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534297 Los(e)/Seite
Los 1642
Corgi Toys Chipperfields Circus Boxed Diecast Group, to include No. 1130, Chipperfields Horse Transporter, red Bedford TK truck with red and light blue transporter, spun hubs, 6 grey horses, with red horse logo to rear, in the original blue and yellow all card box with packing piece (G-BA/F), and Corgi Gift Set 12 Chipperfields Circus crane truck and cage, with 2 lion figures and Model Club leaflet, model needs restoration to trailer and string needs re-attaching (G,BF-G)
Los 1319
Meccano American Set Group, 3 boxed examples to include No.0 Nickel Set, circa 1920, parts attached to backing card, with parts box and "Nipper The Dog" Manual (GBG), No.0 Nickel Set, circa 1924, parts attached to backing card, mottled green box, missing manual, some tin parts, with small parts box (GBG), sold with No.0 Nickel Set, circa 1926 (New Multicolour Meccano), parts attached to backing card, mottled box with packet, Manual (0-3 56A), comprising of light green and red tin parts (GBG)
Los 1903
Dinky Toys Boxed and Loose Saloon Group, to include No.174 Ford Mercury Cougar, metallic blue body with yellow interior, gold wire hubs (VG-BVG), No.178 Plymouth Plaza, green and light pink body with spun hubs and wire tyres, in the original red and yellow all card box, some play wear (G-BG), and a Loose No.170 Lincoln Continental, finished in blue and white, with dark blue interior (VG)
Los 1926
Dinky Toys No.490/30V Electric Dairy Van Trade Box, comprising of yellow lift off lid all card box, with dividers, 6 various vans, to include 4x Cream and Red Examples, 1x Light Grey and Blue, and 1x Grey and Blue, 1 Base Un-Numbered, some light paint chops to some models otherwise (VG-BGVG)
Los 2004
ATT. ANDREW GEDDES, OIL ON CANVAS, 19TH C., H 35", W 27", MRS. JEREMIAH GREATORAXA.R.A. 1783 - 1844. Unsigned. Depicting a half portrait of a seated Victorian woman. In a carved gilt wood frame. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms. Frost and Reed label on stretcher. Superb quality and detail; expertly restored. As viewed under UV light in the unopened frame: c. 30% overpainting in, but not necessarily limited to, the following areas: a spot in the top of her hair, in her right shoulder (from the viewer's perspective) and going down her right arm, at the bottom of the figure and along the bottom of the painting, in the LL corner and in the background in the upper right; overall fine craquelure is stable; lined (20th c.).- For High Resolution Photos visit Dumouchelles website.
Los 2009
FLEMISH OLD MASTER OIL ON WOOD PANEL, C. 1550, H 10 1/4", W 6 1/2", "MARY OF BURGUNDY" Depicting a young lady holding a covered vessel, adorned with jewels and wearing an elaborate turban style head-dress. Unsigned and framed. Verso having a stamped 'H' in black (see photo detail); incised compass on the top right edge. Ex. Collection Edward F. Fisher, Detroit Michigan (of Fisher Body). As viewed under UV light in the unopened frame: exceptional quality and detail; c. 10% to 15% spotty overpainting (generally small flecks) including, but not limited to, the following areas: face, neck, upper chest, both hands, body and hair; overall stable, very fine craquelure; c. 5 1/2" long scratch going from the edge of the painting and her right shoulder up into her forehead (see photo details); holes on verso at top; wear, etc. to areas beyond image; modern outer frame. - For High Resolution Photos visit Dumouchelles website.
Los 2010
AFTER GHEERHARDT DAVID OF BRUGES, GOUACHE ON PAPER, C. 1680-1690, H 6 1/2", W 9", THE BIRTH OF CHRIST Depicting Mary, Joseph, and Jesus with the three wise men in manger. Unsigned. Framed under glass in a velvet lined shadowbox. Ex. Collection Edward F. Fisher, Detroit Michigan (of Fisher Body). As viewed under UV light in the unopened frame: on paper, not vellum. UV clean; slightly scuffed/scraped along the top; shadowbox frame is later. - For High Resolution Photos visit Dumouchelles website.
