An Oxford University painted and gilt-decorated oar, dated '1924', for the 'St John’s College second torpid', 356cm long 16cm high, together with two rudders, and three photograph displays (6) Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire. Condition ReportThe oar is 356cm long and 16cm high. The largest framed picture is 64 x 115cm and the two smaller are each 50 x 90cm. The rudders are each 36cm wide, 55cm deep, 30cm high.General knocks, splits, and wear to oar and rudders commensurate with age and use, with rubbing and loss to decoration, general light wear, dirt and foxing to photographs.
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A Louis XVI ebonised wooden commode, late 18th century and later, French, the grey marble top above three long drawers, raised on tapering turned supports, with brass mounts, 121cm wide50cm deep87cm highCondition ReportNO KEY PRESENT. Ebonised decoration is later. Later timbers, strengthening and repairs throughout. General light scratches and tiny chips to edges of marble. Some small dings and dents to brass. General wear to drawer interiors, with base lock lacking. Drawers run smoothly. Joints are sound and solid. Overall the piece appears in fair restored condition and is ready for use.
A teak bench in the George III taste, of recent manufacture, with a high back and sides with slatted detail, raised on tapering square stretchers,190cm wide57cm deep91cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportGeneral light knocks and surface wear. Joints tight and sound. Overall, appears in good order and ready for use.
A near pair of teak folding campaign tables, early 20th century, each with slender square supports united by stretchers, larger 58cm wide 46cm deep 70cm high (2)Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportGeneral wear, light knocks and scratches. Joints are solid and overall appear in good order.
A set of three Regency brass and steel fire tools, 19th century, each with rococo handles, comprising a shovel, poker and tongs,78cm long (3)Condition ReportThe tools are in good condition overall. There's some light tarnish and very small areas of rust. All items are structurally sound and ready for use.
A pair of George II provincial ash and elm side chairs, mid-18th century, each with a vase-shaped splat, panel seat, and on stretchered legs,46cm wide36cm deep92cm high (2)Provenance: York's Tenement, Yoxford, Suffolk.Condition ReportAlteration to one where the seat meets the back. Evidence of old worm to both, nothing that appears active. One support with splits and knocks. One stretcher protruding from its hole. One spat split. One with relatively stable joints. The other with back loose to frame. Some small cracks. Light wear and scuffs.
A set of three glazed earthenware storage jars and covers, 19th century, Scottish, probably by Morrison and Crawford, Rosslyn Pottery, Kirkcaldy, each of ribbed barrel form with a mottled glaze, inscribed 'Flour', 'Sugar' and 'Meal', 15cm diameter 24cm high (6)Provenance: York's Tenement, Yoxford, Suffolk.Condition ReportTwo lids repaired/restored. The other lid with small old chip. Otherwise good condition without cracks or losses to the bodies. Underside with light wear. Please see additional images.
A group of eleven classical engraved prints, 17th century, comprising six after François Perrier, 'Segmenta Nobilium Signorum et Statuarum', depicting Roman sculptures, largest 32 x 24cm,together with five similar examples and an index, framed together (12)Condition ReportGeneral light marks and blemishes to paper. General knocks and scuffs to frames, which are all sound. Overall the group appear in good order and are ready to hang.
A pair of Louis XV-style night tables, late 19th century, each with a marquetry-inlaid shaped top, over a shelf and an undertier, with cabriole legs with gilt-metal sabots,45cm wide34cm deep70cm high (2)Condition ReportSome banding to the gallery is missing and other areas of loss and wear. Light splits and surface wear to the tops. Slight fading to the front of the under tiers. Some splits to veneers around the bottom tiers, both with slight movement when on a flat surface. Joints are a little stiff. Overall joints appear stable and ready for use.
An upholstered footstool by Parker Knoll, of recent manufacture, the rectangular top with a grey wool covering, raised on turned wooden supports terminating in brass castors,95cm wide 73cm deep 38cm highCondition ReportLight wear and marks to the top. Scuffs and marks. Wheels freely. Overall appears in reasonably good structural and cosmetic condition and is ready for use.
A George V cased canteen of silver flatware, by Francis Higgins & Son Ltd., London 1930, in King's pattern, comprising:4 salt spoons,4 sauce ladles,12 teaspoons,12 dessert forks,11 table forks,12 dessert spoons,12 soup spoons,6 tablespoons, anda pair of sugar tongs,case 14cm wide36cm deep13cm high, 169ozt (74)Condition ReportLight tarnish to the silver and case. Overall fair condition.
