ARTIST: Edward T Vebell (Illinois, 1921-2018)NAME: Fulton's Clermont SteamboatYEAR: 1980MEDIUM: acrylic on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 20 x 21 inches / 50 x 53 cmBOARD SIZE: 26 x 27 inches / 66 x 68 cmSIGNATURE: lower rightNOTE: This painting is the original which was published on the Fleetwood Commemorative Cover for Epic Events in American History series issued in 1985. It was the English who invented the first steam engine and the first steam railroad but it was an American, Robert Fulton, who, in 1807, formally launched the steamboat era. Fulton was not the inventor, however, of the steamboat: that distinction belongs to poor John Fitch, a Connecticut Yankee and a veteran of the Continental Army who, as early as 1787, built and launched a forty-five-foot steamboat. But, alas, nothing came of that brave experiment. Fitch could get no financing for his invention and in the end gave up in despair and fled to the wilds of Kentucky where he died. Ten years later, the New York lawyer and diplomat, Robert Livingston, anticipating the role that steamboats might play in a vast nation whose only effective transportation was by water, persuaded his young friend Robert Fulton, with whose artistic and inventive talents he was familiar, to try his hand at building a steamboat. Fulton boasted a natural talent for engineering. He eagerly embraced Livingston's proposal and by 1807 was ready to launch The Clermont, named after Livingston's hometown. On its maiden trip, the boat steamed up the Hudson to Albany and returned five days later, having averaged a speed of five miles an hour. Successful as it was, it brought no great wealth to either Livingston or Fulton, for in 1824, John Marshall's Court pronounced their monopoly unconstitutional as an infringement on congressional power to regulate "commerce concerning the several states."PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120443US Shipping $75 + insurance.BIOGRAPHY:Ed Vebell (1921-2018) is an American illustrator, veteran, and Olympic athlete who attended the Chicago Institute of Art before enlisting. While serving in the Army, he was a contributing artist for Stars & Stripes magazine, working side by side with Bill Mauldin. His second major appointment was as courtroom artist for the Nuremburg Trials; his haunting portrait of Hermann Gering can be viewed at the United States Holocaust Memorial Museum in Washington D.C. Over the decades following the war, Vebell designed 16 circulated postage stamps for the US Postal Service, and enjoyed frequent commissions from Reader's Digest, Sports Illustrated, and Time.
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ARTIST: Edward T Vebell (Illinois, 1921 - 2018)NAME: Edison Invents LightYEAR: 1979MEDIUM: gouache on boardCONDITION: Excellent.SIGHT SIZE: 20 x 21 inches / 50 x 53 cmBOARD SIZE: 26 x 27 inches / 66 x 68 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118691US Shipping $75 + insurance.BIOGRAPHY:Ed Vebell is an American illustrator, veteran, and Olympic athlete who attended the Chicago Institute of Art before enlisting. While serving in the Army, he was a contributing artist for Stars & Stripes magazine, working side by side with Bill Mauldin. His second major appointment was as courtroom artist for the Nuremburg Trials; his haunting portrait of Hermann Gering can be viewed at the United States Holocaust Memorial Museum in Washington D.C. Over the decades following the war, Vebell designed 16 circulated postage stamps for the US Postal Service, and enjoyed frequent commissions from Reader's Digest, Sports Illustrated, and Time.
ARTIST: J Craig Thorpe (Washington, born 1948)NAME: Train - Washington LocomotiveYEAR: 1994MEDIUM: oil on heavy paperCONDITION: Very good. Damage to lower edge of paper (painting by intself is not damaged). No visible inpaint under UV light.SIGHT SIZE: 14 x 12 inches / 35 x 30 cmPAPER SIZE: 18 x 15 inches / 45 x 38 cmSIGNATURE: lower leftNOTE: This painting originally appeared on the Fleetwood Legendary Locomotives of the 50 States Washington Commemorative Cover postmarked December 20, 1994. When confronted with a mountain range, the visionaries who built America's railroads had three choices: go around it, over it or through it. Those were the options available to John F. Stevens, engineer for the Great Northern Railway, when he found the Cascade Range between him and his proposed route to Puget Sound. Stevens had already brought the Great Northern through the Rocky Mountains. That experience helped him recognize the virtues of the pass that would eventually bear his name. Stevens Pass was ideal in that it allowed for several different routes. In fact, over the years, the Great Northern has had three routes at the Pass, one over it and two through it. The first ran across the summit on a series of eight arduous and time-consuming switchbacks. Not long after the switchback line was completed, work began on the original Cascade Tunnel. Nine years later, on December 20, 1900, the tunnel was opened and the switchbacks were closed. Although the new route was a vast improvement, it was still beset with severe curves, miles of snow sheds and four-percent grades. So in 1925, the Great Northern began construction on another tunnel at a more favorable site. Opened on January 29, 1929, the second Cascade Tunnel runs 7.8 miles, making it the longest railroad tunnel in the United States. Great Northern's 2-8-0 freight engine No. 1106, featured on this artwork, was built in 1901 by the Rogers Locomotive Works. PROVENANCE: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120064US Shipping $49 + insurance.BIOGRAPHY:J. Craig Thorpe is a nationally recognized artist specializing in conceptual renderings and landscape paintings. Says Robert Eaton, Mayor of Leavenworth, WA, “Craig understands the history, needs, and mission of our community. Our investment in his talents has more than paid for itself. Craig's interest in art dates from his formative years in Pittsburgh, PA. The landscapes of the area, with its undulating topography, rivers, industrial plants and railroads captured his imagination. The imagery of those experiences shaped the foundation of a career.Thorpe studied at the Art Institute of Pittsburgh, and graduated from Carnegie-Mellon University with a BFA in Industrial Design. Following a short stint in the US Army Transportation Corps, he worked for architects in Virginia. After graduate school in New England, where he earned a Master of Divinity from Gordon-Conwell Theological Seminary, Thorpe moved to Seattle, WA and served as a Presbyterian pastor.In 1985 he chose to leave parish work to begin free-lance architectural and transportation illustration. When Amtrak featured his painting of the new Olympia, WA station on its 1993 corporate calendar, Thorpe's rail art began to be recognized nationally. He continues to produce commissioned works for Amtrak including the commemorative centennial paintings of Washington D.C. Union Station (2008) and Glacier National Park (2010). His most recent work is a collection of vignettes celebrating Amtrak's 40th anniversary in 2011.Craig is widely known for these and commissions by other rail clients such as the White Pass & Yukon Route in Alaska. Says Michael Brandt, the railway's Vice President, Craig has embraced the WP&YR brand and created iconic legacy artworks for us. They reflect his relationship with the company, its people, history and future. Other noted Alaskan clients include Holland America Line and Alaska Marine Lines. The grandeur and scale of Alaska and indeed all the west itself have expanded his literal and figurative horizons. A new series of smaller Northwest landscapes is growing in popularity.Thorpe is foremost a landscape painter and even his industrial commissions set the subjects in their unique settings. Says the artist, "The haste, cynicism and expediency of our age has blurred an ability to see beauty. These paintings help people refocus." He combines a technical accuracy with a painterly style evoking an emotional response from the viewer: "That painting makes me want to be right there!" He partners with clients to create art which honors tradition, celebrates the present and creates a legacy. While working in a variety of media, most of Thorpe's published works are oil-on-canvas.His paintings have appeared on calendars, posters, cards, menus, timetables and a host of other items.J. Craig Thorpe's work has been published in various papers and journals such as the Arizona Republic, Denver Post, and USA Today, National Parks Magazine, Audubon and books such as Alfred Runte's Allies of the Earth: Railroads and the Soul of Preservation and Trains of Discovery: Railroads and the Legacy of Our National Parks. Thorpe and his wife Cathy, a counselor in private practice, live in Bellevue, Washington and have three grown children, each an artist in his own way.
