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Preisdatenbank abonnierenA Collection of Approximately Sixty Military Cap and Collar Badges, including Royal Malta Militia, King's Own Malta Regiment of Militia, King's Own Malta Regiment, XXIV Lancers, Victorian East Surrey Regiment, Derbyshire Yeomanry, 1st City of London Engineers pouch badge, Highland Light Infantry etc., some restrikes.
A British 1896 Pattern Mountain Artillery Sword, with 76cm single edge broad fullered and curved steel blade, brass langets and stirrup knuckle bow, with ribbed cast iron grip, lacks scabbard, 89cm; a 1796 Type Light Cavalry Trooper's Sword, with 80.5cm single edge broad fullered curved steel blade, steel stirrup hilt with ribbed wood grip, lacks scabbard, 93cm (2)Both swords have deep pitting to the blades and hilt fittings. No markings are visible.
A Mid-20th Century Uniform to a Lieutenant General, the Swedish Army, comprising a black wool frock with yellow facings, silver bullion thread collar and cuff trim with white metal buttons, a pair of gold bullion thread embroidered epaulettes and a pair of trousers; a blue wool frock with gilt metal epaulettes embroidered with artillery badge and rank stars; a grey wool twill frock with yellow embroidered 1 to the shoulder straps; also, a blue wool greatcoat with rank stars to a Major General; a grey wool greatcoat with silver bullion thread shoulder cords set with rank star to a Brigadier General; a beige linen summer jacket with brass buttons and a pair of light brown wool twill trousers (8)
An early Victorian cased set of silver dessert knives and forks, Henry Atkin, Sheffield 1846, comprising eighteen knives and eighteen forks, each with scroll decorated silver mounted handles, presented within original case with three tiers, case measures 30.5cm wideCondition:Hallmarks reasonably clear to all, some compression/mis-shape to the tines, a few of the blades with small dents/nicks, some small dents and light scratches to handles, wear to the case (front section detached), general wear, refer to images, total approx weight of filled cutlery approx 37oz
H&R Daniel - A 'C'-scroll porcelain part tea service, circa 1827-8, pattern 4369, 'Shrewsbury' green ground with reserves of enamelled floral sprays in panels and to the centre, raised on three 'Daisy-wheel' feet, comprising three teacups, three coffee cups, five saucers, a cream jug, a teapot and cover, sucrier and cover and a pair of bread and butter plates, numbered in gilt (16) (damages) (3) Condition:Coffee cups - Two cups have broken handles (but these are present with the lot). The third has numerous descending cracks. One of the cups with a broken handle is also quite stained and has significant crazing to the interior. Teacups - One cup has some spots of dark brown to the exterior (just below the green ground). The interior of this cup is also slightly yellowed. The second teacup has a broken and re-stuck handle. The third teacup has wear to the gilt on the inner rim and a few spots of light staining to the interior, but no damages. Saucers - One has no damages or repairs. Two saucers have hairlines. The final two have broken and re-stuck sections to the rim. Cream jug - Firing crack and slight hairline to the interior. Some slight spots of brown discolouration. Pair of plates - One has a crack to the centre. Both plates have scratches to the green ground. Teapot - This item is the most damaged. The handle has a re-glued break which has now dissolved, and the handle is currently separated from the teapot. The body and rim of the teapot have numerous cracks, and the gilding on the inner rim is worn. There is one crack along the top centre of the spout, but otherwise, the spout and feet are generally undamaged. Likewise, the cover is badly cracked and also slightly discoloured. There are some chips to the relief work on the cover, but the finial does not appear to have been off. Sucrier - A T-shaped crack and several smaller hairlines to the cover. Sucirer base - Two cracks to rim, one extending right into and through the body. There are several other smaller hairlines. Some scratches to the green ground. All pieces generally with varying degrees of glaze crazing.
A Swansea porcelain dessert plate, circa 1815-17, relief-moulded border, the central painting attributed to William Pollard with flowers including briar-rose, yellow primrose and pink bellflowers, the border with gilt and green foliage, printed red 'SWANSEA' mark, 20.5cm diameterCondition:Good condition with no damages or repairs. A few light scratches to the centre of the plate and a couple of spots of rubbing/scratches to the green leaves. The gilt inner border on the raised moulding is also slightly rubbed.
An English violin by and labelled Walter H. Mayson, Manchester, A.D. 1880Inscribed in ink on the label 'Cupid' and signed, the two-piece back of broad curl with similar wood to the sides, the table of a medium width grain and the varnish of a light reddish-brown colour, 14 1/8 inches (35.90cm), with hard case and one bow.Condition:Immediately playable condition. Some cracklure to varnish in places. Scratch adjacent to right F-hole. Chipping to scroll.
