A pair of Chinese mother-of-pearl-inlaid tea bowls and covers and a saucerQing dynasty, 17th/18th centurySilver-mounted to bases and interiors, the bowls with simple designs of ladies in a garden, 12.3cm diam. each, the saucer also with silver rim, finely inlaid with a scholar and his attendants setting up a table under a pine tree, 12.2cm diam. (3).清 十七/十八 世紀 黑漆嵌螺鈿蓋碗一對及碗托一件Condition Report: 品相報告：All with expected surface wear and tiny losses to inlay. The bowls and covers with general denting and light bruising to metal lining. One cover and one bowl with more significant areas of cracking, the bowl with also a small lacquer loss to rim. The other bowl and cover also with a few fine cracks. The saucer with tiny dents and cracks to metal rim and a few fine cracks to well and base.
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A part-set of three Chinese famille rose 'floral' nesting cupsQing dynasty, Jiaqing seal marks and of the periodEach finely enamelled around the exterior with a multitude of flowers, including lotus, prunus and chrysanthemum, each respectively 8.3cm, 6.8cm and 6cm diameter (3).清嘉慶 粉彩繪花卉圖紋套盃，礬紅篆書「嘉慶年製」款Condition Report: 品相報告The largest cup with a fine bifurcated hairline running from rim to foot; some light surface wear and minor rubbing to enamels, otherwise generally good.
A Chinese three-colour cinnabar lacquer 'pomegranate' box and coverQing dynasty, Qianlong periodThe cover carved with a pair of ripe pomegranates with yellow skins and green leaves, the skin peeled back to show a multitude of red seeds, 12cm wide.Provenance: Acquired by captain André Le Gac (1895-1960) in China in the 1920s, thence by descent.清乾隆 剔彩‘多子多福’紋蓋盒來源：André Le Gac (1895-1960)上校於1920年代購於中國，後傳承至現藏家。Condition Report: 品相報告Some expected old wear, including a few scattered nibbles to edges, particularly to rim and mouth. Some light scratching to interior and base.
Three Tibetan bronze five-pronged vajras16th - 18th centuryEach heavily casted with prongs at each end, one vajra gilded with prongs emerging from the mouths of Makaras supported on a single-lotus pedestal, all with a central knot flanked by ribbed or beaded bands flanked by lotus friezes, 9cm, 10.5cm, 10.5cm. (3)西藏十六 - 十八世紀 金剛杵三件Condition Report: 品相報告gilded vajra: tiny areas with verdigris to the central knob and lotus friezes. Light scratches to one side of the end of one bolt. Wear to the gilding and corrosion to the metal commensurate with age. ribbed band vajra: casting fault, slight verdigris and corrosions to the metal, general surface wear commensurate withnage.the other vajra: slight casting flaws, wear to the surface commensurate with age.
A blue and white Annamese dish15th/16th centuryStanding on short straight foot rising to deep sides and unglazed rim, painted to the central roundel with a flower head among scrolling leaves enclosed by circular rings, the cavetto further painted with intersecting scrolls and flower heads, the exterior painted with stylized lotus petals, fine crackles in the glaze, base unglazed, 24.5cm diameter.安南十五/十六世紀 青花繪花卉圖紋盤Condition Report: 品相報告There is an area of restoration to the mouth rim visible under UV light, a hair line to the mouth rim of 1.5cm long. There a chip to the foot rim of 1.5cm across associated with a hair line of 2cm. Scratches and wear to the surface commensurate with age.
A Japanese verte-Imari lozenge shaped box and coverEdo/Meiji period, 19th centuryPainted in underglaze blue with a meander of trailing flowers, the prunus florettes picked out in iron-red and gilt, above green, iron -red, gilt and aubergine floral sprays, the cover decorated en-suite and with loop finial, the interior with a single enamelled flower to the centre and one to the underside of the cover, the base left unglazed, 16.5cm long.Condition Report: 品相報告Expected light old wear and minor firing imperfections; a couple of tiny shallow glaze nibbles to the edge of the mouth.
