Brad Widness (American, 20th/21st c). Mixed media work titled "Chair - Form and Space," 2003. Signed, dated, and titled along the verso.Brad Widness was born in Sioux Falls, South Dakota, and taught drawing, printmaking, watercolor, design, and digital media at Minnesota State University, Mankato, as well as January interim courses at Gustavus in Bookmaking, and a Bookmaking workshop at the Minnesota Center for Book Arts in Minneapolis. Brad’s work has been selected for many juried regional and national exhibitions, and his work is included in numerous printmaking portfolios and traveling exhibits around the country. Highlights from the last ten years include participating in an invitational exhibition at the MAPC Conference in Minneapolis, receiving a McKnight Fellowship, and having work selected from an open portfolio review for exhibit at the Highpoint Center for Printmaking.Height: 24 in x width: 26 in x depth: 2 in.Condition: The colors are bold and bright and the surface is stable. There are no losses, breaks, or repairs. Light wear along the edges.
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Platinum and diamond tennis necklace. Set with 136 round brilliant cut diamonds, graduating in size, of G to H color, SI1-I1 clarity, 14.72 carat total weight. Each diamond set in a platinum four prong setting. With a box clasp and double safety latch. Marked Sheffield & Sons PT950 D14.72 at the clasp. With AIGL appraisal.Length: 17 3/4 in. Gross weight: 46.3 g.Condition: Very light wear.
14k white gold diamond tennis bracelet. Set with 42 round brilliant diamonds, G-H color, SI1-I1 clarity, 9.98 carat total weight. Each stone set in a four prong setting. With box clasp and folding safety clasp. Marked 14k at the clasp. With GGA appraisal.Length: 7 in. Gross weight: 16.6 g.Condition: Very light wear.
Elgin National Watch Company, United States. BW Raymond pocket watch in 14k gold hunter case with machined case and script letter N. White dial marked Elgin with Arabic numerals. Sub-seconds with Arabic numerals. Serial number 15832693. Front case inside marked, "4895358." Back case inside marked, "Keystone 14k 4895358." Inner case marked "M. Newman Aug. 1 1914." Inner case inside marked "Keystone 14k 4895358."Diameter: 48.23 mm. Gross weight: 76.2 g.Condition: Runs, not tested for time. Accretions to the dial, light wear to the case.
Ron Janowich (American, b. 1948). Monotype on paper print depicting an abstract, brown, ovoid shape, 1991. Pencil signed and numbered 28/30 along the lower right.Sight; height: 30 in x width: 22 in. Framed; height: 32 1/2 in x width: 25 1/4 in x depth: 1 1/2 in.Condition: There are no visible tears, creases, losses, or restorations. Slight undulation to the sheet. Floated in frame on a nonacidic mat. Framed under glass; light wear to the frame. Not inspected out frame.
Joaquim Tenreiro (Brazilian, 1906-1992). Mixed media artwork titled "Circulos" comprised of hundreds of nails affixed in a grid-like pattern to cork, creating circles which appear throughout the matrix, 1965. Signed, titled, and dated along the verso. With a label from Bienal de San Pablo affixed to the verso.Exhibition: Bienal de San Pablo, 1965.Sight; height: 47 in x width: 47 in. Framed; height: 48 1/2 in x width: 48 1/2 in x depth: 2 in.Condition: Due to the nature of the material, it is diffucult to discern whether there are any minor losses or damage to the work. Light wear to the frame. Not inspected out of frame.
Damien Hirst (English, b. 1965). Screenprint on paper titled "Silver Pharmacy Wallpaper" depicting a plethora of pharmaceuticals on a metallic silver background, 2004.Sight; height: 18 in x width: 21 in. Framed; height: 21 in x width: 24 in x depth: 1 in.Condition: The colors are bold and bright. The work is floated in frame on a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Jose Lerma (Spanish/Puerto Rican, b. 1971). Pastel on paper drawing titled "St. Just in Red" depicting a portrait of a man with flowing hair, 2014. Signed and dated along the lower right.Sight; height: 14 in x width: 11 in. Framed; height: 17 1/4 in x width: 14 1/4 in x depth: 1 3/4 in.Condition: The colors are bold and bright. There are no visible tears, creases, or losses. Light undulation to the sheet. The work is floated on a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Lorenzo E. Ghilglieri (American, 1931-2020). Cold painted and patinated cast bronze sculpture titled "Flying Colors" depicting a soaring eagle clutching the flag of the United States of America, 2001. Incised signature and year along the lower left of the flag. Titled and further signed along a plaque affixed to the wooden base of the sculpture.Height: 23 1/4 in x width: 17 1/2 in x depth: 13 1/2 in. Weight: 23 lbs 3 oz.Condition: There are no visible bends, breaks, losses, or restorations to the sculpture or the pigment. Light patination to the bronze eagle figure, possibly original to the artistic process. Dust and debris gathered along the recessed areas.
