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Preisdatenbank abonnierenThe light elm sideboard with a two door cupboard with internal shelf, above a single drawer and with a flanking with internal cutlery tray and shelf. Supported on roller castors and with an Ercol sticker to the inside of the door and registration number. 114cms across, 70cms high, 43cms deep. *CR A few marks and stains to the top in places, some wear around the handles, otherwise in reasonable condition.
A large pair of late 19thc silk curtains, brightly embroidered with a Cockerel and chicks amongst flowering bamboo, birds, flowers and butterflies on a light green silk ground. With a braided border and a silk lining to the reverse, and with hooks for hanging. 267cms by 107cms. *CR The silk has faded back a little over time as you would expect, braiding on one curtain has come loose on one side and needs re attaching. Some marks and stains in places to the front and reverse, and a little dirty in particular on the back - could do with a gentle clean on both sides.
A M3 camera, Serial Number 997627 (1960), with a Leitz Summilux lens (1:1.4/50, serial number 1703740), with a Leica light meter and Leica leather case. *CR Lens and mechanism seem generally fine, the top of the camera has some marks/wear where the light meter has sat, a little discolouration to the chrome on the back and base, leather with a small hole on the front, some wear around the back panel. Some wear to the light meter on one side and underneath.
A gilt metal figure of a girl balanced on one leg, with arms outstretched and holding two globular marble effect glass shades. Mounted on a stepped onyx or alabaster base, 40cms high (excluding shades), 52cms high overall including shades. *CR Figure, some wear around the light fittings, touch of surface loss to the legs in places, base with some scratches and wear around the edges, small nicks in places. Shades, seem fine. Needs re wiring.
the dial with ornate pierced central panel and Roman numerals. the mother of pearl case with gold plated mounts, depicting cherubs to a crown and heart, upon ball feet, original green leather carrying case, stamped Lewis & Son, Brighton, and winder, 14cm high inc handle. *CR Wind and ticks, minor wear to mounts and hinges, light wear to carry case.
A light elm drop flap circular dining table, supported on splayed beech legs. With an Ercol sticker on one end, 71cms high, 123cms by 112cms fully extended. *CR The top is quite light in colour and has a few marks and scratches in places as you would expect with use to the top and flaps. Some marks and wear around the base of the legs.
A gilded metal figure of a kneeling girl, with arm outstretched and holding the light fitting, and mounted on a shaped onyx or alabaster base. With a frosted crackle glaze glass shade. 36cms high to top of light bulb. *CR Shade, small chips around the edge of the opening. Lamp, some wear/pitting to the figure in places including the head, limbs and body. Base, some small chips around the edges of the base in places. Needs re wiring.
A Leica IIIF Rangefinder camera, Serial Number 614768 (1951-52), with a Leitz Elmar lens (f=5cm, 1:3.5), with a Leica lens cap and leather case. With various accessories including a leather cased Leitz Elmar mount, Leica booklet, Weston Master II cased light meter, flash bulb attachment, cable release and lens extension tube. Also with an original Customs Invoice from 1954. *This camera was purchased by the vendors father in 1954 as a second hand purchase, it was a couple of years old by this time. *CR Case is in generally good order, with very little wear to the leather and chrome, there is one scratch to the base. In good working order.
Meiji period, a large pair of Japanese cloisonne vases with tapering necks, decorated with birds amongst flowering trees and flowers on a light blue ground. 40.5cms high. *CR One seems generally in good condition, small crack to the neck just under the rim, various marks/spotting to the surface of the neck. The other has a hole to the side of the body, there are various cracks to the surface, brass mount to the base a little loose.
A CHINESE PORCELAIN BLUE AND WHITE VASE TABLE LAMPTHE PORCELAIN 18TH / EARLY 19TH CENTURY, THE MOUNTS LATERpainted with panels of figures and pagodas in watery landscapes, with French ormolu mounts and a bouillotte style adjustable light fitting and shade23cm high (the vase), 88cm high (overall)ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A RARE PAIR OF WILLIAM IV AMERICAN BRONZE TWIN-LIGHT ARGAND LAMPSBY HENRY N. HOOPER, BOSTON, C.1835each lamp with a central urn finial on a turned support issuing angled arms, above a square pedestal and stepped foot, each with an applied label inscribed 'Manufactured by H. N. Hooper, Boston' later fitted for electricity (2)41.5cm highProvenanceParker & Morris: The Art of Decorating.Catalogue NoteHenry N. Hooper and Company, were a leading purveyor of lighting fixtures in mid-nineteenth century Boston. A related pair of lamps can be found in the Metropolitan Museum, New York, accession no. 2002.391.2a-e.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A GEORGE II SCOTTISH GILTWOOD GIRANDOLE WALL MIRROR C.1755the later plate within a frame carved with palm fronds, flowers, scrolls and rocaille, the surmount centred with a shell, the base with a boss applied with a brass twin light sconce117 x 65cmProvenanceParker & Morris: The Art of Decorating.The Marquess of Tweeddale, Yester House, Gifford, East Lothian.