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534297 Los(e)/Seite
Los 618
A rare Steiff Roly - Bear, roly - poly Teddy Baby, 1937-42, With blonde mohair, clear and black glass eyes with brown backs, inset white mohair muzzle, light brown stitched nose and claws, open felt mouth, swivel head, large bulbous weighted body with hinged arms with felt pads and FF button in ear –7in. (17.5cm.) high (very worn)
Los 592
A Merrythought Cheeky Teddy Bear, 1960, with golden mohair, orange and black plastic eyes, inset velvet muzzle, black stitched nose, mouth and claws, ears with bells, swivel head, jointed limbs with brown felt hand pads and light brown cloth pads and yellow printed label - 18in. (45.5cm.) high; and a Cheeky muff with label
Los 583
A Merrythought Dutch Teddy Bear, 1930s, with light brown wool plush, orange and black glass eyes, black stitched nose, mouth and hand claws, swivel head, integral orange corduroy Dutch style trousers with felt pockets, large card lined feet, felt pads and white and black woven label - 22in. (56cm.) high (some fading, very slight wear, dusty and minor damage to pads); and a Woolley & Wallis catalogue where this bear was originally sold
Los 323
A ROMAN BRONZE FIGURE OF VENUS probably first century A.D., 7.5cm high, headless and with right arm missing from the shoulder, un-draped, with a copper or bronze coin lodged under the left arm, said to have been found in a river in Southern Italy (near Naples), possibly the River Liri, 7.5cm high; together with a Roman pottery oil lamp, of typical light grey moulded construction, the central circular area bearing the raised figure of a gladiator or milites (regular footsoldier), with shield (scutum) and gladius type sword; and a stone seal, (3).
Los 103
An Austrian silver and enamel serpentine shape table box, maker's mark A..K An Austrian silver and enamel serpentine shape table box, maker's mark A..K?, 1872-1922 2nd standard for Vienna, the cover painted with a group of cherubs in an oval on a light green guilloche ground within a laurel border, the sides light green bordered with white lines, the base engine turned, the interior gilt, 9.2cm (3 5/8in) long, 175g (5.65 oz) gross
Los 63
Johan Rohde for Georg Jensen, a Danish silver pitcher or water jug Johan Rohde for Georg Jensen, a Danish silver pitcher or water jug, stamped marks, import marked for London 1975, sponsor's mark of Georg Jensen Ltd, design no. 432A, of slender bellied form with a light spot hammered surface, 23cm (9in) high, 549g (17.65 oz)
Los 91
A Victorian silver mounted glass scent bottle modelled as a fish, maker A Victorian silver mounted glass scent bottle modelled as a fish, maker's mark D & .. (probably Deakin & Francis), Birmingham probably 1889, the screw-on silver tail with fine natural engraving, the opaque light green glass gilded with scales, fins and eyes, 13.5cm (5 3/8in) long; and a Continental porcelain etui or box modelled as a fish, painted and gilded with flowers, blue painted mark, 13.5cm (5 3/8in) long (2) Provenance: the Angling Collection of George Miskin.
Los 99
A Continental silver and enamel circular powder compact A Continental silver and enamel circular powder compact, import marked for London 1929, sponsor's mark of Stockwell & Co. (George Stockwell), the cover painted with the head of a white West Highland terrier against the sky, the base light blue guilloche enamelled, 5.7cm (2 1/4in) diameter
Los 546
Second World War and later Military medal (M.M.) Gallantry group, comprising M.M., named to 2586638 S. GLN. A. Coxon. R. Signals., 1939 - 1945 Star, Africa Star with 8th Army clasp, Italy Star, War and George VI Territorial Efficiency medal, named to 2586638. SIGMN. A. COXON. M.M. R. SIGS. Along with his medals is a photograph of Signalman Alfred Coxon in uniform and his M.M. Citation which states that on 20th May 1940, an Officer of 11th Bn. Durham Light Infantry reported that the enemy had broken through Wancourt and Baunetz. Signalman Coxon was sent with orders to other units stationed nearby. He went on to carry out his mission successfully, although subject to enemy bombing and machine gunning, 'His courage and determination to establish communications under heavy hostile action rendered valuable service to his Commander and troops concerned'. An interesting early Second World War Gallantry group
Los 803
