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Dinky Toys A Pair Of racing Cars - (1) 133 Cunningham C5R - White body with blue racing No.31 stripes, tan interior with light figure driver, mid-blue rigid hubs and (2) 241 Lotus - Mid-green including detachable plastic engine cover, chrome spun hubs - with added (non original labels) - conditions are Good to Good Plus including yellow and red carded picture boxes (2)
Dinky Toys Unboxed Group of 4 - (1) Austin Atlantic Convertible - Light-blue, red interior, tonneau and ridged hubs; (2) Austin Devon Saloon - Maroon body and ridged hubs (small baseplate lettering); (3) Triumph TR2 Sports Car - Grey body, red interior with figure driver and harder-to-find chrome spun hubs;l (4) Vanguard Saloon - Fawn body and ridged hubs - Conditions are generally Fair-to-Good Plus, some bright example (4)
Corgi Toys Unboxed Group of 4 - (1) Triumph Herald Coupe - Two-Tone light-blue and white, spun hubs; (2) Austin A40 Saloon - Light-blue including roof (hard variation to find) - Does have some paint-touch-ins; (3) Jaguar Mark X - Light-blue, red interior, spun hubs and with small and large luggage cases; (4) Austin Healey Sports Car - Cream body, red seats, silver trim, spun hubs (does have some paint-touch-ins) - Conditions are Good-to-Excellent (4)
Royal Worcester dessert service, circa 1912, painted with fruit and blossom by Harry Martin, within an elaborated royal blue border, gadrooned outline, comprising six dessert plates, diameter 24cm., two serving dishes and a comport, the latter painted by Horace Price, some damage. (9) Condition report:Plates: Plums and strawberries - hairline travels through the well of the plate, evident to both surfaces, no ingrained, approx 8cm to the painted surface, 15cm to the underside. Very fine crazing throughout, some surface scratches. Pears and blackberries - some faint scratches across the fruit. No chips, restoration of hairlines. A small patch of grey paint (possibly) to the gilt rim could be difficult to remove without affecting the gilding underneath. Apples and damsons - No chips, hairlines or restoration. Some faint surface scratches and fine crazing throughout. Plums and blackberries - Quite a heavy scratch across the blackberries. A small patch of grey paint (possibly) to the gilt rim could be difficult to remove without affecting the gilding underneath. No chips, restoration or hairlines. Pears and damsons - there is a crack running around the circumference of the foot, and in places it travels through to the inner border on the painted surface. The painted surface is quite noticeably scratched and scuffed. Pears and grape-like fruit - no chips, hairlines, or restoration. Light surface scratching and fine crazing throughout.Dishes: Oval - good condition, no chips, hairlines, or restoration. Some surface scratching and crazing. Some of the gilt borders are slightly rubbed. Square form - good condition, no chips, hairlines, or restoration. Some surface scratching and crazing. Some of the gilt borders are slightly rubbed. The underside is very dirty but just on the surface.Short comport - the plate is broken clean off from the junction of the pedestal. No other damages other than some random surface scratches. Fine crazing to the underside of the plate and pedestal.
Three fat lava lamps with original shades, a pair in treacle and pale brown glaze with border of pierced holes, pair of handles to each side, 38cm, the shades 80cm, a similar smaller lamp without pierced holes, 26cm, shade 50cm.Qty: 3Condition report:One has a hairline crack to the base. One has wadding around the light fitting, suggesting that it doesn't fit properly. The shades are stained and tired-looking. We do not know if they can be used with a UK 3 pin plug. Please see additional uploaded images.
Staffordshire comport, attributed to F D Bradley, rose encrusted bowl supported by a cherub, 34cm; and a similar three light candelabra, 41cm.Condition report:Comport - small dark lines and hairline crack to rim chip to rim, chip to leaf at top of column, minor crazing to various areas, loss of gilding to various areasCandelabra - crazing to various areas, slightly uneven basePlease see additional uploaded images.
Follower of George Armfield,Two dogs ratting,indistinctly signed, oil on canvas,24x30cm.Condition report:There is a small patch repair towards the right hand margin, two thirds of the way up the work (see image with UV light spot shining on the area in question). The patch is evident to the back of the canvas. No other damages to the canvas as such but the canvas is a little slack. Cracquelure to the oil. Some random spots of surface dirt.
Iranian Hamadan carpet, concentric blue lozenges to the cream field, enclosed by blue borders, 390x266cm. Condition report:The pile is quite worn, some holes appearing, fading and light staining overall, perhaps some small repairs to the edges.Additional images have been uploaded to the lot page on our website for you to view.
