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An ornate French gilt metal six light candelabra, a two handled urn holding a central post decorated with Madonna lilies, grape vines with grapes and ears wheat, tripod base, later converted to electric 92cms (af); a pair of barley twist mahogany & pewter candlesticks (af); a mahogany slender column table lamp etc.
1902 London Underground MAP 'The 'District [Railway] MAP of Greater London & Environs', 1st edition. Shows the first tube railways (C&SLR & CLR), indexed as 'Electric Railways' and also the authorised extension of the Metropolitan Railway to Uxbridge. A linen-backed map inside hard covers, it opens out to 42" x 26.5" (107cm x 67cm). The map is in vey good condition with a little wear at the folds, the covers are good with light wear. [1]
Selection (5 items) of London Underground etc MAPs etc comprising 1908 postcard map for Franco-British Exhibition, Liverpool St Hotel (German-language version), 2-10-19 Underground map inside advertising covers for C W Aldridge, 12/1928 Underground map (all these in very good condition), 1939 Sydney [Australia] Railway Map, a direct copy of the Beck diagram (light wear, owner's name on cover) and a 2000 edition of the Letch Collectors' Guide to LT maps (very good condition). [5]
Pair of 1894 COLOUR LITHOGRAPH PRINTS "Travelling on the Liverpool and Manchester Railway, 1831". The first shows a 1st-class train with the mail behind 'Jupiter' and a 2nd/3rd-class train behind 'Lone Star', the second depicts a train of wagons behind 'Liverpool' and a train of cattle carriages behind 'Fury'. Illustrations by Moses Bruin Cotsworth (1859–1943), printed & published by Raphael Tuck & Sons, 1894 and appear to be original prints. Framed & glazed with light age-foxing, the first print has been carefully removed and replaced to ascertain originality. [2]
Pair of enamel London Underground SIGNS, the first is an Edwardian-era 'Private' sign from the early tube railways, measuring 18" x 4.5" (46cm x 11cm), in very good, ex-use condition, the second a c1960s/70s, flanged sign 'Private - Staff Only' measuring 21" x 14" (53cm x 36cm) in very good ex-use condition, a light scratch. [2]
1938 (copyright 1934) London Transport quad-royal POSTER MAP "Green Line Coach & Country Bus Routes". Shows the whole 'green' network under the control of the Reigate offices from Baldock in the north to Horsham in the south, Gravesend in the east to High Wycombe in the west. Folded, a little fragile at some of the folds, one very small, light stain noted but generally good. [1]
1937 London Underground Metropolitan Line CAR DIAGRAM for compartment stock showing the line coloured green. Refers to 'Inner Circle' at interchanges and features the pre-war LT bullseye. Print-code: 37/4309/3000. Mounted and glazed in an original-style frame. Size: 25.5" x 9.5" (65cm x 24cm) with frame. A vertical crease and some light staining, corners slightly clipped to fit original frame but generally in good, ex-use condition. [1]
Teleskop-Stehlampe, 2. Hälfte 20. Jh., Lampenschirm Aluminium, schwerer Fuß Aluminium verkleidet, Fuß mit Lichtquelle als Deckenfluter, Fu. nicht gepr., Maße: Höhe 200cm, l. Gebr.-spuren, EZ 2-3Telescopic floor lamp, 2nd half of the 20th century, aluminum lampshade, heavy aluminum clad base, base with light source as uplighter, Fu. not tested, dimensions: height 200cm, slight traces of age, condition 2-3
Tischlampe, Frankreich, um 1900, Jugendstil, Skulptur einer Frau mit Knospe, Metall versilbert (berieben), ehemals Kerzenleuchter,in den 1930er Jahren elektrifiziert (nicht geprüft), Glasschirm mit weißen und hellblauenEinpuderungen, Gesamthöhe ca. 33,5cmtable lamp, France, around 1900, Art Nouveau, sculpture of a woman with a bud, silver platedmetal (abraded), formerly candlestick, in the 1930s with electrification (not examined), glass lamp shade with white and light blue powdering, total h. approx. 33.5cm
Glas-Deckelvase, Rosenthal, Studio-Line, 2.H.20.Jh., farbloses Grundglas, flächige Pulvereinschmelzungen in dunkel- u. hellgrün, hellblau u. kobaltblau, ovoide Form, geätzte Marke, Klebeetikett, H. 22,5 cmGlass vase with lid, Rosenthal, Studio-Line, 2nd half of the 20th century, colorless groundglass, flat powder inclusions in dark and light green, light blue and cobalt blue, ovoidshape, etched mark, adhesive label, H. 22.5 cm
