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Sworders Timed
Los 72

*Kenneth Rowntree (1915-1997) 'Approaching Yacht' oil on board 51 x 40.5cm Acquired from Anderson & Garland, Kenneth Rowntree Studio sale, 8th September 2009, lot 203. *Artist's Resale Right may apply to this lot.Condition report: Surface dirt, would benefit from a light clean, one patch of paint loss from impact and other scratches/imperfections to the surface - please refer to illustrations for more detail. Paint loss at the corners. Well-presented in oak frame.

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Sworders Timed
Los 75

*Lynton Lamb (1907-1977) Bowler-hatted men in a pub signed 'Lynton Lamb' l.r., oil on canvas 51 x 69cm *Artist's Resale Right may apply to this lot.Condition report: Ripple to the canvas lower right, surface dirt and dust, deep cracquelure but stable, some white marks to the canvas. Please refer to illustrations for more detail. Not examined under UV light, please contact the department for a full report.

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Sworders Timed
Los 78

*John Christopherson (1921-1996) 'Aerial view of a ruined city' signed 'Christopherson' l.r., signed and inscribed with title verso, mixed media 59.5 x 44cm *Artist's Resale Right may apply to this lot.Condition report: A few chips to the paint at extreme edges. A couple of small scuffs and chips to the thick impasto. A little craquelure in the centre. Some light dust.

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Sworders Timed
Los 85

*Laurence Stephen Lowry RA (1887-1976) 'Three Men and a Cat' offset lithograph in colours, with the impression of a signature, with Fine Art Trade Guild blindstamp 24.8 x 16.7cm *Artist's Resale Right may apply to this lot.Condition report: The signature has faded completely and so is not visible except for the faint indented impression. The paper inside the mount window has discoloured a little and there are some very tiny and light speckles of foxing. There are lots of tiny speckles of foxing on the reverse. Large spots of foxing in the margins, although when within the frame these are hidden under the mount. There is a smudge of black ink on the printed title near the lower edge of the page, again this is hidden under the mount. The colours of the printed area are a little faded. Attached to mount by a strip of brown tape along top edge of the sheet. Sheet size 36.4 x 25.9cm

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Sworders Timed
Los 9

*Simeon Stafford (b.1956) 'On the Dunes, St Ives', 2014 signed 'Simeon' l.l., signed 'Simeon' inscribed as titled and dated '19/7/14' verso, oil on board 45.5 x 35.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some paint flaking at the edges, in the sky some areas of thin paint where the board shows through, slight dirt to white of clouds that looks as though it were caused when the paint was drying. Overall, condition appears to be good, not examined under UV light, please contact the department for a full report.

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Sworders Timed
Los 94

*John Piper CH (1903-1992) 'Oxburgh Hall, Norfolk' lithograph in colours, with Curwen Chilford blind stamp, from an edition of 120 (and 12 artist's proofs) sheet 60.8 x 48cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio. *Artist's Resale Right may apply to this lot.Condition report: Some minor handling creases, light surface dirt to the margins, foxing emerging evident on the reverse of the sheet, but not impacting the image. Overall, in generally good and original condition.

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Sworders Timed
Los 99

*Lucy Harwood (1893-1972) Portrait of Frederica pastel 52 x 37cm Provenance: Colchester Art Society (sold with old label). *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Speckles of light foxing throughout and a few light stains near upper edge. Very light wave to the paper. A small horizontal smudge to the face and another one above the head.

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Helmuth Stone Gallery
Los 16

Edward Moran (New York, Pennsylvania, 1829 - 1901) "Summer Morning, New York" Signed lower left. Oil on Canvas. Capturing the background luminosity of the rising sun, Edward Moran portrays and American naval ship preparing to anchor within the safety of New York harbor. A steam tug waits to assist her to a berth if needed, while the sails still catch the momentum-providing westerly wind. Beyond her, the light creates silhouettes of the ships still at anchor and dock toward the Brooklyn side of the bay. The visual depth and soft, yet accurate details in the paintings of Edward Moran account for his standing as one of the great marine artists. Here the brief length of the commissioning pendant atop the main mast and the shadows of the gunnport lids identify the subject as a warship, along with its nautical atmospheres full of mood, and emotion keeps the demand for Moran's best works greater than their availability. Provenance: Vallejo Gallery, Newport Beach, CA.Sight Size: 18.5 x 15.25 in. Overall Framed Size: 30 x 27 in.

