Two Mongolian-style white metal snuff bottlesQing dynasty, 19th centuryThe first of moon-flask form, inset with malachite and coral cabochons forming a two-layered eight-petalled lotus on each face, the short sides set at the shoulders with further cabochons and a pair of loop handles, 7.3cm high without stopper; the second cast and carved with flowering and fruiting pomegranates on each face, the shoulders set with lion mask and loose ring handles, also embellished with coral and malachite cabochons, matching stopper, 7cm high without and 7.9cm high with stopper (2).清十九世纪 蒙古式白铁鼻烟壶两件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: One of the inset malachite petals cracked in half horizontally. Both with expected light wear and a few tiny nicks to edges. A couple of cabochons on the sanduo bottle possibly replaced.
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Three Chinese agate-imitation glass snuff bottle and one amber-imitation glass snuff bottleLate Qing dynastyThe first three of opaque, toffee-coloured glass, comprising one of rectangular section made of swirling glass, 6.7cm high without stopper, one pear-shaped with mock-embossed ring handles, 6.5cm high without stopper, and one of compressed circular form, 6.2cm high without stopper, stoppers, and one of wide oviform shape made of semi-translucent, amber-coloured glass, 5.8cm high (4).清晚期 仿瑪瑙及琥珀料鼻煙壺四件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: The amber imitation glass bottle with some significant wear; all with expected bubbles/flaws, minor nibbling and light wear.
A Chinese pale jade snuff bottleQing dynasty, 19th centuryThe well-hollowed bottle standing on a slightly convex oval foot, carved from a pale stone of greyish hue with banded and cloudy-white inclusions, gilt metal filigree stopper, 5.4cm high without stopper.清十九世紀 玉雕鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Light surface wear. Expected natural inclusions and a few fissures to stone, particularly around the base.
A Chinese Bleu de Hue 'winged carps' bowl for the Vietnamese marketQing dynasty, 19th centuryFinely painted around the body with two winged carps emerging from tumultuous waves, the base with a trigram, 13.2cm diameter.清十九世紀外銷越南 青花繪海水紋盌Condition Report: Some fritting and nibbling to rim. One fine rim hairline, approx. 4cm long; and a further L-shape rim hairline, approx. 3+3cm long. Light surface wear.
Eight Chinese agate snuff bottlesLate Qing dynasty-20th centuryComprising five of flattened oviform shape and three of angular shape, 4.5cm-5.2cm high without stoppers (8).清晚期 - 二十世紀 瑪瑙鼻煙壺八件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Natural inclusions/fissures to stone, expected light wear and nibbling to edges.
Three Chinese famille rose snuff bottlesLate Qing dynasty, apocryphal Qianlong seal marksOne decorated with medallions of boys at play, stopper, 6.2cm high; a moulded spade-shaped bottle with Buddhist lions, stopper, 6.1cm high; and a bottle enamelled with ladies, stopper, all with iron-red seal marks to base, 6.6cm high (3).清晚期 粉彩繪童子、佛獅及仕女圖紋鼻煙壺三件，Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Light wear and rubbing to enamels and gilt, otherwise generally good.
A Chinese duan inkstone snuff bottleLate Qing dynastyCarved in a flattened oviform shape standing on a protruding, slightly concave foot, the olive-green inclusion to one side finely carved as a crane alighting over a pine branch under the sun, green jadeite stopper, 5.2cm high.清晚期 端石雕松鶴紋鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Light surface wear and a couple of very tiny nibbles to the edge of the foot.
Three Chinese glass snuff bottlesLate Qing dynastyComprising: a white glass imitating jade double gourd bottle, associated hardstone stopper with stained cattle bone guard, 5.8cm high without stopper; a black glass bottle with carved lion-and-ring handles, associated stopper, 5.6cm high without stopper; and an imitation crystal bottle made of translucent glass with swirled white and coral red mock inclusions, the shoulder also carved with mas-and-ring handles, associated green hardstone stopper, 5cm high without stopper (3).清晚期 料鼻煙壺三件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Expected light wear and a few scattered tiny nibbles.
A Chinese emerald green silk embroidered apron skirt and a pair of Chinese cream silk embroidered trousers Late Qing dynastyThe skirt embroidered with floral motifs, 119cm wide x 95.5cm long, the trousers with slit hems, embroidered with baskets of flowers above the foot, 57cm wide at the waist x 109cm long from the waist (2).清晚期 綠地刺繡裙一件及米黃地刺繡褲子一件Condition Report: SKIRT: a few scattered creases. Some staining, especially to the lining and belt, although some faint stains are also present to the green ground. A few tiny holes to both front and lining. Some small losses to embroidery and borders.TROUSERS: Generally good condition for its age, with a few light creases and a few faint stains, particularly to the belt. A few small faint stains around the crotch area.
