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Los 108
A SAXON MINER S GUILD AXE, LATE 17TH CENTURY with iron head pierced with a rondel filled, in copper, with the miners' emblem, a pair of stone hammers, square rear pean (upper tip slightly bent, light rust), engraved bone sectional haft decorated over its full surface with sixteen differing captioned scenes from miners' lives, including a pair of praying miners in contemporary dress at the foot of the cross at the top, and engraved bone basal cap decorated with the crossed swords of the Archmarshallship of the empire and the arms of Saxony on one side and a pair of crossed stone hammers on the other (basal plaque missing, the haft slightly loose) 66 cm; 26 in haft
Los 141
**A CAP-A-PIE ARMOUR FOR THE 'JOUSTS REAL', WITH ETCHED DECORATION, 19TH CENTURY IN THE SOUTH GERMAN STYLE OF CIRCA 1520 of exceptional weight, comprising helm of pronounced 'frog-mouthed' shape formed of a front and a rear section joined to one another at each side by a push-button operated spring-catch and a pair of screws, the front section formed of an upper and a lower plate joined by rivets at each side at the level of the broad vision-slit and pierced at the right with a large sub-rectangular ventilation-hole closed by a hinged trap-door secured by a sprung sliding catch, the rear section formed of a single plate contoured to the back of the head and neck, medially ridged in its upper part, fitted at the back with an upstanding plume-holder and pierced at each side with lace-holes fitted in each case with copper eyelets for the attachment of an arming-cap, and both the front and rear sections extending downwards over the cuirass to which it is attached by bolts; breastplate of rounded, medially-ridged form, pierced beneath its straight upper edge with a pair of threaded holes to accommodate the bolts that attached the helm and at the left of the chest with three similar holes for those that attach a shoulder-shield, and fitted within its right arm-opening with a large semi-circular flange, at the right of the chest with four pierced staples for the attachment of a rigid lance rest fitted at the centre of its arm with a red velvet-covered block of wood, and within its lower edge with waist-lame flanged outwards to receive a fauld of three lames, the lowest of which is cut at its centre with a shallow arch separating a pair of pendent medially-ridged one-piece tassets, the left of which is considerably longer than the right, each suspended by a pair of straps (broken) from the second lame of the fauld; backplate formed of a straight-topped main plate fitted within its lower edge with a waist-lame flanged outwards to receive a culet of three lames; shoulder-shield of sub-trapezoidal form, curving forward at its top and bottom, pierced to the right of centre with three holes to receive its retaining screws, and reinforced peripherally and in a diagonal trellis-pattern with applied half-round strips decorated with roping; spaudlers each of four lames, the first decorated medially with a rib, linked by a turner to a fully articulated vambrace formed of a tubular upper and lower cannon linked to one another by an intervening winged bracelet couter and, in the case of the right, a series of lames protecting the inside of the elbow, the right couter decorated across its front with a medial rib and the left pierced at its front with a threaded hole for the attachment of a large shell-like reinforce covering its front and outside; mitten gauntlet for the right hand formed of a flared and rounded cuff boxed along its upper surface, closed by riveting at its inside, decorated with a large almond-shaped boss over the end of the ulna, and fitted with three metacarpal-plates and three shaped finger-plates; manifer for the left hand of similar form to the right gauntlet but having a larger and more markedly flared cuff and a single finger-plate fitted on its upper surface with a flanged thumb-defence; cuisses each formed medially with a raised rib and fitted at its lower end with a poleyn of five lames, the third of which is shaped to the point of the knee, decorated with a similar rib and formed at its outside with a large medially-puckered oval side-wing; and full-length tubular greaves each fitted within the arched lower edge of its front plate with a broad-toed sabaton of eight lames, the last of which is decorated with a medial rib; the main edges of the armour decorated at points with boldly roped inward turns, and its surfaces etched throughout with bands, borders and panels of foliate interlace and scrolls inhabited by grotesques and flower-heads, all on a blackened and stippled ground (some parts of the armour showing patches of light recent rust) See note at front of catalogue for information concerning stands Provenance The Duque del Infantado, Madrid, May 1931 JWHA Inv. No. 1649 Exhibited Rensselaer County Junior Museum, Troy, NewYork, 1 October - 5 September 1975 Children's Museum, Hartford, Connecticut, March - April 1976 WBZ Television, 14 January 1980 The design of the armour is inspired by that in the Real Armeria, Madrid, Inv. No. A 37, made for the Emperor Charles V, probably by Koloman Helmschmied of Augsburg circa 1520. See Calvert 1907, pl. 23 and Godoy et.al 1991, pp. 118-22.