ARTIST: Norman Carton (Pennsylvania, New York, France, 1908 - 1980)NAME: Abstract CompositionMEDIUM: oil on canvasCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 9 x 9 inches / 22 x 22 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower left and on versoCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120394US Shipping $29 + insurance.BIOGRAPHY:Norman Carton was a painter's painter who devoted life to education and lecturing in the Arts as well as a large exhibition history. He was in more than 70 group exhibitions and had more than 20 one-man exhibitions.He was awarded numerous awards, prizes and fellowships. In the 1930s he was part of the WPA creating murals, in the 1940s, he founded a fabric design firm and Production Co. which was featured in Interiors magazine, Vogue, Harper's Bazaar, and Women's Wear Daily. These were hand-printed fabrics and his clients were Nina Ricci, Hattie Carnegie, Lord & Taylor, and others. In 1962 Norman Carton opened his own Gallery, the Dewey Gallery, NY City.Carton's work is represented in over 200 private collections throughout the world and some of the following museums: The Whitney Museum of American Art, Albright-Knox Gallery, Norfolk Museum of Art, Chrysler Art Museum, Jewish Museum, Paris, Museum of Modern Art, Paris, Museum of Art, St. Denis, France.
ARTIST: Miguel Pou (Puerto Rico, 1880 - 1968)NAME: Landscape with Blooming TreeYEAR: 1929MEDIUM: oil on canvas boardCONDITION: Few faint scratches. No visible inpaint under UV light.SIGHT SIZE: 12 x 15 inches / 30 x 38 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121016US Shipping $49 + insurance.BIOGRAPHY:Painter, draftsman, and teacher. In Ponce, Pou studied drawing under Pedro Clausells and painting under Spaniard Santiago Meana. After graduation from the Instituto Provincial de Puerto Rico he became a teacher. In 1910, he established an art school in Ponce, which he directed for forty years. In 1919 he studied at the Art Students League in New York and in 1935 at the Fine Arts Academy in Philadelphia. Along with Ramon Frade and Juan Rosado, he was one of Puerto Rico's most important realist painters of the first half of the twentieth century. His work has been recognized in Puerto Rico, the United States, and Paris, and his students include Horacio Castaing, Rafael Rios Rey, and Luis Quero Chiesa. In 2006, the Ponce Art Museum organized an exhibition that traveled to the Worcester Art Museum in Massachusetts; the exhibition included Pou's work as well as works by Francisco Oller and Jose Campeche. The influence of Impressionism may be seen in the importance Pou gave light and color in his paintings. He called himself a patriotic artist and he insisted that his work reflects the soul of Puerto Rico - the country people, the "salt of the earth" and the true features of its landscape.
ARTIST: Norman Carton (Pennsylvania, New York, France, 1908 - 1980)NAME: Abstract CompositionMEDIUM: oil on canvasCONDITION: Restretched. Very good. No visible inpaint under UV light.SIGHT SIZE: 8 x 8 inches / 20 x 20 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right and on versoNAME VARIANTS: NOCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120477US Shipping $29 + insurance.BIOGRAPHY:Norman Carton was a painter's painter who devoted life to education and lecturing in the Arts as well as a large exhibition history. He was in more than 70 group exhibitions and had more than 20 one-man exhibitions.He was awarded numerous awards, prizes and fellowships. In the 1930s he was part of the WPA creating murals, in the 1940s, he founded a fabric design firm and Production Co. which was featured in Interiors magazine, Vogue, Harper's Bazaar, and Women's Wear Daily. These were hand-printed fabrics and his clients were Nina Ricci, Hattie Carnegie, Lord & Taylor, and others. In 1962 Norman Carton opened his own Gallery, the Dewey Gallery, NY City.Carton's work is represented in over 200 private collections throughout the world and some of the following museums: The Whitney Museum of American Art, Albright-Knox Gallery, Norfolk Museum of Art, Chrysler Art Museum, Jewish Museum, Paris, Museum of Modern Art, Paris, Museum of Art, St. Denis, France.
ARTIST: Louis Hovey Sharp (California, New Mexico, Illinois, 1874 - 1946)NAME: Mountain Landscape - Lauterbrunnen Berner OberlandYEAR: 1938MEDIUM: oil on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 30 x 24 inches / 76 x 60 cmFRAME SIZE: 36 x 30 inches / 91 x 76 cmSIGNATURE: Lower leftCATEGORY: antique vintage paintingSKU#: 116509US Shipping $120 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USLouis Hovey Sharp (California, New Mexico, Illinois, 1874 - 1946)Born in Glencoe, IL on July 27, 1874, Louis Hovey Sharp studied with William Merritt Chase, Frank Duveneck, Charles Boutwood, and at the Art Institute of Chicago. He sketched for a brief time on the Hopi reservation in Arizona before moving to Pasadena, CA in 1914.For the next 15 years he kept studios both in Pasadena and Taos, NM. I n 1917 he spent many months painting in the Grand Canyon; in 1925 he was on the Monterey peninsula, and after 1929 lived for a time in the Austrian Tyrol.Sharp died in Pasadena on June 13, 1946.Member of California Art Club, Painters & Sculptors of LA.
ARTIST: Cesar De Cock (Belgian, Flemish, 1823 - 1904)NAME: Landscape with CowsMEDIUM: oil on boardCONDITION: Normal wear along edges. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 10 x 16 inches / 25 x 40 cmFRAME SIZE: 13 x 18 inches / 33 x 45 cmSIGNATURE: lower rightNAME VARIANTS: Cesar De CochCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120709US Shipping $49 + insurance.
ARTIST: Felix Saturnin Brissot de Warville (France, 1818 - 1892)NAME: Landscape with Sheep HeardMEDIUM: oil on canvasCONDITION: Very good. Normal wear/paint losses along edges. Minor craquelure. No visible inpaint under UV light.SIGHT SIZE: 25 1/2 x 36 inches / 66 x 91 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119399US Shipping $120 + insurance.BIOGRAPHY:Brissot de Warville is known for his paintings and drawings of rustic scenes with sheep and cattle. He was the Director of the Musee du Chateau de Compiegne and a prolific artist. His paintings are found in many museum collections including the Victoria and Albert Museum in London and museums in Chartres, Amiens, Mulhouse, Reims, Rouen, Saint-Etienne, Sens, Strasbourg and Troyes. The most extensive collection of his work is in the museum in Compiegne.
ARTIST: Samuel Lancaster Gerry (Massachusetts, 1813 - 1891)NAME: Landscape with CowsMEDIUM: oil on canvasCONDITION: Missing one flake of paint by the lower edge. Minor craquelure. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 12 x 20 inches / 30 x 50 cmFRAME SIZE: 20 x 28 inches / 50 x 71 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121035US Shipping $75 + insurance.BIOGRAPHY:Samuel Lancaster Gerry was an artist in 19th-century Boston, Massachusetts. He painted portraits and also landscapes of the White Mountains and other locales in New England. He was affiliated with the New England Art Union, and the Boston Artists' Association. In 1857 he co-founded the Boston Art Club.Born in Boston, Gerry was self-taught as an artist. He showed works in many public settings, such as the 1841 exhibit of the Massachusetts Charitable Mechanic Association; and an 1879 exhibit of contemporary art at the Museum of Fine Arts, Boston. He attended the 1860 convention of the National Art Association in Washington, DC. Students of Gerry included H. Frances Osborne, Samuel Green Wheeler Benjamin, Fannie Elliot Gifford, Charles Wesley Sanderson, and J. Frank Currier. With the exception of three years abroad, his professional life was passed chiefly in Boston.Like many 19th century artists, Samuel Lancaster Gerry began his career as a sign and decorative painter before looking abroad for inspiration. He traveled to England, France, Switzerland and Italy during the mid-1830s, befriending fellow artist George Loring Brown, and falling under the influence of Barbizon painter Constant Troyon. While remaining largely self-taught, Gerry eventually established himself as a successful genre and landscape artist in his hometown of Boston. There, he taught classes at the Tremont Street Studio Building, became a leading promoter of the arts, and exhibited in nearly every Boston Art Club exhibition from its inception until the year he died. He also exhibited at the National Academy, the Pennsylvania Academy of the Fine Arts and the Boston Athenaeum, and made frequent trips throughout New England and the Lake George region of New York procuring material for his poetic landscapes.