Four Chinese cylindrical snuff bottlesQing dynasty, 19th/20th century Comprising: a blue and white 'dragon' bottle, 7.8cm high without stopper; a blue and white bottle painted with dragon and phoenix, 7.8cm high without stopper; a blue and white and crackle-glazed bottle with a hundred antiques design, 8.5cm high without stopper; and a black and green bottle enamelled with two scholars on horseback accompanied by a boy attendant, apocryphal iron-red Kangxi four-character mark to base, 7.2cm high without stopper (4).清十九/二十世紀 鼻煙壺四件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: All with expected light wear and mild firing imperfections. Rubbing to enamel of black/green bottle. Phoenix and dragon bottle with two long glaze lines to body, which would not appear to go through the body, largest approx. 50 mm long.
A small Chinese deeply-carved bamboo 'scholars' brush pot, bitongQing dynasty, 18th centuryFinely carved in high relief with two scholars seated at a table in a pine grove, surrounded by lady and boy attendants, a messenger arriving on horseback at the side of the frame, the cylindrical vessel standing on three small bracket feet, 12cm high.清十八世紀 竹雕松下士大夫圖紋筆筒Condition Report: A few fine age cracks and two splits around the base. General light wear with some ink staining to the interior and rim.
A Chinese carved hediao snuff bottle and two lacquered wood snuff bottlesQing dynasty, 18th century - 19th centuryThe first, carved from a peach stone with a magpie perching on blossoming prunus branches, associated resin stopper, 18th century, 4.7cm high without stopper; the lacquered bottles, one of cylindrical form, the wood lacquered to a dark, almost black patina, associated stopper, 7.4cm high without stopper; the second of baluster form, the bamboo with translucent lacquer of a rich dark brown hue, associated stopper, 5.4cm high without stopper (3).清十八 - 十九世紀 核雕鼻煙壺一件及木雕漆器鼻煙壺兩件Cf. for a similar peach stone bottle with matching stand, see H. Moss, Chinese Snuff Bottles: 5, Published by Hugh M. Moss Ltd, May 1969, fig. 5,p. 18.A similar cylindrical lacquer bottle in The Mary and George Bloch Collection: Part VII, Sotheby's, Hong Kong, 26 November 2013, Lot 23, al;so published by H. Moss, Treasury7, no.1521.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Fine hairline to one side of the hediao bottle, approx.13mm long, a further shorter hairline to rim and around neck and one running around shoulder. Black lacquer bottle with some rim nibbling and expected light wear. One shallow age crack to side of body, approx. 20mm long. Baluster bottle also with light nibbling and expected wear.
A large Japanese Rinpa school painted floral four-panel screen19th centuryPainted with ink and colour on paper depicting chrysanthemum and daisies in various colours, mounted with silk brocade on red lacquer edges, 87 x 48cm each panel. Condition Report: Generally good decorative order, but with expected wear consistent with age and type, including light foxing, scattered small losses to the paper to the lower portion and some fine tearing, all well masked by the speckles in the paper. Some dark discolouration along the folds of the screen. Expected marks and scuffs. Please refer to additional images for further information.
Four Chinese ruby glass snuff bottlesLate Qing dynasty/Republic periodComprising: two pear-shaped bottles, 7.3cm and 6cm high without stoppers; one flattened rectangular bottle, 6.4cm high without stopper; and one shaped cylindrical tapering bottle, 6cm high without stopper (4).晚清/民國 胭脂紅料鼻煙壺四件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Expected wear including light scratching and a few scattered tiny nibbles, expected manufacturing imperfections including some crazing and bubbles.
Two Chinese overlay glass snuff bottles Mid Qing dynasty, the chilong bottle probably Imperial workshopsThe first, a yellow overlay ruby glass bottle, carved to either side with a coiled chilong, coral stopper, 6.6cm high without stopper; the second, a white overlay translucent wine-yellow glass bottle of flattened pear-shape carved to either side with a bat suspending an overly formalised 'shou' character, green hardstone stopper, 7.7cm high without stopper (2).清中期 套料螭龍紋及蝠紋鼻煙壺兩件Cf. see The Complete Collection of Treasures of the Palace Museum, Snuff Bottles, Commercial Press, Hong Kong, 2003, p. 41, pl. 58, for a yellow overlay on ruby glass bottle decorated with a dragon, although a slightly different shape.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Both with expected light wear. A few nibbles and bubbles.