Formerly The Property of Captain Thomas St. John - who fought in the American Wars of Independence and who surrendered to General Washington in 1781 - George III Light Infantry Officers' sword by Tatham, circa 1800, with steel stirrup hilt, silver wire-bound leather grip, original gold bullion and red silk sword knot, very curved plain blade with rear fluke to point in original steel mounted leather scabbard, the chape engraved 'Tatham Sword Cutler and Belt Maker to The King, 37 Charing Cross near the Admiralty', suspended by two steel rings, the blade 67cm long, the whole 79cm. Provenance: By family descent. Sold with copies of Thomas St. John's Commission in New York Royal Garrison Battalion of Foot 11th November 1776, a copy of his surrender to General Washington 27th October 1781 - 'I Thomas St. John, Assistant Deputy Quarter Master General, do acknowledge myself as Prisoner of War to the United States of America and being permitted by His Excellency General Washington attaining to the articles of Capitulation to proceed to New York and from thence to Europe'. Also his Commission as Lieutenant in New York, 15th September 1782, a copy of his Will and Probate 1827 and other family documents, along with a letter of provenance from his descendant, confirming the sword's provenance
Los 68
A Fairing figurine group titled 'Last to bed can put the light out' with a similar figurine titled 'Shamming Sick', three Royal Dux figurine groups including geese, a dancing couple, and a child playing with a toy horse, Goebel pottery children, together with various other figurines of people and animals (af)
Los 909
An early 18th century, highly decorated, lead glazed, earthenware 'tyg' or posset pot. Height: 14.6 cm Diameter: 18.5cm Dated 1704 Together with paperwork & photographs (See illustration) The body of the pot is made from light red clay decorated with applied braids of white clay alternately coloured with green and purple glazes. The braids have all been heavily incised with a notched tool which creates three indents. Eight ornate, but crudely modelled handles with scrolls in alternate colours circle the vessel. One handle has been completely broken away and the hole has been plugged with a composite material. The body of the pot is divided horizontally into three distinct sections which are delineated by rows made with the notched tool. The first section around top of the pot is filled with lettering: AG JVN THE 9 DAY 1704 a small applied disc of clay separates each word. The middle section is decorated with a band of braided zig-zags in white, green and purple. Between most of the handles on the lower section are three alternately coloured vertical strips of notched braiding, except for three of the handles which have only two strips. The pot has been broken into four pieces and crudely repaired. Note: There are six remarkably similar posset pots from the Glaisher collection in the Fitzwilliam Museum and another in the British Museum. The potter is unknown but they are all so stylistically alike that we feel with some certainty that they were all made by the same hand. The Glaisher collection attributes their production to Fareham in Hampshire, the BM to Staffordshire. From the collection of Vic Hewitt, accompanying documents includes correspondence dated 1969 between Vic Hewitt and the ceramics department of the Victoria & Albert Museum who expressed an interest in acquiring the pot after it had been sent in for study and photography.
Los 517
A 19th century Chinese Beijing embroidered wall panel decorated with the 'Immortal Twins' 'Hehe Erxian', each with symbolic symbols such as a sacred lotus emerging from a domed bowl, the background filled with symbolic plants and fruits, 202 x 62cm. Condition Report: There is some damage and loose stitching to the light coloured band otherwise in good condition.
Los 108
A SAXON MINER S GUILD AXE, LATE 17TH CENTURY with iron head pierced with a rondel filled, in copper, with the miners' emblem, a pair of stone hammers, square rear pean (upper tip slightly bent, light rust), engraved bone sectional haft decorated over its full surface with sixteen differing captioned scenes from miners' lives, including a pair of praying miners in contemporary dress at the foot of the cross at the top, and engraved bone basal cap decorated with the crossed swords of the Archmarshallship of the empire and the arms of Saxony on one side and a pair of crossed stone hammers on the other (basal plaque missing, the haft slightly loose) 66 cm; 26 in haft
Los 141
