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Bathers oil on board (Dimensions: 29 x 39cm)(29 x 39cm)Condition report: Oil on panel. The painting is in an excellent condition, there is a light layer of dust on the surface. The ornate gilded frame has a few small chips and losses but is generally sound.This is after an original by Thomas Hart Benton The Bathers, circa 1941
Le Fête de Fefi signed 'Strevens' (lower left) oil on canvas (Dimensions: 50 x 60cm)(50 x 60cm)Condition report: Oil on canvas which is unlined and attached to a wooden stretcher, all keys are present and the paint layer is in a good condition. There is a light layer of varnish which is even and glossy. There are a few localised chips to the paint layer.
stamped and numbered 'Arp 123/300', conceived 1950 (Dimensions: 21cm high)(21cm high)Footnote: Provenance Prudhoe Gallery, London, where purchased 25 January 1977 Property from the collection of the late Monty and Barbie Passes ‘Sculpture’ commented Arp, ‘should walk on the tips of its toes, unostentatious, unpretentious, and light as the spoor of an animal in snow’. Born in Strasbourg in 1888, artist and poet, Jean Hans Arp was one of the founding members of Dadaism and is principally remembered for his biomorphic sculptures. Whilst Arp’s work is abstract and non-representational, his use of undulating lines recalls plants, animals, and other organic forms. The present lot, a limited-edition polished bronze, with its organic composition and wavy lines, is characteristic of Arp’s work.
Remarque (Erich Maria). Im Westen Nichts Neues, Berlin, Propylaen-Verlag, 1929, original cloth, some spotting and light discolouration, 8vo, together with: Buber (Martin), Die Legende des Baalschem, 8th-12th thousand, Frankfurt, 1920, original brown boards gilt, a little rubbed, 8vo, plus Wilhelm (Richard). I Ging, Das Buch der Wandlungen, 3 volumes bound in 2, 1st edition, Jena, 1924, original decorated yellow and black cloth, generally in good condition, 8vo, plus other 20th century German literature and history, all printed in German, including Insel-Bucher, a run of Castrum Peregrini, etc., mostly original cloth, mainly 8vo (approximately 300 volumes) (Qty: 6 shelves)
Ryunosuke (Akutagawa). Tales Grotesque and Curious, translated from the Japanese by Glenn W. Shaw, 1st edition in English, Tokyo: Hokuseido Press, 1930, a little light toning, original pictorial cloth, spine and extremities a little toned, a few light spots, 8vo, together with: [Soseki, Natsume], "Kinnosuke Natsume". I Am A Cat, translated by Kan-Ichi Ando, 1st English bookform edition?, 2 volumes, Tokyo: Hattori Shoten, 1906-09, woodblock frontispiece to volume I, small ink stamps to advertisement leaves at end, endpapers toned, original pictorial boards, some wear to spines, some toning and soiling to covers, 8vo, plus Murai (Gensai). Hana. A Daughter of Japan, 1st edition in English, Tokyo: Hochi Shimbun, 1904, colour and monochrome illustrations, a few minor spots, original pictorial cloth, slight fading to extremities, 8vo, with others related including Mary Fenollosa's Blossoms from a Japanese Garden, 1913, and Onoto Watanna's The Heart of Hyacinth, 1903 (Qty: 14)
Florence . Galleria Dell' I. E Reale Accademia Delle Belle Arti di Firenze pubblicata con incisioni in rame da Una Societa Artistica..., 1845, Florence, Presso La Societa Artistica, 60 black & white engravings on India paper, decorative text boarders, very minor marginal toning, all edges gilt, publishers original gilt decorated half vellum with marbled boards, boards & spine slightly rubbed, split to foot of the front hinge, folio, together with: Ephrussi (Charles) , Albert Durer et Ses Dessins, 1882, Paris, A. Quantin, numerous tinted & monochrome plates & illustrations, top edge gilt, bookplate to front pastedown, some light marginal toning & spotting, publishers original gilt decorated brown full crushed morocco, spine lightly