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534338 Los(e)/Seite
Los 350
An early 20th century gilt brass and moulded and cut glass six light cage chandelierthe turned nozzles with dished drip pans mounted on a swept scrolling frame about a central spire rod, the lower section with ball finial, the upper baluster support below a corresponding scrolling canopied corona, all hung with faceted flat pear and moulded bunch of grapes shaped flat drops with star floret buttons, 85cm dropThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 237
Georg Jensen: a small collection of silver itemsComprising: a serving spoon and fork, 1933 - 1944 period mark, pattern number 38 designed by Georg Jensen, length 21.5cm, a small silver jug, 1915 - 1930 period marks, incuse pattern number 34A, import marks for London 1929, light spot hammered with pouring lip, wood side handle, on a petalled circular foot, height 7cm, and a silver dish, 1933 - 1944 period marks, incuse pattern number 2, oblong form with blossom pattern open-work sides, length 13cm, weight total 13oz. (4)For further information on this lot please visit Bonhams.com
Los 486
Two pairs of 20th century gilt bronze twin light wall appliquesin the Louis XVI tastethe first of larger size, the spiral arms with guilloche cast nozzles and beaded edge collars issuing from tied and tasselled drapery backplates, the second pair with reeded acanthus arms with urn nozzles and plain collars issuing from drapery tied foliate flambe torch backplates with foliate terminals, the second pair fitted for electricty, the large pair, 57cm high approximately, the second pair, 38cm high approximately (4)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 499
A pair of mid Victorian gilt copper three light candelabrain the Neo-Rococo style the detachable foliate scrolling arms supporting acanthus urn nozzles with corresponding collars and drip pans, the central urn nozzles, collars and drip pans with detachable fruiting vase finials, the acanthus baluster candlestick supports on elaborate acanthus scrolling loaded bases, 57cm high (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 510
A pair of impressive nine light gilt bronze and verde antico marble torchieresprobably mid 20th century in the Napoleon III Empire revival stylethe multi scrolling flowerhead and foliate scrolling arms arranged in two gradated tiers above a spiral baluster upper section with frosted glass flambe shades, the tapering inbricated cast column supports and waisted socles raised on verde antico marble clad rectangular pedestals with applied floriate garlanded urn bracket mounts, and foliate case moulded shallow plinths, fitted for electricity, 150cm high approx (2)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 165
A pair of Old Sheffield plate three-light candelabra, and a pair of candlesticks en suiteKnopped form embellished with foliate scrolls bands, with detachable branch section, the central lights with removable extinguisher, height of candelabra 49cm. (4)For further information on this lot please visit Bonhams.com
Los 462
A pair of late 18th / early 19th century Italian carved and giltwood eight light alter candelabrathe foliate scrolling arms with urn nozzles arranged in three graduated tiers issuing from composite backplate supports with flambe finials issuing from lobed vase shaped pedestal supports and shaped and moulded D shaped platform bases raised on paw feet, 81cm high (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 550
An early 20th century French bronzed spelter and onyx figural lampin the Art Nouveau taste, formed as a young maiden clad in an Empire line dress blowing a pipe issuing a flower head light fitting and seated on a column pedestal and scroll footed base, 35cm highFor further information on this lot please visit Bonhams.com
Los 530
A pair of late 19th century French patinated and gilt bronze twin light figural candelabrathe figures in the manner of Claude Michel Clodion (French, 1723-1814) the fruiting vine arms with urn candle nozzles and beaded edged drip pans supported by bacchanalian infant satyrs on naturalistic bases, raised on Verde Antico moulded cylindrical plinths, later drilled for electricity, 37cm high (2)For further information on this lot please visit Bonhams.com
Los 534
A pair of late 19th century gilt bronze mounted Wedgwood jasperware and cut glass three light candelabrain the George III style, the models in the manner of Parker & Perrythe three spiral moulded arms with cylindrical nozzles fitted detachable candleholders with scalloped rims above corresponding scalloped collars, the two further decorative arms with scalloped canopies and star finials centred by a central spire with corresponding finial, all hung and strung with facetted pear shaped pendant drops and strings of faceted oval beads, the arms and spire issuing from acanthus cast domed central sections, the porcelain plinths of waisted concave outline with rams masks corners, the sides decorated in relief with classical figures and braziers on a pale blue ground, raised on corresponding moulded bases and ball feet, the porcelain with impressed factory marks to the undersides, 75cm high (2)For further information on this lot please visit Bonhams.com
Los 1587
Modern Ercol light elm narrow side cabinet with a single glazed door enclosing wooden and glass shelves, the base with a single drawer and cupboard door, 18.25ins wide x 85ins highHas a wooden fluted glass shelf at top and a further three glass shelves below, top section is 12ins deep and bottom cabinet is 17.5ins deep, with good condition lighting within
Los 124
A light oak kitchen dresser, the top section with ogee cornice above central open shelf unit, flanked by two doors fitted bevelled glass panels, three short drawers below, the lower section with three short drawers and three panelled doors, on squat bracket feet (the top section fitted with electric lights), 143 x 45 x 200cms high.