A George IV rosewood centre table in the manner of Gillows, c.1825, with a rounded rectangular top with a beaded lower edge, raised on twin reeded and turned supports, terminating in lobed feet with concealed brass castors,122cm wide 70cm deep 72cm highCondition ReportSome light fading and scratches to the top with general knocks to the edge. General knocks to the supports and feet. Castors wheel freely. Joints are sound and solid. Overall, the piece is in good structural and cosmetic condition.
A George III ebonised table timepiece, with a 4½-inch enamel dial, inscribed 'Grant, Fleet Street, London', in a square case with a stepped top, on brass ball feet, the backplate also engraved, 18cm wide 14cm deep 27cm high Provenance: From the Collection of Nigell and Heather D’Oyly. Condition ReportWITH PENDULUM, CASE KEY AND WINDING KEY.Minor wear to case, including a few splits, chips and light knocks. Lock mechanism a little stiff. Movement appears to work but we'd recommend the attention of a professional clockmaker.
A William IV rosewood low library bookcase, c.1830, of inverted breakfront outline with a later sectional marble top, above open shelves set between plain plinths with scrolling decoration, raised on a plinth base, 260cm wide 42cm deep 97cm highCondition ReportThe marble top is later and not one piece. General light wear and scratches to the marble. General knocks, surface scratches throughout, commensurate with age and use, particularly to the shelves. Some wear, scuffs, and discolouration to the base. Joints are sound and solid. Overall, it appears in fair order.Presented with four short and two long shelves, however some pegs appear to be lacking therefore would need replacements.
A George I-style red and gilt japanned pier mirror, 20th century, with an arched scrolling crest above a shaped rectangular plate, with all-over chinoiserie decoration, 97cm wide 183cm highProvenance: A private collection, Cadogan Gardens, Chelsea, London SW3.Condition ReportChips, knocks, and losses to the decoration, particularly to the left-hand side which is a little unstable. Old splits and repairs throughout with some retouching. General surface wear and light mottling to the plate. Overall, the joints are sound and solid.
A collection of Edwardian parasol and cane handles and mounts, early 20th century, including six partridgewood examples, two with mother-of-pearl handles, one in the shape of a swan, a horn mount and a porcelain mount,swan 27cm long (8)Condition ReportSilver hallmarks rubbed and indistinct. Wear and marks to then handles. Light tarnish and wear to the metal components.
A Louis XV-style lacquered chinoiserie commode, first half of the 20th century, French, of serpentine outline with a brocatelle marble top, above two drawers, raised on cabriole supports, with all-over gilt-metal mounts, 121cm wide51cm deep89cm highCondition ReportLight surface wear and scratches to marble with some tiny chips to edges. Some general knocks, surface wear, minor breaks and repairs. General wear to drawer interiors, drawers run smoothly. Joints sound and solid. Overall the piece appears in relatively good structural and cosmetic condition and is ready to place.
A nickel and painted 'Jumbo Ophelia' lantern by Charles Edwards, of recent manufacture, in the Louis XVI taste, with pineapple finials and ribbon-and-stick detail, decorated with Farrow & Ball 'Berrington Blue No.14', with six lights, 100cm diameter 195cm highProvenance: Charles Edwards, London.Condition Report Overall appears in good structural and cosmetic condition with minor wear. Panels are plastic not glass, with light wear. 80kg in weight. Joints are sound and solid, requires professional electrical attention for installation
English Naive School, early 19th century A tradesman selling bulls' eyesoil on panel22 x 18cm, in a painted frameProvenance: York's Tenement, Yoxford, Suffolk.Condition ReportFrame size 31 x 27cm. A few light cracks to paint and possible restoration to the hat, although paint is stable. See additional images.
A needlework picture of the RMS 'Titanic', c.1920, depicted in profile and inscribed 'The Titanic Went Down Aprial (sic.) 15 1912',37 x 49cm, framed and glazedProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportSome dirt, marks, fading, wear and discolouration. One or two tiny holes. Overall the piece appears structurally stable and in fair order. Light knocks and wear to frame.