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Helmuth Stone Gallery
Los 180

Walfrido Garcia (B. 1966) "Banyan by the Sea" Signed lower left. Oil on Wood Panel. Title verso. Having original Wyland Gallery label for $3,940 verso. His style can be described as ?Romantic Luminism? in which the subject he portrays goes beyond just imitating a photograph but instead adding a sense of timeless perfection to nature. Each painting starts out as a loose impressionistic idea. As the layers of paint are added the details come out. By the time the highlights are done the painting glows with light reminiscent of the Old Masters. From up close you can see the rhythm of his brush strokes but when you take a step back the eye blends them all into a harmonious tapestry of light, color and texture. Using photographs, videos and painting on site gives Walfrido endless subjects to paint but it is his imagination that unlocks the key to his style. Each painting plays upon the quality of light whether it is a romantic moonlight, a brilliant sunset, the sea caves of Kauai or the awe-inspiring glow of his signature "Lavascapes". Its as if each canvas is alive with the brilliant light of nature coming from within. Sight Size: 8.25 x 23.25 in. Overall Framed Size: 16.5 x 31.5 in.

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Helmuth Stone Gallery
Los 29

(2) Monumental Bronze French Empire Figural 6-light Candelabra. Height: 40 in.

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Helmuth Stone Gallery
Los 384

Charles J Lundgren (New York, Connecticut, 1911 - 1988) "H.M.S. Dreadnought" Signed lower right. Oil on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood Proofcard for the Great Britain Maritime stamps issued June 16, 1982. Lord John Arbuthnot Fisher, born in 1841 in Ceylon, was the son of a coffee planter so poor that he had to ship his seven children back to England to live on the charity of relatives. Many a youngster would have been blighted by such a fate, but it made Fisher a scrapper. "I had to fight ... for everything, and fighting made me what I am." In 1904, at age sixty-three, "Jacky" Fisher became Britain's First Sea Lord, and certainly one of the most innovative ever to serve in that position. Fisher's claim to a place in history is based on his brilliant invention of the H.M.S. Dreadnought, the world's first all big-gun, turbine-driven battleship, a vessel which, at a stroke, rendered all previous construction obsolete. Her fame rested on what she was: a ship so far advanced when she was commissioned in 1906 that every battleship that came after her embodied her basic concept. The Dreadnought's great breakthrough was the mounting of ten heavy twelve-inch guns on a single ship. Each of her enormous turrets weighed five-hundred tons; each gun exceeded the weight of the entire armament of Horatio Nelson's warship Victory, and each one of the big guns was capable of lobbing a terrifying 850 pound shell at an adversary twenty miles away with alarming accuracy. Indeed, the dawn of the twentieth century gave light to a totally new concept in battleship design ... Lord John Fisher's fearsome H.M.S. Dreadnought. Image Size: 18 x 21 in. Overall Size: 25 x 27 in. Unframed. (B06269)

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Helmuth Stone Gallery
Los 424

H. Douglas Pratt (American, B. 1944) "Blue-gray Noddy" Signed lower left. Original Oil painting on Water Color Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Republic of the Marshall Islands 32c Blue-gray Noddy stamp issued February 26, 1996. This graceful and delicate bird is unique among terns in possessing a uniform pearly-gray plumage. The Blue-gray Noddy's distribution is rather enigmatic and patchy in the North Pacific. It nests at scattered localities in the Northwestern Hawaiian Islands, the Line Islands (Kiribati), and on Taongi and Bikar in the Marshall Islands. Rarely wandering from the islands where it nests, this bird is seldom seen at sea. Blue-gray Noddies feed in flight on small fish picked up as the birds dip and flutter over the water's surface. Their flight is light and buoyant, making them a delight to the eye. On high islands, they nest in nooks and crannies on sea cliffs, but on atolls they will lay their eggs on the ground. The Blue-gray Noddy shown in this painting is perched on the shore among typical vegetation of the Marshall Islands, including the beach morning-glory with its ephemeral pink flowers. Image Size: 5.75 x 6.75 in. Overall Size: 7.25 x 8.75 in. Unframed. (B15277)

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Helmuth Stone Gallery
Los 463

Chris Calle (American, B. 1961) "Wood Carving of American Eagle" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover of the U.S. ND (10c) Eagle and Shield Coil stamp issued December 14, 1998. Adopted by the Continental Congress on June 20, 1782, the Great Seal of the United States features the majestic American bald eagle -- a noble symbol of strength, freedom and independence. Beginning in 1776, several committees were appointed to select a design for the seal. The accepted design was not approved until 1782 and was largely the work of American heraldist William Barton and Secretary of Congress Charles Thomson. Designed in heraldic style, the seal displays a spread-winged eagle, clasping in its beak a scroll with the words E Pluribus Unum, meaning "From Many, One." The shield on the eagle's breast symbolizes self-reliance, and bears 13 red and white stripes representing the original 13 colonies. In 1782, the blue chief of the shield symbolized Congress, but after 1789 it represented all branches of the United States government. The colors in the shield have meaning as well. Red stands for valor and hardiness, blue for vigilance, justice and perseverance, and white for purity and innocence. In its right talon, the eagle holds an olive branch consisting of 13 leaves and 13 olives, symbolizing peace, while in its left are 13 arrows symbolizing war. Above the eagle, the 13-star "new constellation" against a blue sky is surrounded by rays of light and enclosed in a cloud. This crest symbolizes the new nation taking its place as a sovereign republic. Image Size: 13.75 x 13 in. Overall Size: 23.25 x 18.25 in. Unframed. (B12083)