Liu Lishang (1916-2007); Liu Junli (1906-1978); Ding Cong (1916-2009)'Various Scenes'Ink and colour on paper, three album leaves, Dated Jiashen (1944), 20cm (8in) high x 20cm (8in) wide (3).Provenance: Air Marshal Sir Lawrence Arthur Pattinson, KBE, CB, DSO, MC, DFC (1890-1955) (dedication)劉力上、劉君禮、丁聰 繪事集 冊頁三幀 (劉力上) 遙遙望白雲，懷古亦何深。甲申十月奉柏鼎生將軍。劉力上。鈐印：劉力上 (劉君禮) 甲申仲冬寫贈柏鼎生先生返英紀念。劉君禮。鈐印：劉君禮印 (丁聰) 畫西康倮女圖以贈柏鼎生將軍。小丁。卅三年成都來源：Air Marshal Sir Lawrence Arthur Pattinson, KBE, CB, DSO, MC, DFC (1890-1955) （款識）。Sir Lawrence Arthur Pattinson (1890-1955) served in the Second World War as Air Officer Commanding Flying Training Command, working closely with the Chinese Air Force as Head of the RAF Training Mission before retiring in 1945. A Fuzhou lacquer vase gifted to Pattinson by Chiang Kai Shek in 1943 is in the collection of the V&A Museum, accession number FE.82-1977. Condition Report: Liu Lishang: Lightly stuck to mount through the centre. Also insignificant light creases to the top edge.Liu Junli: lightly stuck to mount through the centre. fold visible through the middle. Light water marks to the right edge of the leaf, and some smoothed out creases to the top left corner. A tiny tear to the left edge of the paper.Ding Cong: also lightly stuck to mount through centre like the other two. smoothed out crease to the top right conrner and very faint water marks to both top corner edges. A very tiny tear along the bottom of the central fold.
A Chinese Mongolian-style mounted pod 'dragon and Garuda' snuff bottleQing dynasty, 1770-1900The sea pod mounted at the foot and shoulder in white metal, set with handles on the short sides, the front mounted with a finely-chased dragon, the reverse with Garuda, the matching stopper with green hardstone finial, 9cm high without and and 10.8cm high with stopper.一七七零 - 一九零零 蒙古式海莢鑲白鐵嵌綠鬆龍及大鵬金翅鳥紋鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Expected light wear. The stopper can be difficult to remove but it is generally possible. The baseplate has come unglued and can now be detached by pulling, although it can stay in place, but just slightly loose on one side. A few very tiny nibbles to edges.
A Chinese blue silk embroidered 'nine dragons' robeQing dynasty, Qianlong/Jiaqing periodFinely embroidered on the bright blue ground with nine gold and silver thread dragons amidst a profusion of bats, Buddhist symbols and polychrome clouds, all above a lishui band at the hem, the collar and cuffs with black-ground dragon borders, 139cm from shoulder to hem.清乾隆/嘉慶 海水九龍紋袍Condition Report: Expected light wear and some minor issues including a sympathetically repaired tear to the front, some faint staining and repair to the hooks. It has probably been re-lined. Some fraying to hem. Some fraying to silk and tearing along the shoulders. Some faint marks to sleeves.
A Chinese russet-celadon jade vase, huMing/Qing dynasty, 17th centuryThe weighty vessel of flattened form, carved to the front and back with taotie masks on keyfret ground below a band of chilong, flanked by a pair of bracket handles decorated with cicadas below a band of keyfret to the mouth rim, the jade of yellowish celadon colour with light brown russet, 9cm high, with a wood stand and silk box. .十七世紀 青玉雕饕餮紋扁壺連木座Condition Report: Minor nibbling to the mouth rim and foot rim, natural inclusion in the stone, good condition.
A Chinese famille rose and iron-red 'dragon' cylindrical snuff bottleQing dynasty, Guangxu mark and periodTypically enamelled with an iron-red dragon writhing and chasing a flaming pearl amongst yellow, blue pink and white billowing clouds and above breaking waves, the base with iron-red kaishu six-character mark, associated stopper, 7.5cm high without stopper.清光緒 礬紅粉彩繪龍紋鼻煙壺，礬紅楷書「大清光緒年製」款Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: A few fine firing lines to glaze around the mouth and the edge of the mouth rim. Light surface wear. Some restoration to the foot and overpainting to the base.
A Sino-Tibetan gilt bronze Bodhisattva18th centuryThe heavily casted figure seated on a waisted lotus throne in Padmasana with hands in Dhyana mudra, wearing a five point crown with hair arranged in a tall chignon with loose hair naturalistically falling onto the shoulders on top of a shawl, wearing long beaded jewellery inset with semi precious stones, base with a copper plaque incised with a double vajra, 20cm high.中國/西藏 十八世紀 銅鎏金菩薩Condition Report: Minor wear to the gilding. Light scratches and indentation, metal corrosion, some chips to the semi-previous stone inset commensurate with age.
