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Preisdatenbank abonnierenA Victorian gothic communion flagon, of baluster form on flared foot, the domed lid with beaded thumbpiece and scrolling handle, engraved on a band GLORIA IN EXCELSIS DEO, 28cm h, by Cox & Sons, London 1869, 17ozs ++Small old solder repair; general light wear to the engraving; the marks on the body rubbed
A pair of George III oval chambersticks and three other chambersticks, with vase shaped or waisted sconce and nozzle and reeded or beaded rims, the pair with conical extinguisher and engraved with the initial J, 10cm h, all London, by Elizabeth Jones, 1792, the others by Robert Jones, 1777 & 1779 or by Solomon Hougham, 1802, 42ozs Provenance: The initial is that of Captain John Jones of St Helens, Swansea. ++Oval examples - general light scratches and wear. One extinguisher lacking the finial, on one the handle re-attached. The three other examples all showing signs of wear. One of the R Jones chambersticks with large repair on the underside. The nozzle on the Howam example an early 19th c Birmingham replacement, the extinguisher a Sheffield Plate replacement. The extinguisher on the other R Jones example an unmarked contemporary replacement.
A George III oval bright cut cake basket, with pierced border and foot and reeded rims and swing handle, 28cm h, 38cm w, by Robert Hennell, London 1793, 26ozs 10dwts ++In excellent condition with one or two light dents and a few old but light scratches to the interior, insignificant slight split developing on the underside beneath one of the handles. No repairs the marks good
A pair of George III bright cut shell shaped butter dishes, on three whelk shell feet, engraved dragon crest and the initial B, 15cm l, by Henry Tudor and Thomas Leader, Sheffield 1786, 6ozs 10dwts ++Both in good condition, free from tears, splits, repairs with only a few light scratches consistent with light wear. A much above average pair, the engraving still crisp. On one the duty mark only slightly rubbed
A George I mug, on moulded foot, later engraved with the initial M, 11.5cm h, by Samuel Wasstell [Grimwade 3801], London 1725; a George III mug, of can shape with leaf capped handle, crested, 9cm h, by Thomas Whipham and Charles Wright, London 1760, 19ozs (2) ++The George III mug with several small tears descending from the rim. George I mug in good condition with a few light old scratches but no damage or repairs. The marks on both mugs very good
A set of six George III oval salts, on flared foot and with reeded rims, engraved with the initial J, 6cm h, by Henry Chawner, London 1791, 12ozs 10dwts Provenance: The initial is that of Captain John Jones of St Helens, Swansea. ++Two repaired (the foot rejoined to the body), another the foot slightly pushed in. General light wear but in overall acceptable condition, the marks practically as struck
A George III Fiddle pattern fish slice, pierced and engraved with a fish, maker I S, London 1808; another, with pierced navette blade and threaded haft, maker's mark rubbed, London 1792, the first 3ozs 10dwts (2) ++The first slice in good condition with light wear, the second with split and repair at the join to the handle
Barwise, London. A George III gold hunting cased duplex watch, the movement signed Barwise LONDON, No 5373 and with gold balance and diamond endstone, the enamelled dial numbered as the movement and with gold hands, in engraved case, case maker L C a device above, London 1811 ++Wanting the glass from the bezel and lacking the second hand, the movement apparently complete and in good condition although apparently not in going order. The case with light wear and superficial scratches consistent with the age
Shooting. An Edward VII silver slip-case, one end of the pillar shaped case formed as a 'jig' for withdrawing a spent cartridge from a gun, the interior containing ten numbered ivory slips, 5.5cm h, engraved Rd 451968, by J C Vickery, London 1905 ++A few very light scratches consistent with light use/occasional polishing but complete, no damage or restoration
Crime. Lord William Russell's snuff box, the French pressed burr maple box lined in gold and with chased thumbpiece, the lid mounted with a cabochon in a gold rosette, the underside stained, 8.5cm diam, early 19th c; with a broadside - THE TRIAL CONFESSION AND EXECUTION OF F.B. COURVOISIER for the MURDER OF LORD WILLIAM RUSSELL, woodcut illustrations [London:] Paul & Co, 7 Dials, 65 x 41cm [1840] framed; Bridges (Y) Two Studies in Crime, two copies, 1959; three other books on the Russell family (7) Literature: Bridges (Y), Two Studies in Crime, 1959, illus plt 2. Lord William Russell (1767-1840) was murdered by his 23 year old Swiss valet Francois Benjamin Courvoisier at his house, 14 Norfolk Street, Mayfair on the night of 6 May 1840. The motive was robbery. The victim was the uncle of the Duke of Bedford and also of Lord John Russell, Secretary of State for the Colonies and subsequently Prime Minister. Within hours of the discovery of the crime Prince Albert informed Queen Victoria of Russell's apparent suicide at which she was very shocked. Later the same day Lord John Russell informed the Queen in person of his uncle's murder. The present snuff box was discovered beneath the bloodstained pillow of Lord William's bed. The murderer was soon apprehended and hanged. A MACABRE MEMENTO OF ONE OF THE MOST NOTORIOUS MURDERS IN THE ANNALS OF 19TH CENTURY CRIMINOLOGY. ++In fine condition with a light straight line scratch on the lid