Two Japanese Imari dishes Edo and Meiji periods, early and late 19th centuryThe first, Edo period, with a central basket of flowers and floral panels to the well, 32cm diameter; the second, Meiji period, with a central peony medallion and flowering branches of prunus to the well, a few flowers moulded in relief, 22cm diameter (2).Condition Report: 品相報告Both with expected surface wear and light firing imperfections. The large dish with chip to exterior of foot, approx. 15mm wide.
A Japanese Kangxi-style blue and white 'fishes' dishMeiji/Taisho period, early 20th centuryDecorated to the central reserve with five fish on a fish roe ground inside a chrysanthemum border, apocryphal Kangxi four character mark to base, 30cm diameter.Condition Report: One shallow chip to underside of rim. Fritting to glaze around rim. Light surface wear
A Chinese bronze 'trigrams' foliate mirrorYuan dynastyCast with chrysanthemums around a foliate centre and trigrams in each of the petals, 16.5cm diameter.Provenance: Acquired by captain André Le Gac (1895-1960) in China in the 1920s, thence by descent.元 銅八卦紋鏡來源：André Le Gac (1895-1960)上校於1920年代購於中國，後傳承至現藏家。Condition Report: Some areas of rough casting, some light surface wear, a couple of tiny dents to edges, otherwise generally good.
Five Japanese Imari tea cups and six matching saucers from a setEdo Period, 18th/19th centuryEach enamelled and gilt in typical colours with floral designs, the cups each 5.5cm diameter and the saucers each 9.7 diameter (11).Condition Report: 品相報告：one cup with approx. 3mm wide rim nibble. One saucer with short rim hairline, approx. 15mm. Two saucers with strong crazing to glaze which doesn't go through the body. All with some pitting iron spots and firing imperfections, and some light scratching and rubbing to enamels and gilt.
Three Japanese Imari vases20th centuryThe pair painted with panels of birds perched amongst branches, flowerheads and flowering plum blossom, the vase and cover decorated with phoenixes in flight and floral blooms, 30.5-41cm high (3).Condition Report: 品相報告The pair of vases with surface wear and crazing to the bases, with wear to enamels throughout. The cover with a hairline crack and wear to the top of the finial. Some light wear to the underside of the footrim.
Three Japanese Satsuma vesselsMeiji periodComprising: a barrel-shaped koro with cockerel finial and tripod 'boys' legs, 19cm high; and a pair of square bottles, each side decorated with a single figure, with chrysanthemum shaped lids, 16cm high (3).Condition Report: 品相報告All with expected surface wear with some light scratching and a few areas of rubbing/flaking of enamels and gilt. Nibbling to edges. One bottle with shallow surface flake to exterior of mouth rim. Some restoration and overpainting to the face, tail and base of the cockerel finial. One of the legs of the koro has broken off in half and has been restuck.
A Japanese silver 'dragon' bowl Meiji periodJungin (pure silver) mark to base, of lobed form, the exterior chased with a sinuous three-clawed dragon above a detached circular foot, wood stand, 15cm wide.Condition Report: 品相報告At least two large dents to side, a few smaller ones, foot detached with some light denting, slight burnishing to surface. Weight: 241g.
A Japanese Komai-style maki-e damascene iron hexagonal box and hinged coverMeiji periodThe black iron overlaid in gold with a central roundel of a temple to the hinged cover, on a dense ground of vine leaves, the sides with further vine leaves, the interior with incised mandarin ducks, the base with incised birds on prunus and a 'fuku' (福) mark within a fan-shaped medallion, 4.5cm wide.Condition Report: Hinge is a bit hard. Light surface wear, including some surface scratching to base and interior, some light discolouration to interior.. Two characters deeply scratched to the interior of the cover. Weight: 70g.