14k yellow gold floral form brooch set with nine oval cabochon jelly opals. The setting formed by delicate twisted rope details. With a hidden bale and locking safety clasp closure. Marked 14k along the reverse.Length: 39.63 mm x width: 33.65 mm x depth: 12.40 mm. Gross weight: 11.1 g.Condition: Very light wear, clasps working well, stones firmly set.
14k white gold tear drop form pendant set with 19 round brilliant cut diamonds.In the center of the tear drop, three round brilliant cut diamonds are suspending. The diamonds totaling 0.90 ctw. The pendant unmarked, tested 14k. With a 14k white gold box chain with lobster clasp closure. Marked 14k along the clasp.(Pendant) Length: 25.35 mm x width: 16.18 mm x depth: 3.52 mm. (Chain) Length: 18 in. Gross weight: 7.1 g.Condition: Light wear. The clasp functioning well and the stones seem secure in their settings.
Early concert poster for Led Zeppelin's first U.S. tour and first appearance in San Francisco at the Fillmore West. The concert dates were January 9, 10, and 11, 1969. Along with Taj Mahal, Led Zeppelin acted as openers for Country Joe & The Fish. The poster is known as BG-155 in the Fillmore series.It was designed by Randy Tuten who said of the poster “This was the first show for Led Zeppelin in SF Bay Area. I used a classic car just for the fun of it, but also because Led Zeppelin was kind of the new Cadillac of rock & roll, to use a metaphor.†Recordings from the concerts were later assembled on the live album “Live! Fillmore West 1969."Sight; height: 21 in x width: 13 3/4 in. Framed; height: 27 3/4 in x width: 20 1/4 in x depth: 3/4 in.Condition: The colors are bold and bright. The sheet is lightly toned. No visible tears, creases, losses, or restorations. There is a network of light green accretions along the right edge. Housed under a nonacidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Group of three 14k yellow gold bangles including:14k yellow gold bangle bracelet, of simple design. Marked along the interior Lebanon, 14k, and MZS.14k yellow gold hinged bangle bracelet with alternating textured chevrons, with box clasp. Marked 14k with rising sun for at the clasp button.14k yellow gold twisted rope bangle. Unmarked, tested 14k.Inner diameter ranges from 2 1/4 in to 2 1/2 in. Gross weight: 11.3 dwt.Condition: Clasp on hinged bangle a little loose, wear and light scratching to all bangles, dents and cracks to the rope bangle which is also out of round.
Theo Tobiasse (Tobias Eidesas) (French, 1927-2012). Lithograph on paper titled "The Great Parade" depicting a group of colorfully dressed people walking down a street, one riding a horse. Pencil signed along the lower right; numbered 56/175 along the lower left.Sight; height: 21 in x width: 27 in. Framed; height: 31 1/2 in x width: 37 in x depth: 1 1/4 in.Condition: The colors are bold and bright.. There are no visible tears, creases, losses, or restorations. The sheet is slightly toned. Housed under a non-acidic mat. Framed under glass. Light wear to the frame.
Charles Robert Perrin (American, 1915-1999). Group of three watercolor on paper paintings depicting winter skiing. Two titled "Squaw Valley Olympics" and dated 1960.Height ranges from 11 1/4 in to 29 3/4; width ranges from 11 1/4 to 29 3/4 in.Condition: The colors are bold and bright. There are no creases, tears, losses, or restorations. Light wear along the extreme edges. Tape affixed to the verso along the edges. The work is not framed.
Ed Dwight (American, b. 1933). Bronze sculpture with pigment titled "Satchmo" depicting the titular, iconic jazz musician playing the trumpet, ca. 1979. From Dwight's series "Jazz: An American Art Form." Incised signature and numbered 6/85 along the left leg of the piano bench. The sculpture is affixed to a marble base.(With base) height: 23 1/2 in x width: 9 in x depth: 21 in. Weight: 39 lbs 13 oz.Condition: There are no major bends, breaks, losses, or restorations. There is light patination along the lower third of the bust, possibly original to the artistic process. Dust and debris gathered in the recessed areas. Affixed to a marble base.
