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Preisdatenbank abonnierenA brass Rococo style three branch wall light fitting, three matching two branch wall lights and a pair of two branch wall lights with circular wall fittings together with a tall brass column table lamp with square base, 67cms high to base of bulb fitting. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Collection of albums. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days. 1) Kate Bush The Whole Story 2) OMD Architecture & Morality 3) Luther Vandross Give me the reason 4) Johnny Nash The Johnny Nash Collection 5) Aretha Franklin Who’s zoomin who? 6) The Pointer Sisters Break Out 7) Sade Promise 8) Eurythmics Touch 9) Bryan Ferry Bete Noire 10) The Sisters of Mercy Floodland 11) Eric Clapton The Cream of Eric Clapton 12) Kate Bush Hounds of Love 13) Kate Bush The kick inside 14) Cameo Word up 15) Roxy Music Flesh and Blood 16) Talking Heads Remain in Light 17) Human League Hysteria 18) The Pointer Sisters Contact 19) Ultravox The Collection 20) Sade Diamond Life 21) Steely Dan Pretzel Logic 22) Steely Dan Countdown to Ecstasy 23) Sting The Dream of the Blue Turtles 24) U2 October 25) Frankie goes to Hollywood Two Tribes (12 inch single) 26) Frankie goes to Hollywood Relax (12 inch single) 27) Eurythmics Be Yourself Tonight 28) Van Morrison Live in concert LA & London (1973) 29) Pet Shop Boys Actually 30) Roxy Music Avalon 31) Bryan Ferry Boys & Girls
A CULTURED PEARL AND DIAMOND BRACELETComposed of seven rows of cultured pearls of cream tint measuring approximately 5.50mm, to an oval-shaped clasp, the centre pavé-set with single-cut diamonds within a textured gold frame, mounted in 18K gold and platinum, length 17.3cmCondition Report: Pearls: of cream tint with high lustre, green and pink overtones, overall well matched in size and colour, some minor blemishes on a minority visible under a bright light sourceClasp: diamonds bright and well matchedStamped 750 (partially rubbed) and PTNormal signs of wear, overall in good conditionTotal gross weight approx. 55.07g
A LAPIS LAZULI RINGOf crossover design, set with two polished lapis lazuli plaques, mounted in 18K gold, signed Shirikjian, ring size ICondition Report: Two lapis lazuli plaques of blue hue, both well matched in colour - some minor pits by the girdles visible under a bright light sourceStamped 750 inside hoop for 18K goldNormal signs of wear, overall in good condition
AN IMPORTANT SPINEL AND DIAMOND COCKTAIL RINGThe central elongated cushion-shaped spinel weighing 17.50cts within a four-claw setting, to a surround of brilliant-cut diamonds and similarly-cut diamond shoulders, mounted in 18K rose gold, rings size M¾Accompanied by a report from the Gemmological Institute of Milan, stating that the spinel weighing 17.50cts is natural, of purplish-pink hue. Report number 12320, dated November 20th 2018Throughout history, spinels have been confused with rubies on account of their very similar mineral components. The gems were mined predominantly in central and south-east Asia and this gave rise to their being known as 'Balas' rubies after the Badakshan area of north Afghanistan. Here, particularly large and important specimens were found from the 1st century AD and, in the 13th century, Marco Polo is recorded as stating that all spinels mined there were property of the king. The gems were so highly regarded that they were reserved for royalty and were often presented by the king as official gifts.Indeed, spinels have made their way into a multitude of royal collections, from Iran, to France, to Russia, with perhaps the most famous currently housed amongst the British crown jewels. In 1367, as payment for military aid, Pedro the Cruel presented Edward, Prince of Wales with a 170 carat uncut polished spinel. Also known as 'The Black Prince', the stone became 'The Black Prince's Ruby' and has been treasured by the British monarchy ever since. The crystal now rests regally in England's Imperial State Crown and is on display at the Tower of London.Although technological advances mean that the spinel is no longer mistaken for a ruby, confusion over this crimson gem is still common. Since the 1920s, synthetic spinel has flooded the market to such an extent that many no longer realise that it is an authentic stone and associate it purely with costume pieces. In actual fact, spinels are remarkable jewels that demonstrate a range of colour and their strong durability makes them ideal for continued wear.Condition Report: Of purplish-pink hue, medium tone, good transparency, some minor natural inclusions visible under 10x magnification and a couple under a bright light sourceDiamonds: bright and well matched. Unable to assess colour due to rose gold mount, estimated clarity VSMinor signs of wear, overall in good condition