An Edward VII silver spherical scent bottle and cover, embossed with flowers and rocaille, 11cm h, by J H Wynn, Birmingham 1905; a silver-mounted glass square scent bottle in silver openwork stand, by S Blanckensee & Son Ltd, Birmingham 1925 (2) ++The first with some light localised wear on the relief decoration but in basically good condition. The second in good condition
A George II silver heart shaped nutmeg grater, the lid engraved with a flower, name PHEBE [sic] SOLOMON and 1736, the date altered to read '1696', the hinged base engraved with a tulip between the initials 'IL', the sides with two moulded bands, 2.4cm h; 4cm long (overall), marked on lid and base, maker's mark only, by Thomas Kendrick of London, c1736 Kendrick entered his only mark, as a Smallworker in October 1731. His shop was at "Water Lane, Fleet Street, over against ye Black Lion" (Grimwade 2822). ++Tiny old solder repaired split to the tip of the hinged base and typical light old scratches and shallow dents but an excellent example considering its early date and the thin gauge of metal employed in the construction
By and After Robert Dodd - No1 A British Squadron....; No 2 The British Squadron....; No 3 The Renewed Action by Night...; No 4 The Port and Settlement Tamatave, a set of four, aquatints printed in colour, 40 x 66cm (4) ++Somewhat faded and even light time staining but attractive and entirely unrestored in contemporary giltwood and composition cavetto frames
Richard Simkin (1840-1926) ROYAL HORSE ARTILLERY signed, pencil and watercolour heightened with white, 41.5 x 79cm ++Some light easily treated foxing, free from fading the colours strong and well preserved and a particularly good example of Simpkin's familiar military uniform studies featuring over 30 mounted soldiers. Undisturbed in the original gadrooned frame with on the reverse the label of T Stanley Johnson Hereford
F Lindsay, 1847 HERNE BAY signed and dated, signed again and indistinctly inscribed with the artist's address on a label on the frame, pencil and watercolour heightened with white, 34 x 60cm ++In good condition with some light vertical time stains, in the original ornate giltwood and composition frame with small losses through damp
Bernard Benedict Hemy (1844-1910) SUNSET OVER A BAY WITH SHIPPING signed, 49 x 74.5cm ++In a fine state of preservation entirely undisturbed beneath glass in the original frame. The canvas has not been repaired or relined. In need of a light clean, the frame in need of some cleaning/cosmetic conservation
Charles Thomas Bale (fl 1866-1890) STILL LIFE WITH PLUMS GRAPES A MELON AND OTHER FRUIT ON A GILT SALVER WITH A ROEMER AND STONEWARE FLAGON signed and dated 1888, 70 x 90cm ++Minor bruise extreme upper right causing the loss of one or two square mms of the paint surface in an unimportant part of the composition, the canvas has not been relined and is on the original stretchers in need of a light clean and retaining the gilt inner slip (only) of the original Victorian giltwood frame
English School, early 19th century PORTRAIT OF A LADY bust length, seated in a sprigged white gown, with inscription on the stretcher Mrs William Turner Coraber nee Jane Helen Castleman, 25 x 22cm; and a portrait of a young woman by a follower of Lawrence, bust length in a black dress before a red drapery (2) ++First portrait general light craquelure and some discolouration of the varnish but not relined and on the original stretchers, in contemporary giltwood and composition cavetto frame. The portrait by a follower of Laurence cleaned and relined, in 18th c style giltwood frame, in attractive 'gallery' condition.
William Arthur Waite (fl 1875-1896) HAYMAKING signed, 50 x 75cm ++Cleaned but apparently without any restoration although not verified under UV light. Some light overall craquelure which is not too marked. An attractively lit composition with an approaching storm in the background, the canvas not relined and in 18th c style giltwood and composition frame
George D Callow (fl 1858-1873) FIGURES ON THE SHORE AT SEAFORD signed and dated 1872, 29 x 54cm ++In fine condition, lightly cleaned with some light overall craquelure but in otherwise excellent original condition. Not relined and in what is presumably the original ornate giltwood and composition frame with small old repair to the moulding
John White, RI (1851-1933) THE GARDEN GATE signed, 45 x 39.5cm ++An attractive colourful and typical composition by an artist whose watercolours of such subjects are more frequently found. In fine condition, cleaned without restoration although not verified under UV light. No relined and on the original stretchers in what is likely to be the original ornate giltwood and composition frame which has been regilt with a bronzing paint
Robert Bridgehouse (fl 1844-1875) FISHERFOLK ON THE SHORE signed and dated 1879, board, 22 x 33.5cm ++Cleaned but without any restoration but not verified under UV light. An attractive bright composition in fine condition in what is presumed to be the original giltwood and composition cavetto frame
J Joyner (Exh 1825-1833) MOONLIT LANDSCAPE WITH A FIGURE ON A BRIDGE NEAR A CASTLE signed and dated 1832, with inscription on the stretcher "frame damaged Sept 15th 03", 39 x 54cm ++In finely preserved condition, the varnish slightly yellowed. Possibly revarnished once, the varnish with light craqueleur. On the original stretchers and in what is presumably the original ornate giltwood and composition frame
Alexander F Rolfe (1814-1875) TWO FISHERMEN NETTING SALMON NEAR AN OVERSHOT MILL IN THE HIGHLANDS signed and dated 1843, 47 x 65cm ++Small old patched hole near the summit of the mount, the odd minor light surface scratch, the varnish yellowed but the colours till quite bright. In otherwise entirely unrestored condition. In the original gilt slip frame.