Cameron Booth (American, 1892-1980). Oil on canvas painting titled "Abstraction (Violet, Orange, & Blue Dark Configuration)" depicting vibrant abstract forms against a white ground, 1969. Initialed and dated along the lower right; further signed, dated, and titled along the verso.Provenance: Purchased from the artist by Rev. Richard L. Hillstrom, December 3, 1978; Collection of Frank J. Indihar, M.D.; Private Minnesota Collection.Unframed; height: 30 in x width: 36 in. Framed; height: 31 in x width: 37 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no visible losses or restorations when viewed under UV light. Light wear to the frame.
Cameron Booth (American, 1892-1980). Acrylic on Upson board mounted to Masonite painting titled "Nocturne" depicting a composition of shades of gray met with vibrant blue, orange, and red, 1961. Initialed and dated along the lower right.Provenance: Kramer Galleries, St. Paul; purchased from former in 1961 by Rev. Richard L. Hillstrom; Collection of Frank J. Indihar, M.D.; Private Minnesota Collection.Unframed; height: 24 in x width: 48 in. Framed; height: 27 1/4 in x width: 51 in x depth: 2 1/2 in.Condition: The colors are bold and deep and the surface is stable. Very light wear along the extreme edges. Light wear to the frame.
A group of five yellow sapphires. Four smaller square cut yellow sapphires, 0.35 ctw. One larger square cut yellow sapphire, 0.30 ct.Length ranges from 1.99 mm to 3.56 mm; width ranges from 1.95 mm to 3.51 mm; depth ranges from 1.41 mm to 2.45 mm. Gross weight: 0.65 ct.Condition: Light wear to the stones surfaces.
After Jean-Michel Basquiat (American, 1960-1988). Lithograph on paper titled "Beat Bop" depicting a composition with Basquiat's signature crown above a series of doodles and words, 2010. This is a reissue of the album cover Basquiat designed for K-Rob and Rammellzee.Sight; height: 12 1/4 in x width: 12 1/4 in. Framed; height: 16 1/4 in x width: 16 1/4 in x depth: 1 in.Condition: No visible tears, creases, or losses. There is light wear visible along the edges and corners of the album. Housed between two panes of glass. Light wear to the frame. Not inspected out of frame.
14k yellow gold ring or pendant set with carved steatite scarab. The scarab realistic rendered and detailed. The underside carved with hieroglyphics. In a modern swivel setting, reminiscent of ancient settings, unmarked, tested 14kRing size: 4 US. Gross weight: 4.7 g.Condition: Accretions to the scarab, particularly the underside. Light wear to the setting.
Yellow gold pendant set with central round brilliant cut diamond of approximately 1.10 carat (6.41 x 4.10 mm); H color; VS2 clarity. Set in a vertical bar style with partial bezel. Marked 14k along the reverse of the pendant. Chain for photography purposes only, not included with lot.Pendant; length: 16.8 mm x width: 6.40 mm. Weight: 1.80 g.Condition: The pendant shows no cracks or losses, and there is no visible signs of restoration under UV light. The pendant has no visible dents, and shows that the jewel is kept intact. The diamond measures 6.45-6.44 mm x 4.10 mm; approx. 1.10 carats; H coloration; VS2 clarity.
Oscar Friedman platinum Burmese ruby and diamond ring. Set with central oval cut Burmese ruby of 1.13 ct. Surrounded by a halo of diamonds, with diamond set shoulders and diamond band. Total of 26 round brilliant cut diamonds, F-G color, VS2-SI1, 0.82 ctw. Marked along the interior shank Oscar Friedman PT950 RU1.13ct D0.82ct. With GIA ruby origin report and AIGL appraisal.Ring size: 7 US. Gross weight: 7.4 g.Condition: Very light wear.
18k white and yellow gold diamond ring with a cushion shaped light yellow diamond surrounded by 67 small diamonds. The center yellow diamond 0.66 ct, approximately VS2 clarity. Of the 67 small side diamonds, 51 approximately H color, VS2 clarity, and 16 light yellow in color and approximately VS2 clarity. Marked 18k and laser engraved CTR 0.66 ct.Ring size: 6 US. Gross weight: 4.8 g.Condition: Missing one diamond at the split shank.