Three Japanese cloisonné-enamel 'kacho-ga' platesMeiji periodComprising: a pair of red-ground plates with quails, snails and chrysanthemums, the reverses with turquoise whorl designs, 30.8cm diameters; and a larger turquoise-ground plate with quails and various flowers, the reverse also turquoise with whorls, 36cm diameter (3).Condition Report: 品相報告The turquoise plate with approx. 6cm dent to side of the edge, with some associated enamel losses and cracking to the exterior. all with expected surface wear, including some scratching and some tiny scattered shallow enamel chips. One of the red dishes also gently dented to the side, with several associated fine cracks in the enamel radiating from the rim, but visible only under certain light; the other with at least one such crack, around the well. All three with shallow surface chips to the reverse.
A fine Japanese lacquer box and coverEdo periodof shaped circular form, the cover decorated in gold takamaki-e with two figures in a landscape catching fireflies, decorated to the underside of the cover with the cage containing fireflies on a tall stand as a source of illumination for reading, with inscribed open book on a table, shunzan mark, 10cm diameter.Condition Report: Generally in very good condition. There is some light surface wear in places, a small scracth/ scuff to the mountain on the cover, and a few small shallow chips to the lacquer around the rim of the base.
Three Japanese lacquer photograph albumsMeiji era, late 19th centuryComprising: a lacquer photograph album with 24 colour-printed photographs of views of Nikko, Tokyo, Yokohama, Kyoto, Hakone and scenes of everyday life, circa 1880, each photograph 14cm x 21.5cm, in red lacquer cover with bone inlay, 27 x 22.2cm; a lacquer photograph album containing a collection of 24 colour-printed photographs by Kusabe Kimbei (1841- 1934) including views of Kobe, Nikko, Tokyo and Yokohama, including the Western quarter, and photographs of palanquin bearers, rickshaw drivers and scenes of everyday life, circa 1890, stamped on the inside of the front cover 'K. Kimbei, Photographer, Hocho-Dori, Yokohama', each photograph 20cm x 26.5cm, in red lacquer covers decorated with cherry blossoms, 36 x 27.3cm; and a small lacquer concertina album with 50 coloured photographs of bijins and daily life, each photograph 9cm x 18.5cm, in black and gilt lacquer cover with bone and mother-of-pearl inlay, 12cm x 19cm (3).Condition Report: 品相報告：(in order of catalogue description)1. Medium with inlay: The lacquer cover cracked at the top left corner edge of the front, with three losses to inlay, some scratching, nibbling to edges and a couple of surface chips. The photographs in reasonably good condition but with some expected fading, a few with marks and scuffs and one with an approx. 20mm wide patch where the patina has been raised and some nibbling to the edge; the pages slightly warped, with some expected brownish discolouration the edges, some expected foxing and some creasing to the protecting tissue paper in between the leaves, loss to the first leaf of tissue paper.2. Large album: some wear and cracking to the leather spine, which is also slightly loose. General surface wear to lacquer cover with some scratching, marks and scuffs, particularly to the reverse, and nibbling to edges. Some warping and foxing to pages, and creasing and foxing to protective tissue paper. Some of the photographs also with light foxing.3. small with inlay: marks and scuffs to cover and some warping and discolouration to pages; photographs in generally good condition apart from a few scattered marks of pigment.
A fine Chinese blue and white 'crane, deer and pine tree' rouleau vaseQing dynasty, Kangxi periodThe gently tapering, cylindrical, body rising from a short straight foot to a rounded shoulder, slender neck and flared mouth, finely painted to the exterior in bold washes of cobalt with a crane and a deer in lake-side a pine grove strewn with craggy rocks, the rising sun emerging from billowing clouds, 26cm high.Provenance: Gardiner Houlgate, Bath, 28 March 2011A Private Collection of Export Porcelain.清康熙 青花繪鶴鹿同春圖紋棒槌瓶來源：Gardiner Houlgate, 巴斯，2011年3月28日。前外銷瓷器私人收藏。The decoration on the present lot is ripe with auspicious symbols. The crane and the pine trees are both symbols of longevity, which are reinforced when depicted together, particularly in the case of flying cranes and growing pines.The deer is a further symbol of longevity, as it was thought to be the only animal who could find the herbs of immortality and is often a companion of Shoulao, the god of Longevity; however, it is also a pun for 'official salary', as the two words are homophone in Chinese, making it also a symbol of wealth and status.Condition Report: 品相報告Some expected very minor firing imperfections include a couple of pits and iron spots. A sympathetically restored foot chip which has been reattached. Some expected light scratching and surface wear. A very tiny glaze nibble to the edge of the mouth rim.