Los 1033
A retro vintage 20th Century 1970's free standing upright adjustable twin spotlight floor lamp light having two rise and fall brass spotlights. All raised on a brown enamelled round base with a central chrome bar support. Condition; sold as untested, overall good condition. Measures approx; 106cm x 28cm.
Los 1460
A vintage retro mid 20th century circa 1970’s light oak drinks cabinet / cocktail cabinet. The cabinet having a hinged metamorphic top and twin doors at the front opening to reveal a fitted interior with mirrors, bottles holder, drawer, and glass holders. raised on shaped legs. Measures 109 x 83 x 39 cm.
Los 33
Nasser Al Aswadi (Yémen, né en 1978)Salam Li Bayrut (Peace for Beirut) huile et pigments sur toilesigné 'Nasser Al Aswadi' et daté '2020'exécuté en 2020130 x 130cm (51 3/16 x 51 3/16in).oil and pigments on canvassigned and datedFootnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde Arabe« J'emprunte aux parchemins enfouis dans chaque maison, dans chaque porte, dans chaque meuble du Yémen, pour les porter vers la lumière et vers l'œil contemporain. ». « J'utilise l'énergie des mots et de la lumière. L'écriture est au coeur de mon travail : elle échappe au registre de la terminologie pure pour entrer dans le champ du signe, du langage visuel.»- Nasser Al Aswadi C'est dans le village d'Al Hujr, près de Taiz, troisième ville du Yémen, que Nasser, né le en 1978, vit jusqu'à ses 16 ans. Plus tard, il étudie l'architecture à Taïz, puis à Sanaa où il expose ses premières œuvres en 2001. A partir de 2008, il multiplie les voyages entre le Yémen et la France.L'art de Nasser est inspiré par les événements du Printemps Arabe, les réalités quotidiennes, les paysages ruraux, l'architecture et le mouvement incessant des foules dans les rues. Pour lui, la calligraphie est un moyen d'exprimer des sentiments et des pensées sans qu'ils ne soient spécifiquement liés à la langue. Il utilise des lettres arabes, des mots et des formes ainsi que des références religieuses et musicales. Les lettres et les mots ne sont pas tracés de manière linéaire ou horizontale, mais peints et empilés séparément et de manière identique les uns aux autres, emmêlés et perdus dans l'espace imaginaire de la peinture.'I borrow from each ancient scroll hidden in every corner of Yemen and take them out to light, to contemporary eyes. ' - Nasser Al Aswadi Nasser Al Aswadi was born in October 4th, 1978 at al Hujr village, not far from Taiz, the third city of Yemen. He lived in his village until he turned 16 years old. Later on, he studied architecture in Taiz and then in Sanaa. He exhibited his first works in Sanaa in 2001. Since 2008, Nasser has been moving between Yemen and France.Nasser's work is inspired by the events of the Arab Spring, daily realities, rural landscapes, architecture, and public crowds on the streets.For Nasser Al Aswadi, calligraphy is a way to express feelings and thoughts without them being specifically linked to the language. He uses Arabic letters, words and forms as well as religious and musical sources. The wide variety of meanings and styles nourish the artist's creativity. The purpose of using interlocking letters is to offer an artistic style of his own. Nasser has exhausted all the different styles of Arabic writing to create a world in which his work is abstract and is obviously inspired by everyday events and concomitantly makes use of the energy and light of the words he selects. Writing is the core of his work and it strays from the normal usage of those terms to enable others to enter into a world of sign and visual language.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Los 39
Mahdjoub Ben Bella (Algérie, né en 1946)Florence huile sur toilesigné 'Ben Bella' et daté '18' (en bas à droite)exécuté en 2018116 x 89cm (45 11/16 x 35 1/16in).Footnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde Arabe'J'ai bien connu Mahjoub Ben Bella. J'aimais son œuvre intense, lumineuse et sensible. Peintre délicat, il peignait ses rêves et nous les offrait en partage. Formé dans les écoles des Beaux-arts d'Oran, puis à Tourcoing et à Paris, il s'installe en France, dans le Nord gris et chaleureux qui, rapidement, l'adopte. Ce Nord accueillant, Mahjoub Ben Bella l'illuminera des couleurs, de la lumière de sa Méditerranée natale et de son pays, l'Algérie qui coulait passionnément dans ses veines. Peinte neuf jours avant sa disparition, sa dernière peinture sur son lit d'hôpital en est la parfaite illustration.Il fut un peintre