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534325 Los(e)/Seite
Los 120
A Wheems robot puppet model from Matthew Robbins' sci-fi comedy batteries not included. Wheems, also known as "Little Guy", and his family of extraterrestrial, sentient spaceships returned to Earth to help the tenants of a destitute apartment complex. This puppet, created for the film by Industrial Light & Magic (ILM), is constructed of resin hand-painted with the signature patchwork of metallic gold, blue and copper. Several veteran ILM artists contributed to the design of the robots, including Ralph McQuarrie and Paul Huston. The piece is a mounted on a rod for puppeteering and exhibits minor signs of use and handling but remains in good overall condition. Dimensions: 4 1/4" x 4 3/4" x 5" (10.75 cm x 12 cm x 13 cm)Estimate: $6,000 - 8,000
Los 14
A framed hand-drawn Ron Cobb Nostromo cockpit concept sketch from the production of Ridley Scott's sci-fi horror film Alien. The crew of the Weyland-Yutani Corporation's USCSS Nostromo were awakened from hyper-sleep by a distress signal from a desolate moon.This sketch by concept artist Ron Cobb depicts the cockpit of the Nostromo in both a top and side view, and is rendered in watercolor, ink, and graphite on illustration paper. The sketch was used in the construction of the large-size Nostromo model. It is displayed inside of a black frame with a gray mat board. The sketch is in good overall condition with some signs of wear from use and age, including staining, creasing, corner damage, and light pencil outlines from earlier sketches. Dimensions: 25 1/2" x 24 1/2" x 1" (65 cm x 62.25 cm x 2.75 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $3,000 - 5,000 Δ
Los 140
Blade's (Wesley Snipes) short knife from David S. Goyer's superhero sequel Blade: Trinity. The half-vampire used an arsenal of different weapons, including his unique short knife, in his ongoing battle against the deadly Reapers.The knife is made of metal with a shiny silvertone finish and features a split, two-pronged blade, black rubber grip on the handle, and two small non-functioning prop buttons on the hilt. It is in excellent overall condition with minimal wear from production, including some light scratching to the metal finish. Dimensions: 14" x 2" x 2" (35.75 cm x 5 cm x 5 cm)Estimate: $2,000 - 3,000
Los 144
Rollergirl's (Heather Graham) sunglasses from Paul Thomas Anderson's dramatic film Boogie Nights. Rollergirl, a 1970s adult film actress, wore her sunglasses at a party as she took a Polaroid photo of the first-time fellow performer Reed Rothchild (John C. Reilly) as he was introduced to future star Eddie Adams (Mark Wahlberg). This pair of hingeless plastic sunglasses feature light yellow heart-shaped frames with a pair of heart-shaped details on the temples and have dark lenses. These glasses are in excellent overall condition with some minor wear from production. Dimensions: 6" x 5 3/4" x 1 3/4" (15.25 cm x 14.5 cm x 4.5 cm)Estimate: $3,000 - 5,000
Los 150
A Gil Gerard-signed light-up blaster from the sci-fi television series Buck Rogers in the 25th Century. Astronaut Buck Rogers (Gerard) wielded a variety of futuristic weapons throughout the series, including a long-barreled light-up blaster.This blue, gray, and black button-operated blaster is constructed of fiberglass with a 9-Volt battery pack concealed inside and an illuminating, clear urethane muzzle. The barrel is signed by Gerard in black ink. The battery glued to the interior is dead and the fiberglass exhibits significant wear, including cracks and chips throughout, but this blaster remains in fair overall condition. Dimensions: 25" x 3 1/2" x 10 1/2" (63.5 cm x 9 cm x 26.75 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $1,200 - 1,800
Los 158
Edmund Pevensie's (Skandar Keynes) armored costume from Andrew Adamson's adaptation of C.S. Lewis' fantasy novel The Chronicles of Narnia: Prince Caspian. Pevensie wore his armored costume after he returned to Narnia and joined Prince Caspian's (Ben Barnes) fight against the Telmarines.The costume consists of a long sleeve, blue velvet shirt with a subtle black pattern and silvertone metal buttons with medieval lion imagery, dark brown leather gauntlets, a light brown leather vest with dark brown hardened leather shoulder armor, tan moleskin pants, and brown suede lace-up boots. The costume includes seven "Prince Caspian" wardrobe tags filled out with information about the character, performer, and costume; and the individual costume components are each marked "Hero 1" or "Hero 2" for "Edmund." The lot is in excellent overall condition with minimal wear from production, including some scuffing to the boots and staining to the shirt.Estimate: $800 - 1,200 Δ
Los 159
Prince Caspian's (Ben Barnes) stunt sword from Andrew Adamson's 2008 fantasy film adaptation, The Chronicles of Narnia: Prince Caspian. Prince Caspian used his sword throughout the film in his quest to claim his rightful throne. The sword is made of a dense urethane blade that meets a rounded foil made from dense rubber. The grip features a simulated braid and meets a resin pommel in the shape of a fleur-de-lis. The guard and pommel feature markings etched into them and the entire sword has been painted to appear aged. Also included is a dense rubber scabbard painted dark green and dark metallic gray with molded details, light metallic silver-color piping, and a metal and brown leather belt loop. The sword and scabbard are in good overall condition with minor wear from production. Dimensions: 46" x 9" x 5" (117 cm x 23 cm x 12.5 cm)Estimate: $1,500 - 2,500 Δ
Los 164
A Joppa guard helmet from Desmond Davis' fantasy adventure film Clash of the Titans. The city guards wore their helmets while patrolling Joppa, the home of Queen Cassiopeia (Sian Phillips) and Princess Andromeda (Judi Bowker). Made from fiberglass, this bronzetone painted helmet features facial details with raised eyebrows, a nose, and floral designs above the ears next to a leather chinstrap. It features padding on the top and forehead of the interior and a red and light gray forward-facing decorative plume. Placed on a clear acrylic cylinder, it is mounted on a weighted black illuminating display base. This helmet is in good overall condition with aging and discoloration throughout from repainting, a small hole below the nose and significant aging on the interior padding. Dimensions: 25" x 17" x 8" (63.5 cm x 43.25 cm x 20.25 cm)Estimate: $3,000 - 5,000