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A PAIR OF ITALIAN GILTWOOD GIRANDOLE MIRRORSVENETIAN, IN ROCOCO STYLE, 19TH CENTURYeach with a cartouche shape plate with a moulded border, the centre of one etched with Hercules holding a club defeating a serpent, the other with a Bacchanalian maiden holding bunches of grapes and fruit, the carved frames with scroll and shell decoration above twin-light brass sconces (2)59 x 33.5cmProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A DUTCH DELFT POTTERY BLUE AND WHITE VASE TABLE LAMP 18TH CENTURY AND LATERdecorated with panels of tulips, flowers and diaper work, with French ormolu mounts, fitted for electricity50cm high (excluding light fitting)ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A PAIR OF CUT-GLASS 'CRYSTAL AND GILT' TABLE LAMPSBY COLEFAX & FOWLER, SECOND HALF 20TH CENTURYeach with a knopped baluster stem above a faceted domed foot, with a three light fitting, together with a matching single lamp, damaged, fitted for electricity (3)53cm high (excluding fitting)ProvenanceParker & Morris: The Art of Decorating.Catalogue NoteFor an identical pair of table lamps see Christie's, A Tribute to John Fowler: Furniture & Decorations, 14th September 2006, lot 454, which fetched £8,400 (including premium).PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
SEVEN PAINTED AND GILTWOOD WALL BRACKETSITALIAN, LATE 18TH / EARLY 19TH CENTURY AND LATERdecorated with scrolls and laurel drapes, together with a Regency style twin light wall light and a carved walnut urn appliqué (9)27.9cm high, 20.4cm wide, 15.1cm deepPlease note the Chinese vases are lots 550 & 671.ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
W. A. S. BENSON (1854-1924) RARE ARTS & CRAFTS CEILING LIGHT, CIRCA 1900 model 1186/s, gilded brass and copper, opalescent glass shades, stamped twice BENSON and with each of the four gilt sconces stamped W A S BENSON fitting 84cm high, 120cm to ceiling rose, diameter 53cm Literature: Hamerton I. (ed.) W. A. S. Benson: Arts and Crafts Luminary and Pioneer of Modern Design, ACC 2005, p.256, pl.2 where this design is illustrated.
GEORGE WALTON (1867-1933) WALL PANEL, CIRCA 1890 repoussé-decorated copper, pewter, coloured glass, bears painted maker's mark lower right GEORGE WALTON & CO., LTD/ DECORATORS, GLASS STAINERS/ AND CABINETMAKERS/ GLASGOW, later frame 53cm x 45.4cm (frame size 64.5cm x 56.5cm) Literature: Moon K. George Walton: Designer and Architect, White Cockade 1993Glasgow Museums - Collections Navigator, collections.glasgowmuseums.com, 2016 ‘Miss Cranston’, Glasgowlife.org.uk, 2016 Note: This rare wall panel by George Walton (1867-1933) is characteristic of his work as a designer and decorator in the context of Glasgow's artistic avant-garde during the late 19th century. Walton was a pioneering influence on the distinctive 'Glasgow Style', experimenting with mixed media wall panels and stained glass, such as this example of a glass mosaic overlaid with copper and pewter. Similar examples can be seen in his work for Miss Cranston's tearooms at Argyle Street, for which he was commissioned, together with Charles Rennie Mackintosh (1868-1928), to redesign the interior in 1888. Walton's panels combined coloured glass with bright beaten copper, creating light and reflective three-dimensional surfaces. Walton chose coloured glass for its distinct material characteristics which did not need to be overpainted.Following this, George Walton & Co, Ecclesiastical and House Decorators, expanded to include the design and production of woodwork, furniture and stained glass. Walton, influenced by William Morris (1934-1896) and James Whistler (1834-1903), went on to work in almost every area of the decorative arts including; stencilling, fabrics, fireplaces, carpets, glassware and graphics to name a few, before finishing his diverse and innovative career as an architect.
PHILIP WEBB (1831-1915) FOR MORRIS & CO. ARTS & CRAFTS TABLE, CIRCA 1870 oak 183cm long, 76.5cm high, 82cm deep Literature: Whiteway M. and Gere C. Nineteenth Century Design: From Pugin to Mackintosh, Weidenfeld & Nicolson, 1993, p.78, pl.76Morris & Company Catalogue, circa 1914, p. 27, no. 519 where a line drawing of this table design is illustrated.Note: This scarce table designed by Philip Webb for Morris & Co. is based on an original design by Webb for Red House in Bexleyheath which he also designed for his friend William Morris in 1859. Two tables were made for the hall, described later by May Morris as ‘the first one’. Early examples of the table, including one made for the Burne-Joneses at the time of their marriage in 1860, were made by major Gillum's Boy's Club in the Euston Road. Morris approved of the solid joinery construction, disliking furniture that was 'so very light as to be nearly imponderable; it should be made of timber rather than walking sticks. The original design was adapted by Webb for sale at Morris & Co. and proved to be an enduring model for the firm, still appearing as a design in their catalogue as late as 1914.
SPA CROFT Models SPC12 1956 Humber Super Snipe MK.IV - dark green and light metallic green body - complete with certificate to certify that this model is numbered 20 of a limited edition of 200 models in this colour - Mint (signs are in 2 clear plastic bags), in Near Mint box with inner packing.
Matchbox Superfast group of 17b Daimler Fleetline buses - Including (1) two tone cream & light brown body with "Berger Paints" labels; (2) red body with "Bisto Kid" labels; (3) light orang body with "The Biscuit Makers" labels; (4) silver body with "Berger Paints" labels - Excellent Plus in Good to Excellent boxes along with 4 x unboxed ones (see photo) - Excellent Plus to Near Mint. (8)
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