Two Chinese ruby-back 'floral' dishesQing dynasty, Yongzheng periodEach delicately enamelled to the interior with a pair of butterflies alighting over peonies and magnolias, 14cm and 12cm diameter respectively (2).清雍正 胭脂紅地粉彩繪花蝶圖紋盤兩件Condition Report: 品相報告The small dish with a very shallow tiny flake to the interior of the foot (approx. 2mm wide). Some very light surface wear and a few tiny pits in the glaze.
The Robert G. Vater CollectionA Chinese copper-red glazed baluster vase, meipingQing dynasty, 18th centuryRising from a narrow, straight footrim to a slender lower body and globular shoulder, with slender neck and gently flared mouth, the exterior covered overall in a rich, sang-de-boeuf glaze, the interior and base left white, the base with incised collector's mark, 25cm high.清十八/十九世紀 紅釉梅瓶Condition Report: 品相報告A few shallow nibbles to rim with approx. 15mm long associated hairline. Minor firing imperfections including an approx. 3mm diam. iron spot to shoulder, a few scattered pits, some light discolouration to base. Light scratching and expected surface wear.
A small Chinese blue and white 'bats and peaches' dishQing dynasty, Qianlong seal mark and of the periodPainted to the interior with three ripe peaches surrounded by five stylised bats with pomegranate-shaped bodies, the rim with a cloud collar, the exterior with the Ba Anxian, the base with six-character seal mark in a bright cobalt blue, 7.7cm diameter.清乾隆 青花繪福壽圖紋碟，青花篆書「大清乾隆年製」款Condition Report: 品相報告A small glaze flaw to the centre (approx. 2mm wide, and a shallow pit near a bat, and some very light surface wear to the centre visible only under UV.
A large Chinese famille rose 'dragons and lingzhi' vaseQing dynasty, Guangxu periodFinely painted with a band of lotus and chrysanthemum blooms inside ruyi-shaped borders on a yellow ground beneath the rim, the body painted with four dragons in yellow, blue, white, and puce, on a lime green ground scattered with peony and lotus blooms and iron-red lingzhi sprigs, flat, unglazed base, 32cm high.清光緒 黃地粉彩繪靈芝龍紋瓶Condition Report: 品相報告Generally in good condition. Some areas of minor flaking to the enamels, and some light scuffing to the enamels in places.
An associated pair of Chinese doucai 'lotus and chrysanthemum' jarsQing dynasty, Qianlong seal marks and of the periodEach jar finely painted in underglaze blue and enamelled in iron-red, yellow and green enamels with roundels of chrysanthemum flower heads, interspersed with leafy lotus meanders, the blue outlines carefully filled out, all between underglaze blue ruyi borders at the shoulder and rim, the six-character seal mark in underglaze blue to the base, each 11.5cm high (2).清乾隆 鬪彩番蓮團菊紋罐兩隻，青花篆書「大清乾隆年製」款As often the case with doucai-enamelled Imperial porcelain of the 18th century, the design of the present lot is inspired by a Chenghua prototype, such as the jar with butterflies and chrysanthemum roundels in the Qing Court Collection, illustrated in Porcelains in Polychrome and Contrasting Colours, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1999, pl. 166. No exact prototype can be found for this design, but the pattern is known in bowls, an example of which was excavated from the waste heaps of the Ming imperial kilns at Jingdezhen and included in the exhibition A Legacy of Chenghua, The Tsui Museum of Art, Hong Kong, 1993, cat. no. C119. A pair of jars of the same design, but with their lids, was sold at Sotheby's London, 3 November 2021, lot 143; another pair at Christies Hong Kong, 27 November 2013, lot 3209. A pair of jars of this design is in the Tianjin Art Museum, included in the exhibition Chinese Treasures of 5000 Years, Japan, 1985, Catalogue, no. 46; another pair was included in the exhibition Min Shin no Bijutsu (The Art of Ming and Qing), Osaka City Museum of Fine Arts, 1980, Catalogue, p. 43, no. 1-192. Condition Report: 品相報告The first with a few 2mm pit to rim and a very fine horizontal short hairline to shoulder (approx. 15mm long); there is also a small star-shaped glaze line to the interior of the shoulder, which is hardly visible at the naked eye and can only be seen under UV, and which does not appear to go through the body as it is not visible to the exterior. Some pitting to the interior of the base.The other jar with a very fine rim hairline (approx. 30mm), and a short firing crack to the interior of the shoulder.Both with some black residue around the foot, and with a few scattered light scratches consistent with age. Please refer to condition report images for further details.