A Chinese enamelled 'badger and eagle' snuff bottleLate Qing dynasty, Lu shanzi daoren zhi markThe bottle finely enamelled with an eagle perched on a pine tree and staring at a badger under the scorching sun, the base with black-enamelled six-character mark 祿山子道人制 Lu shanzi daoren zhi, associated stopper, 8.6cm high without stopper.清晚期 加彩鷹與獾紋鼻煙壺，「 祿山子道人製」款Cf. for a snuff bottle similarly enamelled with an eagle, but without badger and with different mark to base, see The Complete Treasures of the Palace Museum, Snuff Bottles, Beijing, 2003, pl.365, p.237.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Expected light wear and firing imperfections, including a shallow firing crack to foot, otherwise generally good.
An Indonesian ceremonial Tapis, Lampung, SumatraEarly 20th centuryEmbroidered with gold metal wrapped threads on brocade with geometric motives, framed, 92 x 115cm.Condition Report: Not examined outside of frame. Possibly cut down at the edges.expected light wear to metal threads, with minor pulling and losses. Small areas have come unstitchedDoes not appear to have been stuck to board.Otherwise generally good.
A pair of Japanese Imari-ware 'La Dame au Parasol' platesEdo periodEach painted in underglaze blue and enamelled and gilt to the centre with an elegant lady wearing a kimono, and her maidservant holding a parasol, the reverse with seven iron-red insects, 22.5cm diameter each (2).Provenance: K. Main Collection, J-22 (label associated to one plate).The Dame au Parasol is one of the most famous designs by Cornelis Pronk, the famous Dutch draughtsman and porcelain designer. He was commissioned by the Dutch East India Company to produce a number of designs to be produced by Chinese and Japanese potters; the Dame au Parasol is the only design known to exist in both Chinese and Japanese porcelain.According to contemporary sources it was not possible to agree a reasonable price with Japanese potters, so no orders were made; a few plates of this design are however known, and in Museum collections worldwide, including the Victoria & Albert Museum (London) or the Ashmolean Museum (Oxford), the Minneapolis Institute of Art (Gift of Leo and Doris Hodroff), the Metropolitan Museum of Art (New-York). Cf. C.J.A. Jorg, Pronk Porcelain, pp. 71-3; T. Volker, The Japanese Porcelain Trade of the Dutch East India Company after 1683, (Leiden, 1959), p. 78-81.For a similar example, see Soame Jenyns, Japanese Porcelain, (London, 1965), pl. 46A. Condition Report: Expected light wear consistent with age and firing imperfections consistent with type, including some spots of crazing to glaze.One dish with approx. 8x5.5cm U-shaped rim section broken off and restored, with circular infills to the reverse to suggest it was possibly originally riveted.
A painted wood figure of Garuda and a copper alloy repoussé prayer wheel with silvered inlay19th/20th centuryThe wooden figure carved with arms and wings spread wide, the surface with remnants of white, red, green and ochre pigment, with five perforations to the back for hanging, 20.5cm high x 16cm wide; the prayer wheel with detachable base and cover, with an internal spinning pin carrying paper prayer, the exterior with silvered inlay of lanca characters, 11.3cm high including the pin (2).十九/二十世紀 彩繪木雕大鵬金翅鳥及銅錯銀轉經筒Condition Report: Garuda with expected old wear and loss of pigment. A few scattered age cracks. Some small losses to the extremities, including edge of wings, fingers and toes. Two rettached chips of feathers to edge of left wing, and a small replaced chip to the bottom feather of the right wing. The spurs of the talons appear to have been reattached.The wheel with some expected surface wear and light denting.
A Chinese full-tip rhinoceros horn libation cupQing dynasty, 19th centuryIntricately carved with lotus pods and flowers, millet, and narcissus, the cup carved as a lotus leaf, on fitted carved hardwood stand carved as a gnarled trunk issuing fruiting branches, the horn 47cm high, 68cm high including stand. Provenance: from the collection of Phillip Allen (1938-2022).For a closely related example, see T Fok, Connoisseurship of Rhinoceros Horn Carving in China, p.248, no.186.清十九世紀 犀角盃連木座來源：菲利普·艾倫收藏Note: Please note that an export licence will only be granted for rhinoceros horn pieces, should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight. Condition Report: A chip to the tip of a lotus petal below the rim. Tiny nibbles to the extremities commensurate with age, no sign of restoration under UV light. Weight: 1.152kg.The top section of the stand, or approx. 10cm high, has been broken off and restored with a section missing. The stand possibly has been re-lacquered. Cracks in the wood commensurate with age.
