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Preisdatenbank abonnierenCHINESE CARVED CELADON JADE BANGLE LIKELY REPUBLIC PERIOD with russet inclusion 8cm diameterThere is one crack that runs through/around the body and another hairline which surrounds a section which might have been off and reattached, flouresence visible, further light general wear, additional images available
CHINESE JADE AMULET 20TH CENTURY decorated with a dragon and flames, along with two other jade pieces in the form of a figure and an oval piece (3)the amulet 6cm highThe bi disc has very small nibbles to the inner edges, otherwise excellent condition. The Buddha is undamaged. The rectangular amulet has light surface scratches but overall excellent condition.
CHINESE SANG DE BOEUF GLAZED BALUSTER VASE LATE QING with slightly flared rim and neck, unmarked22.3cm highAdditional images available.There looks to be a very small area of repair or restoration to the upper rim. See image with finger indicating this tiny area. The vase also has light surface scratches to the body. Otherwise good condition.
LARGE CHINESE BLUE AND WHITE OVOID VASE with twin applied deer head handles, painted with Dragon Boat Festival scene (Duan Wu Jei, 端午节), further detailed to neck, shoulder and foot with floral devices, six character Guangxu mark to base24.5cm highLight fritting to rim, appears to have been damage and repair to the ears of one of the deer marks, surface dirt, glaze inclusions and imperfections, further light general wear, additional images available
CHINESE ARTICULATED JADE AMULET 20TH CENTURY along with two further jade amulets and a hardstone tablet bearing oracle bone script (4)the tablet 16cm x 8cmThe plaque with script has losses and nibbles to corners and sides, light surfaces scratches overall. The other three pieces are undamaged.
A modern Chinese famille rose style baluster vase lamp with animal figure handles to sides, decorated with pink and yellow floral and lotus style leaf and flower borders, centre panel with Chinese cock and hen pheasant perched on a peony, enclosed within blue floral and leaf reserves, mounted on hardwood stand, (h52cm excluding light fitting, d 18.5cm) no signs of damage or restoration
T Lang (Early 19th century): Portrait of a Lady with a Lace Bonnet and Collar, signed and dated 1842, 72cm x 61cmCondition Report:Reasonably tight canvas with fine craquelure and stretcher marks, would benefit from a clean. Shows some over-paint in the facial area and other scattered marks of touching-in under UV light. Original figured mahogany veneered frame
John C Gray (Scottish 1873-1958): Cattle Grazing, oil on canvas signed and dated 1915, 24cm x 34cm Notes: Gray, a Dundee artist, was born without arms and painted by holding a brush between his teeth and toes. Condition Report:Good condition, 2cm indentation to the canvas centre-right which has caused some surrounding craquelure. No signs of overpainting visible under UV light.
Alfred de Bréanski Snr. RBA (British 1852-1928): A Selkirk Valley, oil on canvas signed, titled verso 60cm x 90cmProvenance: private collection, purchased Christie's London 13th March 1992 Lot 110Condition Report:Very good condition in magnificent swept gilt frame - ready to hang. Relined, minor overpainting along the top edge visible under UV light.
English School (Early/Mid 20th century): The Hunt in Upland Country, oil on board unsigned, self portrait of the artist in front of a Railway Viaduct verso 44cm x 55cmCondition Report:Very good condition, behind glass, shows no sign of over-paint under UV light. Well presented, minor blemishes to frame otherwise ready to hang
James Arundel (British 1875-1960): 'Threshing - Lincolnshire', oil on panel signed, titled and dated 1939 verso 59cm x 69cmProvenance: exh. Wakefield City Art Gallery 'Seventeenth West Riding Artists Exhibition', labelled verso with artist's Bradford addressCondition Report:Good overall condition, stable paint. Shows very small sign (bottom right corner) of over-paint under UV light
James Elder Christie (Scottish 1847-1914): Robinson Crusoe, oil on canvas signed and dated '86, 55cm x 75cm Provenance: private collection; with Sotheby's Glasgow, 5th February 1986, Lot 136Condition Report:Reasonable overall condition - one approx 8mm area of paint loss to the left, extensive overpainting visible under UV light.
Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Pulling up the Cobles Runswick Yorkshire', oil on canvas laid on board signed, original title label verso 43cm x 67.5cm Notes: A study for the larger oil in the Pannett Gallery Whitby; interestingly, the Pannett's picture omits Lady Palmer's Cottage from the background, whereas the present picture includes it.Condition Report:Some light craquelure, no lifting or loss of paint. No signs of over-paint under UV light
Joseph Henderson RSW (Scottish 1832-1908): 'Cleaning the Nets' with a Rowing Boat on the Shore, oil on canvas signed, titled on the stretcher 70cm x 111cmCondition Report:Good condition apart from a 4cm area of concentric craquelure to the centre, and a 5mm indentation immediately to the left. One area of overpainting to the left-hand sky visible under UV light.
Owen Bowen (Staithes Group 1873-1967): Milking Time - Rijsoord Holland, oil on canvas signed and dated 1910, 34cm x 44cm Provenance: private collection, purchased Bonhams Leeds 25th March 2003 Lot 608Condition Report:Very good condition, well presented in quality gilt frame - ready to hang. Some overpainting to the sky visible under UV light, relined.