rubbed, large 4to, and Nolhac (Pierre de) , Les Trianons (Les Grands Palais de France), Paris, circa 1900, 110 black & white plates, some light toning & marks, contemporary gilt decorated blue half morocco bound by Zaehnsdorf, boards & spine slightly rubbed, split to foot of the front hinge, folio, plus other late 19th century & modern Renaissance art & architecture reference & related, including The Fasciculus Medicinae of Johannes De Ketham Alemanus, facsimilie of the first (Venetian) edition of 1491, published by R. Lier & Co. 1924, Milan, Michelangelo The Medici Chapel, by James Beck et al, reprinted, 2000, some leather & vellum binding, mostly original cloth, 4to/folio (Qty: Approximately 60)
Gaye (Giovanni). Carteggio inedito d'Artisti dei Secoli XIV. XV. XVI., 3 volumes, Florence 1839-40, 13 folding facsimile plates with 84 autographs, blank leaves at end, some spotting, contemporary half vellum, volume I upper joint splitting and lacking upper corner, a little rubbed, 8vo, together with Storia Pittorica della Italia, by Luigi Lanzi, 6 volumes bound in three, 4th edition, Florence, 1822, some light spotting, contemporary vellum, a little rubbed with stains, 8vo, plus Stefano Ticozzi's Dizionario dei Pittori dal Rinnovamento delle belle arti fino al 1800, 3 volumes, Milan, 1818 (Qty: 8)NOTESProvenance: Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. Brunet II, 1511: 'Receuil d'un grand interet' (Gaye, Carteggio).
Gosse (Edmund) . The Complete Works of Thomas Lovell Beddoes, 2 volumes, limited editio, 1928, Franfrolico Press, black & white portrait frontispiece, some light marginal toning, publishers uniform original black cloth spine to decorated boards, lightly rubbed to head & foot, 8vo, limited edition 30/750, together with: Todhunter (I.) , William Whewell, D.D., Master of Trinity College, Cambridge, an account of his writings..., 2 volumes, 1876, bookplates to front endpapers, some spotting throughout, original gilt decorated red cloth, boards & spines lightly rubbed to head & foot, 8vo, and Froude (James Anthony) , Thomas Carlyle, a history of the first forty years of his life 1795-1835, 4 volumes, 1882, black & white illustrations, ex-libris copy with associated stamps, some light toning & offsetting, uniform original red cloth, spines slightly toned & rubbed to head & foot, 8vo, plus other late 19th century & modern history, biography & miscellaneous reference, including publications by Oxford, Cambridge, Routledge, Batsford, mostly original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/4to (Qty: 6 shelves & a carton)
Howard (John) . The State of the Prisons in England and Wales,..., 3rd edition, 1784, Warrington, printed by William Eyres, black & white illustrations & folding plates, bookplate to front pastedown, some light spotting & offsetting throughout, later calf spine retaining contemporary spine label & marble boards, boards slightly rubbed, large 8vo, Appendix to the State of the Prisons...., 1780, Warrington, printed by William Eyres, 7 black & white plates, loss to front endpaper, period inscriptions to front endpapers & title page, some light toning & offsetting, contemporary gilt decorated full calf, boards & spine lightly rubbed, 4to, together with: Walker (Joseph C.) . Historical Memoirs of the Irish Bards,..., 1786, 3 black & white engraved illustrations including portrait frontispiece, period inscription to front endpaper, light water marks to head & foot of front endpapers & title page, some light toning, spotting & offsetting, lacks 4 plates of music, contemporary ornately gilt decorated tree calf, boards & spines slightly rubbed to head & foot, 4to, together with: Bernoulli (John) , A Sexcentenary Table;..., 1779, printed by William Richardson, gutters strengthened with tape, some marginal toning & minor chipping throughout, minor water marks to foot of all pages, modern calf spine retaining contemporary gilt decorated full calf boards, boards rubbed with some loss to head & foot, 4to, plus other 17th - 19th century reference & literature, including Magnum Speculum Exemplorum ex Plusquam Octoginta..., by Ioannis Maioris, 1607, The History of Appian of Alexandria, in Two Parts, by J. D., 1679, mostly leather bindings, some foreign language, overall condition is generally good/very good, 8vo/folio (Qty: 3 shelves)NOTESApproximately 75 volumes, some defective, sold as seen not subject to return