ARTIST: Norman Carton (Pennsylvania, New York, France, 1908 - 1980)NAME: Abstract CompositionMEDIUM: oil on canvasCONDITION: Restretched. Paint loss along left edge. Minor craquelure. No visible inpaint under UV light.SIGHT SIZE: 5 x 11 inches / 12 x 27 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right and on versoNAME VARIANTS: NOCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120481US Shipping $42 + insurance.BIOGRAPHY:Norman Carton was a painter's painter who devoted life to education and lecturing in the Arts as well as a large exhibition history. He was in more than 70 group exhibitions and had more than 20 one-man exhibitions.He was awarded numerous awards, prizes and fellowships. In the 1930s he was part of the WPA creating murals, in the 1940s, he founded a fabric design firm and Production Co. which was featured in Interiors magazine, Vogue, Harper's Bazaar, and Women's Wear Daily. These were hand-printed fabrics and his clients were Nina Ricci, Hattie Carnegie, Lord & Taylor, and others. In 1962 Norman Carton opened his own Gallery, the Dewey Gallery, NY City.Carton's work is represented in over 200 private collections throughout the world and some of the following museums: The Whitney Museum of American Art, Albright-Knox Gallery, Norfolk Museum of Art, Chrysler Art Museum, Jewish Museum, Paris, Museum of Modern Art, Paris, Museum of Art, St. Denis, France.
ARTIST: Clarkson Dye (California, 1869 - 1955)NAME: LandscapeYEAR: 1926MEDIUM: oil on boardCONDITION: Very good. No visible inpaint under UV light. Wear to frame.SIGHT SIZE: 18 x 24 inches / 45 x 60 cmFRAME SIZE: 23 x 29 inches / 58 x 73 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119285US Shipping $75 + insurance.BIOGRAPHY:Born in San Francisco, CA on June 30, 1869, Clarkson Dye, as a teenager studied at the local School of Design under Virgil Williams, with further study under Burridge and Michelson in the East.Most of his life was spent as a resident of his native city at 2595 Union Street. He assisted Frank Van Sloun in 1936 in painting large murals in the rotunda of San Francisco's Palace of Fine Arts. At one time he lived in Phoenix, AZ and Mill Valley, CA with summers in Santa Barbara and Bon Air, CA.By 1941 he was a resident of Los Gatos, CA where he remained until his death on May 10, 1955. Some of his subject matter was derived from his travels in the Orient, South Seas, Europe, and the Southwest.His work includes landscapes and depictions of the San Francisco Bay area including many nocturnal street scenes with interiors of buildings discernible through the windows or half-open doors.Dye was a member of the Bohemian Club where many of his works are held.
ARTIST: Laszlo Neogradi (Hungarian, 1896 - 1962)NAME: Country LandscapeMEDIUM: oil on boardCONDITION: Minor paint losses along edges. No visible inpaint under UV light.SIGHT SIZE: 10 x 14 inches / 25 x 35 cmFRAME SIZE: 14 x 18 inches / 35 x 45 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120915US Shipping $49 + insurance.BIOGRAPHY:Laszlo Neogrady was born in Budapest, Hungary in 1896. He was the son of the artist Anatal Neogrady, and he studied painting at the Hungarian Academy of Fine Arts under the artist Ede Ballo. Returning to Budapest, he became an art teacher, specializing in watercolor techniquesFrom 1922 Laszlo Neogrady exhibited his work at the Hungarian Art Gallery. He specialized in painting naturalistic landscapes many of which depicted forest scenes in the snow. The artists extensive use of impasto creates an almost three dimensional effect in these works. His use of light is usually dramatic and his landscapes are very atmospheric.The artist died on 27th August, 1962.
ARTIST: Norman Carton (Pennsylvania, New York, France, 1908 - 1980)NAME: Abstract CompositionMEDIUM: oil on canvasCONDITION: Restretched. Very good. No visible inpaint under UV light.SIGHT SIZE: 9 1/2 x 6 1/2 inches / 25 x 17 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right and on versoNAME VARIANTS: NOCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120485US Shipping $42 + insurance.BIOGRAPHY:Norman Carton was a painter's painter who devoted life to education and lecturing in the Arts as well as a large exhibition history. He was in more than 70 group exhibitions and had more than 20 one-man exhibitions.He was awarded numerous awards, prizes and fellowships. In the 1930s he was part of the WPA creating murals, in the 1940s, he founded a fabric design firm and Production Co. which was featured in Interiors magazine, Vogue, Harper's Bazaar, and Women's Wear Daily. These were hand-printed fabrics and his clients were Nina Ricci, Hattie Carnegie, Lord & Taylor, and others. In 1962 Norman Carton opened his own Gallery, the Dewey Gallery, NY City.Carton's work is represented in over 200 private collections throughout the world and some of the following museums: The Whitney Museum of American Art, Albright-Knox Gallery, Norfolk Museum of Art, Chrysler Art Museum, Jewish Museum, Paris, Museum of Modern Art, Paris, Museum of Art, St. Denis, France.
ARTIST: Eugene Rensburg (Netherlands, 1872 - 1956)NAME: Forest LandscapeMEDIUM: oil on canvasCONDITION: Relined. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 20 x 15 inches / 50 x 38 cmFRAME SIZE: 28 x 25 inches / 71 x 63 cmSIGNATURE: lower rightSKU#: 119909US Shipping $75 + insurance.BIOGRAPHY:Eugene Rensburg was a Dutch painter, watercolorist and etcher of mostly city views from The Hague. He travelled widely but lived and worked for the greatest part in Rotterdam.Rensburg appears to have made a few drawings of this mill, which are in archives.
ARTIST: Herbert August Uerpmann (Germany, 1911 - 1996)NAME: Alpine LandscapeMEDIUM: oil on canvasCONDITION: Restretched. Missing few flakes of paint. No visible inpaint under UV light.SIGHT SIZE: 31 x 27 inches / 78 x 68 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightPROVENANCE: Arnot Gallery NY (has gallery stamp on verso)SKU#: 119864US Shipping $90 + insurance.BIOGRAPHY:August Herbert Uerpmann born 1911 in Barmen died in 1996 in Wuppertal - Elberfeld. He painted landscapes and still lifes. He was the son of August Uerpmann and Anna Emilie, born in Finke. He was a decorator, he studied with Wittucher and Ludwig Fahrenkroga at the Kunstgewerbeschule Barmen. In the 1950s, Uerpmann owned the art gallery at Laurentiusstrasse in Wuppertal-Elberfeld. His health problems repeatedly forced him to take longer breaks in painting. Much of his work was disseminated through a gallery in Heidenheim, Franconia, which also organized sales exhibitions.
ARTIST: John Cairney (Scottish, British,19 Century)NAME: Landscape - Geilston Estate, Glasgow YEAR: 1878MEDIUM: oil on canvasCONDITION: Very minor craquelure. No visible inpaint under UV light.SIGHT SIZE: 24 x 20 inches / 60 x 50 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower left and on versoCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120733US Shipping $60 + insurance.
ARTIST: Otto Antoine (Germany, 1865 - 1951)NAME: Reihn River Landscape with Laundring WomanYEAR: 1935MEDIUM: oil on boardCONDITION: Missing few flakes of paint. No visible inpaint under UV light.SIGHT SIZE: 9 1/2 x 12 1/2 inches / 25 x 33 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightNOTE: has artist's stamp on versoSKU#: 119807US Shipping $42 + insurance.BIOGRAPHY:After attending high school, he was sent for an apprenticeship to a master painter. At the age of 18, he chose the career of mail clerk at the post office of Lutzel. After hours, he drew and painted motifs of his hometown of Koblenz, applying his self-taught skills and knowledge. After the "assistant's exam" in 1887 and voluntary military service for the term of one year, he was transferred to a pioneer battalion for a short time in Hamburg. Antoine went to Berlin in 1891 and studied at the Berlin Academy of Arts (Akademie der Kunste) under Franz Skarbina. He became a member of the Association of Berlin Artists and participated regularly in the major art exhibitions in Berlin. In 1942, he was bombed-out in Berlin and spent a short time in Silesia.Immediately after moving from Koblenz to Berlin in 1891, Antoine contacted local artists in Berlin. He studied part-time at the Academy of Fine Arts (Hochschule fur Bildende Kunste) and attended courses in landscape and nude painting. In Professor Franz Skarbina (1849-1910), he found an artist who recognized his talent and encouraged and taught him what he, the self-taught artist, had yet to learn. Initially, Antoine mainly painted landscapes and mostly used watercolors. After his training under Skarbina, he preferred oil paint for larger images, because it was more expressive, and mostly painted city-themed motifs. He created many oil, pastel, and watercolor paintings as well as etchings of motifs of Berlin. Horse-drawn carriages on rain-soaked roads, the hustle and bustle on Leipziger Strasse or passers-by at the Brandenburg Gate - these are impressions the artist captured in their randomness and instantaneousness. The Cathedral, The Castle and Bridge (Kaiser-Friedrich-Bridge), Unter den Linden, Brandenburg Gate, Leipziger Platz, with the Wertheim Department Store, Potsdamer Platz, Alexanderplatz with Berolina and Police Headquarters, Reichstag, Tiergarten, Kurfurstendamm, Kaiser-Wilhelm Memorial Church and Tauentzienstrasse, as well as the City Hall and Altes Museum are naturally included in the list of his paintings of Berlin. It is the representative Berlin; the Berlin of monumental buildings. All paintings are atmospheric and were completed using a virtuous impressionistic technique. The hues of the era and its transformations are easily perceptible by looking at the means of transportation, hackney coaches, the electrical and open top buses as well as the clothing of the pedestrians.Otto Antoine was a member of the Association of Berlin Artists, which was founded in 1841. Later, he represented his fellow artists as a member of the association's board and was repeatedly involved in the setting up of the Greater Berlin Art Exhibition. Eventually, he became an honorary member and honorary president of the association.Fortunately, a large amount of his work had been preserved. However, a complete overview of the locations of Antoine's works does not currently exist. At best, the following information may be a reference point. A large number of his works is currently kept by the family and other private collectors.