Los 169
A hand-painted George Jenson landing site production illustration from Steven Spielberg's sci-fi film Close Encounters of the Third Kind. Roy Neary (Richard Dreyfuss) and Jillian Guiler (Melinda Dillon) secretly climbed Devils Tower to reach the UFO landing site.Rendered in mixed media on white illustration board, the illustration depicts Neary (named Norman Greenhouse at this point in production) and Guiler standing on a rocky cliffside looking down at the brightly lit landing site as colorful orange lights swirl amongst the clouds in the night sky overhead. It was painted specifically to visualize the elements of a visual effects shot and is labeled "Effect #3 Greenhouse & Jillian overlooking base - clouds move - escorted by lights". Above the illustration are three smaller pen and marker illustrations relating to the shot elements, each labeled and annotated. The piece is in excellent overall condition with minimal wear from use and age, including a bit of edgewear and a few light stains. Dimensions: 20" x 15" (51 cm x 38.25 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $4,000 - 6,000
Los 172
A set of hand-drawn George Jenson landing site visual effects storyboards from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. The humans and extraterrestrials finally made first officialcontact at the designated landing site on Devils Tower in Wyoming.The effects storyboards are rendered in mixed media including black ink and marker on three sheets of thick white illustration paper, with brief handwritten descriptions throughout, and rough edges from where the pages were torn out of a spiral bound drawing pad. The lot is in good overall condition with some signs of wear from use and age, including some light corner creasing and edgewear, as well as pinholes in the corners. Dimensions: 9 1/4" x 12" (23.5 cm x 30.5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,500 - 2,500
Los 173
A pair of hand-painted visual effects storyboards from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. Civilians gathered at the crescendo summit to watch UFOs fly by nightly.The two visual effects storyboards consist of mounted black-and-white printed photographs of model miniatures simulating the layout of the crescendo summit set, covered by clear plastic cels with hand-painted backgrounds of skies and distant fields, topped with black mat boards with openings that frame the whole scene in an aspect ratio of 2.35:1. The paintwork is possibly by production illustrator George Jensen. Handwritten notations can be found throughout both storyboards as well as a small blue sheet of paper taped to each with a crude ink drawing of the general layout of each shot. The two storyboards are in good overall condition with some wear from use and age, including denting to the corners as well as discoloration and light brown stains throughout each. Dimensions: (each) 15" x 10" (38.25 cm x 25.5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,500 - 2,500
Los 180
A Garthok creature maquette from the production of Steve Barron's sci-fi comedy Coneheads. After being accused of treason on his home planet of Remulak, Beldar Conehead (Dan Aykroyd) was sentenced to fight the ferocious Garthok. This lot comes from the collection of the film's stop-motion animator, Phil Tippett.Rendered in sculpting compound and mixed media over a wire skeleton, the maquette depicts the Garthok with its mouth open and one clawed hand raised. It is painted in shades of brown with a metallic coppertone collar, dark gray claws, a pink mouth, and cream-color tusks and teeth. It comes attached to a black wooden display base with a clear acrylic cover and silvertone vertical light with a white power cord. The lot is in excellent overall condition with minimal wear from age, including a bit of subtle cracking in the hardened painted exterior. Includes a letter of authenticity from Phil Tippett. Dimensions: 13" x 15" x 12 1/2" (33.5 cm x 38.5 cm x 32 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $4,000 - 6,000
Los 184
Jake Lonergan's (Daniel Craig) light-up hero bracelet from Jon Favreau's sci-fi western Cowboys & Aliens. Amnesiac cowboy Lonergan arrived in the town of Absolution wearing a metal bracelet he could not remove, and later discovered that it was an intergalactic weapon. This otherworldly hero bracelet consists of a resin body with light-up slats and a metallic finish, a metal hinge closure, black foam padding, and an exposed electronics panel with a light switch marked "ON" by production on the interior. This CR2025 battery powered bracelet operates by flipping the switch and pressing a button hidden on the reverse. The bracelet is in good overall condition with some of the detail pieces flaking off and scuffing to the paint throughout.Dimensions: 5" x 4 1/2" x 4" (12.75 cm x 11.5 cm x 10.25 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $5,000 - 7,000
Los 185
Captain Mike Davison's (Stan Ivar) distressed space helmet from William Malone's sci-fi horror film Creature. The crew of the space vessel Shenandoah found themselves hunted by a mysterious alien creature found on Saturn's largest moon, Titan. The crew wore numbered space helmets in several scenes. Davison, the captain, wore the helmet numbered one.The gray fiberglass helmet features a transparent plastic visor, a light blue "1" decal on the left and right sides, a hole for a breathing tube to attach to, a few small details such as label stickers and an adhered turn-dial, a black foam horizontal stripe adhered to the back, and some electronics inside, including a microphone. The helmet was intentionally distressed by production with scuffs and stains throughout. It is in good overall condition with some signs of wear from age including dust and grime adhering to the old stains, additional scuffs and scratches, and deterioration to the internal electronic elements. Dimensions: 15" x 12" x 11 1/2" (38.5 cm x 30.5 cm x 29.5)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $1,200 - 1,800