Los 146
**A COMPOSITE GERMAN LIGHT FIELD ARMOUR, PARTLY NUREMBERG, LATE 16TH TO EARLY 17TH CENTURY, WITH LATER ETCHED DECORATION comprising burgonet with rounded one-piece skull slightly boxed at each side and rising to a high file-roped medial comb, projecting forward to an obtusely-pointed peak struck at its centre with the quality-control mark of the City of Nuremberg and three circles in triangular formation, fitted at its flanged lower edge, just beneath a slender tapering plume-holder, with an obtusely-pointed neck-guard of one lame, and at each side with a cheek-piece shaped at its upper front corner to fit over the rear of the peak and flanged outwards at its lower edge to form a continuation of the neck-guard, and pierced at its centre within a raised circular panel decorated with an eight-pointed recessed asterisk with nine small circular auditory holes arranged in rosette-formation; 'Almain' collar formed of three lames front and rear, the lowest front one struck internally with the Nuremberg mark of an N within a circle (the lowest rear one associated), and each side fitted with an integral spaudler, the left formed of seven lames and the right of eight (two of the left and five of the right restored or associated, and one of each patched); breastplate formed of a medially-ridged main plate fitted at its arm-openings with moveable gussets (the right restored) and at its flanged lower edge with a fauld of three lames of which the lowest is cut at its centre with a shallow arch separating a pair of long pendent tassets each of seven lames extending to just above the knee (the right associated and reworked to match the left and the inner end of three of its lames patched); backplate formed in one piece with a broad shallow neck-opening and a short flange at the waist; a circular besague (restored) rising slightly to a conical boss at its centre; fingered gauntlets (the right restored) each formed of a long, flared and pointed cuff fitted with a short separate inner plate, five metacarpal-plates, a transversely-roped knuckle-plate, a shaped finger-plate, and scaled finger and thumb-defences, the latter laterally attached by a short leather hinge to the inner end of the last metacarpal-plate, and the whole retaining a fragmentary buff-leather lining-glove; the main edges of the armour turned inward and decorated, except on the backplate, with roping, the subsidiary edges of the burgonet decorated with pairs of incised lines, and the surface of the armour decorated with bands and borders of later etching consisting for the most part of running foliate scrolls executed on a blackened and stippled ground, but including on the breastplate three coats of arms and on the comb of the burgonet, warriors in combat accompanied by a bear and lion on the right and a scroll bearing the inscription HERCVLA on the left See note at front of catalogue for information concerning stands Provenance The armour without burgonet, Charassé, rue Bonaparte, Paris, circa 1889 The burgonet, Seymour Hayden, sold F. Muller & Co., Amsterdam, 26 April 1911, lot 219 The armour with burgonet, Dr Bashford Dean, Riverdale, New York, sold American Art Association, New York, 23 November 1928, lot 148 JWHA Inv. No. 610 Exhibited Worcester Art Museum, Massachusetts, 1928-30 Literature F.H. Cripps-Day, A Record of Armour Sales 1881-1924, London, 1925, p.153
Los 150
**A COMPOSITE PARTIAL NORTH GERMAN LIGHT FIELD ARMOUR, SECOND HALF OF THE 16TH CENTURY comprising burgonet with rounded skull formed in two pieces joined along the notched crest of a high medial comb, projecting forward to an acutely-pointed integral peak (chipped at its right rear edge), backwards to an obtusely-pointed integral neck-guard and cut away at each side to receive a missing hinged cheek-piece; 'Almain' collar formed of three lames front and rear and fitted at each side with an integral spaudler of five lames (associated and in part composite); breastplate formed of a medially-ridged main plate with near-straight upper edge, projecting forward over the belly and fitted at its arm-openings with moveable gussets and at its flanged lower edge with a fauld of two (originally three) lames; backplate formed in one piece with a slightly convex upper edge and an outward-flanged lower edge bearing a culet of one lame cut with a notch at the centre of its lower edge; the main edges of the armour formed with boldly roped inward turns accompanied by recessed borders, those at the upper edges of the breastplate and backplate of ogival form, and its surfaces decorated in low relief with narrow bands enclosed by grooves, forming broader bands originally burnished bright against a black-from-the hammer ground in the 'black-and-white' fashion (now cleaned to a mottled patina overall) See note at front of catalogue for information concerning stands Provenance Possibly from the armoury of the Princes Radziwill, Niescwiez Castle, Poland, sold Christies, London, 29 June 1926, lot 49 York Galleries, New York, July 1930 JWHA Inv. No. 1125
Los 156
