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534325 Los(e)/Seite
Los 918
A 5 shot .32” RF Hopkins & Allen “Mountain Eagle” SA revolver, 6¾” overall, octagonal barrel 2¾” marked “Pat March 28.1871”, the top strap marked “G W T & R Mountain Eagle”, number 8489, with sheath trigger and birds head butt with chequered brown hard rubber grips. WO & GC (replated over light pitting) Plate 17
Los 274
A cased surveyors theodolite By W. F. Stanley & Co. Great Turnstile, Holborn, London in fitted light wood case with brass flush fitting carrying handles 30cm wide, 20cm high Note: W.F.Stanley & Co were renowned scientific instrument makers. In 1849 W F worked with his father John Stanley at engineering works in Whitechapel. Though his father was a skilled tradesman he had no real head for business. While working with his father William made improvements to the design of the tricycle and by 1854 had created his own business at 3 Great Turnstile, Holborn, London as a worker in metal and ivory and a scientific instrument maker. At the 1862 International Exhibition he was awarded a medal for his straight line-dividing engine. This award brought him considerable extra business and laid the foundations for later large-scale business success.
Los 14
MANCHESTER UNITED Scarce single sheet home programme, 3/12/52 at The Cliff, Manchester United XI v Northern Nomads, floodlit friendly, United side includes Carey, Mark Jones, Duncan Edwards and Rowley, the programme has the wonderful inscription "To Read-Hold Programme to Light" (excellent advice !!!), a couple of minor marks, no writing. Generally good
Los 150
TOTTENHAM BOUND VOLUME Tottenham Bound volume , 1926--27 sseason, contains 50 programmes including 21 x League games, 21 x Reserve games, Whites v Stripes Practice match, friendly 26/4/27 v Tottenham and District League single sheet Spurs "A" team, friendly v RAF 6/11/1926, friendly v Cambridge University 4/11/26, friendly v Bohemians 20/9/1926, "A" team friendly v Arsenal "A" 15/1/1927, friendly v Wood Green Town 19/3/27 and friendly v Finchley 2/4/27. Slight ageing to edges, gilt inscription on light green coloured covers and on spine. Virtually all programmes are four page issues. Cover inscription reads "T.H.F.C. Programmes 1926-27. Generally good
Los 88
Paul Musurus Bey (c.1840-c.1927). An album of sketches and studies. Over 250 drawings, most after old masters or contemporary artists, a few original compositions, with a signed carte de visite photograph of the artist mounted as frontispiece. Almost all in pen and ink, many with monochrome wash, a few others in pencil, watercolour and gouache. All mounted on album leaves, with several Als between a previous owner and several museums in the 1930s, including A.M Hind at the British Museum, these loosely inserted, cloth-backed marbled boards, folio, mid 19th century. Paul (Paulaki) Musurus Bey was the son of Constantine (Kostaki) Musurus Pasha, long-serving Turkish ambassador to the court of St James, from 1851 to 1885. Paul Musurus moved to London with his father as a youth and, apart from occasional light, and very junior, diplomatic duties, seems to have lived the life of a dilettante artist and poet. But the undoubted quality and significance of the drawings, reflecting as they do much of the pervading influences of the day in French and British art, are testified to by the enthusiastic reception of several drawings donated in the 1930s to the Department of Prints an Drawings at the British Museum, the Ashmolean Museum and the Birmingham City Museum and Art Gallery.
Los 202
HANNAH FRANK (1908-2008) In Thoughts from the Visions of the Night, 1930 Original: Hunterian Art Gallery, Glasgow University. Exhibited Royal Glasgow Institute, 1930. Published Glasgow University Magazine, February 1931 Signed Al Aaraaf within the plate and signed `Hannah Frank` in pencil 40cm x 26cm Note : HANNAH FRANK, GLASGOW ARTIST, 1908-2008. Hannah Frank was born in Glasgow in 1908, and studied at Glasgow University and the Glasgow School of Art. She produced her hallmark black and white drawings, with their elongated structures, medieval romanticism and often melancholy air from the age of 17 in 1925. Between 1927 and 1932 the GUM, the Glasgow University Magazine, rarely came out without a drawing by `Al Aaraaf`, her chosen pen name. From the 1940s, after her marriage to mathematics teacher Lionel Levy, Hannah`s drawings became light-filled and exuberant. Hannah Frank turned to sculpture in 1952, studying with Benno Schotz, at the Glasgow School of Art. Hannah`s haunting drawings are resonant of he Art Nouveau period with a hint of Aubrey Beardsley and Jessie King. Hannah`s drawings, and her later sculptures, have been exhibited in the Royal Glasgow Institute, the Royal Academy, and the Royal Scottish Academy. Many Glasgow folk will be familiar with the drawings from when they were on show in the Frank family camera shops in the Saltmarket and in Queen Street in the 1950s and 1960s. From 2004 Hannah`s drawings and sculptures were exhibited throughout the UK and the USA in a tour which finished at Glasgow University in a retrospective exhibition which started on her 100th birthday, 23rd August 2008. In 2009 Hannah Frank became the first person ever to receive a posthumous honorary doctorate from Glasgow University, which was received on her behalf by her niece, Fiona Frank. A total of 17 of Hannah`s 75-plus black and white drawings were reproduced in the 1960s and 1980s to satisfy demand from admirers. Although the artist signed an unrecorded number of each print, only one-Dream, 1952-was numbered (edition of 250). Hannah`s ambition was, in the words of the poet Henry Wadsworth Longfellow, to `leave footprints on the sands of time`. All proceeds from the sale of these prints and sculpture, which are being auctioned by Hannah Frank`s niece Fiona Frank, will go towards the mission to keep Hannah Frank`s name alive, through her website, future exhibitions, books and scholarly articles.