ARTIST: Otto Antoine (Germany, 1865 - 1951)NAME: River Landscape with CottagesMEDIUM: oil on canvasCONDITION: Canvas is unmounted. Two crtease lines in lower right corner. Few small paint losses. No visible inpaint under UV light.SIGHT SIZE: 12 x 9 inches / 30 x 22 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftSKU#: 119820US Shipping $42 + insurance.BIOGRAPHY:After attending high school, he was sent for an apprenticeship to a master painter. At the age of 18, he chose the career of mail clerk at the post office of Lutzel. After hours, he drew and painted motifs of his hometown of Koblenz, applying his self-taught skills and knowledge. After the "assistant's exam" in 1887 and voluntary military service for the term of one year, he was transferred to a pioneer battalion for a short time in Hamburg. Antoine went to Berlin in 1891 and studied at the Berlin Academy of Arts (Akademie der Kunste) under Franz Skarbina. He became a member of the Association of Berlin Artists and participated regularly in the major art exhibitions in Berlin. In 1942, he was bombed-out in Berlin and spent a short time in Silesia.Immediately after moving from Koblenz to Berlin in 1891, Antoine contacted local artists in Berlin. He studied part-time at the Academy of Fine Arts (Hochschule fur Bildende Kunste) and attended courses in landscape and nude painting. In Professor Franz Skarbina (1849-1910), he found an artist who recognized his talent and encouraged and taught him what he, the self-taught artist, had yet to learn. Initially, Antoine mainly painted landscapes and mostly used watercolors. After his training under Skarbina, he preferred oil paint for larger images, because it was more expressive, and mostly painted city-themed motifs. He created many oil, pastel, and watercolor paintings as well as etchings of motifs of Berlin. Horse-drawn carriages on rain-soaked roads, the hustle and bustle on Leipziger Strasse or passers-by at the Brandenburg Gate - these are impressions the artist captured in their randomness and instantaneousness. The Cathedral, The Castle and Bridge (Kaiser-Friedrich-Bridge), Unter den Linden, Brandenburg Gate, Leipziger Platz, with the Wertheim Department Store, Potsdamer Platz, Alexanderplatz with Berolina and Police Headquarters, Reichstag, Tiergarten, Kurfurstendamm, Kaiser-Wilhelm Memorial Church and Tauentzienstrasse, as well as the City Hall and Altes Museum are naturally included in the list of his paintings of Berlin. It is the representative Berlin; the Berlin of monumental buildings. All paintings are atmospheric and were completed using a virtuous impressionistic technique. The hues of the era and its transformations are easily perceptible by looking at the means of transportation, hackney coaches, the electrical and open top buses as well as the clothing of the pedestrians.Otto Antoine was a member of the Association of Berlin Artists, which was founded in 1841. Later, he represented his fellow artists as a member of the association's board and was repeatedly involved in the setting up of the Greater Berlin Art Exhibition. Eventually, he became an honorary member and honorary president of the association.Fortunately, a large amount of his work had been preserved. However, a complete overview of the locations of Antoine's works does not currently exist. At best, the following information may be a reference point. A large number of his works is currently kept by the family and other private collectors.
ARTIST: Dorothy Fulton (New Jersey, Kansas, 1896 - 1970)NAME: Autumn Landscape (titled on stretcher)MEDIUM: oil on canvasCONDITION: Very good. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 20 x 24 inches / 50 x 60 cmFRAME SIZE: 26 x 29 inches / 66 x 73 cmSIGNATURE: lower right and on stretcherCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120891US Shipping $75 + insurance.BIOGRAPHY:Born Uniontown, PA, Oct. 23, 1893; died Miami, FL, Jan. 1970. Painter, spec. landscape, still life, and portraits. Sculptor. Teacher. Studied at the Pennsylvania Academy of Fine Arts, Columbia University in New York, Philadelphia Museum School of Industrial Art, University of Southern California, University of Kansas, Lawrence, and University of Pennsylvania. Pupil of Albert Laessle, Henry McCarter, Beckenridge, Daniel Garber, Hale, and George Bridgeman. Lived at 1620 College Avenue, Topeka in 1933. Served as head of the Art Dept. at Linden Hall in Lititz, PA from 1936-52 and as an instructor in the New Jersey Public schools from 1953.
ARTIST: Willi Geiger (Germany, 1878 - 1971)NAME: Landscape - SchwalmMEDIUM: oil on canvasCONDITION: One small hole. Minor flaking. No visible inpaint under UV light.SIGHT SIZE: 20 x 24 inches / 50 x 60 cmFRAME SIZE: 24 x 28 inches / 60 x 70 cmSIGNATURE: Lower rightCATEGORY: antique vintage paintingSKU#: 115094US Shipping $75 + insurance.AD: ART CONSIGNMENTS WANTED. CONTACT USWilli Geiger (Germany, 1878 - 1971)The son of a teacher, Willi Geiger was born 1878 in Landshut. From 1898-99 he attended the Munich Arts and Crafts School, and later the Technical University, where he passed the state examination to teach drawing. Willi Geiger studied from 1903 with Franz von Stuck at the Munich Academy, including together with Hans Purrmann. He was awarded the National prize and the Schack scholarship for some of his early work and he traveled to Spain, Italy, and North Africa.[1] Willi Geiger was awarded the 1910 Villa Romana prize for his success as a graphic designer. He worked with Richard Dehmel, Frank Wedekind, and others.Geiger lived until 1914 in Berlin and presented in the gallery. Then he went back to Munich and became a professor at the School of Decorative Arts. He copied paintings by the great Spanish painters Goya, Velasquez, and El Greco and turned to portrait painting. Geiger's study of El Greco's work is reflected in his portrait of the composer Hans Pfitzner.After the seizure of power by the Nazis he was dismissed as a lecturer at the Leipzig Academy. He was politically opposed to the Nazi party, and his artworks were deemed "degenerate" by the authorities.[1] On retirement he continued to paint, and after the war, in 1946 taught again at the College of Fine Arts in Munich. In 1951 Willi Geiger received the Culture Prize of the City of Munich where he lived until his death in 1971.Willi Geiger's son, Rupprecht Geiger, also became a well-known artist and professor.
ARTIST: - (Europe, 19 century) NAME: Mountain Lake LandscapeMEDIUM: oil on canvasCONDITION: One T-shaped tear 3" total lenght. Three punctures. One patch. Few minor paint losses. Normal wear along edges. Some craquelure. No visible inpaint under UV light. Some damages to frame.SIGHT SIZE: 21 x 30 inches / 53 x 76 cmFRAME SIZE: 27 x 36 inches / 68 x 91 cmSIGNATURE: unsignedCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121176US Shipping $120 + insurance.