AN IMPRESSIVE EMERALD AND DIAMOND RINGThe cut-cornered rectangular emerald weighing 11.77cts within a double four-claw setting, between trapezoid baguette-cut diamonds weighing approximately 1.00ct total, mounted in 18K gold, ring size RAccompanied by a report from C. Dunaigre Laboratory in Switzerland stating that the emerald weighing 11.77cts is of Zambian origin, with minor clarity enhancement (rare). Report number CDC2102132, dated February 12th 2021Condition Report: Emerald: bluish-green hue, medium to dark tone, good transparency, natural inclusions visible with naked eye under a bright light source, facets are smoothDiamonds: approx. 1.00ct total, unable to assess colour due to yellow mount, estimated clarity VSMinor signs of wear, overall in good condition
A DIAMOND SINGLE-STONE RINGThe cut-cornered rectangular-cut diamonds weighing 3.51cts with a double four-claw setting, to a plain hoop, mounted in 18K gold, ring size L¾Accompanied by a report from GCS laboratory stating that the diamond weighing 3.51cts is J colour, VS2 clarity. Report number 81281-85, dated October 20th 2020Condition Report: There's a minor nick on the girdle that could make the diamond an SI1 - visible under a bright light source with naked eye - could be from setting & unsetting the stone after certificationMinor signs of wear, overall in good conditionStamped 750 for 18K gold
AN AQUAMARINE AND DIAMOND BRACELETComposed of a rectangular-cut aquamarine between oval, circular and marquise-shaped aquamarine with brilliant-cut diamond accents, mounted in 18K gold, Italian assay mark, length 17.5cmCondition Report: Aquamarines: of blue hue, light tone, good transparency, facets are smoothDiamonds: bright and well matchedStamoed 750 for 18K goldMinor signs of wear, overall in good condition
AN AQUAMARINE AND DIAMOND DRESS RINGThe central marquise-shaped aquamarine approximately 7.50cts within a surround pavé-set with brilliant-cut diamonds, the gallery and hoop similarly-set, mounted in 18K gold, diamonds approximately 2.00cts total, ring size K¾Condition Report: Aquamarine: of blue hue, light to medium tone, good transparency, facets are smoothDiamonds: too small to assess colour or clarity - bright and well matchedMinor signs of wear, overall in good condition
A PAIR OF AQUAMARINE AND DIAMOND PENDENT EARRINGS, BY MARGHERITA BURGENEREach trio of brilliant-cut diamond surmount within collet-setting, suspending an elongated pear-shaped drop aquamarine within a four-claw setting, mounted in 18K gold, aquamarines weighing 25.81cts total, diamonds weighing 0.74ct total, signed Margherita Burgener, with maker's marks, Italian assay marks, with maker's case, length 5.9cmCondition Report: Aquamarines: 25.81cts total, of blue hue, light to medium tone, good transparency, both well matched in colour, shape and size.Diamonds: 0.74ct total, estimated colour H/I, estimated clarity VS with a couple of minor SI1Minor signs of wear, overall in good condition
AN EMERALD AND DIAMOND CLUSTER RINGComposed of a central oval-shaped emerald weighing approximately 1.49cts within a four-claw setting, to a surround of brilliant-cut diamonds, mounted in gold, diamonds approximately 3.00cts total, ring size OAccompanied by a report from C. Dunaigre laboratory in Switzerland, stating that the emerald weighing approximately 1.49cts is Colombian origin with minor clarity enhancement (rare). Report number CDC2002126, dated February 13th 2020Condition Report: Emerald: of bluish-greeen hue, medium tone, good transparency, some minor natural inclusions visible under a bright light sourceDiamonds: approx. 3.00cts total, estimated colour G/H, estimated clarity VSWhite metal unmarked and untested - probably 18k goldMinor signs of wear, overall in good condition
A PAIR OF LATE 19TH CENTURY DIAMOND AND PERIDOT BANGLESEach frontispiece set with old cushion-shaped diamonds alternately set with oval or cushion-shaped peridots, to a gallery of scrollwork design, mounted in silver and gold, French assay marks, with security chain, inner diameter 5.9cmCondition Report: Diamonds: approx. 1.50cts total - some with a yellow tint - overall clean stones for old-cut diamondsPeridots: green hue, light to medium tone, overall bright and well matched. One smaller stone on the far end is more vivid, could be a replaced stone and could be a tsavorite given it's colourAs per the French marks, 14K gold (shell mark) and silver (swan mark)One security chain broken on one sideTotal gross weight approx. 26.84g