Bronzeskulptur, Tibet, um 1900, sitzender Manjushri, einer der drei großen Bodhisattvas, in der rechten männliche Hand ein Schwert, das die Unwissenheit zerschneidet u. als Fackel Licht in die Dunkelheit bringt, H.ca. 21 cm, teils schwarz gefasst, mit blauen Glassteinchen verziert, Boden verschlossenBronze sculpture, Tibet, around 1900, seated Manjushri, one of the three great Bodhisattvas, in the male right hand a sword that cuts through ignorance and brings light into the darkness as a torch, H.ca. 21 cm, partly black painting, decorated with blue glass stones, bottom closed
Kerzenleuchter, WMF, um 1905/10, Metall versilbert, in Form einer antiken Säulen, 5 Brennstellen, Oberteil abnehmbar, dann 1 Brennstelle, H. 46 cm, l. Gebr.-sp.Candlestick, WMF, around 1905/10, silver- plated metal, in the shape of an antique column, 5 lights, upper part removable, then 1 light, H. 46 cm, l. Gebr.-sp.
Signed Seamus Heaney books: Heaney (Seamus), Beowulf A New Translation, Faber and Faber, 1st edition 1st impression, 1999, sigend and inscribed to title page, dustwrapper and Electric Light, Faber and Faber, 1st edition 2nd impression, 2001, signed and inscribed to title page, dustwrapper, together with O'Driscoll (Dennis), Stepping Stones, Interviews With Seamus Heaney, Faber and Faber, 1st edition 1st impression, 2008, signed by Heaney and O'Driscoll to title page, dustwrapper, and Moments of Truth, London: The Keepsake Press, 1965. (4)
After Laurence Stephen Lowry RBA, RA (1887-1976)"Landscape with Farm Buildings"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 43cm by 53cmSlight time staining to the exposed areas of paper. Slight cockling to the paper. Very minor small foxing spots in evidence to the margins. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976) "Market Scene in a Northern Town" Signed, published in 1973 by Patrick Seale Prints Ltd, from an edition of 750, a colour reproduction, 60.5cm by 75cmTime staining to the paper. Cockling to the paper. Some light surface dirt and debris trapped under the glass. Scattered medium sized foxing spots throughout in particular to areas of the sky, the market canapes, the foreground, etc. Good colour depth. Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976)"Level Crossing, Burton-on-Trent"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published in 1973 by Henry Donn, a colour reproduction, 43.5cm by 58cmVery faded, slight cockling to the paper, sight time staining to the exposed areas of paper. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976)"Level Crossing, Burton-on-Trent"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published in 1973 by Henry Donn, a colour reproduction, 44cm by 59cmLight cockling to the paper. Some light surface dirt and debris trapped under the glass. Otherwise appears in good condition. Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976)"Industrial Scene"Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published by Venture prints Ltd, a colour reproduction, 37.5cm by 26.5cmSlight time staining to paper. Some very light surface dirt and debris trapped under the glass.Very slight cockling to paper. Small brown foxing spot to the central window of the factory. Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976)"Berwick-on-Tweed"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 650, a colour reproduction, 55.4cm by 43.5cmSlight cockling to the paper. Light surface dirt and debris trapped under the glass. The print has slipped in the mount. Very tiny foxing spots in evidence to the exposed paper of the margins. Diagonal line from the centre of the top edge down through the church spire? scratch? Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976)"The Family"Signed in biro, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 38cm by 30cm (unframed)Slight time staining to paper, noticeable where an old mount has been. Some light surface dirt. The print has old brown tape across the top edge of the margin. Tiny creases bottom right corner. The odd very minor tiny foxing spot in evidence to the mount. Unframed
After Laurence Stephen Lowry RBA, RA (1887-1976)''His Family'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 575, a colour reproduction, 55cm by 73cmSlight cockling to paper. Light surface dirt and debris trapped under the glass. The odd minor very tiny foxing spot to margins. Not examined out of the frame.