**A PAIR OF GERMAN MITTEN GAUNTLETS WITH BLACK AND WHITE DECORATION, 16TH AND 19TH CENTURIES each comprising a moderately long flaring obtusely-pointed cuff formed of an upper and a lower plate at the outside and a shorter fixed inner plate at the inside, four metacarpal-plates, a knuckle-plate and five finger-plates, the knuckle and finger-plates formed with V-shaped flutes between the fingers, the main edges of the gauntlets formed with plain inward turns, and their surfaces decorated in each case with a raised medial band and upper border burnished bright, along with the knuckle-plate, against a black ground (the right gauntlet and all except the lower outer cuff-plate and metacarpal-plates of the left gauntlet restored; both showing light to moderate pitting throughout) (2)
Los 163
**A PAIR OF LEG HARNESS, 19TH CENTURY IN THE SOUTH GERMAN STYLE OF CIRCA 1540 comprising cuisses each formed of a long gutter-shaped main plate rising to a convex upper edge and fitted at its lower end with a winged poleyn of four lames; and full-length tubular greaves each cut at the heel with a slit to accommodate a spur and fitted within the arched lower end of its front plate with an integral broad-toed sabaton of eight lames, the last five decorated medially with a roped rib matching the inward turns of the main edges of all elements (the tops and bottoms of the cuisses and poleyns at one time formed with double recessed borders, subsequently erased, and all elements showing small patches of light active rust (2) Provenance A. Ullmann, Munich, sold Cologne, 1891, lot 2 Julius Böhler, Munich William Randolph Hearst Gimbel Brothers, New York, 14 December 1942 JWHA Inv.No. 2702 Exhibited Children's Museum, Hartford, Connecticut, March-April 1976 Literature F. H. Cripps-Day, A Record of Armour Sales 1881-1924, London, 1925, p. 30
Los 165
**THE LOWER ENDS OF TWO GERMAN TASSETS FOR LIGHT FIELD USE, THIRD QUARTER OF THE 16TH CENTURY not a pair but probably deriving from the same series of armours, the left and right respectively formed of two and three upward overlapping lames (partly disarticulated), the lowest of which in each case descends to a convex edge formed with a prominent file-roped inward turn, the surfaces of each tasset decorated with a pair of raised vertical bands originally burnished bright against a black-from-the-hammer ground (now much worn and patinated) (2) Provenance Dr Bashford Dean, Riverdale, New York JWHA Inv. No. 828
Los 173
**A FAULD AND TASSETS IN THE LATE 'GOTHIC' FASHION, PARTLY NORTH-WEST EUROPEAN (POSSIBLY FLEMISH), 16TH CENTURY, AND PARTLY 19TH CENTURY comprising fauld of three lames (restored), the upper edge of each cusped three times, and the lower edge of the third formed at its centre with a small semi-circular boss separating a pair of one-piece tassets (the left restored), each suspended from a pair of straps and buckles, narrowing lightly to its convex lower end and formed at its concave inner edge with a flattened inward turn, its upper edge decorated with a narrow recessed border and its centre with a symmetrical spray of cascaded flutes diverging from the middle of that border and interrupted at its lower end by a horizontal step (probably later; both tassets showing light to moderate patination) Provenance Sir Guy Laking, London, sold 1907 Clarence H. Mackay, Harbor Hill, Long Island, New York Gimbel Brothers, New York, 1 June 1942 JWHA Inv. No. 2686 Literature Stephen V. Grancsay, Catalogue of Armor: The John Woodman Higgins Armory, Worcester, 1961, p. 36
Los 180
AN ITALIC BRONZE HELMET OF NEGAU TYPE, MID-5TH CENTURY B.C. formed in one piece, the domed crown rising to a gentle medial ridge, at the brow a broad grooved band encircling the head, with a carinated brim below, pierced at each side with later square suspension-holes, the crown and sides with remnants of soft solder for attachment of decorative mounts, the brim with two incised maker's marks (surfaces cleaned to a light patination) 18.0 cm; 7? in Provenance Axel Guttmann Collection, Berlin, sold Christie's 6 November 2002, lot 37 Royal Athena Galleries, New York, 2009 For a similar helmet preserved in the Naturhistorisches Museum, Vienna, found at Enns-Asten, Austria, see Gamber 1978, fig. 346. Also cf. Bottini et al. 1988, pp. 269 and 472, no.72 for the type.