Los 192
The Tooth Fairy's (Antony Burrows) mask from Jonathan Liesbesman's horror fantasy Darkness Falls. After a fire left her sensitive to light, Matilda Dixon, known as the Tooth Fairy, wore a mask to protect her face, even as a spirit haunting the town of Darkness Falls. This mask, fabricated by Steve Wang Studio with updates from Stan Winston Studio, comes from an SFX makeup artist on the film. It is constructed of hand-painted and aged white plaster with fiberglass backing and an elastic strap. The mask is marked "2" and inscribed with a note of thanks from Stan Winston Puppeteers on back. It is in excellent overall condition with minor signs of wear from production. Dimensions: 9" x 6" x 4 1/2" (23 cm x 15.25 cm x 11.5 cm)Estimate: $2,000 - 3,000
Los 193
A touring Deadpool costume used in the promotion of Tim Miller's superhero film Deadpool. The costume is comprised of a full-face mask with interior padding above the eyes; a black cowl; a black jumpsuit; torso padding; a red and black jumpsuit featuring faux-leather shoulder panels; two stunt sabers featuring detachable components; black wrist cuffs; a pair of gloves; a brown woven belt with a plastic buckle and six attached pouches; an additional black belt with two holsters containing stunt pistols; a leg garter with two matching brown leather pouches; red faux-leather greaves, a black plastic leg holster containing an affixed stunt knife; and a pair of thick soled lace-up boots with red covers. The costume exhibits light wear, one part of the red leather boot covers has frayed at the front, causing it to become loose, and a shoulder strap component is missing.Estimate: $3,000 - 5,000
Los 205
An ILM visual effects clapperboard from the production of Renny Harlin's action sequel Die Hard 2. The clapperboard is made from acrylic with a wooden clapper. It features the film's title, space to write in the date, and a brief scene description near the bottom. The piece also includes the names of the Industrial Light & Magic (ILM) unit's director Mike McAlister and camera as Kim Marks. The clapperboard is not marked with a scene, but features McAlister's signature in blue ink as well as his titles of second unit director and VFX supervisor. The clapperboard shows minimal wear and remains in excellent overall condition.Dimensions: 9 1/2" x 11" x 1" (24 cm x 28 cm x 2 1/2 cm)Estimate: $2,500 - 3,500
Los 226
A light-up hero Chemrail rifle from Neill Blomkamp's sci-fi adventure Elysium. Security forces on Elysium carried standard-issue TST Chemrail rifles.Designed by Weta Workshop, this futuristic rifle consists of a hand-painted black and silvertone fiberglass body with orange, green, and yellow details, a metal ammunition magazine and metallic barrel, and "CHEMRAIL" and "For Asgari Use Only" engraved on the sides. It was built with several practical mechanisms, including an electronic recoil and CO2 gas-emitting mechanism, an illuminating scope screen and an additional light mounted to the prop's frame. This futuristic rifle is in good overall condition and exhibits various signs of use during production, including scuffed paint throughout. Dimensions: 39" x 11" x 3" (99 cm x 28 cm x 7.75 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $8,000 - 10,000
Los 234
Justin's (Jack Noseworthy) light-up spacesuit from Paul W.S. Anderson's sci-fi horror film Event Horizon. Justin wore his United States Aerospace Command spacesuit when he was sucked into a dimensional portal in the Event Horizon's core.This ornately detailed silvertone and green multi-fabric space costume was custom-made for the actor. It consists of a hand-painted and foam-padded thermoplastic helmet, an Atmostec backpack with a built-in cooling fan and a "Teddy Beer" bear sticker, a chest plate detailed with Justin's name and suit number 5, a thick padded gray camouflage jacket embroidered with multiple U.S.A.C. patches, matching trousers, a green and brown zip-up cotton bodysuit marked "J Noseworthy", a brown cotton undershirt marked for "Justin F.M.", a pair of leather gloves marked "Justin", a leather belt, a pair of heavy-duty leather boots with metallic details, and leg and arm webbing pieces. The helmet features several illuminating gauges, headlights on each side, and pulsing respiratory lights. A hidden switch illuminates the respiratory lights red for "urgent". The boots are also fitted with lights on their soles designed to illuminate green when the wearer touches the ground and red when lifted. This costume exhibits signs of use throughout, including stains, frayed fabric, and wear to the electronics, but it remains in good overall condition.Contains electronics; see electronics notice in the Buyer's GuideEstimate: $10,000 - 15,000
Los 240
Lee Christmas' (Jason Statham) tactical costume from Simon West's action sequel The Expendables 2. Christmas wore his signature costume throughout the film as the second-in-command of the Expendables, an elite team of mercenaries.This costume consists of a black wool Bancroft Military Caps beret (size 7 3/8) labeled "XMAS", a black nylon tactical vest with a hard plastic and metal chest holster, a black cotton and nylon blend Crye Precision tactical jacket marked "Jason" with gray rubber elbow pads, a pair of black cotton Tru-Spec cargo pants labeled "Jason Stratch" and "XMAS" with gray rubber knee pads, a pair of black cotton and nylon Blackhawk gloves labeled "XMAS Stunt", a pair of black leather Oakley combat boots (US size 12), a black and clear plastic and rubber headset, a black and silver-color resin stunt pistol, a black nylon shoulder strap, a black nylon tactical belt marked "XMAS" with matching leg-strapped throwing knife holsters, and six black steel throwing knives with rope grips labeled "The Expendables Kunai". The costume is in good overall condition with some signs of wear from production, including light staining and discoloration throughout.Restricted ownership; see replica firearm notice in the Buyer's GuideEstimate: $3,000 - 5,000