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1818 Auctioneers
Los 823

Two modern Britains sets, Scots Guards Colour Party & Sentry Box, boxed 00091 & Band of the Royal Marine Light Infantry, boxed 40293 along with two similar models of Bismarck and two cannons

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Bishop & Miller Auctioneers Ltd
Los 117

Two Betapack Zero88 stage light dimmers (2)

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Bishop & Miller Auctioneers Ltd
Los 142

Three various Art Deco mottled glass light shades, two of circular form, the other with a frilled rim (3)

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Bishop & Miller Auctioneers Ltd
Los 78

Art Deco Delwood pottery vase, with brightly coloured flowers on a light brown ground, with carrying handle, 32cm high

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Bishop & Miller Auctioneers Ltd
Los 81

HMV Art Deco heater, of part rounded vented form, centred with a light bulb - sold as collectors item, 33cm wide

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Bishop & Miller Auctioneers Ltd
Los 82

Two Art Deco style mottled glass light shades, the first in green, the second with orange, green and blue on a white ground (2)

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1818 Auctioneers
Los 402

A biscuit barrel in a Jasper ware design with light green ground, a similar biscuit barrel and a hand decorated Royal Worcester vase painted by J Lander AF

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1818 Auctioneers
Los 415

An art deco light or lamp shade having pink and orange mottled body 31cm wide

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1818 Auctioneers
Los 458

A selection of light blue ground Jasperware pottery by Wedgwood including tea pot with stand sugar bowl and creamer

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1818 Auctioneers
Los 489

A selection of vintage light and lamp shades including milk glass brass fitment and Guzzini style

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McTear's
Los 505

* JOHN KINGSLEY RSW DA PAI, DAWN LIGHT AND THE OLD TREE oil on canvas, signed image size 54cm x 59cm, overall size 68cm x 72cm Framed and under glass. Note: John Kingsley was born in Glasgow in 1956. He studied drawing and painting at Glasgow School of Art from 1973-77. His art tutors included James D Robertson, David Donaldson and Geoffrey Squire. From 1980-86 he exhibited in one-man shows at the annual S.N.O. promenade concerts at the Kelvin Hall, Glasgow and in 1986 he was elected a member of Group 81 Artists, who exhibited regularly at the McLellan Galleries, Glasgow. John Kingsley has established a reputation as a leading Scottish contemporary artist. He was a finalist in the Hunting Art Prizes competition in London in 1989, 1993 and 1998, and was highly commended in the same competition in 1996. In 1991 Kingsley won the William Bowie Landscape Prize and in 1992 the Mary Armour Award at the Paisley Art Institute. Kingsley has an international reputation with art works in many public and private art collections across Europe, Australia, Canada and the USA. His paintings are found in the art collections of HRH The Duke of Edinburgh, Argyll and Bute District Council and the Royal College of Physicians and Surgeons, Glasgow and in numerous corporate collections throughout the UK.

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McTear's
Los 520

* GRAEME SHARP, JENNY II oil on canvas, initialled, titled label verso image size 31cm x 31cm, overall size 45cm x 45cm Framed. Label verso: Centre Gallery (Scotland) Ltd, Glasgow. Handwritten artist's label verso. Note: Described on STV as one of Scotland’s up and coming artists, Graeme Sharp has already achieved considerable success in the art world — his stunning portrait work is in high demand among many collectors. Graeme began his artistic career with a hugely successful degree show when he graduated from the Glasgow School of Art in 1995. Now, his work is held in numerous private collections around the world, including the collections of several Scottish celebrities. He is known throughout Scotland and is widely exhibited at private art galleries, Glasgow Art Fair and other events. Graeme works in dramatic, abstract forms and colours, using palette knives to create instantly expressive marks in vivid hues. His extreme colours and textures are kept in a careful balance, and result in a completely and uniquely arresting style of artwork. The resulting portraits are filled with light and passion, going beyond the surface of the subject to the energy within.