**A CAP-A-PIE ARMOUR FOR THE 'JOUSTS REAL', WITH ETCHED DECORATION, 19TH CENTURY IN THE SOUTH GERMAN STYLE OF CIRCA 1520 of exceptional weight, comprising helm of pronounced 'frog-mouthed' shape formed of a front and a rear section joined to one another at each side by a push-button operated spring-catch and a pair of screws, the front section formed of an upper and a lower plate joined by rivets at each side at the level of the broad vision-slit and pierced at the right with a large sub-rectangular ventilation-hole closed by a hinged trap-door secured by a sprung sliding catch, the rear section formed of a single plate contoured to the back of the head and neck, medially ridged in its upper part, fitted at the back with an upstanding plume-holder and pierced at each side with lace-holes fitted in each case with copper eyelets for the attachment of an arming-cap, and both the front and rear sections extending downwards over the cuirass to which it is attached by bolts; breastplate of rounded, medially-ridged form, pierced beneath its straight upper edge with a pair of threaded holes to accommodate the bolts that attached the helm and at the left of the chest with three similar holes for those that attach a shoulder-shield, and fitted within its right arm-opening with a large semi-circular flange, at the right of the chest with four pierced staples for the attachment of a rigid lance rest fitted at the centre of its arm with a red velvet-covered block of wood, and within its lower edge with waist-lame flanged outwards to receive a fauld of three lames, the lowest of which is cut at its centre with a shallow arch separating a pair of pendent medially-ridged one-piece tassets, the left of which is considerably longer than the right, each suspended by a pair of straps (broken) from the second lame of the fauld; backplate formed of a straight-topped main plate fitted within its lower edge with a waist-lame flanged outwards to receive a culet of three lames; shoulder-shield of sub-trapezoidal form, curving forward at its top and bottom, pierced to the right of centre with three holes to receive its retaining screws, and reinforced peripherally and in a diagonal trellis-pattern with applied half-round strips decorated with roping; spaudlers each of four lames, the first decorated medially with a rib, linked by a turner to a fully articulated vambrace formed of a tubular upper and lower cannon linked to one another by an intervening winged bracelet couter and, in the case of the right, a series of lames protecting the inside of the elbow, the right couter decorated across its front with a medial rib and the left pierced at its front with a threaded hole for the attachment of a large shell-like reinforce covering its front and outside; mitten gauntlet for the right hand formed of a flared and rounded cuff boxed along its upper surface, closed by riveting at its inside, decorated with a large almond-shaped boss over the end of the ulna, and fitted with three metacarpal-plates and three shaped finger-plates; manifer for the left hand of similar form to the right gauntlet but having a larger and more markedly flared cuff and a single finger-plate fitted on its upper surface with a flanged thumb-defence; cuisses each formed medially with a raised rib and fitted at its lower end with a poleyn of five lames, the third of which is shaped to the point of the knee, decorated with a similar rib and formed at its outside with a large medially-puckered oval side-wing; and full-length tubular greaves each fitted within the arched lower edge of its front plate with a broad-toed sabaton of eight lames, the last of which is decorated with a medial rib; the main edges of the armour decorated at points with boldly roped inward turns, and its surfaces etched throughout with bands, borders and panels of foliate interlace and scrolls inhabited by grotesques and flower-heads, all on a blackened and stippled ground (some parts of the armour showing patches of light recent rust) See note at front of catalogue for information concerning stands Provenance The Duque del Infantado, Madrid, May 1931 JWHA Inv. No. 1649 Exhibited Rensselaer County Junior Museum, Troy, NewYork, 1 October - 5 September 1975 Children's Museum, Hartford, Connecticut, March - April 1976 WBZ Television, 14 January 1980 The design of the armour is inspired by that in the Real Armeria, Madrid, Inv. No. A 37, made for the Emperor Charles V, probably by Koloman Helmschmied of Augsburg circa 1520. See Calvert 1907, pl. 23 and Godoy et.al 1991, pp. 118-22.
