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534297 Los(e)/Seite
Los 51
A south Staffordshire enamel ovoid box, circa 1790 A south Staffordshire enamel ovoid box, circa 1790, overall painted to resemble a blackbird's egg, the cover screw-on, metal mounts, 3cm (1 1/8in) long; A south Staffordshire enamel circular miniature stud box, circa 1780, the cover transfer printed with Reward My Duty with your Beauty , the base light blue, metal mounts, 2.6cm (1in) diameter and A south Staffordshire enamel circular miniature stud box, circa 1780, the cover transfer printed with A Friend's Gift , the base green, metal mounts, 2.2cm (7/8in) diameter
Los 250
Dean & Co., Threadneedle St (19th Century) - Prince Albert driving his favourites Lithograph, printed in colour, and finished by hand, with integrated movable flap as top of the carriage Published circa 1843-47 [Not in O'Donoghue] 25.5 x 32 cm. (10 x 12 1/2 in) A Rare print of Queen Victoria and Prince Albert and the Royal Children promenading, with movable lifting carriage door. Together with a hand-coloured engraving, or cutting, Princess Royal, a novelty double-sided lithograph with hand-colouring showing Napoleon in battle and in exile, intended to be held up to light, and a lithograph by D'Oyly titled 'National Burmese Game', all by different hands, various sizes, largest 20 x 24 cm. (7 7/8 x 9 1/2 in), (4).
Los 730
COLLECTION OF MAUCHLINE WARE including a travelling glass in its case, thimble case, matchbox striker and case, two napkin rings and a compass in its circular box, also with pictorial representations of 'The Mumbles Light House', 'Shanklin Chine', 'Royal Exchange, Glasgow', 'High Street, Mauchline', 'Tunbridge Wells' and others (11)
Los 770A
LARGE MID-20TH CENTURY DANISH MODERNIST ROSEWOOD SHELVING UNITthree sectioned piece, top with two double and a single doored cabinets, central section with drinks cabinet, four drawers and television cupboard, bottom section with two large and a smaller pullout drawers, matched in shaping to the top section cabinets, rosewood veneer, plywood and teak carcass, tube light fitting set into top section, 188cm high, 229cm long, 60cm deep
Los 806
AUTOGRAPHED DR JOSEPH GEOBBELS BREAKFAST INVITATION sent from the Reich Ministry of Public Enlightenment and Propaganda (Reichsministerium für Volksaufklärung und Propaganda) as an invitation to attend a breakfast with Dr Goebbels, dated 28th September 1937, top for the letter typed with '15/än Gaupropägandaleiter Hanck', with light water stain to left handside from top to bottom, signature ink still with good colour, 19cm long; together with an unsigned thank you card for sending New Years wishes from President of Ministers Field Marshall General Hermann Göring 'Ministerpräsident Generalfeldmarschall Göring', embossed with party symbol, 18cm long (2)
Los 12
Two similar Victorian lacquered brass field microscopes Both unsigned, late 19th century Each of stepped cylindrical form with telescopic body tube sliding within outer sleeve cut with apertures to both sides for the stage and to one side for the plano-concave mirror mounted in the base, each in original mahogany box; the first also with side-mounted hinged light magnification lens, width of box 17.5cm (7ins) the second with box measuring 17cm (6.75ins) across.
