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534325 Los(e)/Seite
![British Coins, George IV, shilling, 1823, laur. head l., rev. crowned shield within Garter (S.3811; ESC.1249; Bull 2398 [R]),](https://cdn.globalauctionplatform.com/722ac1bb-4969-4a51-ae42-a82000bfe25d/7f0d5421-25aa-41e4-ca40-978d68932a00/468x382.jpg)
Los 565
Military Orders and Medals, Single Campaign Medals, India General Service Medal 1854-95, one clasp, Waziristan 1894-5, awarded to Sepoy Kanhaiya 28th 73rd Infantry (761 Sepoy Kanhaiya 28th 73rd Inf), named in engraved running script, suspender slack, light scratches to field on obverse, light scratches to field on reverse, otherwise good/fine
Los 604
Military Orders and Medals, Campaign Groups and Pairs, An interesting Great War Trio to the Imperial Light Horse, awarded to Serjeant G. Percival, 5th Mounted Rifles (Imperial Light Horse) comprising: 1914-15 Star (Sjt. G. Percival 5th M.R.); British War and Bi-Lingual Victory Medal 1914-1920 (Sjt. G. Percival 5th M.R.), toned, very fine (3) The 5th Mounted Rifles (Imperial Light Horse) took part in operations during the Great War first in the South-West African Campaign in what is today Namibia and afterwards in Egypt, Palestine and France. Percival’s Medal Index Card shows that he entered Theatre 4a (East Africa, Nyasaland and Northern Rhodesia) on the 5th September 1914. He is also entitled to the Africa General Service Medal with the clasp Nyasaland 1915, which shows that he served in the Blantyre Section of the Nyasaland Field Force and is shown as ‘In the Field’.
Los 104
British Coins, Henry VI, annulet issue (1422-c.1430), noble, London, mm. lis, king with sword and shield stg. facing in ship, annulet by sword arm, rev. ornate cross, h in centre, annulet in one spandrel, wt. 6.88gms. (S.1799; N.1414), a light crease on reverse, but choice extremely fine, as struck, with a superb portrait and well struck
Los 127
British Coins, Charles I, shilling, Tower mint, group B, type 1a, mm. castle/castle (over negro’s head) (1627-1628), crowned bust 2 l., value behind head, rev. long cross fourchée over shield, wt. 4.85gms. (S.2784; N.2218; Sharp B2/1; JGB.422), of light weight due to having been clipped, scratch behind bust, otherwise very fine
Los 1077
1796 pattern British Light Cavalry Officers Sabre. German made, maker marked "J J Runkel, Solingen" to spine of 82cm blade. Grip missing. Scabbard is rust pitted overall. Together with a 20th Century souvenir Gurhka Kukri. 40cm bright steel blade marked "India". Wooden scabbard which is missing both knives and most leather covering.
![The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby [i. e. R. H. Barham]. London, Richard Bentley, MDCCCLXVI [1866](https://cdn.globalauctionplatform.com/7d84a268-bcdc-48fb-aa78-a82500f8bede/1fb8863e-0e3a-4dae-92a2-fcbcd5017246/468x382.jpg)
Los 605
The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby [i. e. R. H. Barham]. London, Richard Bentley, MDCCCLXVI [1866]. New edition. 8vo. pp. xi, [i], blank, 468. Illustrated title-page. One illustration in the preface to the second edition. Inscribed 'Charles Marriott from F. B. Harvey July 1867' on verso of front free endpaper. Contemporary full green calf with gilt ruled borders, raised bands, gilt decorated spine, all edges marbled. Very occasional light foxing, some rubbing to extremities, covers slightly scuffed.
