Ephemera related to the Chin San Long 89th Anniversary Portfolio. Silk-bound portfolio cover and front pages. Also included is a gelatin silver print photograph in the manner of Chin San Long by C.T. Chang titled "Mama Coming!" depicting four birds on a branch.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Height: 20 in x width: 16 1/4 in.Condition: To the photograph there is a network of yellowed accretions throughout, mainly along the upper quarter. Several creases throughout. There are quite a few pen inscriptions along the verso. Light wear including some handling marks and light soiling to the portfolio pages. One of the flaps of the silk-bound portfolio cover has come detached but is included. Wear throughout including some wear along the edges, scratches, and missing areas of silk.
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534297 Los(e)/Seite
20th century Chinese jade carving depicting a cluster of bamboo with two small creatures touching snouts. With delicately pierced details.Height: 2 in x width: 3 in x depth: 3/4 in. Weight: 50.6 g.Condition: No major chips or cracks. Dirt and debris accrued in the recessed areas. Light wear throughout.
George Zee & Co., Hong Kong. Carved wooden garden barrel shaped stool. With a label affixed to the underside.Height: 18 1/4 in x diameter: 14 1/4 in.Condition: There is one small chip along the lower skirting. Some slight separation to the joints. Light wear to the underside of the feet. There are no deep scratches or major losses.
Kogyo Terazaki (Japanese, 1866-1919). Color woodblock print on paper titled "Barley at Sunrise," Depicting a orange sun rising over a field of grain, ca. 1890-1895. Stamped along the lower right.Sight; height: 9 1/4 in x width: 9 1/2 in. Framed; height: 12 1/2 in x width: 12 1/2 in x depth: 1/2 in.Condition: There are no visible tears, creases, losses, or restorations. A few small spots of foxing throughout. Extreme edges and verso not inspected. Not inspected out of frame. Framed under glass. Light wear to the frame.
Pair of antique Chinese porcelain dishes with a celadon crackle glaze.(Each) height: 1 1/2 in x diameter: 7 3/4 in.Condition: No major chips, cracks, losses, or restorations. Crazing to the glaze throughout, original to production. Light wear to the footrim. Areas of adhesive along the underside to both dishes.
Chinese Qing porcelain vase with a celadon glaze and incised floral decoration. With two applied mask-form handles. Drilled, marked underneath the hole.Height: 10 1/4 in x diameter: 5 in.Condition: The vase has been drilled. No chips or cracks. Some dust/dirt gathered along the interior. Light wear to the footrim
Japanese pottery kogo incense box in the form of an okina noh mask, Meiji period. Inscription along the base.Keywords: chanoyu, tea ceremony.Height: 1 3/4 in x width: 2 1/2 in x depth: 3 1/2 in.Condition: There are no major chips, cracks, losses, or restorations. There are several minute chips along the interior rim. Some light losses to the glaze throughout; one notable spot along the tip of the nose. Crazing to the glaze throughout. Light wear to the underside.
Possibly Fuji Oboshi (Japanese, 19th/20th c.) One fine Japanese watercolor and ink scroll painting. The painting features gilt accents and is painted with strong detail. Dated to 1922. Similar to works by the Kano School of painting.Huaxin; height: 48 in x width: 21 in. Scroll; height: 64 in x width: 26 1/4 in.Condition: There is a light discoloration to the painting. Some cracks and skimming to the sheet throughout. Undulation consistent with rolling. Light wear to the silk backing. Light wear to the verso of the scroll.
Pair of 20th century Chinese Yaozhou style porcelain vases with a celadon glaze. The sides decorated with carved depictions of young children amid profuse scrollwork. Both vases of Meiping form with a unique neck.Each, height: 7 1/2 in x diameter: 4 in.Condition: There are no major breaks, losses, or restorations. Some small imperfections to the upper rims. Light wear to the footrims. Crazing to the glaze of both vases.
Group of two 18th to 19th century Chinese porcelain plates. One blue and white plate with a Christie's label affixed to the verso reading "Lot 3658 The Nanking Cargo." The face of the plate decorated with blooming flowers. One plate painted with insects and butterflies along with fruits, vegetables, and flowers.(Blue) Height: 1 in x diameter: 9 in. (Floral) Height: 1 3/4 in x diameter: 10 in.Condition: There are no visible cracks or chips. There are areas where the coloration has faded, there are losses to the gilding along the top edge of the floral plate. There are minute firing flaws to the blue plate. There are losses and wear along the footrim of both plates, consistent with age and use. There are no signs of restoration under UV light.