Los 190
**A SHAFFRON IN THE EARLY 16TH CENTURY GERMAN STYLE, 19TH CENTURY formed of a medially-ridged main plate flanged outwards over the nostrils, fitted at each side of its upper end with a rounded side-plate, fitted within U-shaped cut-outs at its upper corners with gutter-shaped defences for the ears, fitted above circular cut-outs for the eyes at each side with protective flanges, and between them, at the centre of the brow, with a decorative escutcheon secured by a threaded spike terminating in three-side pyramidal head, the edges of the side-plates, eye-flanges and nose-flange each formed with plain inward turns and the upper edges of the ear-defences with short longitudinal flutes (the surface showing a mottled light patina overall) 58.0 cm; 28¾ in
Los 221
A .750 CALIBRE FLINTLOCK MUSKET BY WATKIN, LATE 18TH/EARLY 19TH CENTURY of regulation type, with sighted barrel inscribed 'No. 87' over the breech and struck with Ordnance marks (worn, light surface patination), signed rounded lock, full stock impressed 'Y+C' and '96' on the left of the butt (small chips), regulation brass mounts and associated wooden ramrod 106.5 cm; 42 in barrel
Los 317
A GERMAN MORION IN THE SPANISH FASHION, CIRCA 1600 with one-piece crown of rounded almond shape (slight bruising at one side) and narrow flat integral brim projecting to an obtuse point front and rear, its edges formed with plain inward turns and the base of the crown encircled by ten lining-rivets (replaced), and the whole retaining its original black-from-the-hammer finish (refreshed with paint over some light pitting) 20.0 cm; 8 in
Los 334
A GERMAN BREASTPLATE WITH EMBOSSED DECORATION IN THE 'BLACK AND WHITE' FASHION, CIRCA 1580 with a medially ridged main plate projecting forward over the belly, having a broad slightly concave neck-opening, fitted at its arm-openings with moveable gussetts, and flanged outwards at its lower edge to receive a fauld of three lames (the second broken away from its articulating-rivet at the right side), the lowest of which is cut over the crotch with a shallow arch and pierced to either side of it with a pair of rivet-holes for the former attachment of tasset suspension-straps (the outermost hole in each case doubling as an articulation-point), the main edges of the breastplate and its fauld formed with notched inward turns and its surfaces decorated with raised bands and borders burnished bright against an originally blackened ground (now cleaned to a light mottled patina overall) 46.0 cm; 18 in
Los 384
A PAIR OF .600 CALIBRE BOHEMIAN FLINTLOCK RIFLED SPORTING CARBINES BY MATHEUS MUCK A BRINN, CIRCA 1740 with octagonal swamped sighted barrels rifled with seven grooves, signed in silver and inscribed '81' and '82' over the respective breeches, border-engraved tangs numbered '1' and '2', bevelled locks engraved with wavy scrolls around the borders and signed beneath the faceted pans, figured walnut full stocks carved over the fore-ends (cracks and chips, one with light worm damage), decorated with scrolls about the tangs, the butts with carved cheek-pieces and patchbox covers, brass mounts of shaped outline comprising side-plates, trigger-guards (one missing the tip of its rear finial), butt-plates, ramrod-pipes and fore-end caps all engraved with border ornament en suite with the locks, and brass-tipped wooden ramrods 60.5 cm; 23 3/4 in barrels (2) Matheus Muck is recorded in Brno, Bohemia, circa 1716-40
Los 50
Anthony Gross (1905-1984) - Evening Light pencil and watercolour on paper, signed and inscribed 'Evening Light, Port of Cannes' in pencil, sheet 375 x 555 mm (14 3/4 x 21 7/8 in) Provenance: Private Collector, UK IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 67