14k white gold diamond trefoil earrings. Each earring comprised of a group of three brilliant cut diamonds set in a trefoil design. With threaded posts for screw backs. Approx. 0.60 ctw, approx. H color, I2-I3 clarity.Length, including post: 15.17 mm x width: 7.12 mm. Gross weight: 1.3 g.Condition: Without backs, very light wear.
Linda Nelson Stocks (American, 1938-2011). Oil on canvas folk art painting depicting an idyllic countryside filled with animals, figures, and whimsical events, 1984. Signed and dated along the lower right.Sight; height: 19 1/2 in x width: 23 3/4 in. Framed; height: 25 1/2 in x width: 29 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no losses or restorations when viewed under UV light. Verso not inspected. Light wear to the frame.
Charles Wilson Knapp (American, 1823-1900). Oil on canvas landscape painting depicting an idyllic painting of a landscape with a figure walking along a path, 1871. Initialed and dated along the lower right.A prominent Hudson River style landscape painter, Charles Wilson Knapp became well known for his scenes of New Hampshire, Delaware, New York, and his home state of Pennsylvania.Unframed; height: 24 in x width: 42 in. Framed; height: 30 1/4 in x width: 48 1/4 in x depth: 2 1/2 in.Condition: There are several large areas of inpainting, visible under UV light, in the sky of the work. At least one is a repair of a rip and one is a repair of a puncture. The work has not been relined. No visible areas of inpainting in the foreground. Craquelure throughout and stretcher bar marks along the perimeter of the work. Along the verso there are four large patches and two smaller repairs correlating to areas which fluoresce along the recto. Several missing stretcher keys. Light wear to the frame.
Charles Curtis Allen (American, 1886-1950). Oil on board painting titled "Summer Clouds" depicting a peaceful verdant landscape with large clouds on the horizon. Signed along the lower right. With a Vose Galleries, Boston label along the verso.Unframed; height: 18 1/4 in x width: 24 in. Framed; height: 23 1/2 in x width: 29 1/2 in x depth: 2 in.Condition: The colors are bold and bright and the surface is stable. There are no losses, breaks, or restorations. Light wear to the frame.
Patrick Bradley (American, 20th/21st c). Acrylic, pastel, and oil on paper painting titled "Isadora" depicting an abstract composition in cool blues, pinks, and yellows, 1985. With a label from Flanders Contemporary Art, Minneapolis, affixed to the verso.Exhibition: Flanders Contemporary Art, "Patrick Bradley: Recent Works," November 29, 1986 - January 3, 1987.Unframed; height: 45 1/2 in x width: 18 1/2 in. Framed; height: 33 1/2 in x width: 25 3/4 in x depth: 2 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations. There is a horizontal crease running through the top half of the work. Light undulation throughout. The work is floated in frame on a non-acidic mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.
Xiao Jiahong (Chinese, b. 1955). Gouache on paper painting depicting young women against a colorful background. Signed along the lower left.Sight; height: 26 in x width: 26 in. Framed; height: 39 in x width: 39 in x depth: 1 in.Condition: The colors are bold and bright. There is an undulation to the sheet throughout. No visible tears, creases, losses, or restorations under UV light. Housed under a non-acidic mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
14k yellow gold bracelet set with sapphires and diamonds in three prong settings. Set with 20 round brilliant sapphires alternating with 20 round brilliant cut diamonds. approximately 3.0 ctw. With box clasp and safety latch. Marked 14k along the safety latch.Length: 7 in. Gross weight: 14.2 g.Condition: Light wear, some accretions to the underside.
Aaron Fink (American, b. 1955). Oil on linen painting titled "Bulb and Brush" depicting an abstracted paintbrush below a lit lightbulb, 1998. Signed, titled, and dated along the verso. With a label from Alpha Gallery along the verso.Provenance: Alpha Gallery, Boston; Private Minnesota Collection.Height: 60 in x width: 48 in x depth: 2 in.Condition: The colors are bold and deep and the surface is stable. There are no losses or restorations. Light wear along the exposed edges of the canvas. The work is not framed.
18k yellow gold pearl and sapphire slide pendant. Of swirling bow form channel set with 13 square cut gradient yellow sapphires. Suspending a tear drop pearl. Marked K18 S0.77 along the reverse. Chain for photography purposes only, not included with lot.Length: 32.40 mm x width: 20.96 mm x depth: 11.27 mm. Gross weight: 7.9 g.Condition: Light wear, some accretions to the recessed areas of the pendant.