A group of four Chinese hair ornamentsLate Qing dynasty-Republic period, early-mid 20th centuryComprising a pair of silver-gilt filigree 'orchid' hairpins, 14.cm long, a Chinese opera kingfisher feather, glass paste, and faux-pearls 'phoenix' hair ornament en-tremblant, 23cm long, and a kingfisher feather and red paste 'goose and flowers' hairpin, 14.5cm long (4).晚清民國、二十世紀中早期 髮飾一組四件Condition Report: 品相報告Some light denting to the pins of the orchid hairpins.Phoenix: small losses of feathers, some denting to the lower end of the phoenix's neck.Goose: a few areas of small losses to feathers, the largest 6mm long.
A Chinese jadeite-inset silver-gilt filigree braceletLate Qing dynasty/Republic periodDelicately worked with a meander of leafy chrysanthemums encircling four oval apple-green jadeite cabochons, 6cm wide (internal diameter).Provenance: Acquired by captain André Le Gac (1895-1960) in China in the 1920s, thence by descent.清晚期/民國 銀鎏金嵌翡翠手鐲來源：André Le Gac (1895-1960)上校於1920年代購於中國，後傳承至現藏家。Condition Report: 品相報告Some expected old wear to the gilt and some light denting. A few small losses to the floral décor. The inset stones with some natural inclusions and cracking. JADEITE UNTESTED.
A Chinese embroidered silk purple-ground 'nine dragon' robe, jifuLate Qing dynasty/Republic period, early 20th centuryThe purple silk embroidered in silver and gold-wrapped thread with nine dragons among clouds above a tall lishui band at the hem, 140cm long.晚清/民國 紫地金線繡龍紋吉服Condition Report: 品相報告Extensive wear to the silver and gold thread; some general creasing and fraying to edges; wear to lining; scattered areas of pulled threads; some light discolouration/fading and a few areas of loose stitching.
A Chinese silk embroidered turquoise jacketRepublic periodWith wide sleeves and side fastening, decorated with a design of chrysanthemums, 60cm high from collar to hem.二十世紀早期 彩绣花卉纹短袄Condition Report: 品項報告Some fading and soiling to the lining and collar; a couple of small scattered stains, some light creasing, buttons at collar missing.
Four Chinese silk circular fans, a paper fan, a lacquer fan, and two fan framesQing dynasty, 19th century,To include a pair of circular fans embroidered with a peacock perched on a rocky outcrop beneath a pine tree, 27cm diameter (7).清十九世紀 扇子及扇骨一組Condition Report: 品相報告Expected old wear and damage to lacquer frames - two of the circular fans missing the handle, the third circular fan with embroidery with handle re-attached, all with a few shallow chips and nicks. Two frames missing the actual fan to the inside. The shaped lacquer fan with a few shallow chips and fine cracks, the handle slightly detached. The four circular fans all with some faint discolouration and light water staining, some foxing and two with a few scattered tiny tears. The painted silk ones with an internal tear visible in translucency. Some chipping and damage to the lacquer frames. The bone faced fan with many faces missing and general expected tearing and discolouration to paper.