ARTIST: Harald Kurt Knut Ekwall (Sweden, Germany, 1873 - ?)NAME: Pastoral LandscapeMEDIUM: oil on canvasCONDITION: Two small tears (1 1/2" longest). Some craquelure. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 28 x 46 inches / 71 x 116 cmFRAME SIZE: 35 x 53 inches / 88 x 134 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120869US Shipping $319 + insurance.BIOGRAPHY:Harald Knut-Ekwall was born on December 14, 1873 in Leipzig, Sachsen, Germany. He is the son of successful Swedish artist Knut Ekwall (1843-1912) and nephew of artist Emma Ekwall (1838-1930). Harald's birth came during a brief period of time when his father was studying art in Leipzig. He has several siblings who were also artists, many of whom have artwork in the marketplace that often is confused with Harald's and/or his father's. Harald Ekwall's father had studied at the Academy of Arts in Stockholm, and ultimately gained much acclaim and recognition for his skill as a xylographer (woodcut designer) and draftsman. Many of his father's works were reproduced as engravings, and some of his paintings are today considered national treasures of Sweden.Harald seems to have followed in his father's footsteps, painting in oils throughout his lifetime. In 1900 the 27 year old artist departed the European continent on a ship named Hermonthis, destined for Valparaiso, a cultural city center along the coast of Chile. According to public records, it appears that the artist remained in Chile for over a decade, eventually gaining Chilean citizenship. In 1912, he returned to Sweden, where he represented Chile in the 1912 Olympic Games held in Stockholm. He competed in Men's Shooting events including Free Pistol, Dueling Pistol, and Military Rifle. Harald Knut-Ekwall is recognized primarily as a maritime painter, although he is known to have branched out into other genres as well, including landscape and horses and riders in Western Style. It appears that many of his artworks were produced during his years in Chile, though no information has been gathered as to any specific artistic studies he may have undertaken during this time period.His works are usually signed "Harald Knut-Ekwall", while his father's works are typically signed "Knut Ekwall". Harald had at least four siblings, most of which were practicing artists. They often sign their paintings with their first initial followed by "Knut-Ekwall", possibly as a method to attract buyers who have knowledge of their famous father. One of the siblings signed their work "KE", with a backwards K and an E sharing a central vertical spine.There research into this artist is ongoing, and new facts and examples of his work are emerging over time. His legacy, though primarily that of a maritime painter, extends to an increasing number of other types of scenes as well.Unfortunately, little is known about the artist's fate after 1912. The date and location of his death remain unknown.
ARTIST: John R Alston (California, mid 20 Century)NAME: Mountain LandscapeMEDIUM: oil on canvas boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 24 x 30 inches / 60 x 76 cmFRAME SIZE: 31 x 37 inches / 78 x 93 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118834US Shipping $120 + insurance.
ARTIST: Jan M Beek (Netherlands, 19/20 century)NAME: LandscapeYEAR: early 20 centuryMEDIUM: oil on canvasCONDITION: Some craquelure. Minor paint losses along edges. No visible inpaint under UV light.SIGHT SIZE: 17 x 32 inches / 43 x 81 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 117649US Shipping $90 + insurance.
ARTIST: Clara Wagner Folingsby (New York,German, Australian, c.1839 - c.1873)NAME: Country LandscapeMEDIUM: oil on canvasCONDITION: Minor craquelure. No visible inpaint under UV light. Some damages to frame.SIGHT SIZE: 9 1/2 x 19 inches / 25 x 48 cmFRAME SIZE: 18 x 27 inches / 45 x 68 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118845US Shipping $75 + insurance.BIOGRAPHY:German-born Australian painter.In 1859, she and her husband George Frederick Folingsby exhibited at the National Academy, giving their address as Appleton's 346 Broadway, NYC. At that time, however, they were more likely living in Munich (Germany). During the early 1850s couple lived in NYC.
ARTIST: Richard Hackett (California, Nevada, 1917 - 1989)NAME: Three NudesYEAR: 1974MEDIUM: oil on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 14 x 17 inches / 35 x 43 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower left and on versoCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119997US Shipping $49 + insurance.BIOGRAPHY:Born in Brooklyn, NY on Jan. 7, 1917. Hackett came to the San Francisco Bay area as an infant. He was raised in Berkeley, Antioch, and Palo Alto and attended the public schools there. Having opted for an art career, he studied at the CSFA in 1936-39. He then spent a few years painting in the Mother Lode country and working for the U.S. Forest Service in the state of Washington. From 1944-46 he ran the art gallery at the SFMA. Following his marriage to artist Beverly Leslie, he settled in Nevada City, CA. He was active there as an artist until his demise on Feb. 4, 1989. His work includes scenes of the Mother Lode country, Mendocino coast, and the San Francisco Bay area. Exh: Univ. of Hawaii, 1939 (solo); Art Center School (Oakland), 1939; Calif. State Fair, 1957; Crocker Art Gallery, 1967 (solo).
ARTIST: Grant Wright Christian (Indiana, 1911 - 1989)NAME: Autumn LandscapeYEAR: 1989MEDIUM: oil on canvasCONDITION: Very good. No visible inpaint under UV light. Wear to frame.SIGHT SIZE: 16 x 20 inches / 40 x 50 cmFRAME SIZE: 21 x 25 inches / 53 x 63 cmSIGNATURE: lower rightCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120773US Shipping $75 + insurance.BIOGRAPHY:Grant Christian was born in Edinburg, Indiana on July 17, 1911 and eventually became a husband to Clara M. Schneider Christian and a father to Susan Ann Christian and Anthony B. Christian. He was not only a well-known artist, but also a prominent Indianapolis advertising executive. He studied at the John Herron Art Institute for six years, graduating in 1933. He also attended the Pennsylvania Academy for Fine Arts for one year. His most prominent teachers throughout his career included: William Forsythe, Clifton Wheeler, Frank Schoonover, and more.During the Great Depression, he entered many artistic competitions offered by the Works Progress Administration such as the Louisville Marine Hospital Mural Competition and the Lafayette Post Office Competition. Like William Kaeser, he participated in painting commissioned post office murals as a part of the New Deal. His mural Waiting for the Mail can be seen at the Nappanee post office.Prior to his time as a World War II veteran, Christian taught oil painting, watercolor, and composition at Indiana University from 1936-1937. In 1937, he joined the Art Department at Keeling & Company Advertising Agency where he went on to work for 37 years. During that time, he notably designed an eight year billboard series for Meridian Mutual Insurance. Later in 1951, he was elected vice president of the firm and a member of the board of directors. After the firm's merger in 1959, he began to serve also as the art director.After the office closed, he opened a free-lance studio called the Christian Studio. In 1972, he joined the Mathewson Group ad agency, where he later became vice president and art director also. As winner of many competitions and monetary awards for his paintings, Christian exhibited at annual Hoosier Salon shows, the Indiana Arts Club, the Indiana State Fair, Indiana Heritage Arts, the Swope Gallery of Terre Haute, the Grand Central Gallery in New York, and the Corcoran Gallery in Washington D.C.
ARTIST: William Albert Hamilton Jr (California, Indiana, 1901 - 1984)NAME: Noya Landing (titled on verso) YEAR: 1974MEDIUM: oil on boardCONDITION: Very good. Minor paint losses along edges. No visible inpaint under UV light.SIGHT SIZE: 18 x 24 inches / 45 x 60 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftNOTE: has artist's business card attached to versoCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 118736US Shipping $60 + insurance.BIOGRAPHY:William Albert Hamilton Jr. was born in Terre Haute, Indiana on February 11, 1901. Hamilton moved to Los Angeles in 1915. He studied there at the Clay School of Art, Throop Institute, and privately with Edgar Payne. By 1930 he was selling his works through the Ainslie Gallery, most of which were large Post-Impressionist landscapes. He was often a painting partner of Gray Bartlett. He was a resident of Mission Viejo, CA at the time of his demise on December 29, 1984. Member: California Art Club; Painters & Sculptors of Los Angeles; San Fernando Artists Guild. Exhibited: Burbank Women's Club, 1950.