Sterling silver Ralph Lauren bangle bracelet. Of working buckle form that opens and closes. Marked at the brand with branded medallion and marked along the interior in script, Ralph Lauren, and 925.Inner diameter: 2 1/4 in. Gross weight: 1.680 Troy oz.Condition: Some light scratching. Clasp functions well.
Paul Granlund (American, 1925-2003). Cast bronze sculpture titled "Man Sleeping" in the form of a seated male figure crouching forward in slumber, resting his head upon his knees, 1956. Incised signature along the edge of the bronze platform. Affixed to a sleek black base.Reference:William K. Freiert, "Paul T. Granlund: Spirit of Bronze Shape of Freedom," Primarius Limited Publishing (Minneapolis: 1991), pg. 76, plate 76.Kathryn Christenson and Kelvin W. Miller, "Granlund: The Sculptor and his Works," Gustavus Adolphus College (St. Peter, MN: 1978), pg. 202, plate 74.Height: 8 in x width: 7 1/4 in xdepth: 5 in.Condition: There are no obvious bend, breaks, losses, or restorations. Light dust gathered in the recessed areas.
Group of three cocktail rings including:14k yellow gold ring set with radiant cut pink synthetic stone and six round full cut diamonds approximately, 0.12 ctw. stamped 14k and QCD.14k yellow gold ring set with one oval cut purple synthetic stone, marked 14k along the interior.14k yellow gold ring set with oval cut aquamarine, stamped 14k along the interior shank.(Pink) Ring size: 5 US. (Purple) Ring size: 7 3/4 US. (Aqua) Ring size: 4 1/4 US. Gross weight: 23.1 g.Condition: Wear to the facets of the amethyst and wear to the band. Accretions to the pavilion of the amethyst. Light wear to the other pieces.
Silver Vatican City Paul VI 1968 annual medal, designed by Floriano Bodini (1933-2005, Italian). The front featuring Pope Paul VI in papal garb with a dove, inscribed Paulus VI Pont. Max. The back featuring a blessing figure with a fish and dove with test inscribed, in fide vivo filli qui dilexit me (Galacian 2:20, I have been crucified with Christ; it is no longer I who live, but Christ who lives in me). With original fitted case.Length: 45.37 mm x width: 35.31 mm x depth: 7.78 mm. Gross weight: 46.2 g.Condition: Very light wear to the medal. The case with some discoloration and snags to the fabric.
14k multicolor gold and agate Faberge hinged box, circa 1899 Moscow. Of rectangular form, the body carved from agate and accented in multicolor gold. The top of the box with two yellow gold thistles and leaves surrounded by yellow gold frame. The bottom edge of the of the lid banded with alternating white gold five petal flowers and yellow gold leaves. The base of the box with a similar yellow gold frame with eight rose gold thistles with yellow gold leaves around the perimeter.Hallmarked on the lip of the base and along one of the thistle leaves at the back. Marked KF (in Cyrillic), 56 Zlotniks gold mark, and Moscow city mark of a rider & horse with scratched inventory number 15136.Provenance: Purchased by prominent Cleveland lawyer and art collector, Frank Hadley Ginn (1868-1938) for his wife, Cornelia Root Ginn, thence by descent to current owner.Hadley Ginn was prominent Ohio lawyer, art collector and philanthropist. Hadley Ginn was a patron of the Cleveland Orchestra, Severance Hall, the Northern Ohio Opera Association, and the Cleveland String Quartet. He amassed a notable collection of fine Impressionist art at his home, Moxahela, through his connections with the influential art dealer, Paul Durand-Ruel.Length: 2 in x width: 1 1/2 in x height: 1 in. Gross weight: 90.6 g.Condition: Some light wear to the top lid and bottom base. The hinges open and close smoothly. All gold components firmly affixed. No cracks to the agate.