A pair of Chinese blue and white and iron-red double-gourd sectional wine warmers, ewers and coversMid-Qing dynasty, Yang he tang and apocryphal Yongzheng marks Each formed of a globular lower pot for hot water, flanked with animal mask handles at the shoulder, surmounted by a pear-shaped upper section terminating in a cylindrical insert to hold the wine to be warmed up, each section painted with bright cobalt billowing clouds and iron-red writhing dragons chasing flaming pearls, the globular lower body with a lappet band at the foot and a border of circular bosses at the mouth, the cylindrical insert, handle, spout and cover all with iron-red bats amongst underglaze blue clouds, one with apocryphal Yongzheng black-enamel six-character seal mark, the other with black enamel four-character mark within a double-square, each 19cm high (2).Provenance: UK private collection. John Sparks paper label to base of one.清中期 青花礬紅繪雲龍紋葫蘆式溫酒壺一對，墨彩篆書「大清雍正年製」寄托款、「養和堂製」款來源：英國私人收藏。其中一件底部帶有John Sparks標籤。Yanghe tang, or ‘Hall for cultivating Harmony’, was a hall within the Old Summer Palace, Yuanming Yuan, and a hallmark used from the Yongzheng to the Jiaqing period. Vessels of similar decoration and shape to the present lot started being produced during the reign of Emperor Yongzheng, who was interested in Daoist rituals, which often involved alcoholic substances; the double-gourd shape of the present vessels would recall a wish to eternal life.A similar wine warmer with the same hall mark, dated 18th/19th century, was sold by Christie’s New York, 18 September 2003, lot 321. Another similar, also with the same mark, but dated to the Qianlong period, was sold at Sotheby's, London, 16 June 1998, lot 259, and another larger example with a Yongzheng seal mark in black enamel was sold at Christie’s Hong Kong, 25 October 1993, lot 828.There are a number of known examples near-identical in shape, with underglaze copper-red and cobalt blue decoration of the Eight Immortals, but identical motifs on the handles and spout. Notably, one bearing Yongzheng mark and of the period, is in the collection of the Metropolitan Museum of Art, accession no. 22.142.1a–c, illustrated by W. E. Cox, The Book of Pottery and Porcelain, vol. II, New York, 1949, vol. II, p. 587, fig. 872.Two further examples of the same type, dated to the Qianlong reign, one with Gongshou tang zhi mark, the other with Qingyi tang zhi mark, were sold at Sotheby’s New York, respectively 11 September 2019, lot 609; and 15 March 2017, lot 521.Condition Report: The base with Yanghetang mark: a tiny area of fritting to one nose of the animal mask, and a small small fritted/flaked area to the left eye of the same mask.. The base with Yongzheng mark: in good condition.Covers: one finial came off and restored with overpainting, the break line flouriest under UV light. the other in good condition.Both upper sections of the wine container are in good condition.Firing imperfection resulting in fine dust in glaze. Minor wear to the enamel.
A Chinese carved 'melon' pebble-form snuff bottleQing dynasty, 19th centuryThe pale green pebble carved through the skin in the form of an elongated melon, the lobes and leaves finely incised, with a few faint traces of skin, 5.2cm high without stopper.清十九世紀 青玉雕瓜果紋鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Light nibbling around the mouth. A few faint natural inclusions and fissures to stone.
A Tibetan parcel gilt iron eight-pronged vajra, dorje19th/20th centurySymmetrically cast with a row of masks between the bulging mid-section and the lotus lappet band, the prongs emanating from the fangs of a makara, 12.8cm long.十九/二十世紀 鐵局部鎏金金剛杵Condition Report: Light surface wear and deterioration. Nibbling to edges and some areas of rough casting, particularly to the beaded border.
Five Chinese blue and white and one blue and white and underglaze red snuff bottleLate Qing dynasty, 19th/20th century and 20th centuryThe blue and white bottles variously of cylindrical, tapering cylindrical, hexagonal, double gourd and flattened rectangular shape,6cm-7.5cm high without stoppers; the underglaze red and blue bottle in the shape of a Ming-style flask, with apocryphal hall mark to base, 6cm high without stopper (6).清晚期及二十世紀 青花繪鼻煙壺五件及青花釉裡紅鼻煙壺一件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Underglaze red bottle has lost both handles. The others with expected wear, light firing imperfections, and the occasional nibble.
Three Chinese red overlay translucent glass 'horses' snuff bottlesQing dynasty, 19th centuryOne carved with horses under willows, with mock-embossed- mask-and-loop handles, associated stopper, 6.8cm high without stopper; another carved with a horse also in a willow grove, looking at this under on one side, and at the moon on the other, associated stopper, 6cm high without stopper; the third, on translucent snowstorm glass ground, carved on each side with a horse looking at the sun, associated stopper, 6cm high without stopper (3).清十九世紀 套紅料駿馬紋鼻煙壺三件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Light wear and a couple of tiny nibbles, as expected with age. Faint star hairline to base of bottle with willow and sun/moon. Horizontal hairline across pear-shaped sun bottle, to one side. Faint star-shaped flaw to base of willow and horse bottle.