Los 2018
IATTRIBUTED TO P.D. HONDT, FLEMISH OILS ON CANVAS, 18TH C., PAIR, H 91", W 67", "RACHEL AT THE WELL" & "JOSEPH SOLD INTO SLAVERY" "Rachel at the Well" signed "P.D. Hondt" in the near lower right (see photo detail). Both paintings are attributed to Phillipe de Hondt (Flemish, 1683-1741). Large format. In gilt wood frames. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms; sold by Christie's New York, Friday, January 31, 1997, lot #54 (see Christie's labels lot 54, 8584 2 KB172 listing them as a pair (see photo details), both were listed as attributed to P.D. Hondt by Christie's in the before mentioned sale. Very good quality. As viewed under UV light in the unopened frame: both are lined; both had their canvases previously folded [probably to make them fit into smaller fames]; both in 20th c. frames; one having c. 8% overpainting in the bottom third and UL and overall fine craquelure with instability; the 'white' along the edges fluoresces; one having a white spot in the sky in the UR; other one has c. 10% overpainting in the bottom quarter of the painting with the overpainting in the cracks having turned white, has unstable craquelure, paint is slightly skinned, 2 white spots on the right and has a patch in the LL. The signature in "Rachel at the Well" does not fluoresce under UV light. For High Resolution Photos visit Dumouchelles website.
Los 2021
UNSIGNED, ITALIAN OIL ON CANVAS, H 37", W 57"Dogs and fowl, with Roman ruins in the background. In an ebonized and gilt frame. C. 1880-1940. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms.Under UV light: some overpainting in the center and on the right side (c.10-15% total); water staining on the right side (showing on the verso) with craquelure/cracking of the paint on the right side; not lined or patched. Rf- For High Resolution Photos visit Dumouchelles website.
Los 2023
JOHN FREDERIC HERRING THE YOUNGER, OIL ON CANVAS, FARMYARD WITH HORSES AND ANIMALS, H 21", W 28" 21" x 28", framed, has goats, chickens, ducks, signed lower left. Herring, 1815-1907. Has a great look to it. As viewed under UV light in the unopened frame: c. 2 to 5% overpainting including a line of overpainting in the lower right along the top edge of the water and possibly a little in the sky; some craquelure with instability; not lined or patched; period or original frame is as is with losses, restoration, etc.; original stretchers - For High Resolution Photos visit Dumouchelles website.
Los 2025
ADOLPH SCHREYER (GERMAN, 1828-1899) OIL ON CANVAS MOUNTED ON PLYWOOD, H 27", W 54", "WALLACHIAN PEASANTS"Signed lower right; period gilt frame.Shows restoration, LFD (Outstanding quality. Under UV light in the unopened frame: a little overpainting in the wagon on the left; slight whitish scrape in the center of the painting; paint is thin; laid down on plywood; period gilt frame with cracks is slightly chipped. Rf, 8-5-2016)- For High Resolution Photos visit Dumouchelles website.
Los 2029
PAUL CHOCARNE-MOREAU (FRENCH, 1855-1931), OIL ON CANVAS H 24", W 20"Oil on canvas laid down on masonite. Depicts two young boys, one dressed as a baker the other dressed as an altar boy in the vestry of a church. Signed lower right. As viewed under room light in the unopened frame: c. 1% to 2% spotty overpainting; oil on canvas laid down on masonite; overall stable craquelure; modern frame is nicked.- For High Resolution Photos visit Dumouchelles website.
Los 2044
AL LOVING (AMERICAN, 1935-2005), COLORED PENCIL ON PAPER, IMAGE: H 14 1/2", W 18", "SEARCH FOR WALL"Pencil signed lower right; 1970; paper size: 17" x 21". Gertrude Kasle Gallery label. As viewed under room light in the unopened frame: tape staining along the bottom and top edges of the paper; creases, many of which are handling creases; frame which is partially pulling apart has some scratches.- For High Resolution Photos visit Dumouchelles website.