A DIAMOND FIVE-STONE RINGComposed of five brilliant-cut diamonds within four-claw setting, mounted in 18K gold, diamonds approximately 2.00cts total, ring size LCondition Report: Diamonds: estimated colour H/I, estimated clarity good SI1 (due to colourless minor colourless needles and/or feathers. One diamond has a small chip located on the girdle visible under a bright light source (not obvious to the naked eye).Normal signs of wear, overall in good condition
AN EMERALD AND DIAMOND CLUSTER RINGThe cushion-shaped emerald weighing approximately 3.40cts, within a scalloped surround of European-cut diamonds weighing approximately 1.70cts total, ring size H¾Condition Report: Emerald: of bluish-green hue, medium tone, good transparency, natural inclusions visible under a bright light sourceDiamonds: estimated colour G/H, estimated clarity VS with a couple of good SI1White metal unmarked and untestedNormal signs of wear, overall in good condition
A PAIR OF LATE 19TH CENTURY EMERALD AND DIAMOND PENDENT EARCLIPSEach drilled emerald bead drop with rose-cut diamond cap, suspended from similarly-cut diamond connectors of foliate design, with a round-shaped cabochon emerald and old single-cut diamond surmount, mounted in silver and gold, length 5.2cmCondition Report: Diamonds: approx. 1.50cts total, overall bright and well matchedEmeralds: drops: of bluish-green hue, both well matched in colour, of medium tone with good transparency, natural inclusions visible with naked eye, pits visible under a bright light source, one drop has a conchoidal fracture on the reverse (please ask the jewellery department for further images)White metal and yellow metal unmarked and untestedNormal signs of wear, given their age overall in good conditionClips on the reverse - for non pierced earsTotal gross weight approx. 15.38g
A TOPAZ AND DIAMOND NECKLACEThe frontispiece set with five graduated rectangular-cut blue topaz, within an openwork surround pavé-set with brilliant-cut diamonds, to a polished and brushed gold fancy-link necklace, mounted in 18K gold, diamonds approximately 6.50cts total, inner diameter 13.5cm, length approximately 45.5cmCondition Report: Topaz: tested by the jewellery department to be blue topaz - blue hue, light to medium tone, good transparency, all well matched in colourDiamonds: approx. 6.50cts total, estimated colour H/I, estimated clarity VS with a couple of SIStamped 750 on the claspTotal gross weight approx. 104.68g
AN 18K GOLD AND DIAMOND-SET 'TIME SQUARE' WRISTWATCH BY GUY ELLIAThe 9-jewel Cal 820 quartz movement, square mother-of-pearl cream dial, applied Roman numerals, bezel pavé-set with brilliant-cut diamonds, polished rose gold case, back secured by four screws, diamond for crown, double mesh-link bracelet in 18K gold rose gold, case and movement signed, movement no. 372, case with Swiss assay mark, bracelet with Italian assay marks, case inscription 'no. 045, OR TS 2315 L V6 Convex', case width 4cmAccompanied by its invoice photocopy from shop in Monte-Carlo, retailed for 24,420 Euros October 3rd 2019Condition Report: Glass: a couple of superficial pits visible under a bright light sourceBracelet: minor signs of wear, 18K rose goldCase: minor signs of wearNo boxAccompanied by its invoice photocopy from shop in Monte-Carlo, retailed for Ôé¼24,420.- October 3rd 2019In running condition at the time of inspectionTotal gross weight approx. 162.66gAccording to photocopy invoice 102 diamonds for 1.42ct totalAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
A PAIR OF MOTHER-OF-PEARL CUFFLINKSEach cylinder-shaped terminal set with polished mother-of-pearl, accented with gold caps, between trace-links, mounted in gold, 2cm x 2.5cmCondition Report: One small cavity on one cylinder visible under a bright light sourceNormal signs of wear, overall in good conditionRose metal unmarked and untested
A LATE 19TH CENTURY EMERALD, ENAMEL AND SEED PEARL BANGLEThe hinged bangle set to the centre with a square-cut emerald weighing approximately 10.00cts, framed by seed pearls and beadwork detail, continuing with single-cut diamond star motifs on applied black enamel throughout and between borders of further beadwork detail, mounted in 18K gold, French import marks, with later case by 'Henri Martin, Nice - Paris - Vichy', inner diameter 5.5cm (with gold security chain)Condition Report: Emerald: approx. 10.00cts total, of light/medium tone, natural inclusions visible with naked eye, some surface reaching inclusions observedEnamel: overall in good condition Diamonds bright and well matchedTwo owl marks located on the tongue of the clasp for 18K imported in FranceTotal gross weight approx. 38.20gNormal signs of wear, overall in good condition