A Chinese underglaze red and blue and white 'narrative scene' snuff bottleQing dynasty, 19th centuryPainted in cobalt blue and copper red with a sage overlooking a scene of a lake with anthropomorphic turtles, on the side a celestial lady looking at a baby toddling over to a tiger, all with dwellings and billowing clouds in the background, 7.5cm high without stopper.清十九世紀 青花釉裡仙人靈獸圖紋鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Some light wear, especially to the shoulder, and two spots of surface residue to shoulder.
Three Chinese glass snuff bottlesQing dynasty, 19th centuryComprising: two bottles imitating agate, 6.5cm and 5.7cm high without stoppers; and one tall cylindrical bottle made of pink and brown striped white glass, 8cm high without stopper (3).清十九世紀 料鼻煙壺三件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Expected light wear and bubbles. The imitation-agate bottles with nibbling to mouths.
Two Chinese enamelled on sgraffiato ground 'dragons' snuff bottlesLate Qing dynastyThe first of gently tapering cylindrical shape, with eight dragons in profile, each of various colours, surrounding a front-facing purple one, the base with traces of a front-facing ninth dragon, stopper, 8.cm high; the second of baluster form, with four winged creatures flying beside a winged dragon and a winged dragon with a beak, stopper, 7.2cm high (2).清晚期 軋道加彩龍紋鼻煙壺兩件Cf. a bottle of identical decoration, but slightly different in shape, to the cylindrical was in the Gerry P. Mack collection, sold by Christie's, New York, 25 October 1997, lot 345.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: The cylindrical bottle with a tiny hairline to rim which can be visible only under UV inspection. Very light rubbing to enamels to both, otherwise generally good. The dragon to the base of the cylindrical bottle has mostly been rubbed off and only traces of it can be seen.
Six Chinese enamelled snuff bottlesLate Qing dynasty-first half of 20th centuryComprising: a yellow-enamelled bottle moulded as a cob of corn, associated stopper, 7.4cm high without; a green-enamelled snuff bottle, carved in reticulation with bats around shou medallions on each side, associated stopper, 6.4cm high without stopper; a moulded bottle enamelled with aubergine and green dragons on a mustard yellow ground, associates stopper, 6.1cm high without stopper; a bottle moulded and enamelled as s lotus leaf flanked with two budding flowers, associated stopper, 7cm high without stopper; a green bottle moulded and enamelled with a dragon and a phoenix, 7.2cm high without stopper; and a light blue ground bottle moulded and enamelled on either side with a lotus leaf and blossom, associated stopper, 5.3cm high (6).清晚期/二十世紀上半業 鼻煙壺六件Cf. for an enamelled bottle in the shape of an ear of corn, and one in the shape of a lotus pod, see Hou Yi-Li, Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, National Palace Museum, Taiwan, 2021, pl. III-104 and III-101, pp.218-219.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: From left to right in catalogue photo: 1 (phoenix) & 2 (cob of corn) with expected surface wear, especially along the edges of the relief design, and a couple of tiny nibbles to foot; a small unglazed patch to side to bottle 1. 3 (blue with lotus) some light scratches and expected firing imperfections. 4. (dragons bottle): one fine glaze line running horizontally to one side, probably occurred in firing; one small infilled flake to the exterior of the rim, and one small hairline running along the rim (approx. 3mm long); foot slightly ground down. 5. (lime green reticulated) at least one very tiny nibble to reticulated design. Glaze rubbed off foot in places. Light surface wear and a few light firing imperfections including some shallow firing cracks around the neck. Possibly a hairline to the inner core, evinced through the reticulation. 6 (lotus pod) a few small patches of light scratching and two tiny flakes to enamels.
Three Chinese 'scattered canes' snuff bottlesLate Qing dynasty/Early 20th centuryComprising one in translucent glass, stopper, 5.2cm high without stopper; one in white glass, stopper, 4.8cm high without stopper; and one in pink glass with matching stopper, 5.3cm without stopper, 6cm high overall (3).Provenance: The pink one purchased by the current owner, Dragon House, San Francisco, 19 August 2014 (card receipt)清晚期/二十世紀早期 料鼻煙壺三件來源：其中粉料鼻煙壺由現藏家購於Dragon House，聖佛朗西斯科，2014年8月19日。（卡機收據）Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Light wear, bubbles. otherwise generally good.
A set of silk embroideries of the four seasonsLate Qing dynastyFour pale cream silk panels embroidered in muted tones of beige, brown, pink and green, respectively with parakeets and blossoming magnolias for Spring, Mandarin ducks and in a pond of flowering lotus for Summer, birds over blossoming chrysanthemums for Autumn, and a phoenix over wintry foliage for winter, each 93cm x 20.5cm (4).清晚期 四季花鳥圖紋刺繡一組四件Condition Report: NOT EXAMINED OUTSIDE OF FRAME/GLAZE. Light creasing and fading, a couple of faint stains and marks and scuffs.