Los 2086
JOAN MIRO (SPANISH 1893-1983), LITHOGRAPH, "JUAN MIRO Y CATALUNA", 1968, H 10", W 10 1/4", FROM "LES ESSENCIES DE LA TERRA"#160/225; pencil signed lower right; framed. From: Magna Gallery, 747 Beach St., San Francisco, CA 94109 (label on verso). Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.Good condition as viewed under room light in the unopened frame. Rf- For High Resolution Photos visit Dumouchelles website.
Los 2118
L. FANZI, OIL ON CANVAS, 1891, H 23", W 17" A forest scene. Signed in the lower left corner and dated 1891. In a carved wood scrolling leaf and pierced frame. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms. As viewed under UV light in the unopened frame: UV clean; not lined or patched; stable, unobtrusive craquelure; later frame.- For High Resolution Photos visit Dumouchelles website.
Los 2123
ATTRIBUTED TO ROBERT S. DUNCANSON (AMERICAN, 1821-1872), OIL ON CANVAS, H 33", W 60", PARADISE & PERI THEMEC. 1871; unsigned; gilt frame. Purchased c. 2002-2003 from a private individual in the Indianapolis, IN area. Thought to be possibly the missing painting that was mentioned in Joseph Ketner's book, "The Emergence of the African-American Artist, Robert S. Duncanson 1821-1872" (pp. 174-175) which was inspired by Thomas Moore's, "Paradise and the Peri" from the Orientalist poem, "Lalia Rookh". The missing Duncanson, "Paradise and the Peri" was: exhibited at Wiswell's Gallery, Cincinnati, Ohio , Aug. 1871; exhibited in Monroe, MI, Sept. 1871; exhibited in Detroit, MI, Sept. 1871 and reviewed by the Detroit Free Press, Sept. 16, 1871, page 1; acquired locally by C.L. Andrews at the Detroit exhibition; loaned to the Detroit City Hall and was hung in the sheriff's office where it was vandalized by an irate citizen in 1876; donated by Andrews to the Detroit Institute of Arts, 1903-1904; the DIA sent it to G.H. Weigert to be auctioned where it was sold Nov. 29, 1918 (see Francis Waring Robinson papers, Detroit Institute of Art, Roll 511); locations after that are unknown. Stamped on verso of stretcher, "W.G. Bickford, Dealer of Artist's Colors and Materials, 189 W. Fourth St., Cincinnati, Ohio. Mr. Bickford was listed as a "Dealer of Artist's Materials" only in 1869 and 1870. The listing changed to Artist' Emporium in 1871 with the same address. Bickford lived at 185 1/2 W. Fourth St. in 1870. Duncanson lived at 187 W. Fourth St. in 1872. Bickford's business was at 189 W. Fourth St, 1869-1875. Marked on the verso of the original canvas (before being lined): "G.W. Stubbs", "A.W. Pugh" (see photo detail). G.W. Stubbs was the brother-in-law of A.W. Pugh of the Pugh family of Cincinnati. Duncanson worked with Achilles Pugh in his print shop in Cincinnati in the 1850's to early 1860's. Duncanson was a friend of the Pugh family in Cincinnati. Both G.W. Stubbs and A.W. Pugh were in Cincinnati in 1871. PLEASE CLICK HERE TO SEE 54-PAGE SCANNED DOCUMENTS REGARDING THE PAINTING AND ARTIST.C.10% restoration of prior damage (tears, losses, etc.) as viewed under UV light; some over cleaning, lined; some stabilized craquelure; original stretchers; period frame is chipped and has losses. Natalia Nikolayev (B.A. in painting conservation), Indianapolis, IN restored the painting in June 2006 (consolidation of paint layer and ground with sturgeon glue, restoration of canvas losses with original pieces of canvas from the sides of the painting, filling made with Modostuc, lined with Beva-film, retouching with Gamblin conservation paints, etc.). Research information from the consignor, including photos of the painting before and after the restoration and the summary of the restoration done by Nikolayev, is available for viewing upon request.- For High Resolution Photos visit Dumouchelles website.
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534297 Los(e)/Seite