Los 146
**A COMPOSITE GERMAN LIGHT FIELD ARMOUR, PARTLY NUREMBERG, LATE 16TH TO EARLY 17TH CENTURY, WITH LATER ETCHED DECORATION comprising burgonet with rounded one-piece skull slightly boxed at each side and rising to a high file-roped medial comb, projecting forward to an obtusely-pointed peak struck at its centre with the quality-control mark of the City of Nuremberg and three circles in triangular formation, fitted at its flanged lower edge, just beneath a slender tapering plume-holder, with an obtusely-pointed neck-guard of one lame, and at each side with a cheek-piece shaped at its upper front corner to fit over the rear of the peak and flanged outwards at its lower edge to form a continuation of the neck-guard, and pierced at its centre within a raised circular panel decorated with an eight-pointed recessed asterisk with nine small circular auditory holes arranged in rosette-formation; 'Almain' collar formed of three lames front and rear, the lowest front one struck internally with the Nuremberg mark of an N within a circle (the lowest rear one associated), and each side fitted with an integral spaudler, the left formed of seven lames and the right of eight (two of the left and five of the right restored or associated, and one of each patched); breastplate formed of a medially-ridged main plate fitted at its arm-openings with moveable gussets (the right restored) and at its flanged lower edge with a fauld of three lames of which the lowest is cut at its centre with a shallow arch separating a pair of long pendent tassets each of seven lames extending to just above the knee (the right associated and reworked to match the left and the inner end of three of its lames patched); backplate formed in one piece with a broad shallow neck-opening and a short flange at the waist; a circular besague (restored) rising slightly to a conical boss at its centre; fingered gauntlets (the right restored) each formed of a long, flared and pointed cuff fitted with a short separate inner plate, five metacarpal-plates, a transversely-roped knuckle-plate, a shaped finger-plate, and scaled finger and thumb-defences, the latter laterally attached by a short leather hinge to the inner end of the last metacarpal-plate, and the whole retaining a fragmentary buff-leather lining-glove; the main edges of the armour turned inward and decorated, except on the backplate, with roping, the subsidiary edges of the burgonet decorated with pairs of incised lines, and the surface of the armour decorated with bands and borders of later etching consisting for the most part of running foliate scrolls executed on a blackened and stippled ground, but including on the breastplate three coats of arms and on the comb of the burgonet, warriors in combat accompanied by a bear and lion on the right and a scroll bearing the inscription HERCVLA on the left See note at front of catalogue for information concerning stands Provenance The armour without burgonet, Charassé, rue Bonaparte, Paris, circa 1889 The burgonet, Seymour Hayden, sold F. Muller & Co., Amsterdam, 26 April 1911, lot 219 The armour with burgonet, Dr Bashford Dean, Riverdale, New York, sold American Art Association, New York, 23 November 1928, lot 148 JWHA Inv. No. 610 Exhibited Worcester Art Museum, Massachusetts, 1928-30 Literature F.H. Cripps-Day, A Record of Armour Sales 1881-1924, London, 1925, p.153
Los 150
**A COMPOSITE PARTIAL NORTH GERMAN LIGHT FIELD ARMOUR, SECOND HALF OF THE 16TH CENTURY comprising burgonet with rounded skull formed in two pieces joined along the notched crest of a high medial comb, projecting forward to an acutely-pointed integral peak (chipped at its right rear edge), backwards to an obtusely-pointed integral neck-guard and cut away at each side to receive a missing hinged cheek-piece; 'Almain' collar formed of three lames front and rear and fitted at each side with an integral spaudler of five lames (associated and in part composite); breastplate formed of a medially-ridged main plate with near-straight upper edge, projecting forward over the belly and fitted at its arm-openings with moveable gussets and at its flanged lower edge with a fauld of two (originally three) lames; backplate formed in one piece with a slightly convex upper edge and an outward-flanged lower edge bearing a culet of one lame cut with a notch at the centre of its lower edge; the main edges of the armour formed with boldly roped inward turns accompanied by recessed borders, those at the upper edges of the breastplate and backplate of ogival form, and its surfaces decorated in low relief with narrow bands enclosed by grooves, forming broader bands originally burnished bright against a black-from-the hammer ground in the 'black-and-white' fashion (now cleaned to a mottled patina overall) See note at front of catalogue for information concerning stands Provenance Possibly from the armoury of the Princes Radziwill, Niescwiez Castle, Poland, sold Christies, London, 29 June 1926, lot 49 York Galleries, New York, July 1930 JWHA Inv. No. 1125
Los 156