Two Chinese blue and white and underglaze copper snuff bottles Qing dynasty, 19th centuryThe first painted with a handler leading three camels, 8.6cm high without stopper; the second painted with a meander of leafy flowers, the copper fired a bright red and green, 8cm high without stopper (2).清十九世紀 青花釉裡紅鼻煙壺兩件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Light wear and expected firing imperfections, otherwise generally good.
A Chinese russet jadeite snuff bottleLate Qing dynastyOf flattened melon form, the stone of mottled greyish colour with cloudy inclusions to one side, and a reddish-brown russet to the other side, associated apple green jadeite stopper, 5.5cm high.清晚期 帶皮翡翠雕瓜楞式鼻煙壺Condition Report: Expected inclusions and a few faint fissures to stone; light nibbling to edges.
A Chinese blue and white 'Ming-style lotus' snuff bottleQing dynasty, Qianlong mark and periodThe cylindrical body painted with a continuous lotus meander, the base with four-character seal mark in cobalt blue, stopper, 7cm high.清乾隆 仿明式青花蓮紋鼻煙壺，青花篆書「乾隆年製」款Cf. snuff bottles in this pattern were popular from the Kangxi period and throughout the 18th century. A bottle of the same shape and decoration, but unmarked, dated to the Kangxi period, is illustrated in The Complete Treasures of the Palace Museum, The Commercial Press, Hong Kong, 2003, pl. 295; another similar from the Qianlong period is illustrated by R. Hall, Chinese Snuff Bottle Masterpieces from the Rietberg Museum Zuerich, Zuerich, 1993, pl.10.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Some light wear around the shoulder, mouth and cylindrical body, otherwise generally good.
A pair of Chinese agate tripod handled bowls and coversLate Qing dynastyThe bowls carved in shallow relief with a lotus pond and set with handles beneath the rims, the covers with chilongs and bud finials, 13.2cm wide x 12cm high (2).清晚期 瑪瑙雕三足蓋盌一對Condition Report: One cover with large restuck U-shaped section with associated hairline. Both with light nibbling to rims and edges. Both with expected inclusions and fissures to stone, including three fissures to one bowl, largest approx. 5.5cm, a couple to the other, the largest approx. 45mm long.
A Chinese ruby glass snuff bottleQing dynasty, 19th centuryCarved with paired animal-mask-and-ring handles, jadeite stopper with ivory spoon carved as a hand, 5.2cm high without stopper.Provenance: Dragon House, San Francisco, 21 July 2015 (faded card payment receipt).清十九世紀 胭脂紅料鼻煙壺來源：Dragon House, 聖佛朗西斯科, 2015年7月21日（卡機收據）。Cf. See The Meriem Collection, Part II, lot 287, for a slightly earlier, finer bottle of the same design. Ivory Exemption Number: 3VKB8PJUSnuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Expected light wear and a few scattered tiny nibbles and some bubbles to glass.
Six Chinese blue and white snuff bottlesQing dynasty, 19th centuryComprising: a large moulded example decorated with Buddhist lions, 8cm high without stopper; an oviform bottle painted with dragons emerging from clouds, 7.5cm high without stopper; another ovoid bottle, painted with prunus, 6.3cm high without stopper; a bottle painted with a bird perched on a flowering branch, 7.5cm high without stopper; a small bottle painted with a scholar, 5.6cm high without stopper; and a small cylindrical bottle painted with two horses under a willow, 4.7cm high without stopper (6).清十九世紀 青花繪鼻煙壺六件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Second smallest bottle covered in wide glaze craquelure. All with expected light wear, firing imperfections including some pitting and areas of pulled glaze, and a few scattered tiny nibbled to extremities.
A Chinese 'monkeys' smoky quartz snuff bottleQing dynasty, 19th centuryFinely carved as a seated monkey holding a peach in her lap, her infant clambering over her shoulder the details well-formed and finely proportioned, green jadeite stopper, 4.6cm high without stopper.清十九世紀 煙晶雕猴式鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Expected light wear including some tiny nibbles to the edge of the mouth; expected natural inclusions and a few fine natural fissures to stone.
A gilt and silvered Mongolian-style snuff bottle and stopperQing dynasty, 18th/19th centuryComprising: one bottle with silvered and gilt reticulated repoussé copper outer body decorated with Buddhist Emblems and bats centred around a coral cabochon on either side, the screw-on lid set with coral and turquoise cabochons, 6cm high without and 7.5cm high with stopper.清十八/十九世紀 局部鎏金銀蒙古式鼻煙壺Cf. a snuff bottle of similar shape and identical construction, also with central coral cabochon to either side, from the Tuyet Nguyet and Stephen Marketbreiter Collection, dated 19th century, sold at Sotheby's Hong Kong, 3 December 2021, lot 1114.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Expected light wear, including a couple of insignificant surface nicks. Some of the cabochons may have been replaced at some point.