Los 241
Barney Ross' (Sylvester Stallone) tactical costume from Simon West's action sequel The Expendables 2. Ross wore his signature costume throughout the film as the leader of the Expendables, an elite team of mercenaries.This costume consists of a black wool Kingform Cap Co. beret (size 7 1/2) labeled "Barney" with an embroidered skull and raven Expendables patch, a black polyester mesh zip-up Blackhawk tactical vest (size 66) labeled "For Rigging", a matching pair of black cotton and nylon Blackhawk cargo pants (32W x 34L) labeled "Barney Hero" and "Barney", a black cotton American Apparel T-shirt (size L), and a pair of black leather combat boots marked for stunt double Asen Asenov, as well as a black leather belt with two matching leg holsters, a rear holster, a knife sheath, and a goldtone metal Expendables buckle, a black and clear plastic and rubber earpiece, a black nylon and cotton fingerless glove, a black leather and plastic thumb guard with metal skull-shaped studs, a black and silvertone resin stunt knife with an Expendables logo, and a pair of black and silvertone resin stunt pistols with Expendables logo stickers on each grip. The costume is in good overall condition with some signs of wear from production, including light staining and discoloration throughout.Restricted ownership; see replica firearm notice in the Buyer's GuideEstimate: $8,000 - 10,000
Los 258
A light-up animatronic Weebo (Jodi Benson)from Les Mayfield's sci-fi comedy remake Flubber. Professor Phillip Brainard (Robin Williams), an eccentric scientist, worked on experiments with the aid of his hovering robotic assistant and close friend, Weebo.This animatronic puppet features a distinctive yellow plastic shell, an illuminating retractable blue light "eye", two illuminating red and green light "eyes", an additional light on the lower front, four green circuit boards affixed to the side, a black ribbed rubber pipe with three metallic hover thrusters, mechanized wing-flaps, and a top flap where a video screen was digitally added in post-production. The complex and sophisticated animatronic puppet retains its original mechanisms, and a modern controller has been added to allow some of the functions to cycle, including movement of the screen, flaps, thrusters, and lens. Weebo is in good overall condition with both intentional weathering from production and other signs of wear from use and age, including paint scraps, glue residue, and some rust. Dimensions: 13" x 13" x 13" (33.5 cm x 33.5 cm x 33.5 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $8,000 - 10,000
Los 26
Pvt. Frost's (Ricco Ross) screen-matched helmet from James Cameron's sci-fi horror sequel Aliens. Pvt. Frost was amongst the Colonial Marines sent to LV-426 to investigate the loss of contact with the Hadley's Hope colony. This helmet screen-matches to the one Frost wears for the majority of the film.Built around a U.S. M1 military helmet, this helmet includes a cover in the custom USCM camo-print fabric made for the film, hand-painted neck armor plates fabricated by master Aliens armorer Terry English, a helmet camera, custom earpiece, a drop-down light-up eyesight (one light still functions), and a chinstrap. The name "FROST" is stenciled on the back, and a piece of tape inside the helmet has the name "FROST" handwritten on it. The helmet is in good overall condition with some wear from production and age, including scuffs to the pain and stains to the fabric cover. This is one of only a couple screen-matched, principal character Aliens helmets in private collections.Dimensions: 12" x 10" x 11" (30.5" x 25.5" x 28")Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $30,000 - 50,000
Los 27
A practical special effects Colonial Marine flamethrower unit from the production of James Cameron's sci-fi horror sequel Aliens. After Ripley (Sigourney Weaver) used one to flee the Nostromo in Ridley Scott's Alien, the flamethrower became one of the franchise's signature weapons. In Aliens, Colonial Marines Frost (Ricco Ross), Apone (Al Matthews), Dietrich (Cynthia Dale Scott), and Drake (Mark Rolston) all carried M240 incinerator units during the base and hive exploration scenes. Ripley also used a Pulse Rifle/flamethrower combination she constructed aboard Dropship 2, after being rescued by Bishop (Lance Henriksen).Working from designs by concept artist Ron Cobb, SFX supervisor John Richardson created several different versions of each weapon for production. This practical steel and aluminum alloy  flamethrower unit was constructed for close-up shots requiring a pilot light and assembled by special effects technician Nick Finlayson. Its design is loosely based on existing military hardware, consisting of two M16 rifles spliced together in opposite directions with a front section based on an M203 grenade launcher, a green polyester shoulder strap, a brass coupler affixed to the butt, and a Colt Patent Firearms logo embossed.To simulate full functionality, this unit emitted a steady pilot flame operated via a gas canister concealed in the frame and regulated with an on-off flow valve. It was used specifically for pilot light shots with the small flame. Since production, the weapon has been fully deactivated for safety reasons. The flamethrower is painted green with brown, black, and silvertone details, and exhibits nicks, stains, and chipped paint from production use and age. It remains in good overall condition. Dimensions: 32" x 21" x 6" (81.5 cm x 53.5 cm x 15.25 cm)Estimate: $30,000 - 50,000
Los 275
A hand-painted Vigo the Carpathian illustration from the production of Ivan Reitman's action-comedy sequel Ghostbusters 2. The spirit of the evil tyrant sorcerer was reanimated in a painting housed at the Manhattan Museum of Art.This visual effects concept illustration of Vigo emerging from the canvas is rendered in mixed media on board signed "2/7/88 SWAIN" by Industrial Light & Magic (ILM) concept artist Kathleen Swain and labeled "PAINT SURFACE BUBBLES ALONG EDGE AS VIGO EMERGES", "FF 10", and "ILM 89". It is in excellent overall condition with minor wear along the edges and a small stain to the board.Dimensions: 15" x 10" (38 cm x 25.5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,200 - 1,800
