Inro Artists, and How to Read Their Signatures, Vol. 2, p. 946.Auction comparison:Compare to a related wood netsuke of a snail on a bucket by Shigemasa, sold at Zacke, Fine Netsuke & Sagemono, 29 October 2021, Vienna, lot 120 (sold for 8,216 EUR).
Los 108
HIDEHARU: A SUPERB WOOD NETSUKE OF THREE SNAILSBy Hideharu, signed Hideharu 秀晴 Japan, Nagoya, c. 1880Published: Wilhelm, Gabor (2004) Bulletin Franco-Japonais, no. 83, p. 44-45.Wilhelm, Gabor (Spring 2004) On the Continent, International Netsuke Society Journal, Vol. 24, No. 1, p. 35.Exquisitely carved as two adults and a smaller snail clustered together, the top snail having emerged from its shell, its optical tentacles fully extended and touching the shell, the small snail fully retreated into its shell, the subtle incision work creating a striking contrast between the varying textures, heightened by the superb staining (allegedly made using powdered turtle shell), the tail of the other adult forming the base and the himotoshi of the netsuke and signed HIDEHARU.HEIGHT 3.9 cmCondition: Very good condition, minor wear, few light surface scratches. Provenance: Christie's, 19 November 2003, Paris, lot 48 (sold for 11,163 EUR). French private collection, acquired from the above.Unlike other netsuke carvers, who preferred the much more common subject of a single snail, Hideharu favored larger groups of two or three.Museum comparison:Compare a related snail group by Hideharu, formerly in the collection of Raymond Bushell and now in the Los Angeles County Museum of Art, accession number AC1998.249.196.Auction comparison: Compare a related wood netsuke of two amorous snails by HIdeharu at Christie's, 16 May 2007, London, lot 319 (sold for 10,200 GBP). Compare a closely related wood netsuke of three snails by Hideharu at Lempertz, 11 June 2022, Cologne, lot 413 (sold for 11,340 EUR).
Los 109
HIDEHARU: A WOOD NETSUKE OF A KAPPA TRAPPED BY A HAMAGURI CLAMBy Hideharu, signed Hideharu 秀晴Japan, Nagoya, mid to late 19th centurySeated on a giant clam and trying to extricate one foot caught in the jaws of the shell, the mythical creature with an amusing expression, the pupils inlaid at the corner of the eyes in dark horn, the beaked face framed by long, finely incised hair, and the entire body covered in meticulously incised scales. The underside with two asymmetrical himotoshi, the signature HIDEHARU within a rectangular recessed reserve between the two cord holes.HEIGHT 4 cm, LENGTH 4.3 cmCondition: Very good condition with minor associated surface wear, some very light chipping to the spine spikes. The stained wood with some typical wear to the exposed areas.Provenance: A noted private collection, USA.Auction comparison:Compare to a closely related, larger wood netsuke of a kappa on clam, by Hideharu, at Lempertz, The Kolodotschko Collection of Netsuke I, 14 June 2014, Cologne, lot 133 (sold for 6,710 EUR).13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.
Los 116
NOBUKAZU: A WOOD SHUNGA NETSUKE OF OKAME WITH TENGU MASK By Nobukazu, signed Nobukazu 信一 to 刀Japan, 19th century, Edo period (1615-1868)Published: Hurtig, Bernard & Wilhelm Gabor (1983) What's New at Auctions, International Netsuke Collectors Society Journal (INCSJ), vol. 10, no. 4, p. 10.The Shinto goddess of mirth depicted here with long, finely incised hair, wearing an elaborately decorated kimono, all in the manner of a shojo (drunken sprite), hiding her grin behind her sleeve as she caresses the long nose of a Konoha-tengu mask. The eyes are large and enigmatic inlays of pale, translucent horn with dark pupils. Natural himotoshi and signed underneath NOBUKAZU to [carved by Nobukazu].LENGTH 4.5 cmCondition: Very good condition, minor wear, some light surface scratches to the underside.Provenance: French private collection, purchased at Pechon-Delavenn-Lafarge, Hotel Drouot, 19 November 1982, Paris, lot 32 (sold for 9,478 FRF).