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McTear's
Los 530

* MARY DAVIDSON (SCOTTISH b. 1955 - ), PANSIES WITH GLASS VASE oil on board, signed, further signed and titled label verso image size 31cm x 31cm, overall size 49.5cm x 49.5cm Framed and under glass. Artist's label verso. Handwritten artist's label verso. Note: Mary was born in Dundee and lived in Australia for a few years as a child. She lived in Glasgow for 12 years from 1986 before moving to West Lothian in 1998. Mary studied at Glasgow School of Art and has been exhibiting regularly since 1994. Since then she has taken part in many exhibitions, to wide acclaim, on both sides of the Atlantic and now has works in numerous private collections in Britain and abroad. She is an artist member of the Glasgow Society of Women Artists and the Paisley Art Institute and regularly exhibits at the R.S.W., R.G.I. and Laing Art Exhibitions. Her paintings are also exhibited in prestigious art galleries around the UK. Mary works mainly in oil. She paints a range of subject matters in an expressive manner that captures light and colour. She is perhaps best known for her still life paintings. Her work is in numerous corporate, private and public collections including Vanity Fair in New York; the Duke of Bedford collection; Gray's School of Art, Aberdeen; East Dunbartonshire Council and Cala Homes.

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McTear's
Los 539

* NEIL MACDONALD RSW RGI PAI, FIRST LIGHT, ST ABBS oil on canvas, initialled, titled label verso image size 97cm x 71cm, overall size 119cm x 93cm Framed and under glass. Artist's label verso. In our opinion, the finest example of Neil MacDonald's work to be offered at auction, anywhere. Note: Neil Macdonald has been the recipient of many awards including 2013 Elected RSW (Royal Scottish Society of Painters in Watercolour); 2013 Joe Hargan Award, Maclaurin Fine Art Exhibition, Ayr; 2013 Elected RGI (Royal Glasgow Institute of Fine Arts); 2012 The Smithy Gallery Award (PAI); 2012 Diploma of the Paisley Art Institute; 2011 Robert Innes Award - Scottish Drawing Competition; 2009 Discerning Eye, London- Scottish Regional Winner; 2009 Charles Jamieson Award PAI; 2008 University West Scotland Award PAI; 2006 EDC Ann Stevenson Memorial Award; 2005 EDC Purchase Prize; 1997 Contemporary Art Prize (Eton) Paisley Art Institute; 1981 David Cargill Travelling Scholarship (Italy and Belgium); and 1979 William Shanks Painting Prize. Neil MacDonald trained at Glasgow School of Art from 1975 until 1980, where he developed his considerable skills as a painter and consummate draughtsman. He is drawn to locations that exert historic and mythic presence, exploring the lyrical narrative of natural sites and strong bold shapes of castles, old townships and harbours. He does this through distortion of perspective, invention and editing, aiming to capture an essence of the structure or place. Colour is used in an emotive way to heighten the sense of mood, applying each layer upon layer of paint in a divisionist manner until a unity of statement is realised as the image emerges, revealing the subject’s unique sense of place. This fine example in superb condition has been consigned by a private collector from Gloucestershire who is in the process of downsizing.

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McTear's
Los 580

* EMMA S DAVIS RSW PAI (SCOTTISH b. 1975), LAST LIGHT oil on board, signed, further signed and titled verso image size 30cm x 30cm, overall size 54cm x 54cm Framed.

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McTear's
Los 627

ERNI UPTON FRSA, TARANSAY FROM HARRIS oil on canvas, signed, further signed and titled verso image size 47cm x 99cm, overall size 76cm x 127cm Framed. Artist's label verso. Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer).

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McTear's
Los 628

ERNI UPTON FRSA, RHUM & EIGG FROM ARDNAMURCHAN POINT oil on canvas, signed, further signed and titled verso image size 76.5cm x 102cm, overall size 96cm x 121cm Framed. Artist's label verso. Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer).

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McTear's
Los 641

* DOREEN WILLIAMS, LAST LIGHT, ANDALUSIAN VILLAGE acrylic on canvas, signed, titled label verso image size 61cm x 61cm, overall size 82cm x 82cm Framed. Label Verso: The Torrance Gallery Edinburgh, Exhibition October/November 2002. Note: Doreen Williams studied at the Glasgow School of Art and is a member of the Glasgow Society of Women Artists and the Paisley Art Institute

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McTear's
Los 755

* ETHEL WALKER (SCOTTISH b. 1941), COASTLINE, KILBERRY oil on board, signed, titled and dated 1999 label verso image size 44cm x 41cm, overall size 60cm x 57cm Framed and under glass. Label verso: Flying Colours Gallery, London. Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty seven she was a full time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections world-wide, including the Royal Bank of Scotland and Sara Lee Holdings.