ARTIST: Elizabeth Galbraith McIntyre Jewell (Washington, Massachusetts, 1874 - 1956)NAME: Rocky SeascapeMEDIUM: oil on canvas. Canvas applied to board.CONDITION: Few minor paint losses/scratches. Some foxing. No visible inpaint under UV light.SIGHT SIZE: 11 x 14 inches / 27 x 35 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right and on versoNOTE: has artist's estate stamp on versoNAME VARIANTS: Elizabeth Galbraith MacIntyreCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120132US Shipping $42 + insurance.BIOGRAPHY:Elizabeth Galbraith Jewell was born in Lawrence, Massachusetts, in 1874. After graduating from Boston University in 1898, she became a teacher of Classics at Lawrence High School, where she met and married her husband Ernest C. Jewell. She began the serious pursuit of art after her children matured, and studied with some of the best-known painters of her time, including: Louis Morton, Charles Woodbury, Philip Leslie Hale, Henry W. Rice, Susan Ricker Knox, and George Loftus Noyes. She was very fond of color and developed her mature style under the direction of George Noyes, the noted Boston impressionist, who gave her lessons during the summers in Gloucester. She painted in Gloucester and Ogunquit, was a member of the Merrimack Valley Artist’s Association, and exhibited at Addison Galleries in Andover, Mass.
ARTIST: - (Texas, mid 20 century)NAME: Bluebonnets LandscapeMEDIUM: oil on canvas boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 12 x 16 inches / 30 x 40 cmFRAME SIZE: 13 x 17 inches / 33 x 43 cmSIGNATURE: unsignedCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121161US Shipping $49 + insurance.
ARTIST: - (Texas, mid 20 century)NAME: Bluebonnets LandscapeMEDIUM: oil on boardCONDITION: Good. No visible inpaint under UV light. Wear to frame.SIGHT SIZE: 9 x 12 inches / 22 x 30 cmFRAME SIZE: 11 x 14 inches / 27 x 35 cmSIGNATURE: unsignedCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 119411US Shipping $42 + insurance.
Carl Moll 1861 Wien - 1945 Wien Schifferhaus in Lübeck. 1894. Gouache auf leichtem Karton. Vgl. Cabuk GE 99. Links unten signiert und datiert. 33,5 x 27 cm (13,1 x 10,6 in), Blattgröße. Wir danken Frau Dr. Cornelia Cabuk, Wien, für die freundliche Auskunft. Die Arbeit wird in das Werkverzeichnis aufgenommen. PROVENIENZ: Wienerroither & Kohlbacher, Wien. Privatsammlung (2008 vom Vorgenannten erworben). Carl Moll ist einer der zentralen Künstler der Wiener Jahrhundertwende. 1897 gehört er neben seinen Zeitgenossen Gustav Klimt, Koloman Moser, Josef Hoffmann und Joseph Maria Olbrich zu der Gruppe der Künstler, die sich vom offiziellen Kunstbetrieb abwenden und die Wiener Secession begründen. Hier ist Raum für künstlerische Wege, die sich abseits tradierter Normen und Ansprüche abspielen, eine freiere Positionierung des Künstlers erlauben und in der neue Strömungen wie Impressionismus, Symbolismus und Jugendstil ihren Platz finden. Im November 1895 heiratet Moll die aus Hamburg stammende Schauspielerin und Sängerin Anna Sofie Bergen (1857–1938). Sicherlich dürfte das Paar bereits zuvor von Hamburg aus an die Nordsee gereist sein, wo Moll in Lübeck das Schifferhaus als Motiv entdeckt. Unsere Gouache dürfte eine vor Ort entstandene Version des Motivs sein, dessen in einzelnen Details leicht abgewandeltes, ausgeführtes großformatiges Gemälde vom Künstler in seinen Eingangsbüchern 1894/95 verzeichnet ist und sich heute im Belvedere Museum Wien befindet. Für die Einrichtung dieser Galerie für zeitgenössische Kunst hatte sich neben den Künstlern der Secession vor allem Moll stark gemacht, die letztlich 1903 zur Gründung des Belvedere Museums führte, in dem sich heute noch ein großer Bestand an Werken Molls findet. Insbesondere die Interieurs von Moll sind aufgrund ihrer ganz eigentümlichen Raumkonstruktion bemerkenswert. So auch in der hier steil zulaufenden Flucht über die Tische hinweg, betont noch durch das Hochformat des Ausschnitts. Das große, undurchblickbare Fenster am Ende lässt ein milchiges Licht in den Raum sickern und sorgt für Reflexe und Spiegelungen, die die herausragende Stellung Molls in dieser Gattung bekräftigen. [KT] Aufrufzeit: 11.06.2022 - ca. 16.06 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONCarl Moll 1861 Wien - 1945 Wien Schifferhaus in Lübeck. 1894. Gouache on light board. Cf. Cabuk GE 99. Signed dated in lower left. 33.5 x 27 cm (13.1 x 10.6 in), size of sheet. We are grateful to Dr. Cornelia Cabuk, Vienna, for the kind support in cataloging this lot. The work will be included into the catalog raisoné. PROVENANCE: Wienerroither & Kohlbacher, Vienna. Private collection (acquired from the above in 2008). Called up: June 11, 2022 - ca. 16.06 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Edward Theodore Compton 1849 London - 1921 Feldafing Hoher Göll, Berchtesgaden. 1878. Aquarell über Bleistift. Rechts unten signiert und datiert. Auf leichtem Karton. 40,7 x 58,5 cm (16 x 23 in), blattgroß. Verso mit Bleistiftzeichnung 'Griechischer Tempel am Fluss mit Wasserbüffeln'. Wir danken Frau Sybille Brandes, Tutzing, für die freundliche Auskunft. PROVENIENZ: Privatsammlung Großbritannien (seit den 1960er Jahren in Familienbesitz). Der an der Grenze zwischen Bayern und Salzburg liegende Hohe Göll dürfte für den geübten Bergsteiger Edward Theodore Compton wohl nicht die Herausforderung gewesen sein, der er sich sonst während seiner Touren im Hochgebirge der Schweiz beispielsweise stellte. Eine Erstbesteigung findet bereits 1800 statt, allerdings wurde ein Bericht über die Aufstiegsroute, den Schwierigkeitsgrad und die Vermessung erst 1881 in der Zeitschrift des Deutschen und Österreichischen Alpenvereins publiziert. Für Compton, den Maler-Bergsteiger rücken jedoch andere, unberührtere Gipfel in das alpinistische Interesse. So gibt Compton die Szenerie auch gewissermaßen aus idyllischer Perspektive am Fuße des Berges wieder. Die Abendsonne färbt die Bergsilhouette in feinster Aquarelltechnik rötlich, über die sanft ansteigende hügelige Lichtung gleitet der Blick über die dunkel im Schatten liegenden Tannen hinweg in die Höhe. Erahnen lässt sich dennoch, was so viele Bergsteiger zum Aufstieg treibt: „Einzig von der Begierde getrieben, diese ungewöhnliche Höhenregion mit eigenen Augen zu sehen“, formuliert es 1336 Francesco Petrarca in der allerersten Beschreibung einer Bergbesteigung in der Literaturgeschiche, „auf dem Gipfel ist das Ende aller Dinge und des Weges Ziel, darauf unsere Pilgerfahrt gerichtet ist.“ Dahinter steckt eine zutiefst menschliche Neugier, die zum Aufbruch aus dem heimeligen Tal in die Gefahren der Bergwelt drängt, um die Weite und das Licht am obersten Gipfel zu erfahren. [KT] Aufrufzeit: 11.06.2022 - ca. 15.20 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONEdward Theodore Compton 1849 London - 1921 Feldafing Hoher Göll, Berchtesgaden. 1878. Watercolor over pencil. Lower right signed and dated. On light board. 40.7 x 58.5 cm (16 x 23 in), the full sheet. Verso with pencil drawing 'Griechischer Tempel am Fluss mit Wasserbüffeln'. PROVENANCE: Private collection Great Britain (family-owned since the 1960s). Called up: June 11, 2022 - ca. 15.20 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).