An Australian Specimen Wood Rectangular Two Handled Tray with Metal Gallery, Reverse Inscribed 'This Tray is Made From Queensland Walnut, Light and Dark Maple, Silver Oak, Black Beam, Camphor, Yellow Wood, Blue Mangrove, Black Palm, Mahogany, Ebony, Silkie Oak and Several Other Kinds of Woods', 53x33cms
A Daum Nancy cameo and enamelled glass ‘dandelion’ vase, c.1900-10, gilt highlighted decorated with seeding dandelions and inscribed ‘Daum Nancy’ to the base, 11.5cm wide, 10cm high A little light rubbing to the gilding, including the mark, one tiny firing flaw to the top of one side but essentially good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Victorian teak campaign chest fitted two short and three long drawers, on turned feet, 99cm wide, 45cm deep, 101cm high Honest untouched condition, of a light gingerish tone, a little lighter to the front than elsewhere, numerous scuffs, dents and scratches commensurate with age, brass mounts all present, escutcheons differ with the top right one looking to be fitted with a Bramah lock but no keys present, drawers lined in oak.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Greek Corinthian terracotta skyphos, c.6th century BC. decorated in red, brown and black pigments with lions, 19.5cm wide over the handles, 12.75cm high Some fading to the pigments. Light rubbing marks otherwise very good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early 18th century walnut chest on stand with cushion frieze drawer over two short and three graduated long drawers, on stand with long drawer, arched apron and barley twist underframe, 101cm wide, 57cm deep, 169cm high Overall of a slightly faded mid to light brown walnut tone, one replaced section to the front veneered cornice, sides of the cornice are not veneered but made of solid wood, locks look original but no key present, handles are later replacements, stand almost certainly extensively rebuilt and in the main 19th century, a number of splits and cracks running down both sides where it appears to have been made from small sections of wood.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Emmanuel Villanis (French, 1858-1914). A late 19th century bronze figure 'Vocation' modelled as a seated classical woman holding a book of sheet music, signed in the bronze, 26cm wide, 77cm high Overall of a light chocolate brown patination, a little darker to the crevices, a little dusty but otherwise no real faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George II walnut and feather banded caddy top chest of two short and three graduated long drawers, on bracket feet, 96cm wide, 53cm deep, 98cm high Overall of a light mahogany tone, somewhat faded down, locks look original but no key present, handles look original, minor staining and scuffing commensurate with age, but overall a good looking piece.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 17th century and later Flemish carved oak panel with three arched sections carved with the three virtues, personified as women ‘Faith’, ‘Hope’ and ‘Prudence’, divided by stylised caryatids, 138cm wide, 56cm high Overall of a mid to light reddish oak tone, a little browner for the panels and pilasters, carving of the two central caryatid pilasters looks comparable to the panels but the outer figures have a simpler appearance, frame work probably later and certainly added to over the years, a long split running in the lower left section of the frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Manner of Gugliemo Pugi (1850-1915). An Italian Art Deco carved marble figure of a crouching bather kneeling and semi-draped, on naturalistic base with grey marble plinth, signed Pugi, 18cm wide, 22cm deep, 37cm high Some very light surface dirt marks otherwise good condition, tiny chipping around the edges of the plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After Pierre-Philippe Thomire (1751-1843). A pair of Regency French Empire five light candelabra with ornate scrolling branches and figural stems modelled as Diana and Actaeon standing upon spheres and foliate motif baluster bases with stepped square feet, 25cm wide, 64cm high Honest untouched condition, ormolu is now rather matted and oxidised in places with dust and dirt in the crevices, branches are slightly twisted out of alignment, the wax pan from once sconce is missing, otherwise look to be complete.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Attributed to Otto Thamm, for Fritz Heckert glassworks. An Art Nouveau (Jugendstil) iridescent glass and bronze mounted bowl, c.1900, 31cm wide, 17.5cm deep, 17.5cm high Metalwork evenly oxidised to a slightly dull light chocolate tone, otherwise very good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Art Nouveau electroplate shell mounted figural wall light, by Moritz Hacker, c.1900, the turbo shell shade with sinuous tendril, leaf and berry mount on a scrolled stem modelled the semi nude figure of a nymph, with asymmetric scrollwork back plate, stamped double headed eagle and MH mark, , 14cm wide, 32cm high Small split to join of stem, back plate shell in good order, metalware slightly oxidised, fitted with later wiring.