One 20th c. Japanese scroll painting by Fuji Oboshi. Dated to 1922 using Japanese reign dates. Depicting two scholar's strolling through a forested landscape.Huaxin; height: 53 in x width: 16 in. Scroll; height: 80 in x width: 22 in.Condition: There are no major stains, cracks, chips, or losses. Some light discoloration to the silk backing. Light wear to the outside of the scroll.
Karatsu chawan or tea bowl decorated along the side with pine boughs against white clouds. Inspired by designs from Kyoto potter Ogata Kenzan (Japanese, 1663-1743). With a lacquer repair to the rim. With a wooden tomobako.Keywords: chanoyu, tea ceremony.(Bowl) height: 2 1/2 in x diameter: 5 1/4 in. (Box) height: 3 1/2 in x width: 6 in x depth: 6 in.Condition: There is a lacquer repair along the edge. There is a small chip along the edge. There are several cracks that go through the body along the sides and along the footrim/interior bottom of the bowl. Crazing to the glaze throughout. Light wear to the footrim. Light wear to the box.
Two pairs of small Chinese cloisonne vases, four total. All with a yellow ground and depicting dragons wrapping around, late 19th century.(Shorter pair, each) height: 4 in x diameter: 2 1/2 in. (Taller pair, each) height: 4 1/4 in x diameter: 2 3/4 in.Condition: All vases are in good condition with no bends, breaks, or losses. Some light tarnishing to the metal throughout, particularly along the interior of the vases. Sticker affixed to one of the smaller vases; residue, likely stickers, also affixed to the other three vases.
Group of two mid- to late-19th century Japanese cast-iron choshi sake kettles, Edo to Meiji period. One kettle with an applied brass handle and brass and copper lid, depicting a dotted arare pattern in relief along the body of the kettle. The second teapot with a lacquered wooden lid and a honeycomb design, similarly in relief, along the exterior.(Both) height: 6 in x width: 7 1/2 in depth: 5 1/2 in.Condition: Both kettles are in good condition with no major dents, losses, or repairs. Tarnishing to both kettles. There is tarnishing and a few accretions to the bronze lid and handle of one kettle. Losses and crazing to the lacquer of the other kettle. Light wear throughout.
Aoyama Seizan (Japanese, 20th century). Two woodblock prints depicting grazing horses. Each are signed in pencil below a red chop seal along the lower corners. Aoyama Seizan was active between 1920-1930 when he produced a series of horse prints for the Shima Art Company.(Left facing horse) Sight; height: 9 1/2 in x 13 1/4 in. Framed; height: 14 1/2 in x width: 18 in x depth: 1/2 in. (Right facing horse) Sight; height: 9 1/2 in x width: 13 3/4 in. Framed; height: 14 1/2 in x width: 18 in x depth: 1/2 in.Condition: No visible tears, creases, losses, or repairs to either print. The sheets are toned. They are both housed under acidic mats. Framed under glass. Light wear to the frames. Not inspected out of frames.
Group of ten Republic Period Chinese seals and a seal book of Fei Gongxing (Chinese, late 19th/20th century). The seal book is dated winter of 1933. A number of seals match the prints in the book. These seals were carved by the artist for his own use. The calligraphy and paintings within the book are colophons. The first inscription is signed Weiyan.(Seals) height ranges from 1/4 in to 1 7/8 in; width ranges from 3/8 in to 1 1/4 in; depth ranges from 3/8 in to 1 1/4 in. (Book) height: 7 1/2 in x width: 4 1/4 in x depth: 5/8 in.Condition: No evident missing pages. Wear to the cover including some holes and losses. One corner of one seal has been broken off and reattached. No other major losses or repairs to the seals. Light wear throughout all as expected with use.
