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534310 Los(e)/Seite
Los 843
A late George III oak settle, with four panelled back above a solid seat, on turned legs, 87cm H x 190cm W x 68cm D (altered) CONDITION REPORT: The back has been reduced in height and the top of the arms altered. The solid seat is not panelled oak but pine. General light age wear, overall fair.
Los 931
An Edwardian stained beech wash stand, with drawer and under tier, on tapered legs, 83cm H x 91cm W x 44cm D, with a walnut dressing table mirror (2) CONDITION REPORT: Table with an age crack to the left hand side of the top and with an open join in the wood running the width of the piece. General light age wear. Mirror with some spotting and light fading to the left hand side of the base.
Los 657
Six Victorian and Edwardian parasols, including two with ivory handles (at fault) Please note: Trevanion & Dean does not ship items containing ivory outside the EU CONDITION REPORT: The plain black parasol is a little grubby and with light wear. The parasol with 'patent' brass link to the shaft - split to the brass on the upper section of the patent clasp, carved detail to handle appears ok, material to the parasol needs attention / replacing. The ivory and white metal parasol is in poor condition.The black lace parasol has splits and wear to the fabricThe green parasol with wood handle has some fraying to the fabric. (ATTENTION NEEDED)
Los 827
An 18th century oak cricket table, with circular top above an under tier, on triangular legs, 62cm H x 70cm W CONDITION REPORT: Top faded and a little dry, also with a patina of light scratches and wear etc. Two 19th century iron braces to the underside of the top. General wear to the base consistent with age. Base darker in colour. Despite faults appearance is ok and has a rustic appeal.
Los 542
An 18th century English glass patch stand, of wrythen moulded pedestal form, 5.5cm high CONDITION REPORT: Un-polished pontil mark to underside. Light scratches to underside edge of foot rim. Some orange peel affect pit marks and light surface marks. Red stained graze mark to interior of rim.
Los 9
HEARTSby Deven Bhurke1450 mm long x 920 mm high x 700 mm deep, 36 kg This design interprets Hugh Thomson's famous peacock edition cover for 'Pride and Prejudice' and brings the novel's characters to life in a fun and memorable way. 'Hearts' is inspired by Jane Austen's most popular all time classic novel - Pride and Prejudice. The backside of the bench represents the iconic Peacock edition cover by Hugh Thomson interpreted in the form of an abstract peacock pattern arranged as a deck of cards. The inside shows characters using hearts amongst other characters. Hearts is a way of remembering Pride and Prejudice through a different and light-hearted aspect.Deven BhurkeDeven is a Hampshire based artist and graphic designer. He has a versatile style and is known for creating fun loving characters and geometric abstracts. He has been involved in many Wild in Art trails across the country.
Los 5
PROMENADEby Laura Fearn1450 mm long x 920 mm high x 700 mm deep, 36 kg This BookBench is inspired by the Regency streets of Bath, where Jane Austen lived a few years after leaving her birthplace of Steventon, near Basingstoke when she was 25. Bath was the setting for scenes from her novels, especially Northanger Abbey and, of course, much of the architecture remains today. Laura Fearn BakerLaura is an artist, designer and illustrator based in Bath. She paints street scenes, portraits and landscapes. She uses strong colour and loves the way light and shade fall on the beautiful buildings of Bath. Laura has taken part in several city sculpture trails and enjoys the challenge of painting on unusual shaped canvases.
Los 18
WILLOW PATTERNby Julia Brooker1450 mm long x 920 mm high x 700 mm deep, 36 kgThis design is based on the famous Willow pattern that was first produced in Stoke on Trent in the 1780s and was very fashionable in Jane Austen's time. Once can imagine Jane enjoying her tea from a fine china cup decorated with a love story.Julia BrookerJulia went to art college when her teenage son left home as she had always wanted to be a painter. Her paintings are usually on aluminium panels because she loves the way light can reflect through transparent layers of colours.Julia set up her studio in Cardiff in 2000. Since then she has built an international reputation. Her contemporary paintings have been exhibited worldwide and are in the collections of private and corporate collectors including GlaxoSmithKline, Barclays Bank and Johnson & Johnson.
Los 17
FEMALE POWERby Fatima Pantoja1450 mm long x 920 mm high x 700 mm deep, 36 kg This colourful BookBench depicts Jane Austen working at her desk with a scroll of never-ending paper and colours that reflect her strength and the vibrancy of her ideas. Fatima PantojaFatima is a Spanish artist who moved to the UK to learn English six years ago, and currently works as a freelance artist and art teacher. Her artwork style and techniques change all the time, and she tries to push her own boundaries while avoiding being classified. As an artist Fatima wants to be able to make people see the beauty and wonder of every day apparent routine, to enjoy the colours, the light and brush strokes. Although Fatima knew Jane Austen's work she finds it hard to believe that Jane is not a contemporary as she writes in such a strong and independent manner. Her design puts Jane working in her studio, with never ending paper, and the landscape with fountain pen tree talk about her ability to create manuscripts. The colours reflect her strength and the vibrancy of her ideas clashing with the epoque's archetypes. The plants, some of them cactus blooms, represent her sharp and concise personality.
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534310 Los(e)/Seite