A giltwood and gesso picture-frame mirror, late 19th century, of shaped rectangular outline, the pierced rococo frame decorated with floral and foliate scrolls, enclosing a later glass plate,120cm wide82cm highCondition ReportOne or two roundels lacking. General knocks, wear, small cracks and repairs to frame. Joints generally sound. Light wear to later plate.
A Louis Philippe figured elm console table, second quarter of the 19th century, French, with a grey marble top above a frieze drawer, raised on scrolling supports and a shaped plinth base, terminating in bun feet,93cm wide 46cm deep 88cm highCondition ReportGeneral light wear, scratches, and tiny chips to the corners and edges of the marble top, general wear, small losses, minor repairs, and splits to the veneer, drawer runs smoothly with general wear to interior, joints are sound and solid, overall appears in reasonably good structural and cosmetic condition and is ready for use
A Queen Anne walnut and feather-banded bureau bookcase, c.1710, with a double-arched top, above a pair of doors enclosing a fitted interior, with a fall-front and three short and three long drawers, raised on bun feet, 104cm wide59cm deep208cm highCondition ReportGeneral surface wear. Small splits, scratches, losses and minor repairs to the veneers. Carcass splits to fall. Light wear to glass, with some mottling to plates, however the glass is possibly later. Some moisture damage and wear to interior, with movement to shelves. Possible alteration and refitting to interior, with evidence of later veneers to drawers. Some splits, wear and marks to fall interior, with some movement and warping to doors and drawers. Stains, marks and wear to velvet lined writing surface. Drawers a little stiff, with splits and wear to liners. Drawer handles appear replaced. Feet likely later. Joints sound and solid. Overall with cosmetic wear and damage commensurate with age and use, as well as evidence of repairs and alterations. Some loose veneers and mouldings to base.
A Victorian City of London ceremonial silver tipstaff, applied to either side with die-stamped arms of the City of London, inscribed 'GUILDHALL 1863' and with three further shields of arms, the shank engraved 'LORD MAYOR AND SHERIFF'S COMMITTEE James Smith Esq.', with a turned boxwood handle,the surmount 12cm long25cm long overallCondition ReportNo hallmarks but tests as silver. Some light tarnish.
A very large lacquered and giltwood figure of the standing Buddha, late 19th/early 20th century, Mandalay period (1853-1948), Burmese (Myanmar), clad in thickly folded brocaded hems inset with multicoloured glass 'beads', the slender figure standing on a flat disc of the moon held within a lotus blossom, raised on a modern black plinth,72cm wide40cm deep201cm high excluding base234cm high including baseProvenance: A private collection, Cadogan Gardens, Chelsea, London SW3.For a similar example, see Bonhams, 'Asian Art', 5 November 2018, lot 245.Condition ReportOverall the Buddha is in good condition and structurally sound, but with some cosmetic wear and repairs. Breakage and repair to figure's left index finger. Splits to left hand, right sleeve, left shoulder, front right foot. Losses to glass insets. Break and repair to the robe's corner. Light wear and age to the lacquer and gilt. The chin with noticeable wear to gilding. Scuffs and light scratches to gilding throughout.
A pair of Regency-style mahogany and ebonised side tables, of recent manufacture, each rectangular top with a shallow three-quarter gallery, above two further shelves set between turned supports, terminating in bun feet, 40cm wide33cm deep77cm high (2)Condition ReportGeneral light knocks, wear, and scratches throughout. One middle shelf with two or three slightly heavier polished scratches. Joints are sound and solid. Overall, presents in good structural and cosmetic condition and is ready for use.
A pair of Regency-style bronze table lamps, early 20th century, each of neoclassical column form with cast folio detail, paw feet, and a triform base,19cm wide 19cm deep 54cm high (2)Condition ReportGeneral light surface wear, tarnish, and discolouration. In need of rewiring. Some light dings and dents. One foliate mount missing above one paw foot. Generally in fair structural and cosmetic condition.
A small baroque carved giltwood mirror, early 18th century, Italian, of oval shape with scrolling foliage and shell detail, 29cm wide56cm highProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportGeneral surface wear, knocks and cracks to the frame, with some rubbing and wear to the gilding, with a small amount of retouching and repair. Light wear and mottling to the glass, which is possibly later. Overall appears structurally stable and in fair order.