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Lots Road Auctions
Los 86

WALL MIRROR, antiqued segmented plate in a light oak frame, 200cm H x 100cm.

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Featonby's Auctioneers & Valuers
Los 155

Art Deco 1970s ceiling light shade. Good condition

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Shapiro Auctions
Los 104

MIKHAIL ROGINSKY (RUSSIAN 1931-2004)Composition #1, 1986oil on canvas197 x 147 cm (77 1/2 x 57 7/8 in.)signed and dated lower rightWe are grateful to Liana Roginsky for providing her opinion of authenticity.PROVENANCEAcquired directly from the artist by the present ownerPrivate Collection, New YorkCONDITIONObserved in frame, the painting appears in age-appropriate condition. Light surface dust along the lower edge. Not inspected under UV.framed dimensions: 206 x 156 cm (81 1/8 x 61 3/8 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 105

MIKHAIL ROGINSKY (RUSSIAN 1931-2004)Composition #2,1986oil on canvas197 x 147 cm (77 1/2 x 57 7/8 in.)signed and dated lower rightWe are grateful to Liana Roginsky for providing her opinion of authenticity.PROVENANCEAcquired directly from the artist by the present ownerPrivate Collection, New YorkCONDITIONObserved in frame, the painting appears in age-appropriate condition. Light surface dust along the lower edge. Not inspected under UV.framed dimensions: 206 x 156 cm (81 1/8 x 61 3/8 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 112

MIGUEL ORTIZ BERROCAL (SPANISH 1933-2006) Tete de Diana, 1964 bronzeheight: 24 cm (9 1/2 in.), base: 15 x 15 cm (5 7/8 x 5 7/8 in.) signed, dated, edition 4/9 all under headPROVENANCEGalerie Kriegel, ParisAcquired at the above by the present owner, April 1965EXHIBITEDAlbert Loeb Gallery, New York, Berrocal, April 5 - May 1, 1965CONDITION The sculpture appears in good condition. Surface dust visible to the hairline and facial features. Light surface scuffs visible to the naked eye. With no significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 123A

YIGAL OZERI (ISRAELI B. 1958)Rocky Beachacrylic on canvas 152 x 215 cm (59 7/8 x 84 5/8 in.)CONDITION Observed in frame, the painting appears in good condition. Scattered scuffing to the canvas apparent to light areas, such as the sky. Otherwise, no significant issues apparent to the naked eye. Not inspected under UV. framed dimensions: 157 x 220 cm (61 3/4 x 86 5/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 129

RACHEL JURRA NAPALJARRI (INDIGENOUS AUSTRALIAN B. 1961) ABORIGINAL ART Cave Dreamingoil on linen 100 x 100 cm (39 3/8 x 39 3/8 in.)signed, titled and numbered on versoCONDITION Observed in frame, the painting appears in good condition. The canvas has warped slightly to the upper left top edge and corner. Light surface dust visible around the perimeter. Inspection under UV shows no apparent signs of restoration. framed dimensions: 102 x 101 cm (40 1/8 x 39 3/4 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 13

JEAN PESKE (POLISH-FRENCH 1870-1949)L'll de Saint Brice Cagneroil on canvas 73 x 53.5 cm (28 3/4 x 21 in.) signed lower left; titled on verso, possibly in another hand PROVENANCE Sotheby's, New York, 7 October 2010, lot 77 Acquired at the above by the current owner LOT NOTES Jean Peske was born in Kherson, Russian Empire, to parents of Polish origin. He studied art at the Academies in Kiev, Odessa, and Warsaw before emigrating to France at 21, where he studied at the Academie Julian. There he developed friendships with numerous other Polish emigres, including Marie Curie, with whom he was closely associated throughout his life, as well as Guillaume Apollinaire. Peske was also close to other notable artists of the day, including Signac, Pissarro, Bonnard, and Vuillard, and under the influence of Signac experimented with pointillism. Peske also exhibited with the Nabis, including at Le Barc de Boutteville along with Serusier, Bonnard, and Vuillard.CONDITION Observed out of the frame, the work appears in very good original condition. Minor surface dirt; would benefit from a light cleaning. Small chip, 1 cm (3/8 in.) long, at the upper left, as apparent in photographs. Miniscule loss to an impasto stroke at an a purple reflect in the water lower right. Inspection under UV light reveals no apparent signs of restoration.framed dimensions: 87 x 68 cm (34 1/4 x 26 3/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 144

