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534297 Los(e)/Seite
Los 475
SELECTION OF LIGHT FITTINGSincluding a five branch pendant light with part opaque glass shades on shaped arms, an Art Deco style wall light with a lozenge shaped opaque shade on a brass frame and a flower lamp with a central upright bulb surrounded by six yellow glass flower heads, on a ceramic base decorated with flowers (3)
Los 73
A unusual Pilkingtons Royal Lancastrian vase Of bulbous form with cylindrical neck, decorated with Art Nouveau and floral motifs, impressed factory marks and painters initials for William S Mycock to base, circa 1915, height 20cm NB: It is believed the shape of this piece is unrecorded CONDITION REPORT: Light crazing to body, professional restoration to part of inside top rim see photos
Los 18
A late-19th/early-20th century Dresden-style four-light porcelain Candelabra, the detachable upper section encrusted with flowers and above a tree with two figures seated in 18th century style dress, the woman with a bird perched upon her left hand, painted marks and blue painted AR mark to underside of base, 42.5cm high
Los 190
A ladies bimetal Rolex Oyster Perpetual Date wristwatch with baton markers and the date aperture at the 3 o'clock position, (boxed) CONDITION REPORT: There is no paperwork but there is a small plastic tag. The actual watch appears in reasonable order overall with no problems noted although inspected under a glass there are light surface scratches and the bi-metal bracelet has stretched a little. The hands appears to have oxidised slightly.
Los 206
A gentleman's bimetal Rolex GMT MASTER II, Oyster Perpetual Date (boxed but no paperwork), the 24-hour black and gold rotating bezel surrounding a black dial with baton markers and signed Rolex Oyster Perpetual Date, GMT MASTER II, superlative chronometer officially certified, the date aperture with 'bubble' glass at the 3 o'clock position, in good general overall condition with some light scratching to the strap and case etc., the watch on original Oyster bracelet
Los 259
Fifteen, mostly light infantry, cap badges mounted on a display board: the Suffolk Regiment (bimetal); the South Wales Borderers - Egypt (bimetal); the Duke of Cornwall's Light Infantry; the Hampshire Regiment (bimetal); the Essex Regiment (bimetal); the Durham Light Infantry; the Devonshire Regiment (bimetal); the King's Royal Rifle Corps - Celer et Audax; the Middlesex Regiment - Albuhera; the Somerset Light Infantry (Prince Albert's) - Jellalabad - PA; the Dorsetshire - Marabout; the Light Infantry; the Lincolnshire Regiment - Egypt; the King's Shropshire Light Infantry; the Northamptonshire Regiment - Gibraltar - Talavera (15)
Los 262
Fourteen Yorkshire and Lancastrian infantry cap badges mounted on a display board: Alexandra, the Princess of Wales's Own (Yorkshire Regiment); the King's Own Royal Regiment; the Manchester Regiment - post-1923 fleur-de-lys; the South Lancashire (Prince of Wales's Volunteers) - Egypt; the West Yorkshire Regiment (Prince of Wales's Own) (bimetal); the Loyal Regiment (North Lancashire) (bimetal); the York and Lancaster Regiment; the East Lancashire Regiment - Egypt; the East Yorkshire Regiment ; the King's Regiment (pre-1928 bimetal); the Manchester Regiment - Concilio et Labore (pre-1924); Duke of Wellington's West Riding Regiment; the Lancashire Fusiliers - Egypt; the King's Own Yorkshire Light Infantry
Los 267
Six London regimental cap badges (some rare) and a group of eight Light Infantry badges: the City of London Yeomanry Rough Riders - South Africa 1900 - 1902, the 10th London Regiment (Hackney), the 23rd Battalion the London Regiment, the Royal London Fusiliers, the Artists Rifles, the City of London Volunteers- Scottish Company; the light infantry badges include a sterling silver King's Shropshire Light Infantry sweetheart brooch, the Herefordshire Light Infantry, the Highland Light Infantry, Oxfordshire & Buckinghamshire Light Infantry and the King's Own Yorkshire Light Infantry (14)
Los 380
John James Chalon RA (1778-1854), a gilt-framed and glazed Oil on Canvas 'Rochester', light paint surface cracking and lined, 36cm x 49cm CONDITION REPORT: No signature can be seen on this. This was previously in the hands of mailbox and was damaged, there are a couple of minor pieces of paint away.