Los 276
A hand-painted Vigo the Carpathian illustration from the production of Ivan Reitman's action-comedy sequel Ghostbusters 2. The spirit of the evil tyrant sorcerer was reanimated in a painting housed at the Manhattan Museum of Art.This visual effects concept illustration of Vigo emerging from the canvas is rendered in mixed media on board signed "2/7/88 SWAIN" by Industrial Light & Magic (ILM) concept artist Kathleen Swain and labeled "ELECTRICAL ACTIVITY OCCURS ALONG EDGE AS VIGO EMERGES", "FF11", and"ILM 1989". It is in excellent overall condition with wear along the edges and minor signs of age.Dimensions: 15" x 10" (38 cm x 25.5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,200 - 1,800
Los 277
A pair of printed concept illustrations with hand-painted details from the production of Ivan Reitman's action-comedy sequel Ghostbusters 2. The Ghostbusters re-teamed to face off against the spirits haunting New York.These concept illustrations were rendered in mixed media by Industrial Light & Magic (ILM) concept artist Kathleen Swain, then photocopied and the copies affixed to poster board. From there, the colorful energy beams, ghostly Scoleri brothers, and other special lighting effects were carefully hand-painted onto the prints. One is hand-labeled "LIGHTNING EFFECTS ON TRANSPARENT FIGURES: TRANSPARENT HEADS AND ARMS" and dated "11/11/88". The pair is in excellent overall condition with minor signs of age and handling. Â Dimensions (largest): 20" x 15" (50.75 cm x 38 cm);(smallest): 17" x 11" (43.25 cm x 28 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $800 - 1,200
Los 281
A hand-painted museum in slime illustration from Ivan Reitman's action-comedy sequel Ghostbusters 2. Tyrant sorcerer Vigo coated the museum where his spirit hung in a painting in an evil supernatural slime.This visual effects concept illustration of the Ghostbusters and the Ecto-1 in front of a slime-covered museum is rendered in mixed media on board signed and dated "10/13/88" by Industrial Light & Magic (ILM) concept artist Kathleen Swain and labeled "Ghostbusters arrive at 'Slimed' museum" and "J5". It is in good overall condition with some wear and discoloration from age and use.Dimensions: 20" x 15" (50.75 cm x 38 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,500 - 2,500
Los 287
A pair of Scoleri Brothers maquettes from Ivan Reitman's action-comedy sequel Ghostbusters II. The ghoulish Scoleri Brothers ran amok in the courtroom before they were caught by the Ghostbusters. The larger of these ghastly maquette is made of biscuit foam painted pale purple and green, while the smaller is made of solid, unpainted brown resin. The brown maquette also features the name of Industrial Light & Magic (ILM) sculptor Mark Siegel and the date "10/88" engraved on the lower back. The lot exhibits minimal signs of wear and remains in good overall condition. Dimensions (largest): 4" x 6" x 6" (10 cm x 15 cm x 15 cm); (smallest): 4" x 3 1/2" x 6 1/4" (10.25 cm x 9 cm x 16 cm)Estimate: $2,500 - 3,500
Los 326
A hand-drawn Ray Harryhausen concept sketch from the production of Don Chaffey's fantasy adventure Jason and the Argonauts. The lot shows Jason (Todd Armstrong) wielding his sword against the Hydra, a mythical seven-headed serpent. Harryhausen drew inspiration from the tale of Hercules when creating the idea for the Hydra and has stated that this powerful image was the one that sold the movie project to the studio.Rendered in pencil on vellum paper, the artwork comes presented in a brown wooden frame and shows minimal wear, with light creasing down the right side. The final, key art version of this image features on pages 110-111 of The Art of Ray Harryhausen by Ray Harryhausen and Tony Dalton, and on page 166 of Ray Harryhausen An Animated Life by Ray Harryhausen and Tony Dalton. Both published by Aurum.Dimensions (framed): 21 3/4" x 28" x 2" (55 cm x 71 cm x 5 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $8,000 - 10,000
Los 383
A Casino Royale 1,000,000-dollar poker chip from Martin Campbell's spy film Casino Royale. James Bond (Daniel Craig), Le Chiffre (Mads Mikkelsen), and their fellow poker players used betting chips during the high-stakes game at the Casino Royale in Montenegro. The chip is made of blue pearlescent plastic with a translucent red and yellow center and "Casino Royale $1,000,000 Montenegro" printed on both sides in gold and black. It exhibits light scratching but remains in good overall condition. Dimensions: 4 1/2" x 3 1/4" x 1/4" (11.5 cm x 8 cm x 0.5 cm)Estimate: $1,000 - 1,500 Δ
Los 384
A Casino Royale 500,000-dollar poker chip from Martin Campbell's spy film Casino Royale. James Bond (Daniel Craig), Le Chiffre (Mads Mikkelsen), and their fellow poker players used betting chips during the high-stakes game at the Casino Royale in Montenegro. This chip is made of red pearlescent plastic with a translucent green center and "Casino Royale $500,000 Montenegro" printed on both sides in gold and black text. It exhibits light scratching but remains in good overall condition. Dimensions: 4 1/4" x 3" x 1/4" (10.5 cm x 7.5 cm x 0.5 cm)Estimate: $1,000 - 1,500 Δ
Los 409
A light-up Judge Hunter rifle from Danny Cannon's comic book adaptation Judge Dredd. When Judge Dredd (Sylvester Stallone) was framed for murder, Judge Hunters wielded their futuristic standard-issue rifles and were sent to bring him to justice. This rifle consists of a fiberglass body painted black with red plastic slits, a urethane sight, painted wood and particle board details, and tooled metal attachments along the barrel and near the trigger. An electronic battery pack controlling the lights embedded in the gun's viewfinder, body, and barrel is hidden under a metal panel on the left side. This rifle exhibits various signs of use, including small cracks to the body and scuffed paint throughout, and it remains in good overall condition. Dimensions: 45" x 16" x 7" (114.5 cm x 40.75 cm x 18 cm) Contains electronics; see electronics notice in the Buyer's GuideEstimate: $5,000 - 7,000
