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A William IV 1796 Pattern Light Calvary Officer's sword, the single edge curved steel blade engraved and gilt decorated with a royal crown and cipher, floral and foliate sprays, and symbols of war, traces of blueing, steel stirrup hilt with shield shaped langets and wire bound fish skin grip, blade 83cm long.
A silver and enamel cased miniature travel clock marked 935 the arched case with light blue guilloche enamel panelled front and sides with black border, conforming gilt dial inscribed Henry Captain Genève, push button to the side for the quarter repeat action, the rear cover hinges down to reveal enclosed Swiss movement, the whole raised on ball feet Height: 70mm, width: 53mm
A suite of Victorian Scottish candelabra Hamilton & Inches, Edinburgh 1898, comprising two three light candelabra and two table candlesticks (the candelabra converting to match table candlesticks), the multi knopped stems with beaded and fluted detail and plain socket, the pull out sconces of shaped outline with fluted design, the whole raised on a semi-spiralled fluted domed section and stepped and gadrooned base, the candelabra arms of naturalistic form with central light and twin arms Height of candlesticks: 27cm, candelabra 45cm, width of branches: 28.5cm
Garnet cluster ring, set in unmarked white metal, size J; also a pear cut light yellow coloured stone pendant, set with a silver loop mount on a chain necklace; Italian millefiori glass pendant, 40mm diameter, suspended from a 9ct gold chain necklace, weight approx. 4.9g; Ciro simulated pearl necklace with silver clasp; decorative base metal and coloured glass clip; and a pressed metal peacock brooch (6)
'The Log from the Sea of Cortez', John Steinbeck and E F Ricketts, The Viking Press, 1951, first American edition, 'Child of Light: A Reassessment of Mary Wollstonecraft Shelley', Muriel Spark, Haleigh, Essex, 1951, first edition, 'The Screaming Mimi', Fredric Brown, New York, 1949, 'T. H. Huxley's Diary of the Voyage of H.M.S. Rattlesnake, Edited from the Unpublished MS', T H Huxley, 1935, 'An Impossible Woman: The Memories of Dottoressa Moor', edited and with an epilogue by Graham Greene, 1975, first edition (5).
A small group of loose vintage 1970/80s Star Wars figures to include Bosch The Bounty Hunter, a Gamorrean Guard, Obi Wan Kenobi with drawn light sabre, Darth Vader with drawn light sabre, the Rankor Keeper, Chewbacca, Emperors Royal Guard, Stormtrooper in Hoth outfit, NiemNem Yoda, At-At Pilot, a Tie Fighter pilot, Ewok Wicket, R2D2, Luke Skywalker in Return of the Jedi costume, Princess Lei in white outfit, C3PO etc.
Action Man Scorpion Tank (with tracks, barrel intact), Scout Car (with Browning MG but damaged), Helicopter (incomplete), 105mm light gun (incomplete), 3x flock-headed gripping hands Action Man figures. Marx "Vatour" armoured horse (leg broken), plus a large quantity of uniform, boots, parachute, mortar, radio and guns. 1x flock headed Action Man with rigid hands (quantity). All have been played with
Vintage style collectors' bears: Handmade ABC bears/Pam Adams weighted and jointed black bear, 34cm. Thread-Bears of England 'Gordon' gold mohair growling bear, 60cm. Replica vintage bear, light brown mohair, 56cm. ABC/Pam Adams 'Ted' light gold bear, 21cm. Pink Heidi Steiner limited run bear, 25cm. Plus Chad Valley pressed felt doll, toy camel, rabbit and cat (9)
Rutherfords Fine Old Malmsey 2 bts Old Trinity House Bual 1 bt Good Company Rainwater Madeira Cossart Gordon 1 bt Good Company Masey Madeira Cossart Gordon 1 bt Blandys Duke of Cambridge Medium dry Verdelho Madeira 2 bts Vino da Madeira Tipo Malvazia 1 bt Belem's Madeira Wine Light Rainwater 1 bt Leacocks St John Reserve Malmsey Madeira 2 bts Blandys Duke of Cumberland Medium Rich Bual 1 bt Above 12 bts From a South Surrey Humidity and temperature controlled cellar
A 'HAPPY AMORE' PENDANT NECKLACE, BY CHOPARDThe articulated heart-shaped pendant framed by brilliant-cut diamonds, containing a glazed compartment with a collet-set 'floating' diamond, suspending from a double belcher-link chain, mounted in 18K gold, signed Chopard & LUC, numbered, pendant length (including bale): 3.7cmAccompanied with its certificate of authenticityChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.
A PAIR OF 'HAPPY AMORE' PENDENT EARRINGS, BY CHOPARDEach of heart design, with a central glazed compartment revealing a brilliant-cut 'floating' diamond, suspending an articulated heart-shaped drop, mounted in 18K gold, signed Chopard & 'LUC', numbered, length 2cmAccompanied with their certificate of origin from Chopard, with corresponding serial numbersChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.
A 'HAPPY DIAMOND' RING, BY CHOPARDThe glazed heart-shaped compartment revealing three collet-set 'floating' diamonds, between bifurcated shoulders, mounted in 18K gold, signed Chopard & LUC, numbered, ring size LAccompanied with its certificate of authenticityChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.
A 'HAPPY DIAMOND' PENDANT ON CHAIN, BY CHOPARDThe heart-shaped glazed compartment pendant, revealing five collet-set 'floating' diamonds, suspending from a trace-link chain, mounted in 18K gold, signed Chopard, numbered, French assay mark, length 42cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.
A PAIR OF 'HAPPY DIAMOND' EARRINGS, BY CHOPARDEach glazed heart-shaped compartment with three collet-set 'floating' diamonds, suspending from a gold polished hoop, mounted in 18K gold, signed Chopard & 'LUC', numbered, length 3cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

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