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Albert-Ernest Carrier Belleuse (French, 1824-1887). A large bronze figure of "La Melodie" standing perched against a pedestal, holding a lyre, signed in the bronze, 49cm wide, 79cm high Overall with a dark chocolate to light brown patination showing a little lighter on raised areas, some slight verdigris and spotting at the top of the plinth but essentially good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Adrian Sorrell (1932-2001). A bronze model of a moorhen standing upon a rounded rectangular integral base, signed and numbered 3/7, Morris Singer foundry stamp, 24cm long, 15cm deep, 19cm high Overall of an even mid brown patination with some light green verdigris in the crevices, no faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Irish Roman Catholic Interest. A 19th Century Italian illumination presented by Pope Pius IX to Ireland's first Cardinal, Paul Cullen, Archbishop of Dublin, to commemorate the definition of the dogma of the Immaculate Conception of the Blessed Virgin Mary, inscribed "Pius IX Pont Mar / Conceptionem Immaculatum / Beatissimae Virginis Maria / Definivit die 8th Dec 1854 / Atque / Hiberniam Sanctorum Insulam / Marimo Illustravit Honore / Paulo Cullen Archiepiscopo / Dublinensi Cum Principibus Sacri / Colleaii Cadinalum collocato / die 25 Junii 1866", with central depiction of the Annunciation, bordered by ornate scrollwork and cartouches decorated with armorials and named saints, parchment overall 70 x 49cm, housed within an ornate Florentine carved giltwood frame, overall 80cm wide, 116cm high, Paul Cardinal Cullen (29 April 1803 – 24 October 1878) was Roman Catholic Archbishop of Dublin and previously of Armagh, and the first Irish cardinal. His Ultramontanism spearheaded the Romanisation of the Catholic Church in Ireland and ushered in the devotional revolution experienced in Ireland through the second half of the 19th century and much of the 20th century. A trained biblical theologian and scholar of ancient languages, Cullen crafted the formula for papal infallibility at the First Vatican Council.Cullen paid frequent visits to Rome. He took part in the definition of the dogma of the Immaculate Conception of the Blessed Virgin Mary in 1854 and with the 18th centenary of the martyrdom of Saints Peter and Paul in 1867, when he stayed at the Irish College.He attended all the sessions of Vatican I, taking an active part in its deliberations. Towards the close of the council, at the express wish of the Central Commission, he proposed a formula for the definition of papal infallibility. It was a matter of great delicacy, as promoters of the definition were split in various factions, some anxious to assign a wide range to the pope's decisions, and others would set forth in a somewhat indefinite way the papal prerogative.He was the most important Irish political figure in the 30 years between Daniel O'Connell and Charles Stuart Parnell. In political matters, Cullen made it a rule to support every measure, whatever its provenance, conducive to the interests of his vision for the Roman Catholic Church in Ireland. Desmond Bowen considers Cardinal Cullen "a cautious, suspicious, and usually shrewd product of the Roman school of diplomacy".Cullen also started the practice of Irish priests wearing Roman collars and being called "Father" (instead of "Mister") by their parishioners. Parchment showing undulation throughout but otherwise looks to be in good fresh order, some tiny white light mould marks showing most notable on the dark blue behind the Virgin but probably also elsewhere, these look to be light white mould on the surface of the work which is under glass, main Florentine frame has suffered much rubbing over the years with losses of the original gilding, the top Irish harp motif is held on with blu-tac, presumably there were other motifs at the lower corners which are now missing, arms at the bottom of the frame are inscribed with his motto Ponit Animam Pro Amicis.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George III mahogany triple brass banded octagonal cellarette with partially fitted interior, on stand with squared tapered legs, fitted brass castors, 48cm wide, 49cm deep, 72cm high Overall of a mid to light reddish brown tone, the top faded lighter, handles look original, original lock fitted with a working key, interior has some oak sectioning that are now loosely fitted in place as divisions, with the base lined in lead, a section of wood has been applied to the back to allow the lid to be raised without stressing the hinge, overall fair to good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A brass club fender with burgundy leather upholstered padded tops, 169cm wide, 61cm deep, 50cm high Probably made within the last 20 - 30 years, of good quality and in good condition, some small oxidisation marks and light rubbing to the frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of Coalbrookdale style cast iron garden benches with oak leaf pattern backs and dog's head arm terminals, teak slatted seats,152cm wide, 79cm deep, 96cm high Stripped and repainted with the past year or so, one bench showing oxidisation spots scattered here and there, the other more evenly covered, a little light lichen dirt, the one with more oxidisation has weathered teak slats that are all good and solid but one has not been fixed in the centre and there is a further bolt missing from the base of the central spine of the bench where it meets the iron work under the seat. Trace of a registration number in the casting, other bench with few oxidisation spots and a little more original colour to the teak slats.