Los 430
A Dinosaur Input Device (D.I.D.) electronic raptor armature from the production of Steven Spielberg's sci-fi action-adventure Jurassic Park. Spielberg initially planned to achieve the film's dinosaurs through 'Go-Motion' animation, but new breakthroughs at ILM enabled a mid-production pivot to digital animation as the technique of choice.As computer animation software was very new, there were few animators at the time who could use it. The Dinosaur Input Device, or D.I.D., was therefore created to allow traditional stop-motion animators to produce computer animation without learning animation software programs. Developed by a joint team from Industrial Light & Magic, Tippett Studio, and Pixar, the D.I.D. was a groundbreaking device and essential to the film's revolutionary effects shots. Digital sensors on the device allow to function as an animation capture device while the physical piece is manipulated by hand. The armature is oversized due to the encoders built into it to track the motion; the larger armature was also easier to animate than a typical puppet. Of the 52 animated shots in Jurassic Park, 15 were animated with the D.I.D., including the T. Rex paddock sequence and the raptors in the kitchen sequence. This T. Rex D.I.D. features a custom-machined metal stop motion armature that is wired throughout with sensors and encoders, affixed with handle at the top, and mounted to a wooden display base painted black. The wiring is secured with zip-ties and leads to metal multi-pin connectors. Also included is an original computer that connected to the device's output cables and processed the encoding from the device. This armature is in good overall condition with minimal wear from production and age, including flaking paint and some disconnected wiring. This lot comes from Tippett, who along with Dennis Muren, Michael Lantieri, and Stan Winston received an Academy Award for Visual Effects for his work on the film. The D.I.D. contributed heavily to the award winning work and helped combine art and technology for a breakthrough in cinema effects. Includes a letter of authenticity from Phil Tippett. Dimensions: 34" x 10" x 15" (86.5 cm x 25.5 cm x 38.25 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $25,000 - 35,000
Los 450
A set of production paperwork with a hand-signed wrap party invitation from the productions of Peter Jackson's The Lord of the Rings trilogy. In addition to the invitation hand-signed by 14 employees and co-founders of the Weta Workshop, the lot features 119 pages of an incomplete script with schedules for The Two Towers, 26 pages of call sheets featuring the production code name "Jamboree", including one marked for Elijah Wood; four pre-production schedules, and a The Return of the King one-liner.The set remains in excellent overall condition with various creases, small tears, and light stains from age throughout. Dimensions (largest): 12 1/2" x 11" x 2 1/2" (31.75 cm x 28 cm x 7.75 cm); (smallest): 11 1/2" x 8" (29.25 cm x 20.5 cm)Estimate: $400 - 600
Los 460
Michael Dawson's (Harold Perrineau) light-up false suitcase bomb prop from the sci-fi television series Lost. In the episode "Meet Kevin Johnson" (408), The Others mailed Michael Dawson (Harold Perrineau) what he mistook for a suitcase bomb, but which was actually a message.This lot includes a charcoal-color suitcase with metal latches and a hard plastic shell containing six blocks of prop C-4, multiple tools including a flashlight and several wrenches, a fabric strip reading "NOT YET," and a metal prop detonation device with a button labeled "execute" connected with wires to tubes of prop chemicals. When compressed, the button illuminates.This suitcase bomb prop is in good overall condition with one of the C-4 blocks loose from its adhesive and various signs of wear throughout from production. Dimensions: 13" x 18" x 7" (33 cm x 45.75 cm x 18 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $2,000 - 3,000
Los 481
Skeletor's (Frank Langella) light-up goldtone gauntlets from Gary Goddard's fantasy adventure Masters of the Universe. After taking control of Castle Grayskull, Skeletor (Frank Langella) transformed into a god-like figure with goldtone armor. This pair of goldtone-painted, cast resin gauntlets with Velcro closures is mounted to a custom-made, velvet-lined wooden display base with goldtone mesh gloved hands. Each gauntlet features a pair of red lights and nine other bulbs designed to illuminate in sequence when a power plug concealed in the gauntlets is plugged in. The pair is in excellent overall condition with minor signs of wear from production, including paint chipping throughout and a non-functional bulb in one gauntlet. Dimensions (each): 22 1/2" x 12 1/2" x 11 1/2" (57.25 cm x 31.75 cm x 29.25 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $3,000 - 5,000
Los 487
A full-size standing dignitary alien puppet from the production of Barry Sonnenfeld's sci-fi comedy sequel Men in Black 3. Agent J (Will Smith) traveled back in time to 1969, where various alien emissaries visited MIB headquarters. This was one of many characters designed and produced by Academy Award®-winning alien make-up effects artist Rick Baker.This full-size, ornately detailed puppet is constructed with hand-painted foam latex skin molded around a metal, wood, and wire armature with two metal pipes for attaching eyeballs extruding from the eye sockets. Mounted with a metal support structure to a wooden base with handwritten notes from production, the puppet exhibits some stiffening and light wear throughout from age and exposure, but it remains in good overall condition. Dimensions: 36" x 36" x 70" (91.5 cm x 91.5 cm x 178 cm)Contains mechanical components; see notice in the Buyer's Guide Special shipping required; see notice in the Buyer's GuideEstimate: $4,000 - 6,000
Los 493