Two Chinese silver and gold inlaid lacquered wood snuff bottlesQing dynastyEach inlaid to one side with flowers, one with oriental lily, the other with camellias, the reverse with stylised leafy scrolls, both 6.7cm high without stopper (2).清 紅木漆彩錯金銀鼻煙壺兩件Cf. For a similarly inlaid bottle, dated by inscription to 1895, see Bob C. Stevens, The Collector's Book of snuff Bottles, Weatherhill, New York/Tokyo, 1976, pl. 746.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Expected old wear including some light tarnishing to metal and some light surface residue to neck.
A Chinese pale green and russet jade flattened snuff bottleLate Qing dynastyThe flattened, rectangular shape carved from a pale green stone with a suffused russet inclusion, one side with traces of the red skin, green glass stopper, 5.6cm high.清晚期 帶皮玉雕鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: Light surface wear, nibbling to mouth, natural inclusions.
Four Chinese enamelled snuff bottlesQing dynasty, 19th century - first half of 20th centuryComprising: a wucai 'hundred boys' spade-shaped bottle, with three-character seal mark to base, 6.2cm high without stopper; an ovoid bottle enamelled with a farmer enticing a deer with a basket of fruit, 6cm high without stopper; a flattened bottle decorated with landscapes, 7cm high; and a bottle enamelled in black, iron red and yellow, with a boy and his mother on a rickshaw, 6.8cm high without stopper (4).清十九世紀 - 二十世紀上半業 鼻煙壺五件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Light surface wear and rubbing to enamels on all, otherwise generally good.
A collection of Chart CD Albums And CD Singles From 1980s and 1990s. Includes artists: Michael Jackson, Madonna, Jennifer Lopez, Simply Red, Jamiroquai, TLC, Kylie Minogue, Robbie Williams, Sugarbabes, Dido, Roxette, Black Eyed Peas, Take That, Mariah Carey and more. Overall condition: Good to Very Good Plus. Some casings may have price stickers on and light scuff marks.
A collection of 1990's Indie Alternative Rock CD Albums And CD Singles. Includes artists: Ash, Snow Patrol, Coldplay, Travis, Muse, Kula Shaker, Beck, Franz Ferdinand, The Boo Radleys, Elbow and more. Overall condition: Very Good to Very Good Plus. Some casings may have price stickers and light cracks. CD Discs may have light scruffs that do not affect play.
Rare and sort after album - Deep Water - by Jazz Funk artist Cay Gottlieb. 1982 pressing on Cicada Records and has not been repressed since. Cat no: SC-001. Condition: Vinyl - has some very light cosmetic marks. Sleeve - has light shelfware and appears to have been personally SIGNED by Cay although cannot be verified.
A collection of Blues And Soul LPs And 12" Singles. Includes artists: Salena Jones, The Supremes, The Crusaders, Ohio Players, Robin Beck, Jr. Walker And The All Stars, Bobby Womack, barry White, Teddy Pendergrass, Muddy Waters and more. Overall condition: Very Good to Very Good Plus. Sleeves may have light shelfware and price stickers, vinyl may have minor cosmetic marks.
A collection of Dance, Trance & Electronica 12" Vinyl Singles. Includes artists: Ram Jam World, Atlanta Falls, Amoss, Warren Rigg, Analysis, Captain Hollywood Project, Chris Liebing, Glamco Productions and others. Includes promo/white labels. Vinyl condition: Good to Very Good Plus. Some will have light groovewear. Some will have generic or company sleeves. Sleeve condition: Good to Very Good Plus.
A collection of Jazz CD Albums. Includes artists: Lester Young, Dizzy Gillespie, Erroll Garner, Ben Webster, Stan Getz, Pete Johnson, Charlie Christian, Oscar Peterson, Benny Goodman and more. Overall condition: Very Good to Very Good Plus. Some casings may have scratches and price stickers. Discs may have have light marks that do not affect play.
A collection of 1990's Britpop and Indie CD Albums and CD Singles. Includes artists: Oasis, Blur, Pulp, Garbage, Pixies, Manson, Manic Street Preachers, Ash, Coldplay, Happy Mondays and more. Overall condition: Good to Very Good Plus. Disc may have light scuffs that do not affect play and casings may have price stickers and light wear marks.
A collection of 1990's/2000's Indie Rock CD Albums and CD Singles. Includes artists: Editors, Two Door Cinema Club, Muse, Embrace, JJ72, Black Box Recorder, Garbage, The Libertines, The Coral, Mogwai and more. Overall condition: Very Good Plus to Near Mint. Some casings may have light scuff marks and price stickers.
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534325 Los(e)/Seite