A Spode composed dessert and tea service, circa 1815, painted to the centres with a floral spray, within broad light blue borders painted with further flower sprigs and moulded in white relief with flowers, comprising a centrepiece, two oval dishes, eight hexagonal plates, eight smaller plates, teapot, cover and stand, teacup, two coffee cup and two saucers, the centrepiece 27cm wide (27)Scratches and rubbed gilding consistent with age, but in largely sound condition. One of the smaller plates/bowls chipped. See additional images attached.
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534297 Los(e)/Seite
Frederick Buck (1771-1840) Portrait miniature of Captain Valentine Lawford of the Devon and Cornwall Fencibles, c. 1798inscribed 'Captain Valentine Lawford / Drawn 1795 [sic]' (to the reverse)watercolour on ivory6.5 x 5cmThe Devon & Cornwall Fencibles served in Ireland in 1798.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. P8BSD2RG.The ivory support is warped along the sides, commensurate with age. It no longer sits flat against the glass in its frame. Some surface dirt especially along the edges. Surface scuffs especially in the sitter's uniform and arm, only visible when examined in strong light at an angle. The frame is likely to be later and no longer holds the miniature in place. 7 x 5.5cm (framed)
Circle of Charles Robert Leslie RA (1794-1859) Charles I on horseback, possibly after the battle of Nasebyoil on canvas75 x 57cmOil on canvas which has been lined. Paint layer is stable, but there are a few small losses in the bottom left corner. There is some scuffing to the varnish across the horse's legs and there appears to be a white haze in the black cloaked figure right centre. Some light surface dirt.Framed 89.5 x 72cm
Charles Landseer RA (1799-1879) "Not E. L" - a study of a terrier with his master's hattitled lower centre and further inscribed '(E Landseer R.A.)'pencil 12.5 x 7.5cmProvenance:David Ker Fine Art, LondonHeydon Grange, NorfolkLight scattered foxing throughout. Some creasing to the paper throughout, particularly in the corners, in the bottom half and across the middle. 32 x 26cm framed
§ Charles Spencelayh RMS HRBSA (1865-1958) The Secret Late Night Drinkersigned lower left 'C. SPENCELAYH'oil on canvas44.5 x 36.5cmUnlined. Paint layer is stable. Remnants of old varnish. Top and left stretcher bar marks visible in raking light. Minor retouchings to the background, particularly along the top and to the bottom centre.
A Regency style mahogany tester bed, the reeded and leaf carved front posts supporting a shaped canopy with pierced decoration, adorned with floral chintz fabric with tasselled edges and horse hair mattress 276 x 210 x 215cmsome light wear commensurate with age and use but general condition good
Marion Margaret Violet Manners, Duchess of Rutland (1856-1937) Portrait of Mary L'Estrange, Countess of Erroll (1849-1934); and Portrait of her sister, Constance, Lady Muncaster (1839-1917) the first dated 'Oct. 2 1873', the second dated 'Sept. 19 1872'; each inscribed with the sitter's identity pencil 25.5 x 17cm; 24 x 22cm (2) Provenance: Private collection, Launceston Place, London, W8 Mary - Signs of mount burns to the edges. Minor surface dirt. Small pin hole mark lower centre.Constance - Signs of discolouration in top corners. Light spotting throughout predominantly to the outer edges.Not examined out of frames. Framed 47 x 38cm; 45 x 41.5cm
A pair of “mouse’s back” silk velvet curtains and pelmet, made for Colefax and Fowler, circa 1971, weighted, lined and interlined, with fixed pencil pleat heading, the leading edge and base finished with inset lime green braidPelmet 56 x 295cm Curtains Drop 337cm Top 155cm Bottom 327cm Provenance:The Reading Room, Chequers, BuckinghamshireOne of the most influential British interior designers and taste makers of the 20th century and co-founder of the interior decorating firm Colefax and Fowler, John Fowler (1906-1977) was suggested by Sir Roy Strong as a potential candidate to oversee the redecoration of the Prime Minister’s private residence at Chequers in 1971. By this time Fowler’s address book of clients was the stuff of legend having taken commissions from the most powerful and illustrious institutions and families of the period, and worked on Britain’s finest houses and estates from Blenheim to Buckingham Palace. Chequers had been placed in trust for the nation since 1921, and during the intervening period had become run