D'Arco (Carlo). Istoria della Vita e delle Opere di Giulio Pippi Romano, 1st edition, Mantua, 1838, half title, aquatint portrait frontispiece of Giulio Romano by A. Lanzani, 62 engraved plates, the four 'Sala de Giganti' plates in the second state (with legends), many double page, plates towards end with fraying, losses and insect damage to margins at foot, a few closed tears and some light soiling, original boards, some wear and insect predation, folio (Qty: 1)
Dolce (Lodovico). Di Diversi Eccellentiss Huomini, Raccolte da Diversi Libri: tra lequali se ne leggono molte, non piu stampate, Venice: Gabrie; Giolito de Ferrari, 1559, title and colophon with woodcut devices, bound without front and rear blanks, some light damp stains, early inscription excised from foot of title, manuscript annotations to front pastedown, contemporary limp vellum, some soiling and worming, 8vo (Qty: 1)NOTESProvenance: Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. Collection of letters, first published in 1554, this edition omits some letters from the first edition and contains new ones not previously published.
The Studio. Peasant Art in Sweden, Lapland and Iceland, 1910, Peasant Art in Russia, 1911, Peasant Art in Hungary and Austria, 1912, together with 13 further volumes of The Studio publications, edited by Charles Holme, numerous monochrome illustrations, top edges gilt, some light toning, uniform gilt decorated green half morocco bound by Henderson & Bisset, boards & spines slightly rubbed, large 8vo (Qty: 15)
Machiavelli (Niccolo). Opere, 7 volumes, [Venice: G Pasquali], 1769, comprises volume I Il Principe (with engraved portrait frontispiece), volume II, De' Arte della Guerra (with folding engraved plate), volumes III-IV Discorsi, volume V, Istorie (part I only), volume VII, Lettere, volume VIIII Commedie Terzine, a little light spotting, some toning to endpapers, contemporary vellum with spines titled in manuscript, light soiling, 8vo, together with Cartari (Vincenzo) Seconda Novissima Editione delle Imagini de gli dei delli Antichi, Padua, 1626, half title, title printed in red and black with woodcut device, two folding woodcut plates, numerous woodcut illustrations, lacking all after p. 576, some worming and damp stains, contemporary vellum, manuscript title to spine, some soling and stains, small 4to, plus others including Bernardo Davanzati's Scisma d'Inghilterra , Florence, 1638 (lacking leaf A1), and a small incomplete set of classics including Virgil Opera, 2 volumes, Strasbourg, 1807, Terence Comoediae, 2 volumes, 1789-80 and Horace Opera, 1792 (Qty: 18)NOTESProfessor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool.
Harford (John Scandrett, editor). Illustrations Architectural and Pictorial of the Genius of Michael Angelo , with Descriptions of the Plates, by the Commendatore Canina, C.R. Cockerell and John S. Harford, Colnaghi and Co., 1857, 19 engraved plates and portraits (two tinted), a little light marginal spotting, contemporary morocco-backed boards, spine rubbed with some fading, some damp stains to covers, folio, together with Callcott (Maria Dundas Graham), Description of the Chapel of the Annunziata dell' Arena; or Giotto's Chapel, in Padua, by Mrs Callcott, Printed for the author, by Thomas Brettell,1835, 18 pages of text, engravings from drawings by A. W. C. [Sir Augustus Wall Callcott], fo lio (Qty: 2)NOTESProfessor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool.