Japanese ko-seto chaire tea caddy of maratsubo (round) form, Edo period ca. 18th to early 19th century. With a later fitted copper lid and a string cut base. With a tomobako wooden storage box.Keywords: chanoyu, tea ceremony.(Caddy) height: 4 in x diameter: 3 1/2 in. (Box) height: 4 1/4 in x width: 4 1/2 in x depth: 4 1/4 in.Condition: There are no major chips, cracks, losses, or repairs. Some light wear throughout. Light discoloration to the copper lid. No major dents or bend to the lid. Light wear to the box.
Edo to Meiji period Japanese striped and lacquered komo kogo, or spinning top incense box, 18th to early 19th century.Height: 1 1/4 in x diameter: 2 1/2 in.Condition: There are no major visible cracks or chips. There are several very minute fleabite chips throughout. Light wear to the footrim.
Group of two 19th century Japanese lacquered altar stands with gilt. Three small flowers carved along the front-facing edge of the small altar stand.(Small) Height: 3 in x width: 6 in x depth: 3 in. (Large) Height: 3 1/2 in x width: 10 1/2 in x depth: 4 in.Condition: There are minute cracks, chips, and losses throughout both items. There are no signs of restoration under UV light.
Small Chinese Republic famille rose porcelain jar with a lid. Painted with scenes of children playing in a garden. The underside with a six-character mark. The lid is damaged.Height: 3 3/4 in x diameter: 2 1/2 in.Condition: As noted in the catalog listing and the lot photos, the lid has been damaged into many pieces and glued back together. There is one small piece missing on the lid. There is very light wear to the body of the cup. No other chips, cracks, losses, or repairs.
Pair of Chinese Republic period famille rose porcelain vases depicting flowers and birds, ca. 1890-1914. There are bands of a turquoise, light blue, and pink floral scrollwork motif along the rim and footrim of each vase.Height: 9 1/4 in x diameter: 4 in.Condition: No major chips, cracks, losses, or restorations. Some light losses to the polychrome throughout. Light wear to the footrims. Light wear to the wooden stands.
Group of three Japanese lacquered wooden tansu, strong boxes, or campaign chests, 19th century. The largest has five drawers which alternate in size, the middle-sized chest has three drawers, and the smallest with a singular drawer.(Large) Height: 23 3/4 in x width: 8 in x depth: 9 3/4 in. (Medium) Height: 13 1/2 in x width: 8 1/4 in x depth: 12 in.Condition: There are minute cracks, chips, and losses throughout all items. The drawers all open and close smoothly. There are no signs of restoration under UV light.
Chinese jadeite vase with carved floral forms and broad clusters of verdant green inclusions running diagonally throughout the vase. With a wooden stand. Repairs to the lid.(Not including stand) Height: 7 1/4 in x width: 5 1/4 in x depth: 3 1/2 in. Weight: 1,255.9 g.Condition: There are several small losses to the edges of the leaves. Breaks all throughout the lid that have been repaired; the repairs are not fully stable and some of the repairs are somewhat loose. There is one major loss to a leaf along the lid; the detached leaf is included in the lot. Natural fissures throughout. Accretions to the base. Light wear to the wooden base.
Pair of Chinese Qing porcelain bowls decorated along the sides with a phoenix flying towards a rising sun and a dragon chasing a flaming pearl. Painted with a four-character mark along the underside.(Each) height: 2 in x diameter: 6 in.Condition: No major chips, cracks, losses, or restorations. One small chip to the footrim of one bowl. Losses to the gilt along the upper rim. Light wear to the footrim.
Pair of Vietnamese Minh Mang ten Lang (tael) silver sycee ingot bars, ca. early 19th century. Each marked along the sides.Each, height: 3/4 in x width: 1 1/4 in x depth: 4 1/2 in. Weight (one ingot): 367.8 grams. Weight (one ingot): 363.9 grams.Condition: No bends, breaks, losses, or repairs. Weight consistent with 10 Lang. Light wear and tarnishing throughout consistent with age and use.
Group of two 19th century Japanese Kyozukue lacquered wood altar stands with gilt and carved accents.(Small) Height: 3 1/2 in x width: 9 1/2 in x depth: 3 1/2 in. (Large) Height: 5 3/4 in x width: 10 in x depth: 4 1/2 in.Condition: There are minute cracks, chips, and losses throughout both items. The top panel of the smaller stand is not firmly secured to the lower panel. There are no signs of restoration under UV light. Light gilt loss throughout.