A SAPPHIRE AND DIAMOND CLUSTER RINGThe oval-shaped sapphire weighing approximately 5.15cts within a twelve-claw setting and a surround of brilliant-cut diamonds, mounted in 18k gold, diamonds approximately 1.60cts total, French assay mark, ring size E¼ Condition Report: Sapphire: of cornflower blue, medium to dark tone, good transparency, natural inclusions visible under a bright light source, a minor pit visible under 10x magnificationDiamonds: approximately 1.45cts total, estimated colour I/J, estimated clarity VSTwo beads to resize hoop located inside the hoopEagle's head for French 18K goldNormal signs of wear, overall in good condition
A SAPPHIRE AND DIAMOND CLUSTER RINGThe oval-shaped sapphire weighing approximately 3.50cts within a multiple-claw setting and a brilliant-cut diamond surround, to similarly-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.25cts total, French assay mark, ring size H¾Condition Report: Sapphire: of blue hue, dark tone, good transparency, some colour zoning visible under a bright light source, minor pits visible under 10x magnificationDiamonds: approx. 1.25cts total, unable to assess colour due to yellow mount, estimated clarity VSeagle's head for French 18K gold located on the outside of the hoopNormal signs of wear, overall in good condition
A SAPPHIRE AND DIAMOND 'PYXIS' NECKLACE, BY MARGHERITA BURGENERThe cable-link chain suspending three graduated star motifs pavé-set with brilliant-cut diamonds, alternating with three circular-cut sapphires and a brilliant-cut diamonds within collet-setting, the clasp suspending a further similarly-set diamond, mounted in 18K gold, with maker's mark 'MB' for Margherita Burgener, with maker's case painted by Chicco Margaroli, lengths 42 & 45.4cm"The inspiration for this new line of jewellery was born out of the desire to design something unique inspired by the beauty of the stars and constellations" - says Emanuela Burgener the hands behind the jewellery brand Margherita Burgener - "the very first constellation I took inspiration from was Pyxis." Discovered in the mid-18th century, Pyxis is a faintly visible constellation in the southern sky:"It's not a big constellation" - Burgener explains - "It only has three brightest stars." It was not the size of the constellation that caught Burgener's eye but rather the meaning behind its name that tugged at the designer's creative mind. In both Greek and Latin, the word 'Pyxis' means compass, specifically a mariner's compass - a vital tool used by ancient navigators while sailing the oceans. This resonated with Burgener and inspired her to explore this poignant concept:"In this time of great difficulty, I wanted to reflect on our need for guidance in our journeys, a bright star to point us in the right direction". Interestingly, 'Pyxis' is also a word for a small casket holding something precious. In this knowledge, Burgener paid particular attention to the creation of the box that hold the necklace, crafting a beautifully harmonious pairing from start to finish. To paint the one-of-a-kind box, Burgener commissioned the Italian artist Chicco Margaroli to design the box only available with the Pyxis necklace. Margaroli's an Italian artist whose career spans from trompe l'ôil trough 3D installations to organic art, her deep fascination with nature enabled her to seamlessly weave her style into Burgener's brief. The necklace encompasses the delicate yet powerful beauty of the Pyxis constellation - a dainty 18K white gold chain connects three diamond-studded star-charms. Three, representing the number of brightest stars in the Pyxis constellation. Small deep blue sapphires are interspersed between the star-charms nodding to the darkness that surrounds Pyxis in space, but also symbolizing the darkness surrounding our journeys towards light. The box features cool tones of silver and blue on a dark grey background. The left and central portion of the box presents a stylized version of the Pyxis constellation, three bright stars emerging from a sea of smaller ones while a compass rose towers in the bottom right corner, a symbol to always keep on the right path.Condition Report: 30 diamonds 0.73ct total, 3 sapphires 0.30ct totalMinor signs of wear, overall in good condition
AN AQUAMARINE AND DIAMOND THREE-STONE RINGComposed of an oval mixed-cut aquamarine at the centre within a surround of brilliant-cut diamonds and between two similarly-cut and set aquamarines, the gallery with openwork heart detailing, mounted in 18K gold, ring size NCondition Report: Aquamarines: blue hue, light tone, good transparency - the three well matched in colourDiamonds: too small to assess colour or clarity, bright and well matchedStamped 750 inside hoop for 18K goldNormal signs of wear, overall in good condition