Dayes (Edward). The Works of the late Edward Dayes: Containing an Excursion through the principal parts of Derbyshire and Yorkshire, with illustrative notes by E.W. Brayley: essays on painting; instructions for drawing and coloring landscapes; and professional sketches of modern artists, 1805, engraved portrait frontispiece, additional title, 10 engraved plates, some light spotting and toning, modern half calf, spine faded, 8vo, together with: Manners (Lady Catherine Rebecca). Poems, 1st edition, London: John Bell, 1793, engraved portrait frontispiece (detaching, some light spotting, untrimmed in original boards, spine rubbed, some soiling, small 4to, with three others: Thomas Sheridan's A Discourse delivered in the Theatre at Oxford, in the Senate-House at Cambridge, and at Spring-Garden in London, 1759, Familiar Letters of Dr. William Sancroft to Mr. North... 1757, and Substance of the Speech of the Right Honourable George Canning in the House of Commons, on Wednesday the 30th of April, 1823 on Mr. Macdonald's Motion respecting the negotiations at Verona, Paris and Madrid..., 1823 (inscribed by diplomat and author John Hookham Frere, 1769-1846), all disbound (Qty: 5)
Caesar (Julius) . [Opera] quae extant ex emendatione Jos. Scaligeri, Leiden: ex officina Elzeviriana, 1635, black & white engraved title page, 5 illustrations & 3 folding maps, period inscriptions to front endpapers, toning throughout, contemporary vellum, front board & spine partially detached, boards & spine rubbed & marked, small 8vo, together with: Stanley (Henry M.) , In Darkest Africa or the Quest, Rescue, and Retreat of Emin Governor of Equatoria, 2 volumes, 1890, 2 colour folding maps, numerous black & white illustrations, some light toning & spotting throughout, cracked gutters, uniform contemporary gilt decorated green half morocco bound by Broadbere, boards & spines rubbed, 8vo, and Chattock (Richard S. & W. Wightman Wood) , Sketches Of Eton, 1874, 14 black & white etchings, period inscription to front endpaper, some spotting throughout, publishers original gilt decorated red full morocco, boards & spine lightly rubbed to head & foot, 8vo, plus other 17th -19th century literature & reference, including Waverley Novels, 25 volumes, by Walter Scott, 1863, all leather bindings, condition is generally fair/good, 8vo/4to (Qty: 3 shelves)NOTESApproximately 110 volumes
Holmes, William Richard. Sketches on the Shores of the Caspian, Descriptive and Pictorial, 1st ed., 1845, four tinted litho plates, four letterpress wood-engraved vignettes, some minor scattered spotting, original blind-stamped cloth gilt, spine faded and slightly torn mostly to joints, light dust-soiling, 8vo (Qty: 1)NOTESHolmes was related to James Brant, British Consul at Erzerum, with whom he stayed whilst researching this work.
Pilkington (Matthew). The Gentleman's and Connoisseur's Dictionary of Painters, 1st edition, 1770, bound without errata leaf, slight marginal toning, presentation inscription to front pastedown, 1856, contemporary half calf, joints cracking, some wear at spine ends and edges, 4to, together with Fuseli (Henry). A Dictionary of Painters from the revival of the art to the present period... new edition with considerable additions..., 1810, some light spotting, endpapers renewed, armorial bookplate with Order of the Garter motto, contemporary calf, edges rubbed, a few stains, 4to, plus others, including J. Hassell, Memoirs of the Life of the late George Morland, 1806, Vignola, Traite Elementaire Pratique d'Architecture, Etude des Cinq Ordres, Paris, circa 1850, both bound in contemporary vellum, folio, Lord Lindsay, Sketches of the History of Christian Art, 3 volumes, 1st edition, John Murray, 1847, with bookplate of A.N.L. Munby to front endpaper of each volume, original blindstamped cloth gilt, a little faded to spines and edges, and some fraying to head and foot of spines and extremities, 8vo, etc (Qty: 9)NOTESProvenance: Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge.