An impressive Coalport cased silver mounted coffee service, dark cobalt ground decorated with gilt foliage, a twelve-person setting comprising twelve coffee cans, twelve saucers and twelve teaspoons, hallmarked for Goldsmiths and Silversmiths, London, 1912, in fitted case, printed factory marks, numbered 6998 in gilt.Provenance: Ivor Southorn Collection.Condition:One coffee cup chipped. A second coffee cup chipped with associated hairline and a further Y-shaped hairline to the base. A third coffee can has a stapled repair and residue stuck to the interior with yellow staining. One saucer has a minute rim nibble. One saucer crazed throughout. The other coffee cans generally have some light brown staining on the bottom of the interiors. Losses to the exterior of the case.
A blue sapphire cluster necklace, designed as five oval mixed cut sapphires claw set within a border of white round facted stones, possibly sapphires, all suspending further sapphire cluster drop, with attached white metal chain, 49cm longCondition:Sapphire appear natural looking with 10x but have not been lab tested- some colour zoning, inclusions and silk, sapphires graduate in size from approx 9mm x 7.5mm x 5mm deep to 7.2 x 5.5mm x 4.5mm, sapphires with some patchiness in colour saturation, overall colour medium-light blue, white stones are not diamonds, general wear, refer to images
Alexander Jamieson (1873-1937) Village on the Seine, signed verso, oil on panel, 31 x 40 cm, frame 39 x 48 cmCondition:The painting is an oil on panel, framed without glazing - not examined external to the frame. The board had previously been warped and was straightened and strengthened with the fixing of an additional panel to the verso. The paint surface appears well preserved and stable, no obvious paint loss or deterioration, under UV light the surface looks to be original. The colours are good. The frame has some general wear and tear, the joints are sound
A Coalport cased silver mounted coffee service, hallmarked for Jay, Richard Attenborough Co Ltd, Chester, 1907in a yellow, white and gilt colourway, the mounts pierced with bacchanalian frolicking cherubs, the service most unusually with a coffee pot, sucrier and cream jug, six coffee cups and six saucers, six teaspoons and pair of sugar tongs in a fitted Jay's Goldsmith and Silversmith case, service with printed factory marks in green, Jay's retailer's marks and pattern number 5975Condition:One coffee cup with minute chip to upper rim. Sucrier with restored chip near rim. 2 coffee cups crazed.2 saucers crazed. 1 saucer with minute nibbles around foot rim.Coffee pot with a hairline to the pot's rim and stained with some light internal brown discolouration and further lighter staining near the spout.The exterior of the case has some light wear - one patch to the top and the remainder mostly around the edges.
A Nantgarw porcelain 'Three Rose' teacup and saucer, circa 1820, painted with pink roses, foliage and scattered insects below a gilt dentil rim, unmarked, teacup 7cm overall height, saucer 13.5cmProvenance: Private Collection. Purchased from Barbara Cavenaugh in 1981.Condition:Good condition with no damages or repairs. Some very minor to the gilt edges and a few light surface scratches to the well of the saucer.
A Coalport dessert service by Arthur Perry and Percy Simpson, early 20th centurycomprising thirteen plates and one twin-handled comport dish, decorated with a wide apple green, richly gilt with acorns, scrolls, and raised gold surrounding individually painted landscape reserves, artist signed 'A. Perry' and 'P.Simpson', some pieces titled the reverse, printed factory marks in green, numbered X5351/0 in gilt, 22cm diameter(14)Provenance: Ivor Southorn Collection.Condition:X-shaped hairline to one plate. A second plate with a crack to the rim. No further damage or restoration. The twin-handled dish has rubbing and heavy scratches to the painted landscape. The other plates show general signs of use and scratches when tilted in the right light, with some minor other wear to the landscapes and a few odd spots of wear to the green ground. One plate has some long crazing lines.
An unusual Coalport dessert service, circa 1860comprising twelve plates, two low comports and one tall comport, the pale green grounds painted in puce overglaze monochrome enamel with individual wild and domestic animals, including dormice, dogs, crane, rabbits and a wolf, tallest comport with printed puce Salopian Coalport roundel, plates 23.7cm diameter, tallest comport 12cm high (15)Provenance: Ivor Southorn Collection.Condition:Condition is generally good. One of the low comports has a small fleabite to the underside of the rim. The taller comport has heavy rubbing to the gilt on the rim and the foot. The other low comport has some scratches through the decoration (the mice)No damages or repairs. Some of the plates have wear to the light green ground around the mould lines of the plate and a couple of them have some further scratches through the decoration. The squirrel plate has quite a bit of wear to the gilding and so does the plate with chickens. The others have patchy wear.
