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Los 301

Philately. Post decimalisation mint commemorative stamps, most in presentation packs, together with some traffic light commemoratives, George V and later used stamps and sundries. (qty)

Los 185

A set of four light oak single dining chairs, with dark brown leather backs and over stuffed seats, raised on tapering square legs.

Los 98

A Danish light teak chest of drawers, c1960's with six drawers, raised on tapering square legs, bears label verso for Parker Furnishings, Australia, 113cm H, 76.5cm W, 45.5cm D.

Los 7

A William IV 1796 Pattern Light Calvary Officer's sword, the single edge curved steel blade engraved and gilt decorated with a royal crown and cipher, floral and foliate sprays, and symbols of war, traces of blueing, steel stirrup hilt with shield shaped langets and wire bound fish skin grip, blade 83cm long.

Los 368

An Ercol light elm slat back two seater sofa, with bright floral upholstered sprung base and cushions, 196cm x 110cm, together with a matching armchair.

Los 370

A silver and enamel cased miniature travel clock marked 935 the arched case with light blue guilloche enamel panelled front and sides with black border, conforming gilt dial inscribed Henry Captain Genève, push button to the side for the quarter repeat action, the rear cover hinges down to reveal enclosed Swiss movement, the whole raised on ball feet Height: 70mm, width: 53mm

Los 484

A suite of Victorian Scottish candelabra Hamilton & Inches, Edinburgh 1898, comprising two three light candelabra and two table candlesticks (the candelabra converting to match table candlesticks), the multi knopped stems with beaded and fluted detail and plain socket, the pull out sconces of shaped outline with fluted design, the whole raised on a semi-spiralled fluted domed section and stepped and gadrooned base, the candelabra arms of naturalistic form with central light and twin arms Height of candlesticks: 27cm, candelabra 45cm, width of branches: 28.5cm

Los 408

A pair of four light table candelabrum Brook and Sons, Sheffield 1931, the stems of tapering octagonal form, plain branches, plain circular bases, engraved initial W Overall height: 50cm, weight of the two branches ONLY: 64oz

Los 2477

Ten 18thC halfpenny /trade Conder type tokens, includes Cronebane Irish Miners, Snowhill London 'Golden Legs, Boots and Shoes' 1795, Lancaster, Kelly's Light Harness Co., etc

Los 2891

George III 1787 sixpence VF-NEF without hearts, with light scratches to neck, blue tone

Los 749

A pair of bronze and ormolu five-light candelabra,the stylised foliate arms supported by putti with wreaths in their hair, standing on naturalistic circular bases, on a fluted column adorned with ormolu bows and foliate swags, on square bases supported on scroll feet,66cm high (2)

Los 705

A large contemporary twenty-eight light iron electrolier,each light fitted with a small linen shade,160cm diameter100cm high

Los 865

A Victorian light oak bench seat, on turned and faceted legs,184cm wide38cm deep50cm high

Los 803

A pair of polished bronze four-light candelabra,late 19th century, each with a feathered finial over acanthus leaf scrolling arms, squared baluster support and octagonal base, with fish scale decoration,40cm high (2)

Los 295

South Seas cultured black pearl necklace, the pearls of alternating shades of dark to light grey, each of approx. 6mm diameter, united by a large 18ct gold ring clasp, length 78cm

Los 40

William Moorcroft Pomegranate vase, ovoid form with slightly everted neck, decorated with a deep cobalt blue ground, shading to light blue at the rim, painted green signature and impressed marks, height 19cm

Los 265

Garnet cluster ring, set in unmarked white metal, size J; also a pear cut light yellow coloured stone pendant, set with a silver loop mount on a chain necklace; Italian millefiori glass pendant, 40mm diameter, suspended from a 9ct gold chain necklace, weight approx. 4.9g; Ciro simulated pearl necklace with silver clasp; decorative base metal and coloured glass clip; and a pressed metal peacock brooch (6)

Los 1486

BSA lighting N6/D573136 air rifle and scope lazer silencer and mag light in camouflage bag

Los 1674

Pair of tripod based studio lights and a folding light box

Los 516

A group of WWI medals awarded to no.12586 Private Doherty of the Highland Light Infantry comprising Pip Squeak and Wilfred, also known as the Bronze Star, Victory Medal and the Silver War Medal (3).