A George III 3½-inch terrestrial globe by Charles Smith & Son (fl.1803-1862), early 19th century, titled 'Smith's Terrestrial Globe exhibiting the whole of the Discoveries of the different circumnavigators to 1810. Published by C. Smith, Strand, Oct 1 1810', in a shagreen case,case 11cm diameterCondition ReportThe globe with a few small scuffs to the varnish. Some slight dirt and discolouration. The globe fits snug to the case. General light wear to the case's interior. The case with some wear and slight splits to the skin. Overall presents in a good and stable condition.
A Louis XVI-style giltwood pier mirror, late 19th/early 20th century, French, with an elaborate foliate crest set between a pair of urn finials, with further neoclassical decoration to the frame, surrounding a rectangular glass plate,122cm wide 190cm highCondition ReportRight-hand finial is broken and loose. Further small breaks and losses to the frame but overall appears stable. Rubbing, wear, and loss to gilding in places. General wear and light mottling to plate.
A pair of Vienna porcelain and gilt-metal-mounted tankards, c.1815-1820, each of tapering cylindrical form with a gilt reserved panel painted with classical scenes depicting Pyramus and Thisbe, and Procris, with brightly coloured grounds interspersed with gilt reserved panels with geometric and pictorial decoration, with a hinged cover painted to the exterior and interior, and inscribed to the underside 'Pirannis et Thisde' or 'Porris' and with blue beehive marks,14cm wide with handle9.5cm diameter 16cm high (2)Provenance: President Ahmet Bej Zogu, later King Zog I of Albania, by repute;gifted by the above to Sir General Richard Haking, Cairo, 1925, by repute;from the collection of Nigell and Heather D’Oyly, inherited from the above.Sir Richard Haking GBE KCB KCMG (1862-1945) commanded the XI Corps during the majority of the First World War.Condition ReportWith handwritten note of provenance. Minor wear to both and light tarnish to metal components.
A Victorian walnut and brass-bound travelling vanity case, 19th century,silver mounts by Thomas Johnson, London 1860 and 1862,retailed by Asprey, 166 Bond Street, London, fitted with various vanity bottles and tools, the reverse of the hinged lid with a document compartment,case 30cm wide24cm deep13cm highCondition ReportNO KEY. The lids to the two cylindrical glass pots stuck. Fittings complete. Light tarnish and wear to the case.
A brass carriage clock, early 20th century, with an enamel face, the repeating movement striking the hours and half hours on a gong, the backplate stamped with the mark for Henri Jacot, 'Paris' and '8861', 10cm wide 9cm deep 18cm high including handle Provenance: From the Collection of Nigell and Heather D’Oyly. Condition ReportWITH WINDING KEY.Appears good, movement works but not fully tested. Overall good aesthetic condition, some light tarnish and dents to back door. Glass panel to back door chipped around the knob. Repeater operational but cannot guarantee accurate timekeeping. Please see additional images.
A pair of red and gilt-japanned side chairs, 18th century and later, possibly Dutch, each with a pierced fiddle back and a serpentine seat, raised on cabriole supports united by a wavy stretcher, 53cm wide 53cm deep 103cm high, together with a similar example (3)Condition ReportThe pair with possibly later Japanning, with general knocks, surface wear, scratches, and small repairs throughout, commensurate with age and use. Light wear and marks to drop-in seats. The associated example with some minor historic woodworm damage which does not appear active. All joints are generally solid and stable, and the three chairs appear in relatively reasonable order.
A Baule mask, 20th century, carved softwood and pigment, raised on a contemporary metal stand,48cm diameter86.5cm high including standProvenance: A Chester Jones Interior - The collection of Robert and Jenny Borgerhoff Mulder, Kensington, London W8.Condition ReportGeneral light surface wear, scratches, and knocks. A small amount of rubbing to the paintwork. A break and repair to one side of the back where it sits in the modern display stand. However, overall the piece appears in good and stable structural and cosmetic condition.