A fine and rare 1940s Stainless Steel Rolex Oyster Chronograph, REF 3525, together with its original Rolex guarantee card, dated 5/7/1943, plus the original RAF owner's WW2 medals, inscribed Irvin Gold Caterpillar Club pin and other personal effects. Description of watch: Stainless steel 'monobloc' Oyster case, ref 3525, serial number 186045. Black dial signed - Rolex Oyster Chronograph Antimagnetic - with gold coloured numerals and outer telemetric and tachometric scales; gilt, luminous hour and minute hands; subsidiary dials for running seconds and minutes elapsed. Signed 17 jewel, manual wind chronograph movement with overcoil hairspring and monometallic balance. Dial, case and movement signed. Fitted, signed Rolex leather strap with Stainless steel Rolex buckle. Diameter 35mm excl. crown and pushers. This Rolex chronograph was ordered by P/O (later Flt/Lt) John Francis Williams, known as Jack, while he was a POW in Stalag Luft III. It was delivered to him at the camp in August 1943. He took part in the Great Escape in March 1944, and was no. 67 out of tunnel "Harry". He was recaptured and was one of the 50 to be executed by the Gestapo. His watch and a few other personal items were returned to his family after the war, by his friend and fellow POW, Flt/Lt Donald Wilson. Provenance: Left in Trust to the present owner by Jack's mother in 1973, whereby he inherited it in 1983. It has remained in the same family for the past 70+ years. The items in this lot were recently displayed in a special exhibition at the Bourne Hall Museum, Ewell, Surrey. Condition Report: Overall the watch is in exceptional condition. The hand wound movement is very bright and is currently running with a good action. Both the hand-set and chronograph feature function correctly, as does the screw down crown. The original black dial with gold lettering is in very good condition with slight fading around the hour numerals, noticeable with an eyeglass. Original luminous hour and minute hands have a light patina. There are signs of rusting and pitting to the centre seconds hands due to having had a cracked glass, which has since been replaced. The steel case with screw down crown is in very good, crisp condition with minor light scratches to the case - back. The watch was serviced by the Rolex Service Centre in Bexley in 1984, when it was fitted with a new, period, leather Rolex strap and buckle, as well as one new pusher. It still has the box in which it was returned from Rolex. An accompanying tag from Rolex states that this watch is not waterproof. It has had very little use since it was serviced. As with all watches sold, we do not guarantee the accuracy or working of this watch.
Los 687
Nine boxed Matchbox Models of Yesteryear to include a Wells Fargo Stagecoach YSH3, Gypsy Caravan YSH1, Fred Dibnah's "Betsy" Y21, Fowler Showman's Engine Y19, 1931 Trolleybus YET03M, 1931 Morris Courier van, Holden Panel van and two presentation sets "The Circus Comes To Town" and Post Vehicles of The World (9). CONDITION REPORT All are boxed and mint with only very light damage to the boxes from storage.
Los 563
DAVID MARSHALL (b.1942), A gilded brass table light modelled as a standing nude female holding aloft a cylindrical clear glass reservoir, raised on a flat free form base, limited edition 24/100, signed, 17 1/2" high, together with a similar twin light candlestick on an arched base, 13" wide (2) (subject to Artists Resale Right)
Los 167
Indian carved and pierced pedestal wooden night light, Indian carved group of a wooden bullock with child on its back and another larger, similar, recumbent together with an unusual carved souvenir nut cracker in the form of a gaping bird, marked 'Pontresina'. (4) CONDITION REPORT: Nutcracker has some small chips in places. Grubby but overall appears complete. Other items NOD but general wear in places.
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534310 Los(e)/Seite