Los 24
Jack Butler Yeats RHA (1871-1957) THE DODDER IN FLOOD, BALLSBRIDGE, DUBLIN, 1929 oil on panel signed lower left; titled on reverse Mrs Bernard Shaw (purchased at the Alpine Club Gallery exhibition, 1929);Acquired by Alice Bernrard (née McKay), Dublin;Sotheby's, 21 October 2015, lot 42;Private collection 'Paintings', Alpine Club Gallery, London, 6 - 23 February 1929, catalogue no. 7 Hilary Pyle, Jack Butler Yeats, A Catalogue Raisonné of the Oil Paintings, Vol. I., Andre Deutsch, London, 1992, no.385, p.352 (incorrectly illustrated) Jack Yeats painted the Dodder in Flood in 1929, the period in which his style was changing from its early Realist mode to the later more experimental approach. This transitional work belongs firmly to the later style. The artist had first painted the subject of the Dodder in flood in 1920, (A Yellow Flood, Clonskea, 1920). In 1923 he painted two other views of the weir on the river at Clonskeagh when he lived nearby on Marlborough Road in Donnybrook. Dodder in Flood, painted in the year that Yeats reluctantly moved to Fitzwilliam Square, is a view of the river from Ballsbridge according to an inscription on the rear of the frame. Dodder in Flood takes a different perspective from the earlier more conventional views of the river that include buildings and landmarks on its banks. This painting must be based on a view from a bridge over the torrent looking westwards as it races towards the sea. Unlike the diagonals and subtle connections that Yeats provides in many of his other landscape compositions, the foreground of Dodder in Flood is left open so that the water appears to flow directly out into the space of the viewer. A dramatic scene is made from what is a comparatively modest body of water but as Dubliners are aware the Dodder can be treacherous during winter storms and floods. Steep inhospitable banks enclose its sides. Their stony barren surfaces are conveyed through the application of thick grey and white paint in a variety of incongruous brushstrokes that create a rough dynamic texture, particularly on the exposed bank on the right-hand side. The sky is completely overcast with a dark stormy hue. The thick debris filled currents are painted in strong impasto brushstrokes that contain blues, pinks, yellows and reds. Elsewhere the paint is thinly applied and parts of the underlying surface of the board are visible. On the left-hand bank warm greens and reds suggest foliage and provide a glimmer of light in the painting. Although rivers and fast flowing currents feature prominently in many of Yeats' paintings the Spartan nature of this composition with its concentration on the bare elements of banks, river and sky is unusual in his oeuvre. The work approaches pure abstraction is its prioritising of paint and form. The painting was exhibited at Yeats' one-man show at the Alpine Club Gallery in London in 1929 when it was purchased by Mrs George Bernard Shaw. Yeats told Lady Gregory that Mrs Shaw had thought he had 'gone mad' when she saw his work the previous year but now retracted her statement. Her husband, George Bernard Shaw, and T.E. Lawrence (of Arabia), also visited the exhibition. (1) Arguably London audiences were more receptive to Yeats' late style of painting although the Dublin public would soon come to admire his pioneering attitude towards his craft and its ability to transform familiar sights into challenging works of art. We are also grateful to Dr. Hilary Pyle HRHA for her assistance in cataloguing this work.1. Hilary Pyle, Jack B. Yeats. A Biography, Routledge and Kegan Paul, London, 1970, p.137. Dr Róisín KennedyOctober 2017 9 by 14in. (22.9 by 35.6cm)
Los 135
LANNES JEAN: (1769-1809) Marshal of France. Duc de Montebello. One of Napoleon's most daring and talented generals and personal friend of the Emperor. Rare A.L.S., Lannes, one page, 4to, Lisbon, 8th January 1804, to his father-in-law, François Scholastique, Count of Guéhéneuc, in French. Lannes sends a note to his correspondent recommending a Portuguese important person travelling to Paris, and stating `I recommend to you my friend monsieur Castello Blanco, nephew of monsieur Da Cruz, a respectable man. If he needed your help, I kindly ask you to do all necessary to be useful to him..´ With integral addressee leaf and watermark. Some extremely light, minor age wear to the edges, about VG £1000-1500In 1801 Napoleon I appointed Lannes as ambassador to Portugal and in 1804, shortly after the present letter date, he was created Marshal of France. A year later he would lead the left part of the Grande Armée at Austerlitz.José Braamcamp de Almeida Castelo Branco, Count of Sobral (1775-1846) He will become Minister of Treasury and Foreign Affairs Minister of Portugal.