An early 20th century British lithographed tinplate perambulator biscuit tin, the light blue and mid blue striped body with two large and two printed spoked wheels, the lid with a baby holding a rattle and Golly lying on the covers —7in. (18cm.) long (some wear and fading, scratching and speckling loss to lid); and a painted bisque dolls’ house doll chef These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
A rare Simon & Halbig 1129 DEP East Asian character child, with light brown complexion, sleeping brown glass slanted eyes, black brow, pierced ears, original black mohair wig, correct jointed composition body and printed cotton robes —21 1/2in. (55cm.) high (head very well restored, stringing slack and slight ear piercing chipping)
A 1950s Chiltern Bruin teddy bear, non-musical with light brown and white mohair, orange and black glass eyes, white lined ears, swivel head, unjointed limbs in a standing position, with velveteen pads, and card lined feet --17in. (43cm.) high (thinning, small hole to right footpad) - from The Susan Collard Collection
An Alt Beck & Gottschalck bisque shoulder head lady doll, known as Empress Augusta Victoria of Schleswig-Holstein with blue painted eyes, moulded hair piled on top of head, held inn place with black painted tiara, falling in ringlets, exposed pierced ears, shoulder plate with moulded high neck blouse and iron cross, stuffed body, bisque limbs and blue and light blue two-part dress —27in. (69cm.) high (broken glued left leg)
Two early teddy bears, a British bear, probably Chad Valley with light brown mohair, remains of black stitched nose mouth and claws, swivel head, jointed limbs with cork stuffing --16 1/2in. (42cm.) high; and a German 1910-20s teddy bear in knitted outfit (wear and thinning to both, larger missing eyes, hole to left hand pad, smaller missing ear, hole to right foot pad) - from The Susan Collard Collection
An artist Puss in Boots character cat, with white mohair face, hands and tail, black painted details, light orange and black glass cats eyes, elaborate eyebrows and whiskers, fixed head, unjointed body, dressed in pink satin shirt, pink and gold striped trousers, with a brown fur hat -- 25in. (63cm.) not including hat; and a Lady bird Puss in Boots story book (2) owner of lot ???owner of lot ???
A Roullet & Decamps style clockwork automaton white rabbit in cabbage, white fur covered with light bulb eyes operated by battery, in papier-mache and wood cloth covered cabbage, in original plain card box stamped Made in Austria —6 1/2in. (16.5cm.) high (inoperative, missing on/off lever, a little loss to plush and box lid missing two sides)
A 19th century German bisque shoulder-head doll, probably Alt, Beck & Gottschalck with unusual light brown painted and moulded centre-parted hair falling into ringlets, blue painted upward glancing eyes, white dot highlight, closed mouth, old stuffed body with leather arms, Burgundy two part dress with lace trim, underclothes and oil-cloth shoes —24in. (61cm.) high
A very rare John Lethal Love Cards playing card, complete set of fifty-two cards with tax stamp on the Ace of Spades, uncoloured engraved cards and plain versos, early 18th century —just under 4in. (10cm.) height of card (light staining to some cards) Notes - Lenthall advertised this pack of cards in 1709 and in 1714; Literature - Ortiz-Patiño 9; All cards on the table 265; Fournier, British Isles 30 (dated to c. 1700); Hamilton, Playing cards in the Victoria & Albert Museum 111
An Alt Beck & Gottschalck bisque shoulder head lady doll with elaborate hair, with blue paint eyes, closed mouth with slight smile, exposed ear pierced into the head, blonde painted and moulded hair piled high on her head with short fringe, swept up and held by a black painted gem hair band, two fat plaits down the back of the hair either side and curls falling down the middle, old stuffed body with bisque arms, integral striped stocking and red kid boots with tassel, light brown two-part dress and underclothes —26in. (66cm.) high
A British 1930s teddy bear cub, with beige wool plush, clear and black glass eyes with remains of brown painted backs, light brown stitched nose, mouth and claws, swivel head, jointed limbs with replaced velvet pads --13in. (33cm.) high; and an interesting brown wool plush teddy bear with oil-cloth pads (some wear and thinning) (2) - from The Susan Collard Collection
A 1930s Chad Valley comic seated dog, with light brown mohair, opaque black, brown and white googly glass eyes, long white mohair muzzle, black stitched nose, mouth and claws, swivel head, black mohair top of head, back of ear and back feet, long tail and red and white cloth label --10 1/2in. (27cm.) high (slight wear and matting); two small jointed teddy bears and three 1960s unjointed bears
A light cinnamon mohair 1930s teddy bear, with orange and black glass spike eyes, black stitched nose mouth and claws, swivel head, jointed limbs, with cloth foot pads later covered with muslin and squeaker --23 1/2in. (59.5cm.) high (thinning mainly to right side of body and back, hand pads need attention)