AN AMETHYST AND TSAVORITE COCKTAIL RING, BY MARGHERITA BURGENERCentring a sugarloaf cabochon amethyst weighing 13.98cts within a circular-cut tsavorite garnet surround, mounted in 18K gold, signed Margherita Burgener, with maker's mark 'MB', Italian assay mark, with maker's case, ring size N Condition Report: 12 Tsavorite garnets, 0.82ct total - all of deep green hue and well matched in colourAmethyst: of purple hue, light to medium tone, good transparency, in good conditionSuperficial signs of wear, overall in good conditionTotal gross weight approx. 10g
AN EMERALD AND DIAMOND DRESS RINGComposed of a cut-cornered step-cut emerald weighing approximately 4.40cts, between baguette-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.90ct total, ring size M½Condition Report: Emerald: of bluish-green hue, light to medium tone, good transparency, natural inclusions visible with naked eye, minor pits visible under 10x magnificationDiamonds: approx. 0.90ct total, estimated colour H/I, estimated clarity VSStamped 750 inside hoop for 18K goldMinor signs of wear, overall in good condition
AN EMERALD AND DIAMOND CLUSTER RINGComposed of a central rectangular-cut emerald within a four-claw setting, surrounded by brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.60ct total, ring size M¾Condition Report: Emerald: of bluish-green hue, good transparency, natural inclusions visible visible under a bright light source, a couple of minor pits visible under 10x magnificationDiamonds: estimated colour H/I, estimated clarity VSMinor signs of wear, overall in good condition
AN EDWARDIAN COLOURED SAPPHIRE AND DIAMOND THREE-STONE RINGThe central cushion-shaped pink sapphire weighing 1.15ct within a four-claw setting, between two old brilliant-cut diamonds and accented by four rose-cut diamonds, with foliate engraving detail to the shoulders, mounted in 18K gold, diamonds approximately 0.45ct total, English hallmarks for Sheffield 1907, ring size L¾Accompanied by a photocopy of a report from GCS laboratory in London, stating that the pink sapphire measuring approximately 6.7 x 5.9 x 2.9mm is of Burmese origin, with no indications of heating. Report number 80237-37, dated October 21st 2019Condition Report: Sapphire: of pink hue, medium tone, good transparency, some fine rutile needles visible under a bright light sourceDiamonds: approx. 0.45ct total, unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good condition
A CITRINE AND DIAMOND COCKTAIL RINGThe central oval mixed-cut citrine within a half collet-setting and between shoulders pavé-set with brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.45ct total, numbered, ring size M¾Condition Report: Citrine: yellow hue, light tone, good transparency, facets are smoothDiamonds: unable to assess colour due to yellow mount, estimated clarity VS-SIMinor signs of wear, overall in good conditionTotal gross weight approx. 20.90g
A PAIR OF CULTURED PEARL AND DIAMOND EARRINGSEach composed of a round button-shaped cultured pearl of white tint caped by a trio of pear-shaped diamonds, mounted in 18K gold, diamonds approximately 1.20cts total, length 2.3cmCondition Report: Pearls: of white tint, high lustre with pink, green and silver overtones, superficial blemishes visible at the front, the back of the pearls both show growth signs and a couple of minor blemishesDiamonds: approx. 1.20cts total, estimated colour K/L (obvious light yellow tint to the naked eye), estimated clarity VSNormal signs of wear, overall in good condition
AN EMERALD AND DIAMOND DRESS RINGComposed of a central oval-shaped emerald weighing approximately 4.80cts within a double four-claw setting, between bullet and brilliant-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.50ct total, French assay mark, partial maker's mark, ring size J½Condition Report: Emerald: of bluish-green hue, translucent, inclusions visible with naked eye, a minor chip visible under a bright light source located on the girdle, some minor pits visible under 10x magnificationDiamonds: approx. 0.50ct total, unable to assess colour due to yellow mount, estimated clarity VS-SIUnable to read partial maker's markeagle's head for French 18K gold located on the outside of the hoopNormal signs of wear, overall in good condition
A DIAMOND JARRETIÈRE BRACELET, CIRCA 1940The highly flexible bracelet of honeycomb design, to a single-cut diamond clasp with ropetwist detailing, mounted in gold, diamonds approximately 0.90ct total, length 18.5cmCondition Report: Diamonds: approximately 0.90ct total, unable to assess colour due to yellow mount, estimated clarity VSSome superficial scratches visible under a bright light due to normal wearNormal signs of wear, overall in good condition Total gross weight approx. 97.98g