Los 218
A Continental, probably French wrought iron lenticular lamp, first half 19th century, of typical form with swing handle above the cushion form reservoir, the filling plate with cockerel finial, 26.5cm high including hanging attachments, 12.5cm wide. Comparative Literature: Cf. John Caspall, Making Fire and Light in the Home pre-1820, Antique Collectors’ Club, 1987. See p221 for a very similar example. Lamps of this type were produced throughout Continental Europe, probably for mining use.
Los 219
A Flemish bronze pricket candlestick, mid 16th century, the pricket and drip pan above a heavily knopped and inverted baluster cast stem, on a triform socle, the spreading triform base with ogee cast sides and three stylised feet, 37cm high. Literature: Cf. John Caspall, Making Fire and Light in the Home pre-1820, Antique Collectors’ Club, 1987, see figure 114, p69 for a closely related example.
Los 224
A George II copper tinder box and candle holder, mid 18th century, the socket on a repousse decorated circular cover with a band of lozenges amongst punchwork, the sides and pierced handle with conforming motifs, 9cm high, 25cm long. Cf. John Caspall, Making Fire and Light in the Home pre-1820, Antique Collectors’ Club, 1987, pp20-23 for comparable examples.
Los 225
An English or Dutch brass and bull’s-eye glass fitted hand lantern, late 17th/ early 18th century, with pierced pagoda top, the square section body with oval glass panes on three sides, the fourth decorated with repousse work fleurs-de-lys and with a serpentine handle, on four disc feet, 18cm high. Cf. John Caspall, Making Fire and Light in the Home pre-1820, Antique Collectors’ Club, 1987, p227, figure 509 for a similar example.
Los 235
A Scottish wrought iron double valve crusie lamp, first half 18th century, the hanging hook with twisted shaft, the upper pan with twin scrolling finials, 37cm high overall, 19cm high excluding hook and bar. Comparative Literature: Cf. John Caspall, Making Fire and Light in the Home pre-1820, Antique Collectors’ Club, 1987. See pp 207-211 for comparable examples.
Los 297
John Caspall, Making Fire and Light in the Home pre-1820, Antique Collectors’ Club, 1987, inscribed Brian and Penny, My kind regards and signed and dated by the author; Rachael Feild, Irons in the Fire, A History of Cooking Equipment, Crowood Press, 1984; Peter Hornsby, Collecting Antique Copper and Brass, Moorland Publishing, 1989; Ronald F.Michaelis, Old Domestic Base-Metal Candlesticks, Antique Collectors’ Club, 1978, reprinted 1997; and approximately twelve further works of metalware subject
Los 373
A pair of gilt metal four light wall appliques in the Empire style, 20th century, each with sockets and drip pans supported on arms cast as swans rising from a circlet, each issuing from a backplate with lion mask boss and anthemia above and below, 50cm high, 48.5cm wide, 29cm protrudence condition report:** Basically good order overall. Electrical fittings will need checking/refurbishing by a suitably qualified operative.
Los 376
A pair of cut glass hung and metal mounted ceiling lights, circa 1930, the faceted pendants hung in two tiers on graduated circlets, on three chains, approximately 44cm high, 76cm diameter; and another with four tiers of glass pendants condition report:** All three of the ceiling lights in the lot are in basically good order, although dirty overall. There are four glass drops missing from oe of the pair of ceiling lights. The drops re all of a similar type but are of slightly varying length, so some might be associated.The single ceiling light is not missing any drops
Los 200
* Rembrandt (Harmensz van Rijn, 1606-1669). Christ before Pilate: larger plate, etching, with drypoint, 1636 [but later, probably early 18th c.], on wove paper, without watermark, margins trimmed, some light surface soiling and a few small nicks to extreme edges, plate size 56 x 45.5cm (22 x 18ins). Bartsch 77. A good strong impression. (1)
Los 140
A brass ship`s telegraph, late 19th / early 20th century, manufactured by A Robinson and Co. Ltd., patentees and manufacturers Liverpool and Glasgow, established AD1760, the 10 inch double dial with red indicator and twin brass handles, on a cylindrical body with attached interior illuminating light on a tapering column and circular wooden base, 99cm high
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534325 Los(e)/Seite