534325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534325 Los(e)/Seite
Los 275
A COLLECTION OF 1930's/40'S/50'S EVENING DRESSES A 1930's floral lace dress with a flower corsage on the shoulder. 26" high waist. A 1940's nylon red rose long dress, side hook and eye fasteners. 26" waist. (needs cleaning and stitching) A 1950's 'Jean Allen' long dress made from metallic light blue quilted fabric. 30" waist. A further 1950's 'Laura Phillips' dark blue velvet evening dress with diamante clasp. 30" waist. (4)
Los 6
Light oak extending draw leaf dining table, on square legs and a set of four brown leather dining chairsDamage to top, veneer lifted in one place, otherwise table in good condition, no makers label, no major structural damage, chairs however with damage from animal claws possibly cat with scratches to leather noticeable to back and sides, Modern.
Los 150
Asprey - a triple row uniform cultured pearl choker with diamond set stylised bow snap set overall with baguette and eight-cut diamonds, approx 9mm diam, the snap stamped 750, white and yellow gold, 35, 37 and 39 pearls in each row, in fitted Asprey box, to match lot 151 Condition Report The pearls a light creamy colour with good orient 35.5 cm long
Los 243
A late 18th century/early 19th century Derby porcelain bough pot and cover having two ram's head handles, decorated with a rectangular chamfered panel finely painted with a scene of 'The Summit and Crater of Mount Vesuvius', inscribed to base in grey and with painted factory mark, 25 cm wide (including handles) x 13.7 cm high to/w a 19th century Staffordshire spill vase having a panel painted with a man digging in a landscape, 12 cm high (2) Condition Report Bough pot - Some scratches to the painting, light glaze hairline on back by handle. Some loss and rubbing to the gilding particularly to the top edge and bands below.
Los 297
Edwin Hayes (1819-1904) - Mumbles Lighthouse, Swansea, oil on canvas, signed lower left, 29 x 49 cm, inscribed to reverse canvas with title, and bearing William Rodman & Co Belfast label Condition Report Generally good condition , although quite dark - perhaps could benefit from a light clean
Los 603
A Victorian mahogany Wellington chest of six drawers having turned pulls, raised on a plinth base Condition Report good sound original structure showing the following faults - top lightly scratched overall, the back edges of top moulded edge chipped away both sides, original turned pulls, plinth extremities light chipping, even colour unpolished
Los 614
Jaime Tesserra Clapés (b Barcelona 1943) a Tenor Mesa model dining table, the bevel end plate glass top raised on twin light walnut pedestals united by a silver nickel arch tension arm to clamps, 2.5 x 1.1 m, circa 2003 Condition Report excellent original, no damage, the top showing only extremely light surface marks commensurate with careful use
Los 616
Jaime Tesserra Clapés (b Barcelona 1943) 'The Servant Servidor Mudo', a silver nickel and ivorine mounted pale light walnut serving sideboard, the metamorphic three panel top over a fitted drawer for cutlery and dining accoutrements, cedar lined Condition Report good original overall - 205 cm long x 54 cm deep x 80 cm high
Los 857
A boxed Dinky 110 Aston Martin DBS (light wear), 290 Double Decker Bus with Leyland type radiator, various aeroplanes including 706 Viscount, 704 York, 705 Viking, Seaplane, Light Transport, Meteor (2), Tempest II, Shooting Star and Spitfire - 12 in total, to/w two Corgi Castrol Jaguar XJR9 racing cars and a Lledo 'Days Gone' commercial van (15 - box) Condition Report All Dinkies unboxed and played with except Aston Martin
Los 339
Barrington Watson (Jamaican, b.1931)STUDY FOR BATTLE OF MORANT BAY, 1964Signed with initials, oil on board78 x 102cm Provenance: bought by the present owner in the early 1960s.This is believed to be a preparatory work for one of Barrington Watson's historical paintings produced after his return to Jamaica after studying at the Royal College of Art between 1957-60. This and his other works need to be seen in the light of the need to create symbols of national identity in the post-independance era.The Morant Bay Rebellion in 1865 is now percieved as one of the pre-eminent events in Jamaica's history. Twenty-seven years after the abolition of slavery, there was still inequality in Jamaica and, following an unfair trial for a black man, Paul Bogle led several hundred men and women to storm the court house.
Loading...-
534325 Los(e)/Seite