Los 132
A fine Victorian iron and brass hour-striking turret clock with four-legged gravity escapement J.B. Joyce and Company, Whitchurch, dated 1884 The movement of flatbed construction with high count lantern pinions and six-spoke crossings to the brass wheelwork, the going train with Harrison's maintaining power and regulated by four-legged gravity escapement with one-and-a-quarter seconds period compensated pendulum incorporating massive cylindrical cast iron bob, with white painted Arabic five minute setting dial signed JOYCE, WHITCHURCH and dated 1884 to centre, overhead dial take-off and cam for lifting the strike locking detent, the countwheel striking train with single-arbor warning and three-arm fly with adjustable flags, complete with crank winder, take-off and motionwork for two dials, weights and purpose-made welded oblong section steel stand fitted with a bell to left hand side, the flatbed frame 99cm (39ins) wide, 51cm (21ins) deep, the clock on frame 195cm (77ins) high by 135cm (53ins) wide by 76cm (30ins) deep overall. Provenance: The property of a private collector. Originally supplied for the church of St Paul, Kings Norton Parish, Moseley Road, Balsall Heath, Birmingham. A file compiled by the current owner containing details relating to provenance and other relevant notes (including a rare original trade publication) are included with the lot. The former firm of J.B. Joyce and Co. can trace its roots back to Shropshire village of Cockshutt where John Joyce is recorded in Loomes, Brian Clockmakers of BRITAIN 1286-1700 as working in around 1690. His descendant, William Joyce, relocated from Cockshutt to High Street, Whitchurch in around 1790. The workshop was then passed down subsequent generations with Thomas Joyce moving into the specialist field of turret clock making from1834. In around 1849 the firm adopted Lord Grimthorpe's design of gravity escapement for their larger clocks eventually settling on a four-legged version (as used in the current lot). The business subsequently expanded to became one of the most respected maker's of turret clocks of the 19th century winning many important commissions globally including Chichester and Salisbury Cathedrals, The Sydney Post Office clock and The Customs House, Shanghai. By 1902 the firm had outgrown its High Street premises hence a new purpose-built factory in Station Road was commissioned by Arthur Joyce. The business continued trading from this site until being sold to Smith of Derby in 1964 who allowed the firm to operate as a subsidiary. The factory was eventually closed in 2012 and is now used as a fine art auction house. The current clock was commissioned as a gift to the church of St. Paul by Thomas H. Barns in 1884 as 'a memento of my late uncle Mr. Thomas Barns..'. At the time of installation the church building was already thirty years old having built by Samuel Briggs in 1852-3 to a design by James Lyndon Perry to serve the district of Kings Norton parish. The tower was supplied with a forty-inch bell cast by C. & G. Mears in 1855 and the clock was configured to drive four large dials - one on each face of the tower. Unfortunately the church and tower was demolished in the 1970's to make way for modern residential development; the bell was re-used mounted in a steel campanile outside the new church hall built on part of the site. The clock as supplied was built to the highest specification utilising Lord Grimthorpe's four-legged gravity escapement and temperature compensated pendulum made with rod composed from zinc an iron tubes configured one inside the other to counter-act expansion through heat. The pendulum bob is particularly heavy and can be very finely regulated with the addition or subtraction of small weights to obtain an accuracy of within a five seconds a month. Now mounted on a purpose built steel stand the clock has been carefully restored under instruction by the vendor with the frame repainted in its original shade of light green and strike train provided with a hammer and bell mounted to the left hand side. As such the timepiece can either be used as a fascinating display piece or restored to its original purpose in a tower utilising the original take-off and motionwork (for two dials) included with the lot.
Los 14
A late Victorian lacquered and patinated brass monocular microscope Negretti and Zambra, London, late 19th century With rack and pinion coarse and fine top-screw focus adjustment and double objective nosepiece above rectangular stage fitted with slide clips over sub-stage condenser and pivoted plano-concave mirror beneath, the limb fixed via pivot joint behind the stage onto a shaped base inscribed NEGRETTI & ZAMBRA, LONDON to rear and with three angled supports fitted with brass disc feet, in original mahogany box with two objective lens canisters, additional eyepiece lens and other accessories, the box 31cm (12.25ins) high excluding handle; with a Victorian lacquered and patinated brass monocular microscope, unsigned, late 19th century, with body tube screw-fitting into a collar over rack-and pinion focus screws and simple stage with oculus and plano-concave mirror beneath, the limb fixed via pivot joint beneath the stage onto a Y-shaped base, in original mahogany box with various accessories including light magnification lens and stand and with slide drawer to base, the box 27cm (10.5ins) high excluding handle, (2). The firm of Negretti & Zambra are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as being established in 1850 when a partnership between Enrico Negretti and Joseph Warren Zambra was formed. The firm became one of the most prolific makers of scientific instruments and continued trading well into the 20th century.