A SAPPHIRE AND DIAMOND COCKTAIL RING, CIRCA 1960Of foliate design, centred with a round-shaped cabochon sapphire within a star-motif frame accented with brilliant-cut diamonds, the gallery of textured gold leaf surround with further similarly-cut diamond accents, mounted in 18K gold, French import mark, maker's mark, ring size OCondition Report: Diamonds: approx. 0.90ct total, unable to assess colour due to yellow mount, too small to assess clarity - overall bright and well matchedSapphire: approx. 8.00cts, blue hue, medium to dark tone, colour zoning visible under a bright light sourceMaker's mark: difficult to identidy - partly cut off due to the reeded gold setting - 'M?'Owl mark for 18K gold imported in FranceNormal signs of wear, overall in good condition
AN 18K AUTOMATIC WRISTWATCH, BY LONGINES, CIRCA 197026-jewel L631J-Cal automatic movement, the black dial with light motifs, gilt baton hour markers and sword hands, to a cushion-shaped polished case and fitted integral mesh-gold bracelet, dial, movement signed, logo on crown and clasp, case no. 173987** & 462816**, serial no. 522377**, in 18K gold, Swiss assay mark, with maker's original case, length 19cm, case width 3.6cmCondition Report: Glass: no scratches observedBracelet: Superficial signs of wearIn running condition at the time of inspectionTotal gross weight approx: 103.96gAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
A STAINLESS STEEL CALENDAR OYSTERDATE WRISTWATCH, BY ROLEX, CIRCA 198017-jewel Cal-1225 manual wind movement, silvered dial baton hour markers and black outer minutes, date aperture at 3, brushed and polished tonneau form, screw down back and crown, dial and movement signed, on black strap, ref. no. 6694, serial no. 64701**, case width (including crown): 3.6cmAccompanied with purchase papers from 'The Vintage Watch Company' in London dated December 9th 2009 & Insurance valuation from same for £2,495Condition Report: Glass: two minor pits visible under a bright light sourceCrown: logo RolexCase: some light scratches due to normal wearStrap & buckle non originalNo BoxWith papers purchased at 'the Vintage watch company in London' shopIn running condition at the time of inspectionAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
A FINE CULTURED PEARL NECKLACE WITH MATCHING DIAMOND EARRINGSComposed of a single row of Akoya cultured pearls of white tint, measuring approximately 9.49-9.91mm, finishing with an 18K gold spherical clasp, Italian assay mark, length 45.7cm; Together with a pair of matching earrings with a brilliant-cut diamond surmount, mounted in 18K gold, diamonds approximately 0.30ct total, Italian assay mark, length 1.9cm, within fitted case by Maglia TrevisoCondition Report: Necklace: of white tint, high lustre with pink, green overtones, a couple of natural blemishes visible under a bright light source - of high qualityEarrings: of white tint, high lustre, with pink and green overtonesDiamonds: approx. 0.30ct total, estimated colour G/H, estimated clarity VSMinor signs of wear, overall in good condition
A PAIR OF CULTURED PEARL AND DIAMOND EARCLIPS, CIRCA 1960Of foliate design, each set with a cultured pearl of dark grey tint and one cultured pearl of white tint, within a surround of single and baguette-cut diamonds, mounted in 18K gold, diamonds approximately 1.50cts total, French import marks, length 3cm Condition Report: Grey pearls: dark grey, good lustre with pink, green and silver overtones, minor natural blemishes visible under a bright light sourceWhite pearls: Good lustre with pink, green and silver overtones, minor natural blemishes visible under a bright light sourceDiamonds: approx. 1.50cts total, estimated colour H/I, estimated clarity VS-SIStamped 18K and owl for French 18K gold importedNormal signs of wear, overall in good condition(for non pierced ears)Total gross weight approx. 26.63g
A FINE PAIR OF AQUAMARINE AND DIAMOND EARCLIPS, MOUNTED BY CARTIER, CIRCA 1965Of stylised foliate design, each set with a cut-cornered rectangular aquamarine highlighted with brilliant and baguette-cut diamond leaves, mounted in 18K gold and platinum, aquamarines weighing approximately 8.40 & 8.70cts, diamonds approximately 3.00cts total, signed Monture Cartier, with maker's mark for 'Cartier Société Anonyme', French assay marks, with maker's case, length 2.1cmCondition Report: Aquamarines: approx. 8.40cts & 8.70cts - blue hue, medium tone, good transparency, one small nick visible under a bright light source located on the table on one stone, a couple of minor pits visible under 10x magnificationDiamonds: approx. 3.00cts total, estimated colour G/H, estimated clarity VSSignature & maker's mark & French assay marks located on the side of the clip fittingFor non pierced earsNormal signs of wear, overall in good conditionTotal gross weight approx. 17.09g