Edward Theodore Compton 1849 London - 1921 Feldafing Marina piccola, Capri. 1874. Aquarell über Bleistift. Rechts unten signiert und datiert. Auf leichtem Karton, kaschiert auf Malkarton. 43 x 65,2 cm (16,9 x 25,6 in), blattgroß. Wir danken Frau Sybille Brandes, Tutzing, für die freundliche Auskunft. PROVENIENZ: Privatsammlung Großbritannien. Die große Leidenschaft Edward Theodore Comptons gilt den Bergen, die er in immer wieder neuen Ansichten in Öl, Aquarell und Zeichnung auf seinen zahlreichen Expeditionen einfängt. Seine künstlerische Tätigkeit beruht in hohem Maße auf den individuellen Eindrücken, die er während der oft anspruchsvollen Touren sammelt. In den sanfteren Süden führt ihn erst seine Hochzeitsreise mit der Münchnerin Gusti von Romako (Auguste Amalie Plötz) in den Jahren 1872-74, während der er auch die Insel Capri besucht. Hier dürfte unser feines Aquarell entstanden sein, mit dem sich Compton der hellen und luftigen Atmosphäre nähert. Die Felsen am Meer, die Wellen und die steilen Klippen bilden ein ursprüngliches und raues Naturschauspiel, das Compton in transparentem Farbeinsatz detailreich wiedergibt. Die Marina piccola befindet sich an der ruhigeren Südküste der Insel, von der aus man ebenfalls die Faraglioni-Felsen im Blick hat, die Compton in weiteren Aquarellen festhält. 1874 aus Italien zurückgekehrt, lässt sich das Paar schließlich in Feldafing am Starnberger See nieder, von wo aus sich Compton wieder auf zahlreiche Hochgebirgstouren und malerische Expeditionen begibt. [KT] Aufrufzeit: 11.06.2022 - ca. 15.21 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONEdward Theodore Compton 1849 London - 1921 Feldafing Marina piccola, Capri. 1874. Watercolor over pencil. Lower right signed and dated. On light board, laminated on stronger board. 43 x 65.2 cm (16.9 x 25.6 in), the full sheet. PROVENANCE: Private collection Great Britain. Called up: June 11, 2022 - ca. 15.21 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).
LOUIS VUITTON Portemonnaie, Koll. 2004. Monogram Multi Color Serie mit naturbelassenem Leder und goldfarbener Hardware. Überschlag mit Druckknopfverschluss. Hauptfach unterteilt in drei kleine Fächer. Leichte Patina und leichte Gebrauchsspuren vorhanden. 10x2,5x7cm.| LOUIS VUITTON portemonnaie, coll. 2004. Monogram Multi Color Series with natural leather and gold tone hardware. Flap with snap closure. Main compartment divided into three small compartments. Light patina and slight signs of use present. 10x2,5x7cm.
HERMÈS Handtasche "BOLIDE 31". Koll.: 2007. Clemence Leder in Gold, Hardware mit Palladium Auflage, Doppelhenkel und umlaufendem Reißverschluss. Schulterriemen, Schloss, Clochette mit Schlüssel und Staubbeutel anbei. Leichte Tragespuren außen, Innenleben mit starken Flecken. Front mit Initialen-Prägung "BFD". 31x23x12cm.| HERMÈS handbag "BOLIDE 31". Coll.: 2007. Clemence leather in gold, hardware with palladium overlay, double handle and all-round zip. Shoulder strap, lock, clochette with key and dust bag enclosed. Light wear marks on the outside, interior with heavy stains. Front with initials embossed "BFD". 31x23x12cm.
LOUIS VUITTON Umhängetasche "BROOKLYN", Koll. 2011. Damier Ebene Serie,Hardware, Leder und Riemen in Braun, Hauptfach mit Überschlag und Magnetverschluss. Längenverstellbarer Schulterriemen. Sehr guter Erhalt, leichter Abrieb an den Kanten. 22x8x25cm.| LOUIS VUITTON crossbody bag "BROOKLYN", coll. 2011. Damier ebene edition, hardware, leather and straps in brown, main compartment with flap and magnetic closure. Adjustable length shoulder strap. Very good condition, light wear on edges. 22x8x25cm.
Schreibgeräte Konvolut. 1x PELIKAN "SOUVERÄN" Füller mit Box, 1x Füller (Hersteller unbekannt, in Waterman Etui, 1x WATERMAN Füller in Grün mit vergoldeten Beschlägen (Lederetui anbei). Jeweils leichte Gebrauchsspuren. | 1x PELIKAN "SOUVERÄN" fountain pen with box, 1x fountain pen (manufacturer unknown, in Waterman case, 1x WATERMAN fountain pen in green with gold-plated fittings (leather case attached). In each case light traces of use.
LOUIS VUITTON Handtasche "SPEEDY 30", Koll. 2010. Monogram Mini Lin auf dunkelbraunem Textil mit goldfarbener Hardware. Klassisches Modell. Staubbeutel anbei. Ohne Schulterriemen. Leichter Abrieb an den Kanten, sonst sehr guter Erhalt.| LOUIS VUITTON handbag "SPEEDY 30", coll. 2010. monogram mini lin on dark brown textile with gold-tone hardware. Classic model. Dust bag enclosed. Without shoulder strap. Light wear to edges, otherwise very good condition.
LOUIS VUITTON Umhängetasche "POCHETTE METIS", Koll. 2017. Akt. NP.: 2.100,-€. Klassisches Modell aus der Monogram Empreinte Leder Serie mit goldfarbener Hardware. Full Set mit Box, Staubbeutel, Schulterriemen und Rechnung. Leichte Gebrauchsspuren vorhanden.| LOUIS VUITTON shoulder bag "POCHETTE METIS", coll. 2017. . Classic model from the Monogram Empreinte leather series with gold-tone hardware. Full set with box, dust bag, shoulder strap and invoice. Light signs of use present.
S.T. DUPONT Feuerzeug "SHOOT THE MOON". Eine Hommage an den Autor Jules Verne. Limitierte Auflage 0297 / 1865. Vergoldeter Korpus mit Chinalack in Hellbraun mit leichtem Farbverlauf. Detailreiches Design mit aufwändigen Gravuren und feinen Details. Weißer Mondstein in der Mitte des Feuerzeugs (eine Hommage an den Roman "VON DER ERDE ZUM MON" von Jules Verne aus dem Jahr 1865 unter dem französischen Titel "DE LA TERRE À LA LUNE". Box und ein kleines Kartenetui anbei.|A tribute to the author Jules Verne. Limited edition 0297 / 1865. Gilt body with china lacquer in light brown with slight color gradient. Detailed design with intricate engravings and fine details. White moonstone in the center of the lighter (a tribute to the 1865 novel "FROM THE EARTH TO THE MON" by Jules Verne under the French title "DE LA TERRE À LA LUNE". Box and a small card case attached.
LOUIS VUITTON Umhängetasche "MULTI POCHETTE", Koll. 2021. SUMMER BY THE POOL Kollektion (Resort 2021). Ausverkauft und nicht mehr erhältlich. Pastellfarbenes Monogram Giant Canvas in Weiß auf hellblauem Grund mit Farbverlauf. Box anbei. Sehr guter Erhalt, bis auf kleine Tragespuren am Trageriemen.| LOUIS VUITTON "MULTI POCHETTE" crossbody bag, coll. 2021. SUMMER BY THE POOL Collection (Resort 2021). Sold out and no longer available. Pastel Monogram Giant Canvas in white on a light blue gradient background. Box attached. Very good condition except for small wear marks on strap.
MONTBLANC Kugelschreiber "WILLIAM SHAKESPEARE". Writers Edition von 2016. Limitierte Auflage 8.110 / 9.000. Korpus aus weißem Edelharz mit guillochiertem Muster und Kappe besteht aus schwarzem Edelharz. Vergoldete Beschläge, achteckige Form, Konusring mit Elementen seiner bedeutendsten Werke verziert. Etui und Umkarton anbei. Leichte Gebrauchsspuren.| Writers Edition of 2016. limited edition 8,110 / 9,000. body made of white precious resin with guilloche pattern and cap is made of black precious resin. Gold plated fittings, octagonal shape, cone ring decorated with elements of his most significant works. Case and outer box enclosed. Light traces of use.
CHANEL Top, Gr. ca. 38 (fr. 40). Elastisches Textil in Rosa mit weitem Rundhalsausschnitt und CC-Logo Webmuster. Etikett ist entfert und leichte Tragespuren sind vorhanden.| CHANEL top, size 38. Elastic textile in pink with wide round neck and CC logo woven pattern. Label is removed and light wear marks are present.