Los 15
A late Victorian lacquered and patinated brass monocular microscope Henry Hughes and Son, London, late 19th century The sliding body tube with fine top-screw focus adjustment and single objective above rectangular stage fitted with slide clips over sub-stage condenser and pivoted plano-concave mirror beneath, the limb fixed via pivot joint behind the stage onto a shaped base inscribed H. HUGHES & SON, 59 FENCHURCH STR'T, LONDON to rear, in original mahogany chest-type box with four objective lens canisters, two eyepiece lenses and other accessories including light magnification lens and stand, the box 28cm (11ins) wide excluding leather strap handle. Henry Hughes is recorded in Clifton, Gloria Directory of Scientific Instrument Makers 1550-1851 as working from several addresses in London from 1835-75 including 59 Fenchurch Street from 1859. He took his son, Alexander, into partnership towards the end of his career who continued the business after Henry's death in 1879.
Los 197
A fine and very rare Charles II night timepiece Joseph Knibb, London circa 1670-75 The rectangular six finned and latched pillar single fusee movement with backplate measuring 7.75 by 5 inches and horizontal silent verge escapement regulated by short bob pendulum, the sides with black japanned metal dust covers, the top with similar shutter extended at the rear to provide a platform for the light source, the frontplate with integral cast arched extension to the upper edge to carry the revolving hour disc driven by motionwork behind and incorporating two smaller revolving discs each pierced with Arabic hour numerals visible through circular apertures cut within the outer concentric band of the principal disc, the 9 inch square gilt brass dial with break-arch centre panel painted with a scene of horsemen dismounting within a pastoral landscape beneath pierced arched sector to reveal the revolving chapter hour disc painted with cherubs in flight on a sky blue ground behind, the upper margin with pierced Roman numerals I, II and III for the quarters and incorporating scalloped inner edge with each division denoting the minutes, the lower margin signed Joseph Knibb Londini fecit over an engraved perspective pavement flanked by vertical panels engraved with delicate floral trails and paired Corinthian columns, the upper angles decorated with tied foliage flanked by grotesque lion's masks, in a gilt brass mounted ebony veneered table-top case with triangular tympanum applied with square panel outline mouldings to upper surfaces and with fine gilt mount modelled as an elaborate Baroque shield flanked by cherubs to front, the lintel with generous gilt festoon swags of fruiting foliage over rectangular glazed front door applied with raised moulding to the aperture and flanked by solomonic twist Corinthian columns with finely detailed capitals and bases, the sides with rectangular blind panels and conforming quarter columns applied to bargeboards at the rear, the base with projecting plinths for the columns at the angles, the rear with flat surface applied with geometric border mouldings behind the pediment over rectangular door with conforming panel decoration (movement with restoration, case now with removable superstructure, some restoration and adaptations), 52cm (20.5ins) high. Provenance: Formerly the property of H. Alan Lloyd, sold on instruction of his widow at Sotheby's, London, 2nd December 1974 (lot 33); sold again at Antiquorum, Geneva in their sale titled THE ART OF BRITISH HOROLOGY 21st October 1995 (lot 13) for a hammer price of CHF 50,000 (approximately £32,000 including 10% buyer's premium). Literature: Illustrated in Lloyd, Alan H. OLD CLOCKS (first published 1951) Plates 46 C. and D. Joseph Knibb was born the fifth son of Thomas Knibb of Claydon, Oxfordshire in 1640. He is generally thought to have been apprenticed in around 1655 to his cousin Samuel Knibb in Newport Pagnell, before moving to Oxford circa 1662 (the same year that Samuel moved to London). Joseph initially struggled to trade in Oxford due to restrictions placed by the City authorities which were only relaxed on payment of a fine in 1668. It was about at this time that Joseph Knibb would have issued his copper trade tokens (an example of which was sold in these rooms 10th February 2009, lot 104 for £1,600 hammer) as well looking to undertake work to convert the turret clocks of St. Mary the Virgin