Utagawa Kunisada "Utagawa Toyokuni III" (Japanese, 1786-1865). Group of two 19th century Ukiyo-e woodblock print triptychs. One titled "The Beginning of Autumn" from the series "Genji Twelve Months" depicting the Bon Festival. One depicting a fight between three sword-wielding individuals in front of a waterfall.(Short) Sheet; height: 14 3/4 in x width: 29 3/4 in. Matted; height: 17 3/4 in x width: 32 1/2 in. (Long) Sheet; height: 14 3/4 in x width: 30 in. Matted; height: 18 in x width: 33 1/2 in.Condition: The woodblock prints have been affixed to the acidic cardboard backing with pieces of masking tape along the corners of each print. To the waterfall print there is a crease in the lower left corner of the left-most print. A few areas of soiling throughout: one horizontal streak, approx. 3.5 inches long, in the waterfall background above the female figure's head; a few spots along the lower margin of the central print. Several pinholes in the margins. Light wear to the edges. The versos of the prints have not been inspected. The edges have likely been trimmed. Housed under an acidic mat; not framed. "The Beginning of Autumn" print has some creases and wear to the corners where they are taped. Uneven toning and some light fading to the colors. Pinholes in the margins throughout. The sheets have been trimmed. The versos have not been inspected. Housed under an acidic mat; the work is not framed.
David Sanctuary Howard, "Chinese Armorial Porcelain," London: Faber and Faber Limited, 1974. Volume of 1,034 pages including descriptions, analyses, and images of Chinese armorial porcelain.Height: 11 in x width: 9 in x depth: 3 in.Condition: All 1,034 pages are present. The binding of the book is sturdy and intact. Light foxing along the outward-facing edge of the text block. Wear to the dust jacket, especially along the edges. There is a torn, missing portion along the lower left interior-facing flap of the dust jacket.
Chinese famille rose porcelain plate depicting a scholar and attendant in a garden, ca. late 19th - early 20th century.Diameter: 8 1/2 in.Condition: No apparent chips, cracks, losses, or restorations. Most of the gilding along the rim is lost. There is a spot of sticker residue along the face of the plate and along the underside. Some light wear to the footrim.
Japanese wooden cabinet with inlay portraying leaf-like forms and geometric marquetry throughout the surface, particularly along the doors of the cabinet, Meiji era. With incised fittings depicting foliate motifs. The doors swing open to reveal a series of six drawers, each with a unique marquetry design.Height: 12 in x width: 12 in x depth: 6 1/2 in.Condition: The two front doors are slightly loose. There are some missing or replaced nails throughout. Some loose decorative elements. One small drawer with a split along the interior bottom. The back of the cabinet with a split running horizontally through the center. Light wear throughout. The bottom skirt is not attached.
14k yellow gold and jade pendant comprised of a circle of white jade with hinged bale. In the center of the jade circle is a 14k yellow gold rat with a single cut diamond eye and yellow gold flowers set with five round rubies and two lapis and three turquoise cabochons. Marked 585 14k along the reverse.Diameter: 50.12 mm. Gross weight: 31.3 g.Condition: Hinged bale does not clasp firmly, very light wear throughout.
Chinese 20th century porcelain bowl. Decorated along the sides with women in boats. The underside with an apocryphal mark reading "Da Qing Jiaqing Nian Zhi (Great Qing Jiaqing period made)."Height: 3 1/4 in x diameter: 7 in.Condition: There are no visible cracks. There are minute chips and losses along the top rim. There faint losses to the gold gilt along the top rim, as expected from age and use. There is an area of discoloration approximately an inch long next to the top rim. The foot rim has wear, consistent with age and use. There are no signs of restoration under UV light.
Group of two Chinese carved jade belt hooks. One of a pale yellow-green coloration with floral decoration carved along the lower end of the hook. One of a pale green-white color with a smoothly carved body.(Floral Hook) Height: 3 in x width: 1/2 in x depth: 3/4 in. (Smooth hook) Height: 3 1/4 in x width: 3/4 in x depth: 3/4 in. Gross weight total: 55.6 g.Condition: No visible chips, cracks, or losses.There are natural lines visible, as expected. Along the natural lines there is discoloration. Light wear throughout. Calcification throughout.