down and was largely unmodernised, the Elizabethan interiors dark and gloomy, so that despite Fowler’s wealth of experience, Chequers’ renovation represented quite some challenge. Prime Minister Edward Heath and Lord Jellicoe as Privy Seal also had strong ideas about what should be done to the house, all within a “very restricted budget”. However, the Elizabethan house was eventually transformed, John Fowler and his assistant Imogen Taylor oversaw the works, treacle brown vanish was stripped from panelling to maximise light, simple rush matting or oatmeal fitted carpet set off oriental carpets, and many of Fowler’s original schemes continued to endure for half a century.Some fading to braid, otherwise in good condition
After Sir Thomas Lawrence Portrait of Arthur Wellesley, 1st Duke of Wellington, K.G., K.B., M.P. (1769-1852), half length, in civilian clothes with a military cloak, wearing the collar of the Order of the Golden Fleeceoil on board21.5 x 23cmProvenance: Heydon Grange, NorfolkSurface dirt. Streaky uneven varnish which fluoresces under UV. Light scuffs to outer edges. Framed 47 x 41cm
A rosewood four tier whatnot, early 19th century, the top tier with three-quarter pierced gallery raised in ring turned supports with a two drawer base on turned feet and castors137 x 53 x 45cmsplit to top and some light marking, brass gallery lifting, some light fading of colour, small loss of veneer above top drawer at top left
§ Edward Seago RWS RBA (1910-1974) 'The Sunlit Spire', a view of Salisbury Cathedral signed lower left titled on handwritten label verso oil on canvas 41 x 51cm Provenance: Acquired by Gerald Robarts (1878-1961) great-grandfather of the present owner Views of Salisbury Cathedral were a favourite subject of Edward Seago, perhaps inspired by John Constable who Seago much admired. Indeed, Constable's first recorded drawing of the cathedral, executed in July 1820, is known to have been once owned by Seago. Oil on linen canvas support which is unlined. The tension is good and the picture is in plane. Two small holes at the far left side. The paint layers are in a very good, stable condition overall. Thin varnish layer and a semi-matte surface. There is a light layer of dust across the surface.52 x 63cm framed. 39.5 x 49.5cm sight size.
A Belle Époque gold and platinum opal and diamond bracelet, composed of old-brilliant and rose-cut diamond set articulated panels, with seven collet-set graduated opals, circa 1900, length 16.5cm Provenance: property of Viscount Harberton, by descentCondition Report: Gross weight 24.02 grams. There is one rose-cut diamond set panel missing from one side of the centre opal. Centre opal measures approximately 9.0mm diameter, 4.6mm depth. Smallest opal measures approximately 5.8mm diameter, 2.0mm depth. Diamonds with an estimated total weight of approximately 2.00 carats. Clasp is secure. Some minor scratches to the surfaces of some of the opals. General tarnish and light surface wear to mounting commensurate with age.
An emerald and diamond cluster ring, the central rectangular cut-cornered emerald in four-claw mount, approximate dimensions of emerald 8.0 x 9.7 x 4.4mm, within rectangular bezel, set at each end with single-cut diamonds, to an openwork gallery A verbal opinion reference 5784-0146 from the Gemmological Certification Services, GCS, London, states that the emerald showed moderate clarity enhancement, origin Columbia Condition Report: The emerald is a good strong well saturated rich green with good life, good transparency with moderate to light inclusions, approx. weight of emerald 2.40 carats, no chips, diamonds are good commercial quality, mount is not hallmarked but presumed 18ct gold
A pair of sapphire and diamond ear clips, each claw set with an oval mixed-cut sapphire, framed with graduated marquise and baguette diamonds, to hinged omega clip fittings, each with pendant hook, circa 1960, cluster 2.9 x 1.9cm Accompanied by report number 5782-1862 from the Gemmological Certification Services, GCS, London, dated 27th May 2022, stating that the sapphires are origin Sri Lanka (Ceylon), with no indications of heating, approximate total weight 18 caratsCondition Report: Each sapphire is a well matched medium blue with good colour saturation and transparency, colour zoning visible in each sapphire, light to moderate inclusions, good lustre to both, no visible damage to facet edges or girdles. Diamonds are of good commercial quality. Gross weight 18.8g.