Miniature set pieces and crew ephemera from Stephen Sommers' action horror The Mummy. The lot includes six miniature set pieces, including five miniature statues and one miniature sphinx head, production pieces, photos, and a crew hat. Likely made as part of the production of the miniature Thebes and Hamunaptra sets, the pieces remain unpainted and vary in materials as some are made of resin, fiberglass and clay. Also included in the lot are a miniature fire bowl made of wood and resin, 18 mock-up hieroglyphic pieces made of clean resin, and 30 concept Egyptian pictures, 4 of which are printed on paper while the rest are on strips of fabric. A set of 21 behind-the-scenes photos of the miniature sets and a red Industrial LIght & Magic (ILM) VFX crew cap embroidered with the film's title and a beetle hieroglyphic complete the lot. Dimensions: (largest) 16" x 22 1/2" x 1/4" (41 cm x 57 cm x 1 cm); (smallest) 1" x 1/2" (2 1/2 cm x 1 cm)Estimate: $600 - 800
Los 495
Miniature set pieces and crew ephemera from the action-adventure sequel The Mummy Returns. The lot is comprised of various miniature statues, crew photos, and crew gifts. The miniatures consist of 13 resin trim structure pieces, three ceramic miniature statues, one ceramic miniature city monument, one resin unpainted statue, and two unpainted resin structure trim pieces. The ephemera consists of Industrial Light & Magic crew gifts, such as a pen, a notepad, and a photo of the ILM animation and VFX crew. Also included are 33 photographs of various miniature sets and crew members working on the sets. The lot shows some signs of wear from age, but it remains in very good overall condition. Dimensions: (largest) 6" x 4 1/2" x 5" (15 cm x 13 cm x 4 cm); (smallest) 8 3/4' x 12"Estimate: $400 - 600
Los 533
Trini Kwan's yellow power coin from Lionsgate's sci-fi action film Power Rangers (2017). After finding power coins inside the Cascadia Gold Mine, the new team developed advanced physical abilities and began training to become the Power Rangers.This coin is constructed of yellow resin with light gray detailing engravings in the shape of Kwan's dinosaur, a Sabertooth Tiger, in the center. It is intentionally distressed by production to look grimy and weathered, but remains in good overall condition. Dimensions: 2 1/2" x 2 1/2" x 1" (6.5 cm x 6.5 cm x 3 cm)Estimate: $400 - 600
Los 535
Zordon's light-up battle damaged red power suit from Lionsgate's sci-fi action film Power Rangers (2017). Zordon wore his signature red power suit as he struggled to hide the power coins from his betrayer, Rita Repulsa.This costume was designed and made by Weta Workshop specifically for the film. The dark red and gray armor consists of a foam-padded resin, plastic, and Spandex helmet with a tinted acrylic visor, a hooded Spandex zip-up morph suit, a Spandex zip-up body armor suit with attached resin armor and emblems, a pair of resin and dense urethane bracers, a pair of Spandex, urethane, and foam gloves marked "Red Prologue", a pair of resin, urethane, plastic, and rubber stunt greaves, and a pair of resin and urethane boots, all with Velcro fasteners. The body armor suit is wired with LED lights powered by a battery pack behind a chestplate with motion tracker decals that were used to add a swirling galaxy effect in post-production. The suit is in good overall condition with some wear from production, including some distressing to the morph suit and tearing to the armor flaps on both boots. The entire costume has been intentionally weathered with battle damage by production.Contains electronics; see electronics notice in the Buyer's GuideEstimate: $7,000 - 9,000
Los 542
A Pinhead stunt puppet from the traveling theatrical experience Charles Band's Horror Roadshow. Pinhead was amongst the many dangerous puppets brought to life by an Egyptian spell in Band's Puppet Master film series. He and several other puppets were featured in this roadshow, which included live performances and music. This Pinhead puppet is a soft foam stunt variant made for the roadshow. It features a molded resin head, wire armature, a unique bright orange fabric-blend turtleneck sweater, cotton-blend gray pants, and black acrylic-blend fingerless gloves. Hand and finger details, some facial details, and the black boots are painted on. Stage blood has been splattered across the front of the face, sweater, and pants. "Stunt #2" is written in yellow marker on the puppet's back (under the sweater). The puppet is in good overall condition with minor signs of wear from handling, including some paint flaking and light staining. Dimensions: 5" x 10" x 16" (12.75 cm x 25.5 cm x 40.75 cm)Estimate: $2,000 - 3,000
Los 572
A hero rollerball from Norman Jewison's sci-fi sports film Rollerball. Jonathan E. (James Caan) was the star athlete of a future sport called Rollerball, a fast-paced and violent competition centred around control of the single steel ball for which the game, and film, are named. This iconic, polished steel hero rollerball, the titular spherical object around which the film and fictional sport are based, comes from the personal collection of Rollerball stuntman Craig R. Baxley and includes a letter of authenticity from Baxley. It is in good overall condition with signs of wear and age, including discoloration and staining to its surface, various scratches, some minor dents, and a light rattling on the interior. Dimensions: 4 1/2" x 4 1/2" x 4 1/2" (11.5 cm x 11.5 cm x 11.5 cm)Estimate: $15,000 - 20,000
Los 583
Freeman Lowell's (Bruce Dern) hero costume from Douglas Trumbull's sci-fi drama Silent Running. Inside a series of geodesic domes on the Valley Forge spaceship, lonely botanist Lowell watched over the last plant life in the galaxy until he was to destroy it and return home.This light blue synthetic nylon zip-up Bogner jumpsuit has ribbed texture throughout and a white polyester lining. It features a pair of zip-up breast pockets and is affixed throughout with 23 patches. One arm features a Valley Forge crew patch, an American Flag patch, and an American Airlines patch. The remainder of the patches throughout the jumpsuit are a combination of specific mountains and general outdoor-themed including one for the Grand Canyon and one for Smokey The Bear. This is one of two Lowell costumes made for filming and is the primary costume worn throughout the film, the other was utilized specifically for the leg-surgery scene. This lot is in excellent overall condition with some wear from production, including some staining, pink discoloration on the interior lining of one leg and slight damage to one of the pocket zippers. From the collection of director Douglas Trumbull and includes a letter of authenticity from Trumbull.Estimate: $10,000 - 15,000