Original vintage travel poster - A Pictorial Map of Southern England including over 200 places of interest to visit by rail with details of Southern Region facilities - by British Rail Southern Region - Get out and about on the Southern A map of interesting things to see and do-and you can reach them easily by rail. - featuring colourful illustration with a compass, marking places of interest and coats of arms. Horizontal. The Southern Region was a region of British Railways from 1948 until 1992 when railways were re-privatised. The Southern Region also inherited some independent light railways, namely the East Kent Light Railway, the Kent and East Sussex Railway and the North Devon and Cornwall Junction Light Railway. Richmond Railway Bridge spanning the Thames in Richmond upon Thames. The Southern Region served southern London, Brighton, Kent, Surrey, Sussex, Hampshire, the Isle of Wight, and some areas of Dorset, Wiltshire and Berkshire. Good condition, folds as issued, small tears, small paper loss on edge, minor staining, double sided. Country of issue: UK, designer: Unknown, size (cm): 39x86, year of printing: 1970s.
Original vintage German motivational workplace poster issued by Parker-Holladay company in Berlin. Doval was a German equivalent of Bill Jones that was created in the UK by Parker-Holladay to promote the correct work ethic in the workplace. The concept was copyrighted and also taken to the USA and Canada motivating personnel to perform efficiently worldwide. The poster features an illustration of a man entering the storage room with some boxes, barrel, and books to find that the light is on, bold stylised lettering reads - Waste of light. Why waste it when it's so easy to save? / Lichtverschwendung. Wozu die Verschwendung wenn es so leicht ist, zu sparen? Good condition, large repaired tear on image, minor staining. Country of issue: Germany, designer: Doval, size (cm): 72x56, year of printing: 1929.
Original vintage propaganda poster - For your own and your country's sake invest in National Savings. Through the Post Office Savings Bank, Trustee Savings Banks, or National Savings Certificates - featuring an illustration of a gentleman in tartan and kilt playing bagpipes set over light blue background. Issued by the Scottish Committee, Edinburgh. Printed for H.M. Stationery Office by Thos. Forman & Sons Ltd., Nottingham. Very good condition, minor creasing, small repaired tear on bottom right corner. Country of issue: UK, designer: Chambers, size (cm): 74x50, year of printing: 1940s.
Original vintage propaganda poster issued in Czechoslovakia - We celebrate May 1, XI Anniversary liberated by the Soviet Army. May 5th All for the victory race 1956 / Slavime 1. Maj XI Vyroci osvobozeni Sovetskou Armadou. 5. Kvetna Všichni na beh vitezstvi 1956 - featuring an illustration of men and women running with Czechoslovak and Soviet flags in commemoration of the World War Two end, with blue and yellow bold lettering set over light blue background. Good condition, folds, creasing. Country of issue: Czechoslovakia, designer: PT, size (cm): 96x40, year of printing: 1956.
Original vintage Soviet propaganda poster - Reforge the peace - featuring a large metal forging press with the word 'peace' on it above a pile of scrap metal consisting of arms, tanks and weapons, the caption reads - For an end to the arms race that is dangerous for the world, for a transition to the reduction of accumulated stockpiles of weapons, to disarmament. Very good condition, minor creasing, light staining. Country of issue: Russia, designer: S. Rayev, size (cm): 106x67, year of printing: 1976.
Original vintage Soviet propaganda poster - Peace Program. We bring peace to all nations! - featuring an illustration of a plane marked with USSR / CCCP on its side flying from Kremlin set over light blue background with Roman numeral XXIV on it. The poster was created for 24th Congress of the Communist Party of the Soviet Union, the main international outcome of the congress was the “Peace Program” set out in the Report of L. I. Brezhnev and the resolution adopted on it, a system of measures aimed at radically improving the international situation and fundamentally restructuring relations between states. Good condition, creasing, small tears, staining. Country of issue: Russia, designer: B. Kondratyev, B. Briskin, size (cm): 89x58, year of printing: 1973.
Original vintage railway public safety poster - Tomorrow is cancelled Because of carelessness today - published by the railway Accident Prevention Service, bold black lettering in a thick black frame on white background. Good condition, fold, minor creasing, light staining, small tears. Country of issue: UK, designer: Unknown, size (cm): 46x30.5, year of printing: 1970s.
Original vintage advertising poster for Triumph Cycles - The magic word Triumph Standing with Safety. Riding with Comfort on a new low built cycle. Triumph Cycle Co Ltd Osborne Rd Coventry - featuring an illustration of a couple, a lady in a red jumper and a skirt and a gentleman in a brown suit, with traffic light and stylised illustration of a street. The Triumph Cycle Co. Ltd. was founded in 1884 manufacturing bicycles, based in Nottingham (and motorbikes from 1902). In 1956 Triumph bicycles became part of the Raleigh Bicycle Company. Printed by R.B. Macmillan Ltd., Colour Printers, Derby. Good condition, folds, staining, repaired tears, backed on linen. Country of issue: UK, designer: C. Smith, size (cm): 75x49, year of printing: 1930s.
Original vintage poster World War Two propaganda poster - Trap the Germs in Your Handkerchief - Cartoon illustration by Allan Carter features a couple watching a man on television who is about to sneeze, in the following frames they scramble to cover the TV with a giant handkerchief. In the final fram they stand proudly alongside the slogan - Coughs and Sneezes Spread Diseases. Printed for H.M Stationery Office by T B and Co. Very good condition, minor creasing, light browning, small tear on bottom right corner. Country of issue: UK, designer: Allan Carter, size (cm): 37x24, year of printing: 1940s.
Original vintage World War Two propaganda poster British Aeroplanes Guard African Skies - Design features a Spitfire plane flying over in the blue sky over the busy streets of an African village. Orange and white banners with bold lettering. Good condition, light fold, tears on edges, paper losses on edges, creasing. Country of issue: UK, designer: Unknown, size (cm): 51x38, year of printing: 1940s.
Original vintage two panel Tatekan movie poster for the James Bond film On Her Majesty's Secret Service Japanese release, directed by Peter Hunt and starring George Lazenby as 007 James Bond with Diana Rigg and Telly Savalas as Blofeld. Fantastic artwork incorporating the American artist Robert McGinnis's work showing James Bond in his trademark black tie suit (tuxedo) and a scantily dressed Diana Rigg holding up pistol guns and skiing in front of explosions with an army shooting from the ski slope below helicopters flying in front of the mountains, and explosions on the race track below, the tagline and title in the centre in red and green letters. Very good condition, light folds, minor creasing. Country of issue: Japan, designer: Robert McGinnis & Frank McCarthy, size (cm): Printed on two sheets: 73x51 and 74x51, year of printing: 1969.
Original vintage cinema poster for the French release of the James Bond movie The Man with the Golden Gun - L'Homme au Pistolet d'Or - starring Roger Moore as James Bond agent 007, Christopher Lee and Britt Ekland and directed by Guy Hamilton with the title song performed by Lulu and composed by John Barry. Great artwork depicting Roger Moore as James Bond holding a gun surrounded by images of film scenes, including women in bikinis, martial arts fighters, an explosion in a futuristic building and scenes along a river in an Asian village with a golden gun pointing at James bond in the foreground, being loaded with a bullet engraved with the number 007 on it. Excellent condition, light fold, minor creasing. Country of issue: France, designer: Robert E McGinnis, size (cm): 53x40, year of printing: 1974.
Original vintage cinema poster for the Japanese release of the 007 James Bond movie Moonraker starring Roger Moore, Lois Chiles (Holly Goodhead), Michael Lonsdale (Hugo Drax) and Richard Kiel (Jaws) - Outer space now belongs to 007 - directed by Lewis Gilbert. Great image featuring Roger Moore as 007 with Lois Chiles, Richard Kiel and three Bond girls scantily dressed in white floating in a spacecraft with Drax (the Bond villain played by Michael Lonsdale) standing on the bridge of the spaceship with more spaceships and astronauts outside in the starry sky in the background, red, orange and yellow Japanese text over the image. Artwork by Dan Goozee (b 1943). Very good condition, light folds, minor creasing, minor staining on left margin. Country of issue: Japan, designer: Daniel Goozee, size (cm): 73x51, year of printing: 1979.
Original vintage British Railways travel poster - Service To Industry Brickmaking - Artwork by Charles Cundall (1890-1971) features cargo trains delivering materials to brick-making factories as well as taking away the finished bricks for sale. The smoking chimneys can be seen lining the track long into the distance. Printed by John Waddington Ltd Leeds and London. Good condition, light folds, repaired tears, minor staining, small crease marks, backed on linen. Country of issue: UK, designer: Unknown, size (cm): 101x126, year of printing: 1950s.
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