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A collection of ten 19th century Dutch and British pottery money boxes comprising a pale green glazed pig and barrel, a brown glazed rounded, cat and house and a marbled chest and dog in a basket, largest 12cm Treacle cat with old chips to tips of ears, firing crack to spine and something loose inside, 12.5cm.Taller red/brown glazed rounded example with small chip to glaze at the tip, 11cm.Squat rounded example with chips around the finial, slot and foot and a notable crack to the body, 9cm.Shoe in brown glaze good, with old collector's label inscribed 'Newton Popplefield, Devon, May 1962' suggesting where bought, Length 14cm.House with chip to tip of the eaves on the right side (not showing from the front), length 12.5cm.Green pig with old glued repairs to snout, scattered chips elsewhere, both ears chipped, length 15cm.Green barrel minor light fritting around the rims, 7cm.White pig with scattered chipping, label inscribed 'Portobello 1961' where purchased?, length 15cm.Spaniel in basket, old small flaws to the glaze, length 8.5cm.Chest firing crack top right corner, minor surface flaws, 7cm.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A collection ten 19th and 20th century novelty animal bronze and metal ink wells, including a Martin Brothers style ‘Wally’ inkwell - cold painted bronze cat's head inkwell, apparently unmarked, some rubbing to the paint, 11cm wide- painted spelter seated terrier inkwell with black hat and bandage to leg, some rubbing to the paint, 12cm high- bronze dog's head inkwell with glass inset eyes, patination rubbed down to the bare metal in place, otherwise good, 11cm wide- painted spelter Mastiff head inkwell with ceramic liner, light rubbing but essentially good, 7cm high- painted spelter crow pen brush, one leg broken away, rubbing to paint, 11cm high- painted spelter parrot inkwell, paint heavily rubbed, lacks well, 10cm high- part painted bronze dray horse head inkwell, some rubbing to the gilding and bronzed finish, oxidisation marks, lacks well, on black marble base with a small chips, 13cm high- Wally type bird painted spelter inkwell, some rubbing to paint, 9cm high- bronzed spelter terrapin inkwell with glass liner, one leg broken away and missing, 15cm- bronze running ostrich inkstand, oxidised and rubbed from polishing, the base with a lead coloured finish, overall somewhat oxidised but no real faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Art Nouveau electroplate shell mounted illuminated desk stand, by Moritz Hacker, c.1900, the asymmetric whiplash tendril stand modelled with the figure of a water nymph holding a water lily inkwell, a bulrush stem supporting a turbo shell light shade with sinuous tendril, leaf and berry mount, 37cm wide, 21cm high Very good untouched condition, shell remains good, metalwork slightly oxidised, later electric wiring fitted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A set of fourteen 17th century style oak dining chairs including a pair of carvers, with brass studded leather backs and seats on turned and squared underframes, carvers 59cm wide, 70cm deep, 115cm high These look to date to the mid to late 20th century, carvers look a little older and are of a much darker blackish tone with rubbed extremities and equally much dark olive brown leather, with six in light tan upholstery and six in olive brown upholstery. This looks to be a set of eight chairs including the carvers to which six slightly later additions have been added being those with the tan upholstery, overall in fair to good condition, one or two with a little wobble to the frames and light scuffing and wear to the leather which shows up more on the light tan than the dark.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Regency mahogany extending dining table, the rounded rectangular top with one spare leaf, on ring turned pillars with acanthus kneed downswept legs, fitted brass caps and castors, 147cm, leaf 61cm, 121cm wide, 72cm high Fair condition but has seen some wear over the years, the top is a faded light gingerish red tone, quite sun bleached to one side which also extends down to the bases, old wear and tear commensurate with age, leaf is a fairly even colour match, underframes fair but for the bleachingPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
19th Century Tokens, DORSET, Shaftesbury, Henderson & Co (Shaftesbury Bank), Shilling, arms without wreath, rev. value in wreath, edge plain, 3.61g/12h (D 19). Very light surface marks, otherwise extremely fine with brilliant fields and most attractive toning, very rare £240-£300 --- Provenance: Bt Dolphin Coins
Amlwch, Parys Mine Co, Halfpenny, 1791, uncertain manufacturer (early Boulton?), druid’s head left encircled by wreath with 18 acorns, rev. pm co cypher, single acorn with a stem as punctuation, edge payable in anglesey or london, 14.27g/6h (DH 393). Virtually as struck with fully brilliant surfaces, light peripheral toning, rare, the reverse of distinctive style £120-£150 --- The obverse die used to strike this piece was later utilised to create imitations (DH 394) and a series of mules by Lutwyche
17th Century Tokens, WARWICKSHIRE, Nuneaton, William Glascocke, Farthing, 1652, 0.68g/6h (N 5340; BW. 120). Some light surface corrosion, otherwise fine, black patina, scarce £50-£70 --- Provenance: With Seaby 1965; Hodgkin Collection, Bonhams Auction, 22 May 2002, lot 757 (part); M. Bridgewater Collection, Noonans Auction 272, 26 April 2023, lot 327

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