**A PAIR OF GERMAN MITTEN GAUNTLETS WITH BLACK AND WHITE DECORATION, 16TH AND 19TH CENTURIES each comprising a moderately long flaring obtusely-pointed cuff formed of an upper and a lower plate at the outside and a shorter fixed inner plate at the inside, four metacarpal-plates, a knuckle-plate and five finger-plates, the knuckle and finger-plates formed with V-shaped flutes between the fingers, the main edges of the gauntlets formed with plain inward turns, and their surfaces decorated in each case with a raised medial band and upper border burnished bright, along with the knuckle-plate, against a black ground (the right gauntlet and all except the lower outer cuff-plate and metacarpal-plates of the left gauntlet restored; both showing light to moderate pitting throughout) (2)
Los 163
**A PAIR OF LEG HARNESS, 19TH CENTURY IN THE SOUTH GERMAN STYLE OF CIRCA 1540 comprising cuisses each formed of a long gutter-shaped main plate rising to a convex upper edge and fitted at its lower end with a winged poleyn of four lames; and full-length tubular greaves each cut at the heel with a slit to accommodate a spur and fitted within the arched lower end of its front plate with an integral broad-toed sabaton of eight lames, the last five decorated medially with a roped rib matching the inward turns of the main edges of all elements (the tops and bottoms of the cuisses and poleyns at one time formed with double recessed borders, subsequently erased, and all elements showing small patches of light active rust (2) Provenance A. Ullmann, Munich, sold Cologne, 1891, lot 2 Julius Böhler, Munich William Randolph Hearst Gimbel Brothers, New York, 14 December 1942 JWHA Inv.No. 2702 Exhibited Children's Museum, Hartford, Connecticut, March-April 1976 Literature F. H. Cripps-Day, A Record of Armour Sales 1881-1924, London, 1925, p. 30
Los 165
**THE LOWER ENDS OF TWO GERMAN TASSETS FOR LIGHT FIELD USE, THIRD QUARTER OF THE 16TH CENTURY not a pair but probably deriving from the same series of armours, the left and right respectively formed of two and three upward overlapping lames (partly disarticulated), the lowest of which in each case descends to a convex edge formed with a prominent file-roped inward turn, the surfaces of each tasset decorated with a pair of raised vertical bands originally burnished bright against a black-from-the-hammer ground (now much worn and patinated) (2) Provenance Dr Bashford Dean, Riverdale, New York JWHA Inv. No. 828
Los 173
**A FAULD AND TASSETS IN THE LATE 'GOTHIC' FASHION, PARTLY NORTH-WEST EUROPEAN (POSSIBLY FLEMISH), 16TH CENTURY, AND PARTLY 19TH CENTURY comprising fauld of three lames (restored), the upper edge of each cusped three times, and the lower edge of the third formed at its centre with a small semi-circular boss separating a pair of one-piece tassets (the left restored), each suspended from a pair of straps and buckles, narrowing lightly to its convex lower end and formed at its concave inner edge with a flattened inward turn, its upper edge decorated with a narrow recessed border and its centre with a symmetrical spray of cascaded flutes diverging from the middle of that border and interrupted at its lower end by a horizontal step (probably later; both tassets showing light to moderate patination) Provenance Sir Guy Laking, London, sold 1907 Clarence H. Mackay, Harbor Hill, Long Island, New York Gimbel Brothers, New York, 1 June 1942 JWHA Inv. No. 2686 Literature Stephen V. Grancsay, Catalogue of Armor: The John Woodman Higgins Armory, Worcester, 1961, p. 36
Los 180
AN ITALIC BRONZE HELMET OF NEGAU TYPE, MID-5TH CENTURY B.C. formed in one piece, the domed crown rising to a gentle medial ridge, at the brow a broad grooved band encircling the head, with a carinated brim below, pierced at each side with later square suspension-holes, the crown and sides with remnants of soft solder for attachment of decorative mounts, the brim with two incised maker's marks (surfaces cleaned to a light patination) 18.0 cm; 7? in Provenance Axel Guttmann Collection, Berlin, sold Christie's 6 November 2002, lot 37 Royal Athena Galleries, New York, 2009 For a similar helmet preserved in the Naturhistorisches Museum, Vienna, found at Enns-Asten, Austria, see Gamber 1978, fig. 346. Also cf. Bottini et al. 1988, pp. 269 and 472, no.72 for the type.
Los 190
**A SHAFFRON IN THE EARLY 16TH CENTURY GERMAN STYLE, 19TH CENTURY formed of a medially-ridged main plate flanged outwards over the nostrils, fitted at each side of its upper end with a rounded side-plate, fitted within U-shaped cut-outs at its upper corners with gutter-shaped defences for the ears, fitted above circular cut-outs for the eyes at each side with protective flanges, and between them, at the centre of the brow, with a decorative escutcheon secured by a threaded spike terminating in three-side pyramidal head, the edges of the side-plates, eye-flanges and nose-flange each formed with plain inward turns and the upper edges of the ear-defences with short longitudinal flutes (the surface showing a mottled light patina overall) 58.0 cm; 28¾ in
Los 221
A .750 CALIBRE FLINTLOCK MUSKET BY WATKIN, LATE 18TH/EARLY 19TH CENTURY of regulation type, with sighted barrel inscribed 'No. 87' over the breech and struck with Ordnance marks (worn, light surface patination), signed rounded lock, full stock impressed 'Y+C' and '96' on the left of the butt (small chips), regulation brass mounts and associated wooden ramrod 106.5 cm; 42 in barrel
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534297 Los(e)/Seite