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Preisdatenbank abonnierenAfter Laurence Stephen Lowry RA (1887-1976) ``St Luke`s Church, London`` Signed in pencil, numbered 802/850, a colour reproduction, 60cm by 45cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Please note there is a saleroom announcement on this lot. In an overall good state of preservation and colour. Light time staining to paper and margins. Not examined out of the frame.
After Laurence Stephen Lowry RA (1887-1976) ``Burford Church`` Signed in pencil, with the blindstamp for G R Mellor, numbered 850/455, a colour reproduction, 61cm by 45cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Please note that there is a sale room announcement associated with this lot. Frames with non- reflective glass. Light time staining to the margins. Colour depth good. Not examined out of the frame.
After Laurence Stephen Lowry RA (1887-1976) ``Industrial Panorama`` Signed in pencil with the blindstamp for the Fine Art Trade Guild, from an edition of 300, published by Medici Society, 1972, a colour reproduction, 60.5cm by 70.5cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot In overall good, bright and fresh appearance. Very light time staining to the paper and margins. Colour depth is generally good. Subtle cockelling to paper along the top edge. Not examined out of the frame.
After Laurence Stephen Lowry RA (1887-1976) ``Landscape with Farm Buildings`` Signed in pencil, with the blindstamp for The Fine Art Trade Guild, from an edition of 850, published by Venture Prints, a colour reproduction, 39.5cm by 49cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Light - medium depth time staining to margins and paper. Colour depth generally good, possibly slightly tempered by the time staining. Not examined out of the frame.
Gwen John (1876-1939) ``Portrait of a woman`` (self portrait) Pencil and watercolour, 13.5cm by 9cm Exhibited: Bear Lane Gallery, Oxford, 1960 *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot On light coloured buff paper with some subtle time staining. Delicate, slightly muted colour palette by design. No evidence of lifting or cockelling to the paper. Not examined out of the frame.
Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE, (1877-1970) Ballet backstage Signed, pencil, 34.5cm by 24cm Dame Laura Knight was a figure and landscape painter in oil and watercolour, draughtsman and etcher. She was born in Long Eaton in Derbyshire and later studied at Nottingham School of Art, where she met her husband Harold Knight. They both became members of the Staithes Group of artists on the North East Yorkshire coast. From 1908 - 18 they lived in Cornwall and in 1903 Laura exhibited her first work at the Royal Academy. Dame Laura Knight was particularly fond of accessing the backstage world of the ballet and circus where she could witness the characters preparing for the performance they were about to give. Her dedicated visits to the ballet began in 1911, from the time of the ballet Russes in London, and continued up until the Bolshoi Tour in 1956. Her interest in the circus began after the World War I, circa 1920, with the Swallow Circus in Islington, where Walter Sickert is also known to have visited and drawn inspiration. In 1927 she met Bertram Mills and travelled with Mill`s outfit between 1927-1929. In 1936 Knight became elected to the RA and her autobiography Oil Paint and Grease Paint was published in 1936. During World War II she worked for the War Artist`s Advisory Committee and then drew the war crimes trials at Nuremberg. Knight exhibited widely across the UK and beyond and major institutions such as the Imperial War Museum and Tate Gallery hold her work Retrospective exhibitions were held at the Upper Galleries in 1969 & Nottingham Castle Museum in 1970. We are grateful to Dr Barbara Morden for her contributions to lots 581-584 *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot PIn hole top edge centre. Light time staining to paper overall with a more pronounced line in top left hand edge. Brown spots to bottom right hand corner. Accidental diluted ink/ wash ? around the signature top of central dancers head and elbow. Not examined out of the frame.
Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE, (1877-1970) Young lady in profile with horses Signed, pencil, 34cm by 25cm Provenance: Bonhams Knightsbridge, 28th June 2000, lot 72 *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot In good overall condition. Approx 3 small sized brown spots lower section, left hand side edge and upper edge. Scratch to paper running diagonally from the lady`s elbow and approx 2cms in length. Very small and minor crease to left hand side edge at horse shoulder height with light cockell to this area. Very light time staining to paper. Not examined out of the frame.
Laurence Stephen Lowry RA (1887-1976) ``Easter Monday - Rivington Pike`` Signed and dated 1968, extensively inscribed and signed by Arthur Delaney in biro verso, black crayon on brown envelope paper, 22cm by 19.5cm The drawing is on the reverse of a typed addressed envelope to Arthur Delaney Esq. Provenance: Henry Donn Manchester 1980, thence by descent to the present owner. *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Please see images of this lot unframed. There is general creasing to the paper across the surface, especially so along the lower section and in a more vertical formation through the centre. Light surface dirt. General discolouration /foxing to mount. Very small fold/ tear along lower edge which is visible in the frame. Cockelling to paper.
John Mackie (b.1955) ``Saturday Morning Market, Pezanas`` ``Late Afternoon Light, Montpellier`` Each signed and dated 2001 and (20)02 respectively, pastels, 56.5cm by 77.5cm each (a pair) Provenance: Walker Galleries, Harrogate *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot
Simeon Stafford (b.1956) ``The Island, St Ives`` Signed, inscribed verso, oil on canvas, 92cm by 122cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Some light surface dirt, there is a small residual area of brown coloured card bonded to the impasto towards the upper left hand corner ( one assumes perhaps as a result of a protectective layer of card being placed in front of the work before the paint was fully dry), otherwise appears in an excellent state of preservation.