Fine Chinese paktong qin form incense burner. With reticulated details along the lid. A two-character seal along underside.Height: 2 1/2 in x width: 2 1/2 in x depth: 7 1/2 in.Condition: No major scratches, dents, or losses. Some light tarnishing throughout. Possibly lacking one incense tool.
Chinese baitong pierced metal handwarmer, Qing dynasty. Landscape etched along the longer sides of the handwarmer, with animals and foliate motifs etched along the shorter sides. Honeycomb design pierced along the lid(Not including handle) Height: 4 1/4 in x width: 7 1/2 in x depth: 6 1/4 in. Weight: 1,142.0 g.Condition: Some tarnsihing and oxidization throughout, especially along the interior. Scratches along the underside of the handle. Some light scratches along the underside. Light wear where the lid meets the base. The handle moves well.
Style of Wang Bingrong (Chinese, 1820-1875). Pale lime green bisque glazed brush pot with a carved landscape. Stamped along the underside Wang Bingrong Zuo (Wang Bingrong Made). Wang Bingrong was a notable potter specializing in porcelain with carved decoration, almost like ivory carvings, active in the Tongzhi to Guangxu periods (1862-1908).Height: 5 1/2 in x diameter: 3 1/2 in.Condition: There are no visible cracks, losses, or chips. There are minute firing flaws throughout that are original to the item. The underside has wear, consistent with age and use. There are no signs of restoration under UV light.
Chinese Qing dynasty famille verte porcelain charger decorated with a central battle scene of warriors on horseback set on a white ground. Surrounding this central scene is an intricate diaper pattern with four cartouches featuring floral arrays. The underside is decorated with four floral sprays and is marked with a six character mark in a double circle in blue glaze.Height: 3 3/8 in x diameter: 18 3/8 in.Condition: There is light wear throughout the item, in particular along the footrim, as expected from age and use.There are no major chips, cracks, or losses.
Shapely Chinese porcelain brush pot with carved and lacquered wood stand, possibly Qing dynasty. With gilt rim and pigment depicting a mountainous village landscape along one side and a birds roosting among a cherry blossom tree along the verso. Painted mark along the underside, possibly reading "Qianlong Period Make."(Not including stand) Height: 4 3/4 in x width: 3 1/2 in x depth: 2 1/2 in.Condition: There are no major chips or cracks. There are losses to the gilt along the top rim. There is heavy wear to the footrim. There are no signs of restoration under UV light.
Chinese carved wooden pedestal stand surmounted by a flat square surface with carved geometric designs along the edges, resting on a square post and base.Height: 47 1/2 in x width: 19 3/4 in x depth: 19 3/4 in.Condition: No major losses, cracks, or restorations. The stand is structurally sound and stable. Some light separation to the joints throughout. Light wear to the corners. Dust gathered in the recessed areas. Light wear to the feet and underside.
Group of three Chinese porcelain ginger jars, 19th to 20th century. One jar is painted blue and depicts a lively dragon. One jar is glazed blue and white and depicts tree branches and flower blossoms. One famille verte jar depicting a landscape with figures rowing a boat along the sides.Height ranges from 4 in to 6 1/2 in; diameter ranges from 3 in to 5 1/4 in.Condition: Light wear to all ginger jars. There is crazing to the glaze along the interior of the largest lid. Some glazing flaws to the center of the body of the smallest jar. A few areas of sticker residue to the blue jar.
Hasui Kawase (Japanese, 1883-1957). Woodblock print titled "Nenoyama, Bushu" depicting a mountainous village along a small stream, 1941. Seal in plate along the lower right.Height: 15 1/2 in x width: 10 1/2 in.Condition: The colors are bold and bright. The sheet is lightly toned. There is a small crease along the lower right corner. There is a light crease along the upper right corner. Pinholes in the upper and lower right corners. There is a small tear in the lower center margin, the length of the margin. A few very light handling marks along the edges. The work is not framed.
Small Chinese turquoise vase carved in the form of a Guanyin waving a fan and swaying to her side amid flowers. Carved symbol along the underside.Height: 2 3/4 in x width: 2 1/4 in x depth: 1 1/2 in. Weight: 105.1 g.Condition: There is a horizontal fissure running throughout the center of the vase along the reverse. There is a loss to the flowers along the upper right and along the left, behind the fan. Some calcification and discoloration in the recessed areas. Light wear to the footrim.