A Herend 'Queen Victoria' porcelain part dinner service, 20th century, Hungarian, each with painted and gilt-heightened decoration with stylised peony flowers and butterflies, blue printed and impressed marks to base,tureen 30cm wide21cm deep20cm high (111)Condition ReportOverall the service is in very good condition with no major damages or defects. There are a few tiny chips to flowers - see images. There may be slight traces of age and use as these are pre-owned, such as surface scratches and light wear to gilding and paintwork, but nothing that is strikingly obvious to us.1 x tureen and cover - no notable issues - etched number underneath EN4OHY1 X twin handled circular dish10 x dinner plates - rubbing to gilding and light wear to decoration 1 x teapot - small nibbles to flower finial - light wear3 x milk jug 12 x medium plates - light wear 18 x side plates - some yellow markings/ light wear to decoration / one with hairline crack 6 x larger teacup saucers 10 x coffee saucers (circular/unshaped rims)6 x coffee saucers (shaped rim)14 x tea saucers (shaped rim)5 x teacup (circular rim)14 x teacup (shaped rim) - one example with handle repaired6 x larger teacups 1 x coffee jug - yellow discoloration present3 x sugar bowls - small chips to flower finials10 x coffee cans
A pair of Venetian etched and moulded glass mirrors, of recent manufacture, each with an arched central plate within a segmented border with applied flower head detail, 92cm wide161cm high (2)Condition ReportSome flowerheads loose, with some breaks and losses to moulded detail. Light wear to glass. Overall in fair order.
An imitation leopard-skin and ebonised wooden ottoman, of recent manufacture, Italian, by TPM Tappezzeria, the hinged rectangular top with studded detail, raised on tapering square supports, 130cm wide 65cm deep 48cm highProvenance: A private collection, Cadogan Gardens, Chelsea, London SW3.Condition ReportLight wear to the upholstery, with one or two small scuffs. One interior hinge is damaged and not functioning but does not affect the overall functionality. Light knocks and tiny chips to supports. Some minor dirt and marks. Joints are solid. Overall, it appears in relatively good structural and cosmetic condition and is ready for use.
A George I-style carved giltwood and gesso mirror, probably late 19th/early 20th century, incorporating some earlier elements, with a scrolling mount set between a broken swan-neck pediment, with acanthus detail to the frame, enclosing a later glass plate,56cm wide107cm highCondition ReportEvidence of repairs, restoration, and later elements Later regilded with some chips, knocks, losses, and wear to the gilding and finish General knocks, cracks, and wear throughout commensurate with age and use Some areas of repair Generally stable and appears in fair cosmetic condition General light wear to the later glass
A large ash and ebony-inlaid centre table by Chester Jones, of recent manufacture, the circular top with geometric stringing, raised on ebonised, tapering, bobbin-turned supports,182cm diameter 76cm highProvenance: A Chester Jones Interior - The collection of Robert and Jenny Borgerhoff Mulder, Kensington, London W8.Condition ReportVery light surface wear and scratches to the top, with a few tiny fine cracks to ebony stringing. Light knocks to the supports. Joints are sound and solid. Light wear and tarnish to the Overall the table appears in good structural and cosmetic condition and is ready to place.
A large George IV-style mahogany footstool, of recent manufacture but incorporating earlier elements, the rectangular seat with hessian upholstery, raised on reeded supports,152cm wide 78cm deep 49cm highCondition ReportLight wear to upholstery which is recent. General light knocks and surface wear to support. Joints are sound and solid. Overall appears in good structural and cosmetic condition.
A small painted and leaded glass panel, 19th century, painted to the centre with a robin perched on a branch,21cm diameterProvenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportOne of the glass sections to the border has cracked and slides out of place. Areas of wear and tarnish to metal components. Light scratches and wear to glass.
A pair of Louis XVI-style painted and parcel-gilt wall sconces, early/mid-20th century, Continental, each with an urn finial over mirrored panels and twin branches,28cm wide12cm deep92cm high (2)Condition ReportEvidence of repairs and strengthening to the backs. Small chips and losses to paint. Slight chips and light degradation to the mirror plates. Overall in nicely aged condition and ready for placement.
Ten various menswear advertising pictures, 20th century, to include 'Itshide Rubber Co. Ltd.', 'Brown & Sons...Gaiters and Leggings', and the 'Felt Hatters & Trimmers' Unions of Great Britain', mixed media,largest 63 x 48cm (10)Provenance: The collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportGeneral dirt, marks and light surface wear throughout, with some scuffs, wrinkles and perforations. General knocks and wear to frames. Some glazed.
William John Marriner (1881-1967) for Fulham Pottery, c.1930s, an earthenware urn of fluted twin-loop form on a spreading foot, with an unglazed exterior, glazed interior, the underside with impressed stamp 'THE POTTERY FULHAM LONDON' and 'MADE IN ENGLAND', and inscribed shape no. 'FMC2',42cm wide11cm deep13cm highCondition ReportLight general surface wear to include minor marks otherwise in generally good clean condition.