* Piranesi (Giovanni, Battista, 1720-1778), del Tempio detto della Concordia, etching on heavy paper, numbered in the plate 764 and 12 to upper right, plate size 46.5 x 71 cm (18.25 x 28 ins), with good margins, circular blindstamp of the Regia Calcografia lower right, and with printed inscription to lower margin 'In remembrance of the XXI meeting of Supreme Economic Council, Roma, XXVI November MCMXIX', signed below by Dante Ferrari, a few light marks and spots, framed and glazed (Qty: 1)
Rubens (Peter Paul). La Gallerie du Palais Peinte par Rubens dessinée par les S.rs Nattier, et gravée par les plus illustres graveurs du temps, Duchange, Paris, 1710, engraved title, engraved advertisement leaf, 25 engraved plates, including three double page, some light spotting and water stains, later half morocco, joints and edges rubbed, sheet size 63 x 59 cm (24.75 x 23.25 ins), large folio (Qty: 1)NOTESThe 24 paintings known as the 'Marie de' Medici Cycle' by Rubens were commissioned in 1622 for the Luxembourg Palace in Paris, and are now kept in the Louvre.
Boydell (John & Josiah, publishers). A Collection of Prints from Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakespeare, by the Artists of Great Britain, John & Josiah Boydell, volume I only, 1803, engraved portrait frontispiece of George III, title engraved vignette, 28 engraved plates only (of 48?) after Reynolds, Fuseli , Porter, Opie and others, some light spotting and soiling, occasional small marginal insect damage, contemporary half morocco, some wear to spine and edges, folio (Qty: 1)NOTESThe full work was published in two volumes from 1803-05 with 96 plates. Sold as a collection of plates not subject to return.
Barnum (P.T.) Struggles and Triumphs; or, Forty Years' Recollections of P.T. Barnum, author's edition, Buffalo, New York, 1878, portrait frontispiece, wood-engravings, light toning to textblock, original blindstamped cloth gilt, spine ends rubbed with tears, 8vo (Qty: 1)NOTESWith a compliments slip headed 'Waldemere, Bridgeport, Conn.Sept. 24, 1881' inscribed 'To John Nunn Esq, with author's compliments, P.T. Barnum' loosely inserted along with folding letter dated October 1921 from Jack Nunn to Thomas Bower, presenting the book.
Sée (R. R. M.) . English Pastels 1750 - 1830, limited edition, 1911, 60 colour and black & white plates, bookplate to front pastedown, some light spotting, publishers original vellum binding, large 4to, limited edition 370/750, together with: Williamson (George C.), Andrew & Nathaniel Plimer, miniature painters their lives and their works, 1903, numerous monochrome illustrations, some minor spotting, original cloth, spine lightly faded, large 8vo, includes a typed letter dated 'January 4th, 1941' signed by the author, and other art & artist reference, including The Life, Letters and Works of Frederic Leighton, 3 volumes, by Mrs. Russell Barrington, 1906, mostly original cloth, some in dust jackets, some odd volumes, G/VG, 8vo/folio (Qty: 3 shelves)
Pemberton (Henry). The Dispensatory of the Royal College of Physicians, London, Translated into English with Remarks, London: T. Longman, T. Shewell & J. Nourse, 1746, paper strip repair to endpapers, contemporary calf, upper board detached, lower joint cracked, some wear, 8vo, together with: ibid. , The Dispensatory of the Royal College of Physicians, London, Translated into English with Remarks, 5th edition, London: J. Nourse & T. Longman, 1773, light dust-soiling and short ink smudge to title, 19th century half calf with vellum board corners, gilt decorated spine, 8vo, White (Robert) , An Analysis of the New London Pharmacopoeia ... for the use of the Junior Students, Newmarket: W. Burrell for T. Cadell, 1792, late 18th/early 19th century half sheep with vellum board corners, gilt decorated spine, 8vo, Royal College of Physicians of London , Pharmacopoeia Collegii Regalis Medicorum Londinensis, London: J. Nourse & T. Longman, 1763, engraved illustration to title, light spotting, contemporary calf, gilt decorated spine, joints cracked and some wear to extremities, 12mo (Qty: 4)