and Wadham College to anchor escapement with long pendulum. In 1670 Joseph moved to London handing over the Oxford business to his younger brother, John. The reason for this move was probably to administer the estate of Samuel who is thought to have died by the summer of 1671. Joseph Knibb presumably took on Samuel's former workshop as by 1675 he was recorded as working from 'The Dyal' near Sargeants Inn in Fleet Street. By 1693 he had moved to 'The Clock Dyal' Suffolk Street, near Charing Cross. As Joseph became established in London his work became more individual/distinctive, often demonstrating an inventive and refined approach both in the detailing and specification of the movements and choice of case design. He is perhaps best known for his experimentation with alternative striking such as Dutch, Roman and double-six grande sonnerie as well as long duration clocks. In 1697 Joseph Knibb sold up the London business (presumably to Samual Aldworth, former apprentice of John Knibb of Oxford) and retired to Hanslop in Buckinghamshire where he died in December 1711. The current lot is one of four documented night clocks by Joseph Knibb with the other three being illustrated in Lee, Ronald A. The Knibb Family * Clockmakers pages 151-3. All of these examples are timepieces only and utilise the same ingenious system to indicate the time: The hour numeral traverses the 180 degree arched aperture in the dial plate past minute divisions denoted by small scallops cut into the upper edge and the quarters by large pierced Roman numerals above. This is enabled by having the Arabic hour numerals pierced in two secondary discs applied to the rear of the principal hour disc. As the hour disc revolves (once every two hours) these secondary discs are alternately advanced in one numeral increments via pins to the rear of each engaging with a flag attached to the lower part of the movement frontplate. This system ensures that the next hour appears to the left of the dial as the last disappears to the right (hence requires one of the secondary discs to be pierced with the odd hour-numerals and the other the even). This mechanism can also be seen on a longcase night clock, dating to around 1669, attributed to the Fromanteel workshop which is illustrated and described in Darken, Jeff (ed.) HOROLOGICAL MASTERWORKS pages 90-93. The existence of this slightly earlier clock suggests that this system was probably developed by the Fromanteels prior to Joseph's arrival in London in 1671. The advantage of this type of dial layout is that it negates the need to provide a separate chapter ring for daytime use as seen on other examples by makers such as Edward East and John Hilderson (see Dawson, Percy G., Drover, C.B. and Parkes, D.W. Early English Clocks pages 513-5, plates 759-63 for an example by John Hilderson). The engraved decoration and layout of the dial of the current lot is generally similar to the three other examples illustrated by Lee but has some detail differences - most noticeably in the design of the upper spandrel ornament. These differ in that the other three have decoration composed with a dog rose over pomegranate and other fruit whilst the current lot is engraved with foliate scrolls terminating with grotesque lions masks. The dog rose and pomegranate design is of a type seen on other standard clock dials by makers such as Edward East, as well as examples by Knibb made during his formative years in Oxford (including an ebonised architectural longcase clock which was sold in these rooms on Tuesday 11th March 2014, lot 143, for a hammer price of £230,000). From this it is perhaps appropriate to speculate that the dial of the current lot was most likely engraved by a different hand - probably the same individual responsible for an almost identical dial for a hour-striking night clock by Henry Jones illustrated in Early English Clocks on page 521 (plate 770). The case of the current clock is essentially 'of the period' and can be directly compared to one housing a standard table clock movement and dial by Edward East illustrated in Early English Clocks page 174 (plate 235). However alterations including the top being cut just below the lintel to make it removable (presumably to allow the lamp to vent when used at night) and the provision of an additional baseboard for the movement to sit-on would indicate that the case is not original to the movement and dial.