A pair of Empire-style gilt and patinated bronze five-light candelabra, c.1860, French, each in the form of a caryatid holding a torch aloft, on a stepped white and brocatelle marble base,32cm wide25cm deep56cm high (2) Condition ReportCandle sconces with a 2.5cm aperture. Both drilled for electrical wires and re-converted into candelabra. General knocks, wear, rubbing, dings and dents to metal. Some rubbing and wear to gilding and patination. Some tiny old chips and losses to marble. Overall appear in fair order.
A George III-style giltwood overmantel mirror, early 20th century, in the Chippendale taste, the frame of scrolling rococo outline with foliate decoration, enclosing a triple plate,135cm wide 95cm highCondition ReportRegilded with some retouching and later gold paint splits chips knocks and losses to frame light wear to glass overall fair order.
A baroque gilt-metal and ebonised wooden pier mirror, late 19th century, Dutch, the arched top above a rectangular bevelled plate within glass borders, with all-over scrolling foliate rococo decoration and ripple moulding, 107cm wide 170cm high Provenance: A private collection, Cadogan Gardens, Chelsea, London SW3. Condition Report General tarnished discolouration and small knocks to metal with one or two slightly misshapen areas. General light wear and moulding to the glass. Joints are overall solid and the piece appears in very good structural and cosmetic condition and is ready to hang.
An Edwardian strung and crossbanded satinwood bookcase, c.1900, the top section with a convex mirrored crest, over turned pendant ivory drops and shaped astragal-glazed doors, the base with two drawers and two panelled doors on turned reeded supports,112cm wide44cm deep223cm highIMPORTANT NOTE:This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.Condition ReportGeneral light surface wear, small scratches, chips, and losses. The glass is in good order. General light wear to the interior. Some small knocks and dents to the moulding, particularly to the base. Overall sturdy, solid, and in reasonably good order.
A Louis XV giltwood pier table, mid-18th century, French, of serpentine outline with a rouge marble top, raised on scrolling rococo supports united by a shell stretcher,98cm wide 49cm deep 92cm highCondition ReportLight wear, scratches, and tiny chips to the marble top with some evidence of minor strengthening and repair to the frame. Gilding has been refreshed with some rubbing, wear, chips, knocks, and losses to gilding and carving, including to one foliate scroll of the frieze. Joints are sound and solid and overall appear in reasonably good structural and cosmetic condition.
After Isidore-Jules Bonheur 'Le Grand Jockey', patinated bronze, marked 'I BONHEUR to the base', mounted on a stone base,58cm wide16cm deep64cm highCondition ReportOverall the bronze is in good condition and structurally sound. There's some light moisture marks to the polished stone base. The reins slightly misshapen. No obvious scratches/dents. Secure to the base and lays still on a flat surface.
A Regency mahogany cheval mirror, c.1820, with an adjustable mercury glass plate set between a pair of foliate-carved ring-turned uprights, united by a base stretcher and terminating in outswept supports with paw feet and brass caps and castors, the metalware stamped 'Cope & Austin patent', 87cm wide 64cm deep 160cm highCondition ReportLight mottling and degradation to mercury glass plate. General surface wear and knocks to the frame throughout commensurate with age and use. Supports and base appear refinished. Some small splits to timbers. Joints are sound and solid. Overall, presents in reasonably good structural and cosmetic condition and is ready for use.
A slip-glazed terracotta figure of a seated fox, 19th century, decorated in a honey colour, on a plinth base relief-decorated with running hounds,13cm wide10.5cm deep19.5cm highProvenance: York's Tenement, Yoxford, Suffolk.Condition ReportLight manufacturing flaws and craquelure to the glaze.
A painted pine marriage cupboard, 19th century, Austrian, with a moulded cornice, above a pair of panelled doors decorated with flowers and inscribed '1848', raised on short tapering feet, 137cm wide 54cm deep 173cm highCondition ReportONE KEY PRESENT. General knocks, surface splits, chips, and losses throughout. Commence with agent use. Evidence of some restoration, repair, and later timbers, including parts of the cornice which may be replaced. Scuffs, rubbing, and loss to painted decoration with evidence of small amounts of repainting. Traces of historic woodworm damage which does not appear active. Lock functional and hinges good. General light wear to interior. A small amount of lateral movement in joints but generally sound and solid.

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534297 Los(e)/Seite