SERGEI "AFRIKA" BUGAYEV (RUSSIAN B. 1966)Brown' From the Anti-Lissitzky Series, 1991oil on board 98 x 124 cm (38 5/8 x 48 7/8 in.) PROVENANCE Prominent Collector of Eastern European Modern art Acquired from the above by the current owner, in this collection for 6 years EXHIBITEDLos Angeles, The Fisher Gallery, University of Southern California, Afrika, January 15-February 22, 1992New York, Queens Museum of Art, April 23-June 14, 1992Wexner Center for the Arts, Ohio State University, Columbus, Ohio, April 2-June 13, 1994CONDITION Observed in frame, the painting appears in good condition. Scattered light surface scuffs visible to the naked eye. Inspection under UV shows no apparent sign of restoration. framed dimensions: 106 x 132 cm (41 3/4 x 52 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 175

ALEXANDRE PETROV (RUSSIAN B. 1947)The Flea Market at 25th Street, 1993oil on canvas 213 x 183 cm (84 x 72 in.)signed lower rightPROVENANCE Marisa Del Re Gallery, Inc., New York, NY Acquired at the above by the present owner CONDITION Observed in frame, the painting appears in good condition. Very light surface scuffing visible to the blue sky. With no significant issues to report otherwise. Not inspected under UV. framed dimensions: 231 x 200 cm (91 x 78 3/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 189

ANDREY DILLENDORF (RUSSIAN B. 1936)Throwing Upbronze with light brown patinaheight: 14 cm (5 1/2 in.), dimensions of base: 14.61 x 5 cm (5 3/4 x 2 in.)PROVENANCEAcquired directly from the artist by the present ownerPrivate Collection, New YorkCONDITIONThe sculpture appears in good condition. Very light surface scuffs and scratches, notably to the body. Overall surface dust. No significant issues to report otherwise.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 214

LEV MESHBERG (RUSSIAN 1933-2007)Street in Odessa,2003oil on canvas70.5 x 100 cm (27 3/4 x 39 3/8 in.)initialed and dated lower right; dated and titled on stretcherPROVENANCEFamily of the artistCONDITIONThe painting appears in excellent original condition. Aside from one small chip to the top right edge, no issues apparent to the naked eye. Inspection under UV light shows no apparent signs of restoration. unframedN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Shapiro Auctions
Los 220

DMITRY PRIGOV (RUSSIAN 1940-2007)Sky, Sea and Peace, 1982pencil, ink and acrylic on papereach sheet measuring 29.5 x 42 cm (11 5/8 x 16 1/2 in.), altogether 101.5 x 138.5 cm (40 x 54 1/2 in.)each signed, dated and numbered on versoEXHIBITEDForbidden Art: The Postwar Russian Avant-Garde, February 1998-April 2002 The exhibition traveled to: Pasadena, ArtCenter College of Design, Alyce de Roulet Williamson Gallery, February 22 - May 3, 1998Moscow, The State Tretyakov Gallery, May 15 - June 15, 1999St. Petersburg, The State Russian Museum, February 12 - April 4, 1999Oxford, Ohio, Miami University Art Museum, November 2 - December 12, 1999Brighton, Massachusetts, Boston College, McMullen Museum of Art, October 15 - December 10, 2000Gainesville, University of Florida, Samuel P. Harn Museum of Art, April 12 - July 3, 2005Laramie, University of Wyoming Art Museum, September 8 - November 18, 2007St. Peter, Gustavus Adolphus College, Hillstrom Museum of Art, September 3 - November 10, 2008 LITERATUREForbidden Art: The Postwar Russian Avant-Garde (Los Angeles, New York: Curatorial Assistance, Distributed Art Publishers, 1998), ex. cat., p. 30 (illustrated)CONDITION Observed in frame, the work appears in overall excellent original condition. Slight waviness to the edges of the sheet. Minor wear to upper right corner. Inspection under UV light shows no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 229

19TH CENTURY ORIENTALIST ARTIST Tiger Hunt, 1847oil on tin 22.1 x 16.2 cm (8 3/4 x 6 3/8 in.)signed and dated lower right CONDITION Observed in frame, the painting appears in age-appropriate condition. Light surface scratches visible to the lower left corner. Losses visible to the naked eye, most notably by the tigers tail. Retouching visible to the sky, as apparent in photographs. Inspection under UV shows retouching to the sky. framed dimensions: 38 x 32 cm (15 x 12 5/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 23