Los 122
CHIKUUNSAI: A WOOD NETSUKE OF A BABY BOY EATING MOCHIBy Chikuunsai, signed Chikuunsai 竹雲齋Japan, Yamada, Ise Province, 19th century, Edo period (1615-1868)The crawling, chubby boy of simple yet charming design and with a smooth surface, clad in a bib incised with a diapered hexagonal pattern and tied with a ribbon at the back, his plump naked behind showing and the genitals visible underneath. The boy is holding in front of him with both hands a rice cake (mochi) from which he has just taken a large bite. Natural himotoshi between the body and the arms, feet, and ribbon. Signed diagonally to the bib on the underside CHIKUUNSAI.LENGTH 4.5 cmCondition: Very good condition, minor wear, few light surface scratches.The artist appears to be unrecorded, however clearly worked in the style of the Masanao family, his craftsmanship closely resembling Masakatsu of Yamada.Literature comparison:Compare a related wood netsuke of a baby boy by Masanao, circa 1860, illustrated in Bandini, Rosemary (2020) The Larry Caplan Collection of Japanese Netsuke, no. 14. Also compare a closely related boxwood netsuke by Masakatsu, mid-19th century, illustrated in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part A, p. 419.
Los 123
MASANAO: A SMALL WOOD NETSUKE OF A BEAN VENDORBy Miyake Masanao II (1848-1922), signed Masanao 正直Japan, Yamada, Ise Province, late 19th centuryA finely carved wood netsuke of relatively small stature, possibly intended for a child, depicting a traveling salesman carrying a closed umbrella in one hand and a box around his neck which is inscribed omame ('beans') on the front. The folds of his robe and headscarf are well-carved and skillfully stained. Perhaps it has just stopped raining, explaining not only the closed umbrella but also his long robe being tucked into his belt at the back, to avoid it getting wet and dirty. Two subtly placed himotoshi to the back and underside.HEIGHT 4.8 cmCondition: Very good condition, minor wear, few light surface scratches.Provenance: Galerie Yamato, Paris, 2005. French private collection, acquired from the above.Legumes such as beans (mame) and peas (endo) symbolize female fertility in East Asia. The fruits that appear in the swelling of the pod are considered to be the unborn child in the womb. Mame, written with different characters, also means health and efficiency. Bean netsuke were therefore worn as a talisman.
Los 126
MASAKATSU: A SUPERB WOOD NETSUKE OF A PIEBALD HARE WITH AMBER EYESBy Suzuki Masakatsu, signed Masakatsu 正勝Japan, Yamada, Ise Province, mid-19th century, Edo period (1615-1868)Superbly carved, of ideally compact form, depicting a seated rabbit with piebald fur achieved by clever staining, the large eyes inlaid with pure amber, the animal further detailed with long floppy ears and subtly incised and darkly stained whiskers and hairwork, the himotoshi between the left hind paw and the body, the right haunch with the signature within a polished oval reserve MASAKATSU.LENGTH 4.3 cmCondition: Good condition, appealingly worn, distinct wear to the cord channel, few light surface scratches. One tiny chip to left fore paw.Provenance: Ex-collection Paul Althier, Zurich. Sotheby's London, 6 December 1972. Douglas J.K. Wright Ltd., London, acquired from the above. Ex-collection Martin Newstead, acquired from the above. Sotheby's, 24 October 1984, London, lot 76. A noted private collection, USA, acquired from the above.Suzuki Masakatsu was the son of Masanao I, the founder of a remarkably prolific netsuke carving school which is active to this very day. Masakatsu's output is fairly limited as he did not enjoy good health, however he is widely regarded by scholars as the most talented of Yamada carvers and often came up with new and original designs or carved existing designs according to his own image and imbued with his own special character.Auction comparison:Compare to a related wood netsuke of a hare, by a member of the Masanao family, at Bonhams, Fine Japanese Art, 11 May 2017, London, lot 3 (sold for 2,250 GBP).13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.
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534297 Los(e)/Seite