Henry Redmore (British 1820-1887): 'Harbour at Dusk', oil on canvas signed and dated 1872, 54cm x 99cm Provenance: private collection, purchased David Duggleby Ltd Scarborough 28th July 2003 Lot 270Condition Report:Very good condition, well presented - ready to hang. Minor overpainting visible under UV light.
Edwin John Ellis (British 1841-1895): 'An English Cottage Home in the Vale of Pickering - Yorkshire', watercolour signed and dated 1870, titled verso 29cm x 49cmCondition Report:Good condition and strong original colour. A few isolated fox marks, mat burn, and some light cockling to the paper.
Arnold Henry Mason RA (British 1885-1963): 'The Optimist' - Portrait of H A Thompson, oil on canvas signed 90cm x 70cmProvenance: exh. Royal Academy 1945, No.466. H A Thompson was Chairman of the London Civil Defence Welfare and a member of the London Toy Committee for Homeless Children. This was one of seven portraits Mason exhibited in the same 1945 exhibition Condition Report:Good overall condition, shows no signs of over-paint under UV light
William Ewart Lockhart RSA (Scottish 1846-1900): Portrait of Mary Polson (1832-1911), oil on canvas signed and indistinctly dated 126cm x 101cm Notes: Mary was the wife of John Polson, of Paisley and Castle Levan, who discovered and patented a method for producing corn flour, transforming the fortunes of his father's muslin manufacturing plant in Paisley. William Ewart Lockhart was a family friend of the Polsons, and painted John Polson's portrait in 1893. In 1887, the couple's daughter, Mary Alice Polson, married Archibald Corbett, then the Liberal Unionist MP for Glasgow Tradeston. The pair purchased the Rowallan Estate in Ayrshire in 1901, donating their previous home at Rouken Glen as a public park to the citizens of Glasgow. Upon his retirement from the House of Commons in 1911, Corbett was granted the Barony of Rowallan, becoming 1st Baron Rowallan. Mary was made an Honorary Burgess of Paisley at the Clark Halls and was presented with a parchment and casket by a Mr MacKean on behalf of the Town Council. She also contributed funds for the erection of a nurses' home, Paisley Infirmary, and Thomas Shanks Memorial Park in Johnstone, named after her brother, Colonel Thomas Shanks.Lockhart studied at the Royal Scottish Academy from the age of thirteen in 1860, and by 1861 he was submitting work to its Annual Exhibition. He exhibited annually at the RSA for the remainder of his life, with the exception of 1864 when he went to Australia to improve his health, and 1889/90, when completing a royal commission celebrating the 1887 Jubilee. Lockhart is most renowned for his commissioned portraits, though he also painted scenes of Spanish life following several visits to the country.Condition Report:Overall good condition, indentation with paint loss to the canvas around the subject's elbow, patch of craquelure on the subject's lap. No signs of overpainting visible under UV light.
Ferdinand Victor Léon Roybet (French 1840-1920): The Cavalier, oil on panel signed 76cm x 64cmProvenance: with Haynes Fine Art, Broadway, label verso; Sotheby's London 9th March 2006 Lot 158Condition Report:Very good condition, well presented in quality gilt frame - ready to hang. Very minor overpainting visible under UV light.
Thomas Rose Miles (British 1844-1916): 'The Hope of Whitby' rounding the Lighthouse Outward Bound, oil on canvas signed 101.5cm x 76cmProvenance: private collection; Christies 3rd June 1988, Lot 168Condition Report:Good overall condition, well presented, ready to hang. Re-lined, shows minimal signs of over-paint under UV light
Owen Bowen (Staithes Group 1873-1967): 'The First Primroses', oil on canvas signed and dated 1917, original title label with artist's East Keswick address verso 42cm x 52cmCondition Report:Good condition, well presented in quality gilt frame - ready to hang. One area of overpainting in the trees visible under UV light, minor paint loss along bottom edge.
Alfred Edward Borthwick (Scottish 1871-1955): 'After the Raid', oil on canvas unsigned 75cm x 124cm (unframed) Provenance: purchased by the vendor's father in Edinburgh, April 1990Condition Report:Overall very good condition, a few very minor indentations to the canvas. No signs of overpainting visible under UV light.
Owen Bowen (Staithes Group 1873-1967): Workers in Langwith Wood Quarry - Collingham, oil on canvas signed c.1915, 34cm x 50cm Notes: the quarry was a short distance from Bowen's home, but has recently been redeveloped as luxury housing.Condition Report:Very good condition, well presented in quality gilt frame - ready to hang. No signs of overpainting visible under UV light.
Henry Redmore (British 1820-1887): British Wreck being towed to the Coast by Dutch Fishing Barges, oil on canvas signed and dated 1866, 34cm x 62cmCondition Report:Good quality detailed paintwork. Some overall craquelure and stretcher lines. No lifting or loss of paint. No signs of over-paint under UV light. Original gilt frame in overall good condition
Henry Redmore (British 1820-1887): Fishing Boats and Wreck in Choppy Seas, oil on canvas signed and dated 1884, 35cm x 58cmCondition Report:Overall good condition, well presented and ready to hang. Relined, shows large areas in sky with over-paint but no obvious signs of repair under UV light
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