ALEXANDER ARCHIPENKO (UKRAINIAN 1887-1964)Woman in Blue Hat, circa 1928oil on canvas laid on panel 56 x 40.7 cm (22 x 16 in.)signed lower right PROVENANCE Acquired from the estate of the artist Sotheby's, New York, February 12, 2009, lot 134 Acquired at the above by the present owner EXPERTISEFrances Archipenko Gray has confirmed the authenticity of this painting.LOT NOTES This work is among the 30 or so works known by Archipenko from the period, providing a rare glimpse into the direction the artist's oeuvre was taking in the 1920s.CONDITION Observed in frame, the work is in fair to good condition. Overall surface dust and dirt. Fine age-appropriate craquelure with some resulting losses, such as to the cowl at the lower right and a spot in the lower left. Inspection under UV light shows limited and scattered retouching ot the right of the face and small areas at the perimeter, to no more than 5% of the overall surface.framed dimensions: 70 x 55 cm (27 1/2 x 21 5/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 231

MERKERTICH GIVANIAN (TURKISH-ARMENIAN 1848-1906)Morning Light on the Shoreoil on panel 35 x 61.5 cm (13 3/4 x 23 4/5 in.)signed lower right CONDITION Observed in frame, the painting appears in age-appropriate condition. No apparent issues visible to the naked eye. With no significant issues to report. Inspection under UV shows scattered retouching to the sky less than 5%. framed dimensions: 53 x 68 cm (20 7/8 x 26 3/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 255

A 17TH CENTURY RUSSIAN ICON OF THE PROTECTION [POKROV] OF THE VIRGIN, PSKOV SCHOOLthe upper register depicting the Theotokos holding her omophorion [vestment], followed by John the Baptist and John the Apostle and bishops, all blessed by Christ from heaven, the lower register centered with Romanos the Melodist standing on the ambon and holding up a hymn dedicated to the Virgin, which he shows to Tarasios of Constantinople, the visionary Andrew the Fool-for-Christ speaking his disciple Epiphanius in the lower left and describing a vision he had while praying in the Church of Blachernae in Constantinople, represented by the domes visible above the upper register, egg tempera and gesso on wood panel, overlaid with repousse frame adorned with scrolling foliate motifs; dimensions including frame: 28 x 24 cm (11 x 9 1/2 in.) CONDITIONThe icon is in overall stable age-appropriate condition. Very faint vertical crack to the top center. Scattered losses near the figures of Romanos and Andrew the Fool and to the robe of one of the bishops. Losses to the halos of Andrew and Tarasios, to the frame at the upper right and lower left, with some wear to the corners and corrosion to the right side. Insert splint partly loose. Inspection under UV light shows an even layer of varnish. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 256

A 19TH CENTURY RUSSIAN ICON OF ANDREI OF SMOLENSK AND SAINTS, MOSCOW SCHOOLdepicting full-length portraits of Andrei of Smolensk (center), Daniel the Pilgrim (right) and the venerable Nicetas of Medikion (left), flanked on either side by saints, above them the Mandylion (spas nerukotvorny); dimensions of icon: 31 x 25.7 cm (12 1/4 x 10 1/8 in.)CONDITIONThe icon is in overall very good age-appropriate condition. Minor craquelure. Some miniscule chips along the kovcheg on the left side. Two insert splints on verso. Inspection under UV light shows retouching to small areas in the outlines of the vestments and limited losses to the figure of Daniel, to overall less than 5% of the surface. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 257

A 17TH CENTURY RUSSIAN ICON OF ST. NICHOLAS THE WONDERWORKER, NORTHERN SCHOOLdepicting a bust-length St. Nicholas the Wonderworker wearing a bishop's omophorion, egg tempera and gesso on wood panel; dimensions of icon: 31 x 25.7 cm (12 1/4 x 10 1/8 in.)CONDITIONThe icon is in overall stable age-appropriate condition. Vertical split to the middle of the panel with some resulting losses, as apparent in the catalogue images. Small losses above the head and to the right shoulder. Limited areas of lifting to the paint. Old termite damage apparent to the sides of the icon. Two insert splints on verso. Inspection under UV light shows an area of retouching to the left cheek. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 259

A 17TH CENTURY GREEK ICON OF THE MOTHER OF GODdepicting the bust-length Theotokos with the Christ Child with the Archangel Michael looking down; dimensions of icon: 38 x 29.5 cm (15 x 11 5/8 in.)CONDITIONThe icon is in age-appropriate fragile condition. Overall losses and a volatile paint layer. Old termite damage apparent to the sides and verso. Inspection under UV light shows some scattered retouching. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 26