Tsuchiya Koitsu (Japanese, 1870-1949). Shin-hanga color woodblock print titled "Horyu-ji Temple in Nara" depicting a towering temple on a rainy evening. Two figures walk with umbrellas in the foreground. Seal in print along the lower right.Sight; height: 15 in x width: 10 in. Framed; height: 20 3/4 in x width: 15 3/4 in x depth: 3/4 in.Condition: There are no tears, creases, or losses. Affixed to backboard. There is soiling across the matting, in particular along the lower extreme margin. There are no signs of restoration under UV light. Examined out of frame. Framed under glass. Wear to the frame.
Antique Chinese carved jade brush washer, Qing dynasty. The sides with two carved and pierced dragons chasing a pearl. Well carved from a jade pebble with russet inclusions along the backs of the dragons. With finely incised lines throughout and natural indentations along the base.Height: 1 1/2 in x width: 5 1/4 in x depth: 4 3/4 in. Weight: 264.5 g.Condition: No major chips, cracks, losses, or restorations. Natural fissures throughout. Some light debris gathered in the recessed areas of the work. Light wear along the interior and underside consistent with light use.
Set of five Japanese Kutani ware porcelain dishes, each depicting a man leading an ox through a landscape. With a pseudo-Chinese six-character Chenghua mark in underglaze blue along the underside.Each; diameter: 8 1/2 in.Condition: The dishes are in good condition overall with no major chips, cracks, or losses that affect the overall work. As expected from age and use, there are several areas where the gilt has faded and wear throughout. No visible chips to the rim. Light crazing to the glaze. Some plates have a few areas that lost glaze. A few areas with original firing flaws. One of the plates has a minute crack to the sky. No visible sign of restoration under UV light. All plates show a line of minute chips and wear to the footrim, consistent with age and use; adhesive residue to the underside.
Chinese carved jade paste box. Of round form carved from a white jade. With an incised mark along the underside, reading "Chengde Imperial Mountain Resort."Included in this auction is a box designed to hold this jade as well as a collection of 22 other lovely carved works also offered here.Provenance: Collection of Jerry O'Brien, Wichita, Kansas; thence by descent.Jerry O'Brien (February 6, 1902-June 2, 1951) was a business mogul and public figure in Wichita, Kansas throughout the first half of the 20th century. He began working at Wilcoxon-Searcy before founding his own joint venture, the Roberts-O'Brien Company, in 1930 at the age of 28. During World War II he manufactured airplane parts and, by 1941, had opened up a company in his own name, the Jerry O'Brien Company. Throughout the 1940s he manufactured car awnings under the name Weather Master Car Awning Company. During this time he also served on numerous public and private committees. He died suddenly of a heart attack at the age of 49 on June 2, 1951. During his life he collected these excellent jades and assembled them in the silk box offered in this sale.Reference:The Wichita Eagle: December 7, 1930, page 8; June 15, 1941, page 12; June 4, 1951, page 10; June 9, 1951, page 9.The Wichita Beacon: September 24, 1931, page 8; June 19, 1941, page 18; January 3, 1946, page 1; April 18, 1946, page 20; June 5, 1951, page 6.*Newspaper clippings not included with this lot*Height: 1 in x diameter: 2 1/4 in. Weight: 45.45 g.Condition: No major chips, cracks, or losses. Extremely light wear along the underside. Other jades and box pictured are not included and sold separately.
Group of four Chinese porcelain plaques depicting scholars and attendants in a garden, 1933. Similar to works by Dafan Wang.(Each) Sight; height: 13 3/4 in x width: 9 1/4 in. Framed; height: 15 in x width: 10 3/4 in x depth: 1 in.Condition: There are no visible chips, cracks, losses, or restorations to the plaques. Light wear along the edges of the surface were the frame meets the porcelain. Light accretions throughout. Wear to the wood including some wormholes, light separation, and splits to the backing as well as the frame. Light dust and debris gathered throughout. Verso not inspected.