Rackham (Arthur [illustrator]) . The Rhinegold & The Valkyrie, 1910, 34 tipped in colour plates with tissue guards, Siegfried & The Twilight Of The Gods, 1911, 30 tipped in colour plates , bookplate to front pastedown, both by Richard Wagner, some light toning, publishers original gilt decorated brown cloth, boards & spines slightly rubbed to head & foot, 8vo, together with: Milne (A. A.) , Winnie The Pooh, 2 copies, 4th & 8th editions, 1927-29, black & white illustrations by E. H. Shepard, minor toning, original gilt decorated green cloth, 4th edition in dust jacket, covers lightly rubbed & toned, slight loss to head of spine, 8vo, Now We Are Six, 3rd edition, 1927, black & white illustrations by E. H. Shepard, previous owner inscription to front endpaper, some light toning, original gilt decorated red cloth, spine lightly rubbed to head & foot, 8vo, and Potter (Beatrix) , The Tale of Peter Rabbit, circa 1902, The Tale of Squirrel Nutkin, 1903, The Tale of Two Bad Mice, 1904, The Tale of The Flopsy Bunnies, 1909, numerous colour illustrations, pencil marks, ink stamps & wear to all volumes, some pages torn or lacking, all in original illustrated boards, spines & boards rubbed with marks & loss, small 4to, sold as seen, plus other early to mid 20th century illustrated & juvenile literature, all original cloth, G/VG, 8vo/4to (Qty: 3 shelves)
Flaxman (John). Compositions from the Tragedies of Aeschylus Designed by John Flaxman, Engraved by Thomas Piroli. The Original Drawings in the Possession of the Countess Dowager Spencer, [1795?], engraved title and 30 plates, light scattered spotting, late 19th century quarter morocco, spine slightly rubbed, oblong folio (leaf size 31.5 x 45 cm) (Qty: 1)
Morris (William). Art and the Beauty of the Earth, 1898; An Address Delivered by William Morris at the Distribution of Prizes to Students of the Birmingham Municipal School of Art on Feb. 21, 1894, 1898; Some Hints on Pattern-Designing, 1899; Architecture and History and Westminster Abbey, 1900, Chiswick Press, a few endpapers lightly toned, original linen-backed boards, one or two edges rubbed, some light soiling, 8vo (Qty: 4)
Brunhoff (Jean De). Babar's Travels, 1st edition, Methuen & Co. Ltd., 1935, colour illustrations, occasional light finger soiling to margins, pictorial endpapers, original cloth-backed pictorial boards, some wear, slim folio, together with: Caldecott (Randolph) , The Complete Collection of Pictures & Songs by Randolph Caldecott... with a Preface by Austin Dobson, 1887, colour and monochrome illustrations, some spotting, later endpapers, modern cloth retaining remnants of original cloth to boards, marked, large 4to, ibid. , The Complete Collection of Randolph Caldecott's Contributions to the "Graphic"... with a Preface by Arthur Locker, 1888, monochrome and colour illustrations, top edge gilt, remainder untrimmed, original two tone cloth, some damp soiling and marks, light wear, large 4to, and three volumes of Graphic Picture books by Caldecott and Tom O'Shanter by Robert Burns, 1855 (Qty: 7)
Scott (Walter). The Private Letter-Books of Sir Walter Scott. Selections from the Abbotsford Manuscripts, with a Letter to the Reader from Hugh Walpole, edited by Wilfred Partington, London: Hodder & Stoughton, 1930, portrait frontispiece and four plates, half-title signed by Wilfred Partington and title signed by Hugh Walpole, light scattered spotting, all edges gilt, original red morocco gilt by Wallis, gilt embossed portrait of Scott in profile to upper board, large 8vo (Qty: 1)NOTESLimited edition 14/50.