Four post-war German teddy bears, comprising of a Hermann blonde mohair bear on all fours with orange and black glass eyes, black stitched nose and mouth, swivel head --6in. (15cm.) high; a light brown bear Hermanns teddy bear, a Steiff Zotti and Hermann collector’s bear with red plastic chest tag (slight wear) - from The Susan Collard Collection
A fine late 19th century Venetian king puppet, with composition head and jointed wooden body, pronounced nose and bulging eyes, red wool hair and beard, pale yellow silk clothes with lace trim, light brown kid boots, red cloak with spangles and gilt metal crown with paste gems —12in. (30.5cm.) high (moth holes to cloak)
An Alt Beck & Gottschalck bisque shoulder head lady doll impressed 1002, with blue painted upward glancing eyes, white highlight dot and red eyelid line, light brown brows, closed mouth, exposed ears, pierced into the head, blonde painted and moulded curls waving into three large ringlets at the back of head, original stuffed body with red kid integral boots, pink striped silk dress and underclothes —23in. (58.5cm.) high (dress discoloured and slight fraying)
A late 19th century Venetian courtier puppet, with composition head and jointed wooden body, painted moustache and remains of blonde wool hair, cream and pink silk suits with long leaf shaped sleeves, gilt trim and spangles, gold material cap, pink silk purse and light brown kid boots —10 1/2in. (26.5cm.) high (slight damage to clothes)
Eight small German post-war pin-jointed teddy bears, including a light brown synthetic teddy bear with orange and black plastic eyes, black stitched nose and mouth, remains of red felt tongue Berlin sash pinned across chest-- 5 1/2in.(14cm.) high, three golden art silk bears, a dark brown art silk and three others - from The Susan Collard Collection
An interesting pale bisque shoulder-head doll, with solid domes head, inset brown glass eyes, open/closed mouth with slight unpainted gap, ears pierced into head, brown mohair wig, gusseted kid body, light and dark brown striped two piece dress with floral blue ribbon trim and steel bead rosettes, recent black hat, underclothes and rare tan and brown kid heeled boots stamped ‘Chas S Childs, Fine Boots & Shoes, Holyoke, Mass’ —21 3/4in. (55cm.) high (restored shoulders and some damage to body) - with UFDC 1985 Region 2 Exhibit Third Place ribbon
A rare J P Seeburg (Chicago America) Coin in the Slot electric Nickleodean 1925-28, Style C, named ‘Xylophonium’, light oak wooden case, the base with two front opening doors, the top with a single central door and three leaded stained glass panels, volume control and on-off switch, containing a fifty-four note piano, mandolin and xylophone, working on 20p, keys and a further six boxed rolls, each having ten tunes —56in. (142cm.) high x 38 1/2in. (98cm.) wide x 25in. (64cm.) deep - for reference see ‘Encyclopedia of Automatic Musical Instruments’ by David Bowers - believed to have come from a Kentucky dance hall of ill repute!
An Edwardian graduated moonstone yellow metal set bracelet, length 14.5cm, and an Edwardian yellow metal foil backed moonstone pendant, length of chain 44cm, combined approx 13.9g.Condition Report: Please read the catalogue description stating the lengths.the pendant is foil backed. Moonstones are well matched. Some light surface scratches.
LIBERTY; a large 100% wool multicoloured floral scarf with blue fringed edging, 120 x 120cm, a Liberty beige, cream and light blue 100% silk scarf, 70 x 70cm, a Besarani silk and velvet blue scarf with multicoloured sheer panel and a Gianni Versace Paisley style velvet scarf with fringing (4).
BURBERRY; a beige gabardine short raincoat with a Nova Check cotton lining, light tortoiseshell front buttons, two front pockets, and collar, chest 47"Condition Report: This is a genuine men's coat. The coat is in a good condition, with no staining or snagging, and no repairs, with an intact lining and few signs of use.
BENNETT OF CHEAPSIDE, LONDON; an 18ct yellow gold key wind full hunter pocket, the outer case engraved with family crest and motto, the enamel dial signed 'chronometer', the enamel dial set with Roman numerals and subsidiary seconds dial, diameter 50mm, approx weight 112.3g.Condition Report: Light scratches and scuffs to the case, fine hairline to the dial, when wound the watch appears to run, although this is no guarantee of working order.
An early 20th century beaded Egyptian evening bag with hieroglyphics to edges and Pharaoh image to front and back, with tortoiseshell clasp and chain detail, 17 x 27cm, a turquoise beaded evening bag with ceramic ring handles, a vintage silver snakeskin evening bag, a small pink and white beaded bag, a gold chainmail coin bag, two Coty powder compacts, opera glasses and some collar studs in original beige calfskin box.Condition Report: The Egyptian bag has signs of use to one of the sides with a light blue staining across the middle are there is some damage to both edges, the tortoiseshell chain is unattached at one side and internally there is some damage to the silk, all other items are in good vintage condition.
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