virtuose aux multiples facettes. Parallèlement à ses grandes et petites peintures sur toile, sur papier, sur bois ou sur pavés, il réalisera des céramiques, des objets, des gravures, des performances et des fresques monumentales dans des lieux publics. En 1986, il peindra les célèbres pavés du Paris-Roubaix, L'envers du Nord, fresque routière de 12 kilomètres, véritable tapis de signes, rouleau magique d'écritures. En juin 1988, il rendra à Wemblay un fraternel hommage à Nelson Mandela.Expositions personnelles et collectives dans de nombreux musées, centres d'art et galeries d'Europe, du Proche-Orient et une rétrospective au MAMA d'Alger, Mahjoub Ben Bella a été représenté dans vingt musées et collections publiques. Grâce à la Donation Claude & France Lemand, le musée de l'Institut du monde arabe est riche de seize de ses éclairantes peintures.'- Jack LangNé en 1946 à Maghnia, dans l'ouest algérien, Mahjoud Ben Bella est un peintre aux multiples facettes, réalisant à la fois des œuvres monumentales, des céramiques, des objets, des peintures sur toile de tous formats ainsi que des œuvres sur papier, sur bois ou sur pierre. A ce jour, Mahjoub Ben Bella est représenté dans vingt musées et collections à travers le monde. « Sa peinture est un chant incantatoire. Dans ses toiles, il compose des champs sacrés dont les sillons nous entraînent au-delà du simple lyrisme. Il se laisse posséder par le vertige de l'écriture jusqu'à l'extase, jusqu'à devenir le chantre d'un livre de prières à la gloire même de l'Art. » - Jean-Louis Pinte, Les champs sacrés de Ben Bella, cité in Le Figaroscope, Paris.'I knew Mahjoub Ben Bella very well. I was fond of his intense oeuvre, full of light and sensitivity. A delicate artist, he painted his dreams and shared them with us. Studying at the School of Fine Arts of Oran, and then in Tourcoing and Paris, he settled in France in the grey warmth of the North, which quickly adopted him. Mahjoub Ben Bella sought to brighten up that welcoming North with his colours, with the light of his Mediterranean origins and of his native country, Algeria, that passionately ran through his veins. His last painting, dating from nine days before his death, was executed from his hospital bed and illustrates perfectly the essence of his art.He excelled as a painter, but also as an artist with multiple facets. Besides his large and small paintings on canvas, on paper, on panel or on cobblestone, he also realized ceramics, objects, prints, performances and monumental frescoes in public spaces. In 1986, he painted the famous cobblestones of the Paris-Roubaix, L'envers du Nord, a twelve kilometer-long road fresco, a true carpet of signs and a magical scroll of writings. In June 1988, he paid a fraternal tribute to Nelson Mandela at Wembley. With several solo and group exhibitions held in many museums, art centers and galleries across Europe, the Near-East and a retrospective exhibition at the MAMA of Algiers, Mahjoub Ben Bella's work is represented in over twenty museums and public collection. Following Claude and France Lemand's donation, the museum of the Institut du Monde Arabe now has sixteen of his illuminating paintings.' - Jack LangMahjoub Ben Bella was born in the Western part of Algeria, in Maghnia, in 1946. He did his artistic training first at the School of Fine Arts of Oran, then in Tourcoing and finally in Paris, and settled in France. Ben Bella is a multifaceted artist, producing monumental artworks, painting ceramics, objects, in addition to large and small paintings on canvas, on paper, panel or even on stone, as well as performances and monumental compositions for public spaces. His works have been exhibited in many solo and group shows in museums, art foundations and galleries across Europe and the Middle East. Besides having his works featured in prominent private collections across the globe, Ben Bella's oeuvre is also present in the collections of twenty museums and public collections.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Los 253
A FRENCH WHITE MARBLE AND GILT METAL THREE-PIECE CLOCK SET, comprising a mantle clock and a pair of two-light candlesticks, the clock surmounted with an eagle and laurel wreath finial, above a white enamel dial, with Arabic numerals, hung with rope twist tassels and star burst pendulum, with winged cherubs to either side, on an oval marble base, with gilt tapering feet. 36cm high
Los 252