A Frank Hudson light oak single drawer side table on turned tapering legs 110 cm wide x 40 cm deep x 80 cm high, a circular glass top coffee table on oak stylised X frame base 82 cm diameter x 40 cm high, a Ballucci style ebonised framed five tier storage ladder 85 cm wide x 199 cm high and a similar three tier light oak framed unit approx. 75 cm wide x 195 cm high together with a Ludun beech framed easel
A late 19th Century Schierholz oil lamp as four putti holding aloft a rose encrusted bowl and cover on a similarly decorated rose and foliate base bearing blue under glazed mark with brass oil lamp attachments now fitted for electricity 35 cm high including bayonet fixing CONDITION REPORTS Has losses throughout to the floral and foliate decoration. There is some restoration to the reservoir along the edge and also to one area of roses. See images taken under UV as well as in natural light. Has been later converted to electric.
DONALD MCINTYRE "Norfolk Broads" study of sailing barges and windmill, oil on board, signed lower left, inscribed "United Society of Artists" label verso, 44 cm x 54 cm CONDITION REPORTS Has general wear and tear conducive with age and use. Could do with a light clean. Some dirt, particularly in the left hand corner and some lines as if the mount was smaller at some point. General wear and tear conducive with age and use - see images for more details
A 19th Century Meissen pot pourri vase with all over high relief fruit and floral encrusted decoration with cherubs and putti, the domed pierced top with floral spray decoration, the main panels decorated with couple seated in a garden placing a bird in a cage and with floral spray verso, bears blue under glazed cross swords mark and incised No. "2745" to base, 63.5 cm high CONDITION REPORTS Losses variously throughout. Has some areas of restoration, primarily to the foliage. General wear and tear to include surface scratches, etc. See images taken under UV and in natural light for further detail.
A pair of blue ground vase table lamps with floral spray panel decoration raised on a brass foot in the Victorian manner 35 cm high including fittings, a pair of Goodson Lighting Ltd hexagonal blue ground vase table lamps 29 cm high including fittings and a brass picture light, together with a box containing a pair of urn-shaped onyx lamps with heavily carved fruit and vine shades/covers, pair of metal twin branch sconces (2 boxes)
A collection of sundry items to include two boxes of decorative glass and china wares, two wicker baskets/picnic hampers, a vintage polka dot decorated case, a vintage picnic hamper, a Sew Simple dressmaking model/form, a Continental painted wood and glass kitchen spice/dry goods cabinet, a copper coal helmet together with a pair of fire dogs and two oil cans CONDITION REPORTS PLEASE NOTE - the light shades pictured are NO LONGER PART OF THIS LOT!
A Victorian mahogany cased circular wall clock with single fusee movement, the circular brass dial with Roman numerals to the chapter ring, enclosing inscription "Hampton & Sons London", 28 cm diameter CONDITION REPORTS Weight and pendulum extent with signs of wear and tear conducive with age and use. The clock itself - the frame arguably requiring cleaning and re-polishing. Some signs of wear and tear conducive with age and use. A little light staining below "6". Two pegs missing from dial surround securing it to the movement box. The fusee movement appears intact and whilst no doubt with some wear conducive with age and use, overall appears in good condition. See images for further detail.
A Nymphenburg blanc de chine figure of a "Recumbent German Shepherd" by Thomas Kärner, 25.5 cm long and a Bing & Grondahl Copenhagen figure of a "Seated Fox", No. 1905, 10.7 cm high CONDITION REPORTS German Shepherd - approx 25 cm long x 14 cm high. General wear and tear conducive with age and use to include some light surface scratching. In need of a clean.Fox - approx 12 cm long x 11 cm high. Very dirty and in need of a good clean. Otherwise general wear and tear. See images.
An early to mid 20th Century painted kitchen larder cabinet with enamelled pastry shelf, 74cm wide x 46cm deep x 185cm high, a school type strapwork decorated trunk inscribed "F.J.R.P. Needham", a painted pine box and a painted metal two door dwarf cupboard together with a G-Plan light oak two door wardrobe, 122cm wide x 52cm deep x 175cm high together with matching dressing chest with mirror over two short drawers and two long drawers, 107cm wide x 46cm deep x 142cm high and a three drawer chest of drawers

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534297 Los(e)/Seite