Potter (Beatrix) . The Tale of Squirrel Nutkin, 1903, text block nearly detached, yellowed clear tape to front & rear gutters, some light marks, original illustrated boards, loss to head & foot spine being held together with tape, The Tale of Tom Kitten, 1907, cracked front & rear gutters, some light marks, original illustrated boards, spine rubbed with minor loss to head & foot, small 8vo, together with: Poe (Edgar Allan) , The Bells, 1881, Philadelphia, 22 black & white illustrations, some minor marks & spotting, all edges gilt, original gilt decorated yellow cloth, boards & spine slightly rubbed, 4to, and Watkins Pitchford (D. J.) , 'B. B.'a Fairy Book, Meeting Hill, 1st edition, 1948, 15 colour illustrations, text block partially detached, some minor toning, original green cloth, boards & spine water damaged & faded, 4to, plus other late 19th & 20th century juvenile & illustrated fiction & literature, including P. G. Wodehouse, Arthur Rackham, Angela Brazil, Richmal Crompton, Edward Gory, Cecil Aldin, mostly original cloth, some in dust jackets, G/VG, 8vo/4to (Qty: 6 shelves & a carton)
Piccolomini (Sylvius Aeneas, Pope Pius II). Opera quae extant omnia, nunc demum post corruptissimas aeditiones summa diligentia castigata et in unum corpus redacta, Basel: ex officina Henricpetrina, [1571], roman type, printer's woodcut device to title-page and verso of final leaf, 18 woodcut maps after Sebastian Münster in text (one full-page), lacking 11 leaves (signatures Fff6-Hhh4), old marginal repair to lower margin of signature 2S1, ink inscription 'Collegii Socis Jesu Ambergae 1658' to title-page, contemporary vellum, supralibros of the Society of Writers to the Signet gilt to sides, yapp fore edges, marked and dust-soiled overall, ties perished, folio (31.2 x 20.2 cm), together with: Plutarch, Parallela en Biois Hellenon te kai Romaion [graece], Basel: [Johann Bebel], 1533, lacking signature a6, a1 loose and with repaired loss to lower outer corner (a few letters replaced in facsimile), light marginal spotting, occasional browning, faint tide-mark to upper outer corners, marginal damp-staining to final few leaves, ink inscription '16 Martii ... Collegii Tolosani Societ. Ihu' to title-page, contemporary limp vellum, folio (30.6 x 20.6 cm), and 1 other (Qty: 3)NOTESAdams P1334 & P1611.
Miles (Henry Downes). English Country Life; a valuable work of reference for the Gentleman, the Sportsman, the Farmer, the members of the Volunteer Rifle Corps, and every one interested in rural pursuits and recreations, London: Henry Lea, c.1870, pictorial colour title (close-trimmed at foot, affecting imprint), 48 (of 50) lithographed plates, of which 18 are hand-coloured, 4 with some marginal losses and edge-fraying & soiling, numerous black & white illustrations in letterpress, 2 text leaves at rear edge-frayed and chipped, occasional light spotting (mainly to margins and at rear), front pastedown with excised and mounted early ink ownership inscription dated 1874, modern dark green quarter morocco, 4to (Qty: 1)NOTESContains plates relating to various types of hunting and fishing, as well as sports (cricket & tennis) and horse riding. Lacking two plates: Rifle Practice - Targets..., and Portrait of the Pretender (Racer).
Watt (E. A. S.) . The Love Letters Of A Genius, being a translation of Prosper Mérimee's "Lettres à une Inconnue", 1905, some light spotting throughout, top edge gilt, publishers original boards, spine & boards slightly toned & rubbed to head & foot, 4to, together with: Rackham (Arthur) , The Springtide Of Life, poems of childhood, by Algernon Charles Swinburne, 1918, 8 colour plates plus black & white in-text illustrations, period inscription to front endpaper, some minor marks, original gilt decorated green cloth, spine & boards lightly marked & rubbed to head & foot, 8vo, and other modern literature, poems, & miscellaneous reference, including publications by Oxford, A. & C. Black, King Penguin, mostly original cloth, many in dust jackets, G/VG, 8vo/4to (Qty: 6 shelves)
Muratori (Lodovico Antonio). Dissertazioni sopra le Antichita Italiane, 3 volumes, Naples, 1752-53, engraved portrait frontispiece to volume I, titles with engraved vignette, eight engraved plates of coins, a few folding, one or two short closed tears, some light spotting and soiling, bookplates, contemporary vellum, a few light stains, 4to (Qty: 3)NOTESProvenance: Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool.

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534297 Los(e)/Seite