A RARE CEYLONESE IVORY RELIQUARY STUPA, Kandyan Period, 18th century, of traditional conical shape, with ribbed finial, inked in red and black, with rows of pointed quatrefoils, on square ebon plinth. 21cm high, 31cm high the entireNote: For comparison please see a closely related example exhibited at the Metropolitan Museum, New York accession no.2010.475.7AC**Please note that this lot contains ivory and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.**Condition Report: - Missing point of finial- Some age cracks- Small splits- Some light wear to the inked decoration, mainly the red- On ebon base- Some later screws on the base suggesting that the joints have been tightened or reconstructed- Small chip to the mushroomed top- Vacant interior- From a private collection- See images
Los 240
A FRENCH GILT METAL AND GREY MARBLE THREE-PIECE CLOCK SET, Late 19th Century, comprising a mantle clock and a pair of five-light candelabra, the clock surmounted with a classical female figure, standing with a lyre, on a variegated grey marble base, with gilt metal bezel and numerals, on cast scroll feet, the candelabra with upturned spool shaped sockets, with raised central socket, over a masked baluster body and marble base. The clock 63cm high, the candlestick 72cm high
Los 321
A LONG RECTANGULAR LEATHER GUN CASE, with brass protective corner mounts, fitted lined interior and carrying handle. 175.5cm long x 17 x 12.5cm; together with a tubular leather bound canvas gun case; and a leather suitcase. (3)Condition Report: Very good conditionLight scuff marksStrapwork good and all corner mounts presentLooking good overallSome spots of moth damage insideCanvas case in good condition
Los 233
ATTRIBUTED TO ADAM BUCK (1759-1833)Portrait of Captain Thomas Radley 'Royal Cork City Regiment of Light Infantry' and his Wife, Alice - nee LindsayA pair, watercolour on ivory, 6 x 5cmThe Cork militia regiments were raised in 1793 to counteract the threat of invasion posed by Napoleon, the division was in service until 1815.**Please note that this lot contains ivory and is subject to CITES regulations when exporting outside of the EU. The United States Government has banned the import of ivory into the USA.**
Los 36
A PAIR OF 19TH CENTURY STAFFORDSHIRE JUGS, moulded in the form of spaniels. 26cm high; Together with a Mason’s ironstone jug. 25cm high. (3)Condition Report: Staffordshire Jug 1- Small chip to the spout which happened during creation. This is under both the glaze and painted decoration.- Some light brown crackle- Some surface wear to gilt, particularly on handle- Decorator's mark 'X' in redStaffordshire Jug 2- In good overall condition- Very faint glaze crack under handle- Decorator's mark 'X' in red Mason Jug- With restoration to the spout- Otherwise good condition
Los 155
A set of ten hunting coloured aquatints by Rawlins & Alken, including 'Stand and Deliver' and 'Heron Fishing', in Hogarth frames with verre eglomise, 29.5cm wide x 24.5cm high, aperture 18cm wide x 13cm high.Qty: 10Condition report: Some discolouration and light foxing to aquatints. Frames chipped in places and slight damage to verre eglomise.
Los 619
A late 20th century Eastern red, yellow and blue ground runner with geometric decoration, 330cm x 84cm and a mid to late 20th century orange or light red ground rug with a banded border and five central octagonal motifsCondition report: Both in moderate condition with no major damages, the runner will need cleaning
Los 114
A pair of Chinese porcelain famille rose lidded jars formed as table lamps, decorated with panels depicting a teacher and student in an interior, on wooden bases with brass fittings for two light bulbs and white pleated shades, 14cm diameter x 32cm high (2)Condition report: Jar lids and bases drilled through for electrical fittings, brass fittings tarnished, shades dirty and torn.
Los 205
A light blue upholstered L shaped six seater sofa standing on turned tapering oak front legs, with scrolling arms, originally purchased from Loaf, approximately 246cm x 315cm overall x 85cm highQty: 1Condition report: Some fading to the upholstery, marks to the upholstery overall particularly to the arms, some marks to the cushions, in used condition
Los 300
A French nine-light chandelier, with four layers of hanging glass pendants on central glass turned column, the candle sconces each with surrounding hanging glass pendants also, approximately 51cm diameter x 77cm highCondition report: Will need rewiring, some breakages to pendants but pieces are present.
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534338 Los(e)/Seite