A MAGNIFICENT AQUAMARINE AND DIAMOND BROOCH, MOUNTED BY CARTIER, CIRCA 1965The elongated cut-cornered rectangular aquamarine weighing approximately 36.00cts, within a surround of brilliant and baguette-cut diamond stylised rays, mounted in 18K and platinum, diamonds approximately 10.00cts total, signed Monture Cartier, with maker's mark for 'Cartier Société Anonyme', with maker's case, French assay marks, length 5.3cm, width 4.3cmCondition Report: Aquamarine: superb quality colour - blue hue - vivid - medium tone - good transparency, a small nick located on the girdle visible under a bright light source, a couple of minor pits visible under 10x magnificationDiamonds: approx. 10.00cts total, estimated colour F/G, estimated clarity VSEagle's head for French 18K gold and dog's head for French platinum located on the reverse of one rayMaker's mark for Cartier located on the pin, partially visibleSignature located on the back fitting - numbers 186 82Minor to normal signs of wear, overall in good conditionTotal gross weight approx. 43.26g
A CORAL AND DIAMOND BANGLEComposed of a central fluted corallium rubrum coral, between single-cut diamonds shoulders with ropetwist detail, mounted in 18K gold, diamonds approximately 0.80ct total, inner diameter 5.5cmCondition Report: Coral - a split visible under a bright light source, not obvious to the naked eye - check with jewellery department for further imagesStamped 750 inside hoopTotal gross weight approx. 37.79g
AN EMERALD, DIAMOND AND CORAL NOVELTY BROOCH, BY PEDERZANIModelled as a stylized duck, the oval carved cabochon emerald body with brilliant-cut diamond surround to the pavé-set diamond head and emerald cabochon eye, with corallium rubrum coral beak and feet detail, mounted in 18K gold, diamonds approximately 3.00cts total, signed Pederzani, length 5.3cmCondition Report: Carved emerald: with flower detailing, translucent, light to medium tone, in good conditionEmerald eye: slightly darker in hue, bluish-green, in good conditionCoral beak and feet: orangy-red, in good condition and well matched in colourDiamonds: estimated colour G/H, estimated clarity VS with a couple of SISignature Pederzani and 750 for 18K gold located on the reverse of one footNormal signs of wear, overall in good conditionTotal gross weight approx. 19.60g
A DIAMOND BOW BROOCH, CIRCA 1990Designed as a stylised polished oxidised gold bow, set with brilliant-cut diamonds in a striped formation, mounted in 18K gold, diamonds approximately 8.00cts total, French import mark, length 6cm, width 7.8cmCondition Report: Diamonds: approx. 8.00cts total, unable to assess colour due to yellow mount, estimated clarity VSOwl mark for 18K gold foreign imported in FranceBlackened gold: some oxidisation visible under a bright light sourceStamped 750 for 18K goldNormal signs of wear, overall in good condition
A RUBY AND DIAMOND 'TOI ET MOI' DRESS RING, BY PETOCHIOf crossover design, set with two pear-shaped cabochon rubies between graduated brilliant-cut diamond undulating borders, mounted in 18K gold, diamonds approximately 2.00cts total, signed Petochi Roma, Italian assay mark, ring size G½Condition Report: Rubies: both well matched in colour, minor pits visible under a bright light sourceDiamonds: Unable to assess colour due to yellow mount, estimated clarity VSSignature partially rubbedSide of the mount with a minor sign of resizeNormal signs of wear, overall in good condition
A PAIR OF EMERALD AND DIAMOND EARCLIPSEach centrally set with an oval-shaped emerald, within an octagonal frame of round brilliant-cut diamonds, to a similarly and square-cut diamond surround and surmount, mounted in 18K gold, diamonds approximately 1.30cts total, Italian assay marks, length 2.5cmCondition Report: Emeralds: of bluish-green hue, medium tone, natural inclusions visible under a bright light source, facets are smooth, good transparencyDiamonds: bright and well matched. Unable to assess colour due to yellow mount, estimated clarity VSStamped 750 for 18K goldNormal signs of wear, Overall in good conditionTotal gross weight approx. 18.13g
A RUBY AND DIAMOND BRACELETComposed of a continuous line of oval-shaped rubies within bombé surround pavé-set with brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 8.50cts total, length 18.4cmCondition Report: Rubies: of red hue, medium to dark tone, inclusions visible under a bright light sourceDiamonds: unable to assess colour due to yellow mount, estimated clarity VSStamped 750 for 18K gold, and 'D8.66' for tcwMinor signs of wear, overall in good conditionTotal gross weight approx. 41.99g