Los 481
George Bullock, a very fine circular pollard oak and brass-inlaid tilt-top Centre Table; the top with an inlaid brass border of various flowers and leaves etc., above a tapering triangular stem similarly inlaid with flower heads as foliate-style motifs leading down to a gadrooned triform concave platform base terminating in foliate carved scrolling feet with bulbous reeded terminals with recessed brass castors, (with later glass top), 142cm diameter CONDITION REPORT: It is apparent on the circular top that the two halves of the table are starting to part in a minor way due to shrinkage across the grain. Some of the brass inlay around the border of the top is discolouring and most pieces appear to be affected. There is also light scratching and some “open grain”. Also a slight bubbling up in places of the surface. When the top is tilted the underside appears to be in generally good original order with no evidence of the brass spring pull lock having been moved or the brass recesses on the main square block below. There is some scratching and scuffing prevalent to the underside of the border at the edge of the round table top. At the base it appears to be generally in good honest order with all of the brass inlay apparent although some discolouration etc., and as expected there is minor dings, scuffs and scratches predominantly to the extremities of the scrolling feet. The waisted triangular pedestal moulding on the outside of the triangular shape can be seen to be parting very slightly through shrinkage etc. The table appears in good general order overall.
Los 489
A late 19th century adjustable oak Chair in Arts and Crafts style CONDITION REPORT: The horizontal backrests are a little loose but no major problems. It has scuffs and scratches etc., commensurate with age. Remnants of old paint work where it has been splattered. The left front castor has been replaced with a metal stop. The hinges look original where the backrest is adjustable although one of the pegs is now missing. The oak has darkened considerably in places and there is also light patches commensurate with age. No major problems.
Los 13
A Moorcroft flambé glazed vase, 1930s, of inverted baluster form, decorated in the Leaves and Fruit pattern on a graduated flambé glazed ground, impressed 'W. Moorcroft' script signature and 'Potter to H. M. The Queen' in blue, impressed 'Made in England', painted signature, 9½in. (24.2cm.) high.* Condition: In very good condition with just very light crazing to glaze. No chips, cracks or other damage.
Los 14
A large Moorcroft Orchid vase, 1930s, the globular form vase with short, slightly flared foot and roll rim, decorated with two types of orchids and other smaller flowers behind against a dark blue ground, impressed 'Moorcroft' script signature and 'Potter to H. M. The Queen' in blue, painted signature and impressed 'Made in England', 12¼in. (31cm.) high.* Condition: Very good condition with no chips, cracks or other damage. A few minor glaze scratches to body and light crazing to glaze to body.
Los 154
A superb Robert ( Mouseman ) Thompson adzed oak refectory dining table and eight matching chairs, the rectangular adzed oak four-plank dining table with octagonal shaped supports joined by a floor stretcher, trademark carved mouse signature to one support, 84 x 34½in. (213 x 88cm.), 28½in. (73cm.) high; the matching chairs with panelled backs above brown leather upholstered seats and brass stud edges, the conforming legs joined by peripheral stretchers, including two carvers with carved mouse signature to left front legs; and six dining chairs, four with carved mouse signature to right front legs and two with carved mouse signature to left front legs. (9)* Originally purchased by the current owner in 1986.** Condition: In very good condition overall, with good subtle patina. Two chairs with very light & tiny marks to leather, very light rubbing to chair stretchers from use (you need to look closely).
Los 16
A large William Moorcroft for James Macintyre & Co. Florian Ware vase, c.1902, of bulbous ovoid form, with capstan form neck and folded rim, decorated in tones of blue with stylised reserves of anemones divided by fleur-de-lys on a dark blue ground, the shoulder with a band of large leaves, printed factory mark and green painted 'W. Moorcroft des.' signature, 8¼in. (21cm.) high.* Condition: Very good condition overall. Minute pin prick sized glaze frit to edge of base. No other faults. Unusual light glaze crazing throughout.
Los 17
A Moorcroft flambé glazed vase, 1930s, of inverted baluster form, decorated in the Leaves and Fruit pattern on a graduated flambé glazed ground with distinctive dripped streaking to the glaze, impressed 'W. Moorcroft' script signature and 'Potter to H. M. The Queen' in blue, impressed 'Made in England' and paper label, no painted signature, 9¼in. (23.5cm.) high.* Condition: In very good condition with just very light crazing to glaze. No chips, cracks or other damage.
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534297 Los(e)/Seite