Los 565

'The Log from the Sea of Cortez', John Steinbeck and E F Ricketts, The Viking Press, 1951, first American edition, 'Child of Light: A Reassessment of Mary Wollstonecraft Shelley', Muriel Spark, Haleigh, Essex, 1951, first edition, 'The Screaming Mimi', Fredric Brown, New York, 1949, 'T. H. Huxley's Diary of the Voyage of H.M.S. Rattlesnake, Edited from the Unpublished MS', T H Huxley, 1935, 'An Impossible Woman: The Memories of Dottoressa Moor', edited and with an epilogue by Graham Greene, 1975, first edition (5).

Los 661A

Sixteen Barbie dolls in various costumed to include light up torso example (16).

Los 664A

Two vintage Paddington Bear toys, both dressed in red duffel coats, one with green/blue Wellington boots and grey hat, the other with light blue hat and blue Wellington boots, each approx 50cm (2).

Los 728

A small group of loose vintage 1970/80s Star Wars figures to include Bosch The Bounty Hunter, a Gamorrean Guard, Obi Wan Kenobi with drawn light sabre, Darth Vader with drawn light sabre, the Rankor Keeper, Chewbacca, Emperors Royal Guard, Stormtrooper in Hoth outfit, NiemNem Yoda, At-At Pilot, a Tie Fighter pilot, Ewok Wicket, R2D2, Luke Skywalker in Return of the Jedi costume, Princess Lei in white outfit, C3PO etc.

Los 160

Action Man Scorpion Tank (with tracks, barrel intact), Scout Car (with Browning MG but damaged), Helicopter (incomplete), 105mm light gun (incomplete), 3x flock-headed gripping hands Action Man figures. Marx "Vatour" armoured horse (leg broken), plus a large quantity of uniform, boots, parachute, mortar, radio and guns. 1x flock headed Action Man with rigid hands (quantity). All have been played with

Los 161

Vintage style collectors' bears: Handmade ABC bears/Pam Adams weighted and jointed black bear, 34cm. Thread-Bears of England 'Gordon' gold mohair growling bear, 60cm. Replica vintage bear, light brown mohair, 56cm. ABC/Pam Adams 'Ted' light gold bear, 21cm. Pink Heidi Steiner limited run bear, 25cm. Plus Chad Valley pressed felt doll, toy camel, rabbit and cat (9)

Los 177

A Schutzmeister & Quendt baby doll, circa 1910, wearing light brown wig, with sleeping brown glass eyes, lashes, feathered eyebrows, the open mouth revealing two upper teeth, the composition body dressed in white bonnet and gown, marked '201 Germany' to the reverse of the head, 49cm high

Los 151

A single strand of cherry amber bakelite beads, the beads ranging from 9mm - 30mm, total length 100cm, gross weight 95g. Condition - no major scuffs/scratches, minor wear only, slight marbling visible when held above a light. In House UK P&P £10+VAT

Los 484

A Steiff Ltd edition 'Crystal' centenary light beige teddy bear with ear tag, waistcoat, certificate and cloth bag, no. 00880/1500.

Los 492

A Charlie Bears 'Porridge' Ltd edition light beige teddy bear with porridge spoon necklace and certificate, designed by Isabelle Lee, no. 3869/4000.