Gino SarfattiCeiling light, model no. 2133, designed 1972Painted aluminium, painted steel. 69 cm diameter, variable drop Manufactured by Arteluce, Milan, Italy. Fixture with paper label printed arteluce/ART. 2133/DESIGN REGISTERED/MADE IN ITALY.Footnotes:ProvenanceGino Sarfatti, Milan Thence by descent to the present ownerLiteratureGino Sarfatti: Designing Light, exh. cat., Triennale Design Museum, Milan, 2012, p. 16Marco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, p. 477This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Gino SarfattiAdjustable table or floor lamp, model no. 586, designed 1962Aluminium, painted aluminium. 20 cm diameterManufactured by Arteluce, Milan, Italy.Footnotes:LiteratureDomus, no. 404, July 1963, p. d/144Marco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, p. 436Gino Sarfatti: Designing Light, exh. cat., Triennale Design Museum, Milan, 2012, p. 71The present model was exhibited at the XIII Triennale, Milan, 1964.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Gino SarfattiCeiling light, model no. 2119, designed 1961Glass, painted brass, fabric cord.75 cm drop, 44 cm diameterManufactured by Arteluce, Milan, Italy.Footnotes:ProvenancePrivate collection, MilanAcquired from the above by the present ownerLiteratureMarco Romanelli and Sandra Severi, Gino Sarfatti: Selected Works 1938-1973, Milan, 2012, p. 475This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Max IngrandCeiling light, model no. 1933, 1960sClear and partially frosted glass, brass.70 x 22 x 9 cmManufactured by Fontana Arte, Milan, Italy. Reverse impressed ITALY. Footnotes:LiteratureFontana Arte Archive, Milan, Archive Image: 3268Fontana Arte Illuminazione, Milan, 1960s, p. 33Quaderni Fontana Arte 6, 1964, p. 53Franco Deboni, Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Turin, 2012, fig. 306This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
PAAVO TYNELLSix-armed ceiling light, from a private commission, Finland, 1936Brass, glass, fabric shades. 115.5 cm drop, 74 cm diameterManufactured by Taito Oy, Helsinki, Finland.Footnotes:ProvenancePrivate collection, FinlandAcquired from the above by the present ownerThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Paavo TynellFour-armed ceiling light, model no. 9029/4, from the 'Concerto' series, 1940sBrass, amber glass.101 cm high, 55 cm diameterManufactured by Taito Oy, Helsinki, Finland. Fixture impressed OY TAITO AB and 9029. Footnotes:LiteratureFinland House Lighting: harmony in lighting for harmony in living, original designs by Paavo Tynell, New York, 1940s, p. 6'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 58'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 49This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Paavo TynellThree-armed ceiling light, model no. 9029/3, from the 'Concerto' series, 1940sBrass, amber glass.84 cm drop, 57 cm diameterManufactured by Taito Oy, Helsinki, Finland. Fixture impressed OY TAITO AB and 9029.Footnotes:LiteratureFinland House Lighting: harmony in lighting for harmony in living, original designs by Paavo Tynell, New York, 1940s, p. 6'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 58'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 49This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
PAAVO TYNELLPair of ceiling lights, model 2098N, 1950sGlass, brass. Each: 20 cm high, 40 cm diameterManufactured by Idman, Finland. Interior of each fixture impressed Idman.Footnotes:Literature'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 12'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 41'Koriste Valaisimia' (Light fixtures), Idman, no. 138, Helsinki, 1956 p. 55For further information on this lot please visit Bonhams.com
PAAVO TYNELLPair of ceiling lights, model 2098N, 1950sGlass, brass. Each: 20 cm drop, 40 cm diameterManufactured by Idman, Finland. Interior of each fixture impressed with Idman.Footnotes:Literature'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 12'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 41'Koriste Valaisimia' (Light fixtures), Idman, no. 138, Helsinki, 1956 p. 55For further information on this lot please visit Bonhams.com
Paavo TynellSix-armed ceiling light, model no. 1994/6, 1950sPartially-painted brass, brass.150 cm dropManufactured by Taito Oy, Helsinki, Finland. Interior fixture impressed twice TAITO/MADE IN FINLAND/1994 / 6.Footnotes:Literature'Koristevalaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 24'Koristevalaisinluettelo' (decorative lamps list), Idman, no. 142, Helsinki, 1958, p. 91Life, 12 December 1960, New York, p. 57This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Gino SarfattiRare standard lamp, model no. 1031 B, designed 1948Painted metal, brass, marble. 190 cm highManufactured by Arteluce, Milan, Italy. Together with a certificate of authenticity from the Gino Sarfatti Archive.Footnotes:LiteratureMarco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, p. 445Gino Sarfatti: Designing Light, exh. cat., Triennale Design Museum, Milan, 2012, p. 64This lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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