Anthony Gross CBE, RA (1905-1984)"Mercado St Anton Madrid - Paper Dolls"Signed, inscribed and dated 1925, etching from an edition of 60, 24cm by 34cmProvenance: The Stables Gallery, LancashireA gift from the art collector Arthur HaighExhibited: Bradford Art Galleries and Museums Exhibition "Anthony Gross - A Tribute", June 1986, no.2Time staining to the paper. Light cockling to the paper. The odd tiny minor foxing spot to margins. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
After David Hockney OM, CH, RA (b.1937)"Dessins et Gravures" 15th avril-24 mai, Galerie Claude Bernard, ParisSigned and numbered 419/450, offset lithograph, 62cm by 42.5cm (mounted but unframed)Some very light surface dirt. Mounted but unframed. Very minor handling creases to bottom left and upper right. Minor scuff to mount lower right. Otherwise in good overall condition.
Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish"Black Cat and Lily"Signed and inscribed proof, etching and aquatint, 41.5cm by 33cmThe work is faded with the yellow particularly down on colour. It has a deckled edge and is float mounted. Slight crease top left corner. Some light surface dirt and debris under the glass. Not examined out of the frame. The odd chip and knock to the frame.
Norman Stansfield Cornish MBE (1919-2014)Man at the barSigned, flomaster pen, 28cm by 17cmSome light surface dirt, thunder flies and debris trapped under the glass mostly contained to mount. Very slight time staining to paper. Significant cockle to paper. Crease to lower right of the man's jacket approx 2cm in length. Otherwise in good overall condition. Not examined out of the frame. The frame is in general good order but is slightly coming apart at the lower corners.
Brian Shields 'Braaq' FBA (1951-1997)Figures outside a schoolSigned, inscribed "Ann", mixed media, 19cm by 26.5cmSome very light surface dirt and debris trapped under the glass. Slight cockling to paper. Slight line down left hand side edge and lower edge where the work has moved in the mount. Not examined out of the frame.Frame in general good order.
Sidney Nolan (1917–1992) Australian/British"Greece"Signed, inscribed verso "3rd April 1956, Greece", mixed media, 24.5cm by 29cmThis work was painted when Sidney Nolan was staying on the island of Hydra with the Australian writer George Johnston and his wife Charmian CliftSome light surface dirt and debris trapped under the glass. Slight cockling to the paper. The odd very tiny sporadic foxing spot. Tiny section of bloom upper left of the sail within the brown, where the work has touched the glass? A number of foxing spots to mount. Not examined out of the frame.
Sir Terry Frost RA (1915-2003)UntitledSigned and dated (19)68, mixed media, 28.5cm by 28cmProvenance: Wills Lane Gallery, St Ives, 1995Some light surface dirt and debris trapped under the glass. Slight cockling to the paper. Very fine craquelure horizontal within the section where the green paint meets the red on the right and left. The purple of the lower section is possibly down on colour? Areas of faint medium sized foxing in evidence within the purple and red circle (lower section). The odd minor sporadic scattered foxing spot elsewhere. Not examined out of the frame.
Sir Terry Frost RA (1915-2003)"Vertical Lines"Signed and dated 2002, acrylic collage, 30cm by 30cmProvenance: Belgrave Gallery, St IvesSome light surface dirt and debris trapped under the glass. The fabric has light surface dirt and the odd thunder fly trapped within it, this is more noticeable to the exposed white areas. There are a few marks/splashes within the background- may be by design? And there are scattered sporadic foxing spots/dirt within the background. Not examined out of the frame.
Maurice Canning Wilks (1911-1984) Irish "Sunlight and Shadow Connemara Co. Galway" Signed, oil on canvas, 34cm by 44cm Some light surface dirt. Slight stretcher shadow. Areas of medium/large sized craquelure to areas of the sky. Minor losses to areas of the blue upper right. Slight lifting to the paint to central areas of the lake.
Brian Shields 'Braaq' FBA (1951-1997) "It's Bloody Freezing" Signed, inscribed "Ann", oil on canvas, 44cm by 59cmProvenance: Clark Art Ltd., CheshireThe work is glazedSome very light surface dirt. Brown spot to top right of the sky. Very very slight stretcher shadow. Otherwise in good overall condition. Not examined out of the frame.44cm x 59cm is the canvas size.

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534325 Los(e)/Seite