Los 585
A Daffy Duck costume from Six Flags Theme Parks. Performers populated the chain of North American theme parks dressed as various Warner Bros. cartoon characters including Daffy Duck, the sarcastic friend and occasional rival of Bugs Bunny. This costume consists of a black, heavily-padded full bodysuit with a zipper and Velcro straps in the back. Affixed with a label dated "10/93" in the interior, it features orange leg attachments and a tail feather section which is accentuated by a separate padded element meant to fit inside the costume behind the wearer. Also included are a pair of black padded gloves which connect to the bodysuit via a series of metal snaps, a pair of padded orange duck-like feet which connect to the bodysuit with a series of Velcro straps and a reinforced full-face black mask with an orange bill featuring mesh eyes and a mesh opening at the top of the head for ventilation.This costume is in excellent overall condition with minor signs of wear throughout, including light stains and some separation on the bill by the eyes on the mask.Estimate: $2,000 - 3,000
Los 586
Adam Gibson's (Arnold Schwarzenegger) light-up helicopter pilot wrist device from Roger Spottiswoode's sci-fi action film The 6th Day. Forcibly cloned pilot Gibson used his futuristic wrist device throughout the film until Robert Marshall (Michael Rooker) destroyed one of his helicopters.The foam-padded steel arm brace features a blue fiberglass shell, inside of which is an electronics pack wired to an illuminating control pad. The device is in fair overall condition with several components loose from age and distressed by production to look burned.Dimensions: 15" x 10" x 8" (38.25 cm x 25.5 cm x 20.5 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideEstimate: $1,500 - 2,500
Los 597
Sergeant Chen's (Louis Ozawa Changchien) costume and plasma rifle from Nic Mathieu's paranormal action film Spectral. Chen wore his costume and gun while on duty with Alpha Team. The costume consists of a tactical helmet made of black resin with a dark green mesh cover, futuristic metal and rubber accessories, including fold-down eye covers and a Velcro strap; a tan cotton-blend scarf with a black pattern and frayed tassels; a pair of metal dog tags on a metal chain necklace featuring Chen's name, blood type, and religious preference; a marbled-brown polyester and cotton blend military fatigue top with gray urethane elbow pads; matching polyester and cotton blend military fatigue cargo pants with gray urethane knee pads; a green nylon belt with a metal carabiner clip; a dark green paracord bracelet; a pair of black polyester and nylon fingerless gloves with urethane knuckle padding; and a pair of light brown suede combat boots. The pants, boots and one glove all feature "Chen" handwritten inside. Custom-built by the effects house WETA Workshop, the plasma rifle is made of urethane and resin painted dark weathered gray with black wires running throughout and a black nylon shoulder strap. The lot is in excellent overall condition with minimal wear from production. Dimensions (plasma rifle): 31" x 16 1/4" x 7 1/2" (78.75 cm x 41.5 cm x 19.25 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $1,200 - 1,800
Los 598
A light-up plasma rifle from Nic Mathieu's paranormal action film Spectral. Soldiers used plasma rifles as they battled against the spirits controlling Moldova. Custom-built by the effects house WETA Workshop, this rifle is made of dense urethane with metal and resin detailing. Finished in shades of black and gray, the rifle features a stout barrel and two illuminating plastic sights. Black wiring is strung throughout the piece, including wires from the sights to a battery pack to illuminate them.The rifle has a resin body with urethane detailing, such as the static buttons, switches and trigger. The rifle shows minor scuffs and signs of wear from production and age, but it remains in good overall condition. Dimensions: 31" x 19" x 19" (79 cm x 48 cm x 48 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $2,500 - 3,500
Los 599
Mark Clyne's (James Badge Dale) hyperspectral camera shell and lantern from Nic Mathieu's paranormal action film Spectral. Clyne brought a hyperspectral camera to Moldova to witness and film the hyperspectral anomalies on the battlefield, and later modified it to project a beam of light that would reveal them to safely move to the plaza extraction point. Custom-built by the effects house WETA Workshop, the camera shell and lantern are both made of dense urethane with metal and resin detailing, including static knobs and dials, and a clear glass lens at the front. Along the sides of the camera shell are warning labels, instructional labels, and the camera name and model. Though incomplete, the camera shell still features a flip-up screen component that reveals a blank display where the prop screen would be placed. The lantern also features a flip-up display that includes static knobs,buttons, and a blank screen. The camera shell features black wiring strung along the bottom, while the lantern includes cables strewn throughout with resin plugs attached to either side. Built-in electronic components allow for lighting effects during production. Both the camera shell and lantern are in good overall condition with minor wear from production, including scuffs and scratches throughout. Dimensions: (each) 35" x 14" x 15 1/2" (89 cm x 35 1/2 cm x 39 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $2,000 - 3,000
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