Los 206
KLITSCHKO WLADIMIR : (1976- ) Ukrainian Boxer. World Heavyweight Champion. Signed colour 8 x 10 photograph by Wladimir Klitschko, the image depicting the World Champion standing on the boxing ring, celebrating his victory and wearing the champion belt. Signed in bold blue ink with his name alone to a clear area of the image. Together with Mariusz Wach (1979- ) Polish Boxer. World heavyweight title challenger in 2012 against Wladimir Klitschko. Signed co lour 8 x 12 photograph by Wach, the image depicting the Polish champion in a half length boxing action pose. Signed in dark blue ink to a light area of the image. EX,2 £80-100
Los 209
LACOSTE RENÉ : (1904-1996) French Tennis Player & Businessman. Nicknamed "the Crocodile" because of his tenacity on the court. Worldwide known as the creator of the Lacoste tennis shirts. Signed 4 x 6 photograph of Lacoste, the image showing the tennis French champion in a full length action pose. Signed in dark ink to a light area of the image. VG £100-150
Los 232
LANGTRY LILLIE: (1853-1929) British Actress, mistress of King Edward VII. An excellent and large format signed and inscribed 13 x 9 sepia card photograph of Langtry, the image depicting the British actress in costume as Cleopatra, lying and watching herself in a mirror. Photograph by Van der Weyde Light Studios, from London. Signed in bold black fountain pen ink to the lower white border of the photograph, Langtry adding alongside (`Xmas 1890´) in her hand. A large and good example signature. Small overall age wear to the borders, although not affecting the signature. VG £300-400
Los 249
LUMIERE LOUIS: (1864-1948) French Pioneer Filmmaker, along with his brother Auguste. T.L.S., Louis Lumiere, two pages, Bandol, 12th June 1943, on his personal printed stationery, Villa Lumen, Bandol, Var, to Monsieur Lo Duca, in French. Lumiere responds to his correspondent´s letter and confirms having received his request and books, as well as his last manuscript dedicated to the History of the Photography and Cinema only eight days ago, and states `..my health which is very precarious these days (cataracts make reading more and more difficult and painful) did not allow me to answer sooner´ and adds an interesting thought `(Light is taking its revenge for my repeated dares!)´. Lumiere further congratulates Lo Luca for his book The History of Cinema, and `for your little book´ The Cinema Technique. Referring further to the manuscript received and to his correspondent´s request asking for Lumiere´s comments and annotations to this manuscript, the French filmmaker states `..I am taking the liberty to direct you to the few remarks you will find on a separate sheet, under reference numbers, in order to make the lecture easier.´ Lumiere also offers to Lo Luca´s international museum an original print related to his first movies, and concludes on a postscript explaining the personal documents which he also sends to his correspondent. Accompanied by two printed 4to pages, containing the amendments and annotations referred above, and including numerous technical, scientific and historical comments with multiple references to Marey, Antoine Lumiere and Melies. A letter of good content. Small overall age wear, with trace of a former staple, not affecting the text or signature. G £300-400Joseph Marie Lo Luca (1910-2004) Italian writer and critic. Lo Luca was one of the founders of Cahiers du Cinema, an influential French film magazine founded in 1951. Etienne Jules Marey (1830-1904) French Scientist and pioneer of photography and cinema. Charles Antoine Lumiere (1840-1911) father of Auguste and Louis Lumiere. Georges Melies (1861-1938) French Film Director, a pioneer of cinema and innovator in the use of special effects.
Los 265
EASTWOOD CLINT: (1930- ) American Actor & Film Director. Academy Award winner. A good signed and inscribed 10 x 8 photograph by Eastwood. The promotional Warner Bros. Inc. image shows the actor standing outdoors, in a head and shoulders pose, in his role as Philo Beddoe, in a scene from Every Which Way But Loose (1978). Signed in bold black ink to a clear area of the image. Together with Anthony Quinn (1915-2001) American Actor. Academy Award winner. Signed and inscribed 8 x 10 photograph, the image depicting Quinn in a head and shoulders pose. Signe din bold black ink to a light area of the image. VG, 2 £150-200
Los 266
NOVAK KIM : (1933- ) American film Actress. A good and attractive signed 8 x 10 photograph by Novak, the image depicting the American actress in a close-up portrait pose. Signed in bold black ink to a clear area of the image. Together with Jean Simmons (1929-2010) English-American Actress and Singer. Signed 8x 10 photograph, the Paramount promotional picture depicting Simmons standing outdoors in a scene of All the Way Home (1963). Signed in bold blue ink to a light area of the image. VG, 2 £80-100
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534325 Los(e)/Seite