A Chinese carved fruit pit ‘Wu shuang pu’ rosary bead necklaceLate Qing dynastyComprised of forty-eight alternating beads carved naturalistically, with carving of figures with names from the Wu shuang pu, and with floral sprays, 2-1.5cm.清晚期 核雕'無雙譜'項鏈Condition Report: 品相報告Generally good, some light wear as is expected, and some very tiny losses.
A small Chinese blue and white 'phoenix' baluster vaseLate Ming dynasty, 17th centuryBoldly painted on the baluster body with two phoenix in flight amidst wispy clouds, the shoulder and neck with decorative bands beneath the blue-washed rim, 14cm high.Provenance: Grahame Clarke Porcelain, no. 170 (collector's label).明晚期十七世紀 青花繪鳳紋棒槌瓶來源：Grahame Clarke Porcelain, 170號。（標籤）Condition Report: 品相報告Expected light surface wear and firing imperfections consistent with type, including iron spots, pitting and some grit in the glaze.
A Chinese Jizhou-type paper-cut 'phoenix and prunus' tea bowl20th centuryThe interior resist-decorated with three stylised phoenixes encircling a prunus flowerhead to the centre, all against a streaked bluish-white glaze, the exterior with phosphatic-splashed tortoiseshell glaze, the base unglazed, 16.2cm diameter.二十世紀 仿吉州窯剪紙貼花鳳梅紋盌Condition Report: 品相報告Glazed indentation to rim, a nibble to foot and some small firing imperfections. Some light surface wear.
A Chinese Jizhou-type paper-cut 'cockerels' tea bowl20th centuryThe interior covered in a phosphatic-type bluish/white glaze on a black ground and resist-decorated with three cockerels to the well, the exterior with similar splashes on the black glaze stopping short of the orange foot, 16.5cm diameter. 二十世紀 仿吉州窯剪紙貼花錦雞紋盌Condition Report: 品相報告Light surface wear and firing imperfections otherwise generally good.
A Chinese Henan russet-splashed black-glazed tea bowl20th centuryCovered overall in a black glaze with five russet splashes to the interior, the exterior stopping short of the foot to reveal a buff-coloured clay, 19cm diameter.二十世紀 黑地灑醬釉茶盞Condition Report: 品相報告Some light crazing to glaze and three spots of exposed grit to the centre; some scratching and expected surface wear consistent with age; a few tiny nibbles to the edge of the foot.
A Chinese qingbai moulded 'lotus' bowlSouthern Song dynastyMoulded to the interior with a band of trailing lotus flowers and leaves and covered overall in a finely crackled, glassy pale blue glaze stopping short of the foot, the scalloped rim left unglazed, 17.5cm diameter.南宋 青白模印蓮紋盌Condition Report: Minute nibbling to edges, a few pits, iron spots and other expected mild firing imperfections. Light surface wear, otherwise good.
A Chinese Jian ware 'hares' fur' tea bowlSouthern Song dynastyCovered overall with a blackish-brown glaze finely streaked with russet, pooling in an irregular line above the foot to expose the brown body, 11cm diameter.南宋 金繕兔毫建盞Condition Report: 品相報告three small patches of kintsugi repair on the rim, an old surface flake to the base, light surface wear, expected firing imperfections and a clay indentation above the foot.
A Chinese Henan black and russet-glazed conical bowlSong dynastyRising from a short, straight foot to very gently rounded sides and flared rim, the interior covered in a lustrous black glaze streaked with russet slightly thinning at the rim, the exterior and base glazed russet, the foot left unglazed to reveal the buff-coloured body, 12.5cm diameter.宋 河南黑釉褐斑茶盞Condition Report: 品相報告Tiny nibble to exterior edge of rim and to foot. General expected light firing imperfections and some surface wear consistent with type.
HC Toys - A boxed vintage Hong Kong made battery operated Talking Robot with missile shooting action. The Robot appears in Excellent condition with only light tarnishing to the chrome parts. The battery compartment is clean and there are 2 x missiles with it. The box lid is Poor with a corner missing and tape repairs. (This does not constitute a guarantee)
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534297 Los(e)/Seite