Los 51
A fine French small porcelain panel inset ormolu mantel clock Martin, Baskett and Martin, Paris, circa 1860 The circular eight-day movement rack striking on a bell and signed Martin Baskett & Martin, Paris over number 477 to backplate, the rectangular light-green bisque porcelain panel dial with fine foliate painted rosette and repeat signature MARTIN BASKETT & MARTIN, PARIS to centre within vine decorated Gilt Roman cartouche numeral chapter ring over polychrome scene of two seated cherubs arranging flowers to lower margin, the rectangular case with surmount cast as a seated Classical female muse within repeating husk swag and crossed feather moulded border over scroll decorated frieze and female caryatid mounted angles, the sides inset with further bisque panels finely painted with cherubs holding aloft baskets of fruit on a conforming light green ground, on repeating anthemion cast ogee moulded skirt base with elaborate paw feet, 26cm (10.25ins) high. Provenance: The estate of a connoisseur collector of regional furniture, works of art and clocks.
Los 243
A Scottish Light Company officer's sword of the 71st Highland Infantry Regiment,double-edged towards the point, with an etched blade with a trophy of arms, GR cipher, a crowned slung bugle and '71', the hilt with thistles, roses and shamrocks(?), no scabbard,blade approximately 75cm87cm overall
Los 170
A Newlyn School style Arts & Crafts copper shield, probably J & F Poole of Hayle, Cornwall The shaped shield embossed with various stylised dolphins and sea serpents on a hammered ground within a beaded border. 55.5 cm wide. CONDITION REPORTS: Generally in good condition, expected wear, could do with a light clean.
Los 735
After GIOVANNI GIUSEPPE FONTANA (1821-1893) Anglo-Italian The Prisoner of Love Parian ware figure for Belleek Pottery Signed and titled within the mould, impressed mark Belleek Co. Fermanagh 64 cm high CONDITION REPORTS: Generally in good condition, expected wear, fingers to left hand lacking, some possible minor nibbles, could do with a light clean.
Los 1000
Attributed to Josef Lorenzl (Austrian 1892-1950), 'Dancer' table lamp, Circa 1925 The spelter figure wearing collared short flowing dress with arms outstretched, mounted on a marble base, supporting a crackle glaze glass shade and interior light fitting, unsigned, 33cm high. (illustrated) CONDITION REPORT: Wear marks and rubbing to gilding, otherwise good, the material is spelter.
Los 1053
An Art Nouveau rectangular tray with silver-plated mount By Carl Sigmund Luber for Johann von Schwarz, having tube lined decoration of a girl beside lilies, impressed factory marks and numbered 8925 to base, length 45cm. CONDITION REPORT: Lot 1053: Silver discoloured and brass showing through, light scratches to glaze but good condition. Contact Palani at Mailboxes regarding posting and packing. 0161 233 0500. shipping@mbealtrincham.co.uk
Los 1124
An Art Deco Carltonware coffee service Decorated with a plain black glazed body with gilt rims, fitted in original box, printed factory marks to base (part af). CONDITION REPORT: Lot: 1124 Coffee pot with cover - broken into many pieces and part glued, light cracking throughout. Two cups with handles broken off but present. Further cup with chip to top rim. See images.
Los 1203A
A William Moorcroft pottery vase of baluster form Decorated in the Pansy pattern on a clear and blue ground, green signature and impressed marks to base, height 22cm. (illustrated) CONDITION REPORT: Glaze fault to lower body, length 4.5cm, light all over crazing, light scratch to foot rim, 1cm, otherwise good (see images)
Los 1207
A fine William Moorcroft vase of tapering form decorated in the Big Poppy pattern On an ochre ground, blue signature and dated 1918 to base, height 26 cm. (illustrated) CONDITION REPORT: Lot 1207 Good condition , light crazing to body, very minor scratch to top rim, difficult to see, approx 3mm long.
Los 1221
A Martin Brothers ware circular bowl Having incised floral decoration with cobalt blue highlights, by Robert Wallace Martin, signed and dated 12-1875 to base, diameter 15cm. CONDITION REPORT: Lot 1221: All over light crazing to body, hairline crack running from rim, approx 3cm, glaze chip to edge of body, see images.
Los 1323
A monumental Globe Wernicke light oak stacking bookcase, circa 1920 The five glazed upper sections above two deeper corresponding base sections, all with glazed up-and-over doors, raised on plinth base, applied with five Globe Wernicke labels, width approx 86cm, height approx 218cm. (illustrated)
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534297 Los(e)/Seite