Matsukawa Hanzan (Japanese, 1818-1882). Japanese woodblock print diptych depicting a crowd of people gathered outside of a gate. An illustration Matsukawa Hanzan created for the "Daifuku Setsuyo," an 1863 encyclopedia with maps, prints, and entries on Japanese culture. Inscribed in print along the upper left.Sight, each; height; 8 1/4 in x width: 5 3/4 in. Framed; height: 14 3/4 in x width: 18 3/4 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are few small holes, mostly along the edges. Some areas of discoloration, mainly along the lower corners. Framed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Large mid-20th century print after a calligraphic ink painting by Wu Changshuo (Chinese, 1844-1927). Printed by Rong Bao Zhai.Provenance: Purchased by current owner from Rong Bao Zhai.Sight; height: 14 1/4 in x width: 15 3/4 in. Framed; height: 22 1/2 in x width: 22 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Some texture to the paper natural to the material. Housed under acidic mats. Framed under glass. Light wear to the frame. Not inspected out of frame.
Carved Chinese lapis lazuli figure in the form of the drunken immortal Li Tie Guai reclining on his side. With a carved wooden stand.(Not including stand) height: 3 1/2 in x width: 5 1/2 in x depth: 1 3/4 in. Weight: 385.6 g.Condition: Natural fissures throughot. No major chips, cracks, losses, or restorations. Light wear along the underside. Some light dust gathered in the recessed areas of the work. Light wear to the stand.
Tibetan Dungkar Shanka ceremonial prayer conch shell trumpet with lapis cabachon and silver repousse dragon and human skulls, late 19th to early 20th century.Height: 8 in x width: 6 in x depth: 5 in.Condition: There are no breaks to the shell. Tarnishing to the metal components. One missing skull ornament. Light wear to the cabochon stone.
Small Japanese 19th century zushi shrine with black lacquer case, gilt interior, and a hand carved Buddhist figure within the case.Height: 3 1/4 in x width: 1 3/4 in x depth: 1 1/4 in.Condition: There are no visible cracks or chips. There are a few small losses along the ground area of the interior. There is dust along the recessed areas of the interior. The hinges on the doors are loose, in particular the left door. There are no signs of restoration under UV light.
Hasui Kawase (Japanese, 1883-1957). Woodblock print titled "Evening Moon at Itako" depicting a house at the water's edge with a low moon hanging over the dramatic nocturnal landscape. Seal in print along the lower left of the image.Sight; height: 15 1/2 in x width: 11 in. Framed; height: 22 in x width: 17 1/2 in x depth: 1/2 in.Condition: There are no visible tears, creases, losses, or restorations. The colors are bold and deep. The sheet is toned. There is acidic burn around the perimeter of the image inside the plate. A few small spots of foxing to the edges. Framed under a cloth-wrapped mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Group of two Japanese jindai keyaki chasaku tea scoops with inscribed wooden boxes, Edo to Meiji period. The inscription along the lid of the smaller box reads, "jindai keyaki tea scoop"; there is also a second inscription along the interior of the lid that reads, "the jindai keyaki (ancient zelkova tree) was excavated underwater downstream of the Tenjin river and is estimated to be about 300 years old." Further inscribed along the lid and along the interior surface of the lid.Keywords: chanoyu, tea ceremony(Smallest) Spoon; length: 7 1/2 in. Box; height: 8 1/2 x width: 1in x depth: 1 in. (Largest) Spoon; length: 7 1/2 in. Box; height 9 in x width: 1 3/4 in x depth: 1 3/4 in.Condition: Both spoons are in good condition with no cracks, chips, or losses. Light wear to the boxes.
Small Chinese carved jade tray or dish in the form of a plant. Carved of a pale green stone.Height: 1/4 in x width: 2 3/4 in x depth: 1 3/4 in. Weight: 35.9 g.Condition: There are no chips, cracks, or losses. There is a small orange-russet inclusion. Some dirt collected in the recessed areas of the jade. Light wear throughout. Please use the following link to view additional photos of this lot: https://www.dropbox.com/sh/7de4ih206uzqo96/AADrqBgT4BejVso1bHzAXTcGa?dl=0
Small Chinese ceramic incense burner of a waisted and bulbous form. With a delicate green glaze. The incense burner rests on a tripod of three unglazed feet.(Incense Burner) height: 2 1/4 in x diameter: 2 1/2 in. (Box) height: 3 1/4 in x width: 4 in x depth: 4 in.Condition: There are no cracks, chips, losses, or repairs. Very light wear. Light wear to the box.
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534297 Los(e)/Seite