ACHILLE LAUGE (FRENCH 1861-1944)Vase of Roses, 1924oil on canvas 73 x 50 cm (28 3/4 x 19 5/8 in.)signed and dated lower rightPROVENANCE Sotheby's, New York, 13 February 2008, lot 66 Acquired at the above by the current owner CONDITION Observed in frame, the work is in overall good condition. The canvas is strip-lined. Limited cracks, such as along the top center and along the right edge, faintly visible along close inspection. Small chips, no larger than 5 mm in diameter, largely scattered around the perimeter, with one in the central green leaf. Inspection under UV light shows retouching to those areas of losses.framed dimensions: 87 x 64 cm (34 1/4 x 25 1/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 269

A LARGE CHINESE BLANC DE CHINE FIGURE OF BUDDHA SHAKYAMUNImodelled standing, on a lotus base, Sakyamuni wearing a layered robe tied just above the waist, the chest decorated with a wan medallion with beaded detailing, the right hand holding a circular object and the other palm up, stamped twice once with artist signature in a square and the other in a organic form on the back; overall height: 50 cm (19 3/4 in.) CONDITION The figure appears in good condition. Very light surface dust visible to the shoulders and creavasses. A small crack to the center right of the base, measuring, 1 cm ( 3/8in.) in length. Inspection under UV shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 284

A MEIJI PERIOD JAPANESE EBONISED LACQUER CABINET rectangular, the top featuring a wood carved medallion with a foliate and floral motif accented by a geometric border, the handles and the corners accented with brass, the exterior side panels with carved wood hand painted dragons, the cabinet doors with traditional scenes moulded from handstone, the handles and hinges forged from brass, the interior a bright red, with one shelf and three small drawers with brass pulls, atop four square pegged feet with brass detailing, all against a ebonised and lacquer body accented with foliate and floral detailing; height: 76 cm (29 7/8 in.), dimensions of cabinet: 40 (w) x 64 (l) cm (15 3/4 x 25 1/4 in.) CONDITION The cabinet appears in age-appropriate condition. An abrasion to the right corner of the top. Overall light surface scuffs and scratches to the lacquer. Surface dust, most notably to the hardstone scenes. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 289

A PAIR OF BRONZE THREE-LIGHT ELECTRIFIED CANDELABRASthe pair each with three arms formed from winged heads of putti each with a hexagon drip pan a single nude caryatid terminating from a foliate base, the base featuring a head of a faun with garland swags, atop an oval stone base, terminating from the base four animal feet; height: 60 cm (23 5/8 in.) CONDITION The pair appears in age-appropriate condition. Each wired but not in working condition. Scattered surface soiling visible to each resulting in discoloration to the bronze. Most notably around the neck of one of the caryatids. One of the candelabras is loose to the base. Each candle holder with visible dust and grime. One of the candelabras has been restored. Would benefit from a cleaning. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 290

A 1930S RAYMOND GUERBE (FRENCH 1894-1995) 'ESPANA' ART DECO TABLE LAMPformed as a Spanish dancer, with a pink glass fan terminating from her palms as she walks across a black stone base, signed lower right of base; height including base: 50 cm (19 3/4 in.) CONDITIONThe lamp appears in good condition. Overall surface dust visible to the lamp. The lamp is in working condition. The light socket has become loose and would benefit from tightening, as apparent in photographs. With no significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 291

PAIR OF NEOCLASSICAL STYLE BISQUE CERAMIC MAIDEN LAMPSa two-light table lamp, the body formed as an urn flanked on either side by a pair of maidens, each maiden draped in fabric, with hair pinned up with rosettes, on a rounded base with a gilt bronze foliate wreath, atop disk shaped feet, overall height: 79 cm (31 1/8 in.) CONDITIONThe pair appears in excellent condition. Minor surface dust visible to the naked eye. Minor surface scuffs visible to the maidens bodies. One of the maidens has been repaired. Both are fabricated for electrical wire, one comes fully wired and with light bulb sockets..N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 293

CIRCA 1900 FUMIERE & GAVIGNOT ART NOUVEAU GILT BRONZE PAGE TURNERthe handle featuring lilies of the valley, in fitted silk and velvet-lined retailer's box, signed R. Heyner on back of handle, and stamped with foundry mark backside; length: 30 cm (11 3/4 in.) CONDITION The page turner appears in good condition. Light surface scratches and scuffs. A miniscule dent to the tip of the turner. With no significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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Los 296

A 1940-1960S VAN BRIGGLE VASE 'PERSIAN ROSE', COLORADO SPRINGSof cylindrical form, with a curved relief design, with a ombre ground of dark turquoise to a deep mulberry, incised with pottery logo, signed and inscribed Colorado Springs underbase; height: 18 cm (7 1/8 in.) CONDITION The vase appears in age-appropriate condition. Light surface nicks, scuffs and scratches visible, most notably along the rim and foot rim. A chip to the base, only visible when picked up. Inspection under UV shows no apparent sign of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

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