Los 284

A light oak Tantalus, having plated mounts and fitted three square cut bottles, 34cm wide

Los 33

A 19th Century Chinese night light on stand, of hexagonal form with famille rose and pierced decoration, 28cm high

Los 69

Rutherfords Fine Old Malmsey 2 bts Old Trinity House Bual 1 bt Good Company Rainwater Madeira Cossart Gordon 1 bt Good Company Masey Madeira Cossart Gordon 1 bt Blandys Duke of Cambridge Medium dry Verdelho Madeira 2 bts Vino da Madeira Tipo Malvazia 1 bt Belem's Madeira Wine Light Rainwater 1 bt Leacocks St John Reserve Malmsey Madeira 2 bts Blandys Duke of Cumberland Medium Rich Bual 1 bt Above 12 bts From a South Surrey Humidity and temperature controlled cellar

Los 400

Good Quality Sac a Pearl Basket Light, with cut crystal long beads over a half bag-shaped bowl, 88cm long x 45 cm diameter, (with option to purchase a second similar light/a pair)

Los 442

Large Light Green Ground Persian Wool Kashan Carpet, with a traditional all-over design, 3.55m x 2.50m

Los 562

2 x elephant mounted table lamps & a box of brass light fittings etc

Los 563

Pair of gilt wall lights with ribbon finials & a single gilt wall light (3)

Los 575

2 vintage dial-up telephones & a telescopic table light (3)

Los 596

Asahi Pentax S1a camera, lens and light meter, Zeiss Ikon folding camera, Kodak instamatic 233 camera, Agfa Silette Pronto LK camera, Pentax S1000 camera, Nikon Coolpix digital camera etc

Los 269

Gents gold plated Omega automatic wristwatch retailed by Turler, the light gold dial with gilt baton / arabic markers and date aperture at 3 o'clock. Watch working when catalogued

Los 468

Silver salver hallmarked BBS ld. Birm. 1934. Has light scratches to the front. Weight 15.5 oz.

Los 681

Laminate light wood chest of drawers and a similar filing cabinet

Los 374

Brass 3 Branch Light Fitting with Cranberry Tinted Shades

Los 235

Victorian glass ceiling light with floral decoration

Los 285

Two light brown Le Creuset pans with lids 16 cm and 14 cm

Los 478

Wooden box to include folding set square and storm light yellow warning light

Los 508

Toolbox with contents and a new bathroom shower light

Los 98

A 'HAPPY AMORE' PENDANT NECKLACE, BY CHOPARDThe articulated heart-shaped pendant framed by brilliant-cut diamonds, containing a glazed compartment with a collet-set 'floating' diamond, suspending from a double belcher-link chain, mounted in 18K gold, signed Chopard & LUC, numbered, pendant length (including bale): 3.7cmAccompanied with its certificate of authenticityChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

Los 101

A PAIR OF 'HAPPY AMORE' PENDENT EARRINGS, BY CHOPARDEach of heart design, with a central glazed compartment revealing a brilliant-cut 'floating' diamond, suspending an articulated heart-shaped drop, mounted in 18K gold, signed Chopard & 'LUC', numbered, length 2cmAccompanied with their certificate of origin from Chopard, with corresponding serial numbersChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

Los 108

A 'HAPPY DIAMOND' RING, BY CHOPARDThe glazed heart-shaped compartment revealing three collet-set 'floating' diamonds, between bifurcated shoulders, mounted in 18K gold, signed Chopard & LUC, numbered, ring size LAccompanied with its certificate of authenticityChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

Los 109

A 'HAPPY DIAMOND' PENDANT ON CHAIN, BY CHOPARDThe heart-shaped glazed compartment pendant, revealing five collet-set 'floating' diamonds, suspending from a trace-link chain, mounted in 18K gold, signed Chopard, numbered, French assay mark, length 42cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

Los 110

A PAIR OF 'HAPPY DIAMOND' EARRINGS, BY CHOPARDEach glazed heart-shaped compartment with three collet-set 'floating' diamonds, suspending from a gold polished hoop, mounted in 18K gold, signed Chopard & 'LUC', numbered, length 3cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

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