Martin Bradley (b.1931) ``Plan for a Garden`` Signed, signed, inscribed and dated 1955 verso, oil on canvas, 89cm by 64.5cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Signed, inscribed and dated verso. In an overall good original stable condition. Covered in a layer of dirt and discoloured varnish. There is a square shaped area beginning to lift along the lower edge approx 1-1.5cm square and 10 cms from the left hand side corner . Thick impasto across surface with textured finish. Light isolated cracquelure visible in upper section. Original canvas.
Mary Fedden RA (1915-2012) Still life with pineapple Signed and dated 1991, oil on board, 73.5cm by 58.5cm *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot In an overall good state of preservation. Very light surface dirt, unvarnished. One or two splashes of translucent shiny spots on surface ( easily removed and barely perceptible).
A Doulton Stoneware Twin-Handled Vase, by Hannah Barlow and Eliza Simmance, sgraffito decorated with five donkeys grazing, enclosed by repeating borders, impressed and incised factory marks 548 1060 a 641 H and HBB and ES monograms, 33cm Some wear to the tips of the applied decoration, light surface scratches. 10092014
K.N.Munro Electric Lighting An Extensive Archive of 1960`s Design Drawings and Blueprints, for traditional and contemporary light fittings, used in commercial, church and domestic use, various sizes, some heightened in watercolour, one labelled K.N.MUNRO ELECTRIC LIGHTING 2 CLAIRMONT GARDENS, GLASGOW. C.3 DOUGLAS 7511, in a folio (quantity)
A Robert ``Mouseman`` Thompson Oak Fruit Bowl, with tooled interior and exterior, carved mouse signature to the interior, 30cm; and A Robert ``Mouseman`` Thompson Oak Ashtray, with carved mouse signature, 10cm (2) Bowl has some wear to the rim and light surface scratches. Ashtray has splash marks. 24092014
A Set of Eight (6+2) 1960`s Swedish Teak Dining Chairs, by Svegards Markaryd, with curved rail backs, upholstered black vinyl seats, on four tapering legs, chairs stamped Svegards MARKARYD MADE IN SWEDEN, 77cm armchairs labelled N.H.CHAPMAN & CO LTD Siesta REGD NEWCASTLE & CASLISLE, 80cm; A 1960`s Danish Teak Extending Dining Table, with two leaves, on four tapering legs joined by two stretchers, labelled FURNITURE MAKERS DANISH CONTROL CRAFTSMANSHIP MK MADE IN DENMARK, 162cm by 85cm, 72.5cm high each leaf 45cm wide; and A 1960`s Teak Sideboard, the rectangular top with raised upstand over four drawers over eight cupboard doors, on four tapering feet, unmarked, 222cm by 45cm, 80cm high (10) Sideboard - some deep scratches to left hand side of top, otherwise in good order. Table - minor light surface scratches to top, but overall in good order. Chairs - in good order. The suite has been little used and looked after really well. 121114
Corgi Toys, gift set 47, Ford 5000 tractor and conveyor set comprising of Ford 5000 Super Major in light blue with drive figure, red, blue and grey trailer conveyor with black rubber belt, 6 sacks, in the original all card sliding tray box with box inner and 2 Corgi Model Club leaflets, the box outer has been sellotape repaired (G-VG-BG)
Corgi Toys, gift set 12, Chipperfields Circus crane truck and cage, comprising of 1121 crane truck, red body with light blue hubs and lettering, silver tinplate jib, and No. 1123 circus animal cage, red body with blue sliding doors and spun hubs, in the original blue and yellow lift-off lid box with instruction leaflet (G-BG)
Corgi Toys, 1138, Ford articulated Corgi Cars car transporter, red and silver cab with lemon interior, blue trailer with light blue/green upper deck, in the original blue and yellow all card box with sliding inner tray with pictorial back, two packing pieces with the instruction leaflet, some wear to box outer (VG-BG)
Dinky Toys, loose car group to include; 40D Austin A40 Devon, maroon body and hubs (G), 40G Morris Oxford, stone with light grey hubs, 1 tyre missing and 1 tyre a/f (G), 182 Porsche 356A Coupe, cream body with blue hubs (G-VG), 39A Packard, dark brown body with repainted bumpers (RP), 38F Jaguar sports car, red body with maroon interior (G), and 161 Austin Somerset, black lower body with cream upper, model has been repainted to roof (RP) (x6)
Dinky Toys, 982 Pullmore car transporter, blue cab with blue hubs, light blue back and decks with 'Dinky Toys Delivery Service' to sides, in the original blue and white striped Supertoys box with picture of loading ramp included (VG,BG), sold with the loading ramp in the original yellow box, end flaps missing (G,Ba/f)
Dinky Toys, boxed and empty box diecast group to include; 958 snow plough, yellow and black body with damaged tail and blue light, box lid split (a/f,BF-G), No.261 telephone service van (VG,Ba/f), No.253 Daimler ambulance, white body with glazing, has been touched in to cross (G,Ba/f), No.190 caravan, blue and cream body, box repaired to one end flap (G,BR), and a empty box for 193 Rambler Station Wagon (G)
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