Circle of Sebastian Pether AN ANGLER ON A LAKE SHORE IN A MOONLIT LANDSCAPE 25 x 30cm ++Some blistering of the paint surface in places and general light overall craqueleur, the varnish yellowed with time and in need of cleaning. No tears or holes, on the original stretchers and in the original ornate early Victorian giltwood and composition frame. The printed label of Cox & Painter Malvern on the reverse.
Attributed to Edmund Gill (1820-1894) EXTENSIVE LANDSCAPE WITH THREE FIGURES RESTING BY A LANE 34 x 44cm ++In good but dirty entirely original undisturbed condition with much accretion of grime and light overall craqueleur, no tears, holes or previous attempts at restoration. On the original stretchers and in what could be the original mid 19th c giltwood and composition frame
Attributed to Cornelis van Essen (fl c1690-c1710) SOLDIERS OUTSIDE AN INN; A HUNTING PARTY a pair, one signed C VAN ESSEN, the other with initials JVE (?), 28 x 33cm (2) ++Both relined probably in the later 19th or 20th c and with some accretion of old surface grime and light overall craqueleur. Some old restoration. In fine early-mid 19th c ornate giltwood and composition frames which are in good condition with small restorations
A pair of Charles II pewter miniature dishes, stamped with different initials to the rim, 10cm diam, maker HM, a vase(?) and star above; a George I salt; a broth bowl; two plates and a quart mug, early 18th/early 19th c (7) ++One of the pair of dishes split, the other pieces with some light scratches, wear or light oxidisation, severely so on the reverse of the plate
An early Victorian brass inlaid ebony veneered inkstand, with sunken wafer box flanked by a pair of cut glass inkwells, one retaining the conforming brass mounted cap, 32cm w For a very similar example stamped TURRIL 52 NEW BOND ST see the catalogue of the sale of Stamped and Marked Furniture and Works of Art, Christie's South Kensington, 24 October 2006, lot 173. ++The glass inkwells slightly chipped, the cover of the wafer compartment lacking the finial, some light polish residues but free from losses
A George III turned fruitwood tea caddy in the form of an apple, possibly of apple wood, with brass keyplate and hinge, 10cm h excluding stalk finial ++The lid slightly warped or mis-shapen and with numerous old light scratches and marks consistent with the age. Small hole in the base, no shrinkage cracks other than a minor old split in the front just above the keyplate. No restoration.
A Steiff felt elephant toy, with scarlet felt saddle cloth and black boot button eyes, on iron wheels, 19cm h, metal button to ear, c1905 ++In unusually finely preserved entirely original condition with a couple of small moth holes to the red saddle cloth, the creature's trunk a little vent, some old light surface rusting to the wheels but a good example
A set of George III steel and brass drawing instruments and a boxwood rule, comprising dividers, two pens and a holder in tapered fishskin covered wood case, 14cm h ++In fine original condition condition, the instruments with some light surface rusting of the steel parts, the case to accommodate two further small accessories now lacking. The fish skin covering in good condition and original
A George III mahogany bureau, the fitted interior with line inlaid straight and concave drawers beneath pigeon holes, the front fitted with four graduated drawers with brass handles, on bracket feet, 107cm h; 100 x 51cm ++The top and flap with numerous old but light scratches and signs of wear. The brass handles to the drawers and front early 20th c replacements but otherwise sound original condition
A dated pearlware jug, painted to either side with loose bouquets and gilt with the name J Lees 1836, the leaf moulded lip, rims and handle also gilt, 16.5cm h, 1836 ++Flat chip to the underside of the lip, some slight wear to the gilding on the sides of the handle, light crazing of the glaze, one or two minute spots of flaking from the flower painting which is so small as to be hardly noticeable, no restoration
A Sampson Smith earthenware flatback portrait figure of Daniel O'Connell, in a black and gilt jacket and white trousers standing beside a draped pillar on a green base with title in gilt script, 44cm h, c1875 ++Typical light crazing of the glaze but a good example free from damage or restoration
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![A George I mug, on moulded foot, later engraved with the initial M, 11.5cm h, by Samuel Wasstell [Grimwade 3801], London 172](http://lot-images.atgmedia.com/SR/10086/2731310/434-60-10086_468x382.jpg)
![A George II silver heart shaped nutmeg grater, the lid engraved with a flower, name PHEBE [sic] SOLOMON and 1736, the date a](http://lot-images.atgmedia.com/SR/10086/2731310/601-60-10086_468x382.jpg)