Paul Granlund (American, 1925-2003). Cast bronze sculpture titled "Relaxed Figure" depicting a nude woman angling her hip outward, 1959. Incised signature, date, and editioned II/III (2/3) along the edge of the bronze platform. Affixed to a sleek black base.Reference:William K. Freiert, "Paul T. Granlund: Spirit of Bronze Shape of Freedom," Primarius Limited Publishing (Minneapolis: 1991), pg. 82, plate 134.Kathryn Christenson and Kelvin W. Miller, "Granlund: The Sculptor and his Works," Gustavus Adolphus College (St. Peter, MN: 1978), pg. 209, plate 134.(Including base) Height: 9 1/2 in x width: 4 in x depth: 3 1/4 in.Condition: There are no obvious bend, breaks, losses, or restorations. Light dust gathered in the recessed areas. Spot of verdigris patination along the back of the head; one minute spot along her shoulder.
Adja Yunkers (Latvian/American, 1900-1983). Suite of three etching and screenprints on paper titled "Untitled I," "Untitled II," and "Untitled III," 1978. Each is pencil signed, dated, titled, and numbered P.P. 2/4 along the lower margin.(Each) height: 30 in x width: 22 1/2 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. Light wear along the deckled edges. The work is not framed.
14k yellow gold, pearl, & diamond ring. Set with one cultured pearl (possibly Tahitian), 12 mm round and a swirl of 58 round full cut diamonds, approximately 0.50 ctw. Marked 14k along the interior shank.Ring size: 5 1/4 US. Gross weight: 5.6 g.Condition: The pearl loose on the peg setting, needs new epoxy before it can be worn safely. Light wear to the setting.
14k yellow gold pent in the form of a panther, suspended from its mid section. The panther in textured gold set with white cubic zirconias throughout the body and with two blue sapphire eyes. Marked at the bale 14k Italy AND. Chain for photography purposes only, not included with lot.Height: 48.3 mm x width: 29.8 mm x depth: 8.10 mm. Gross weight: 11.5 g.Condition: Light wear.
Duncan Hannah (American, 1952-2022). Mixed media collage depicting a portrait of the artist in sunglasses drinking from a coffee mug and a building facade, 1981. Signed and dated in pink pencil along the lower right.Sight; height: 14 in x width: 10 3/4 in. Framed; height: 16 3/4 in x width: 13 1/4 in x depth: 3/4 in.Condition: The colors are bold and bright. There is a small tear along the upper left edge. A few light creases and areas of toning through. The work is floated on a cloth mat. Framed under glass; light wear to the frame. Not inspected out of frame.
18k yellow gold, sapphire, and diamond pendant. With a central bezel set oval cut sapphire, set east-west, of approximately 1.5 ct. Surrounded by two oval octagons set with 54 round full cut diamonds, approximately 0.80 ctw, G color, VS1 clarity. Marked 18k along the back. Chain for photography purposes only, not included with lot.Length: 27.29 mm x width: 19.98 mm x depth: 6.27 mm. Gross weight: 7.9 g.Condition: Very light wear.
Clifford Osborne (American, 20th c). Ink on artist board comic book drawing depicting a fisherman's boat cut in half by a sawfish. Likely a submission or Nifty Gags & Comics.Height: 12 1/2 in x width: 15 in.Condition: There are no losses. There are areas of white-out below the sawfish and above the boat; likely original to the artistic process. Some graphite transfer throughout. Light wear to the edges. The work is not framed.
Kari Lennartson (America, 20th/21st c). Oil on canvas painting titled "Rhythm of the Woods" depicting an impressionist style landscape reminiscent of Van Gogh, 1999. Signed along the lower right.Kari Lennartson is grew up in Minnesota and received BFA at Gustavus Adolphus College in Saint Peter, MN. She earned her MFA at Colorado State University and has been active in Colorado as an artist and an art educator. Unframed; height: 17 1/2 in x width: 30 in. Framed; height: 19 1/4 in x width: 31 1/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no losses or restorations. Light wear to the frame.
Helen Frankenthaler (1928-2011). Color lithograph on paper titled "Reflection VII" depicting an abstract blue composition, 1995. From the "Reflections" series published by Tyler Graphics, Ltd. Pencil signed and dated along the lower right; numbered 17/30 along the lower left.Sight; height: 15 in x width: 20 in. Framed; height: 23 in x width: 28 in x depth: 1 1/2 in.Condition: There are no visible tears, creases, losses, or restorations. The colors appear to be somewhat faded. Floated in frame on a nonacidic mat. Framed under plexiglass; light wear to the frame. Not inspected out frame.
Victor Vasarely (Hungarian/French, 1906-1997). Serigraph on paper titled "Sin-Hat-A" depicting a hexagon comprised of dozens of cubes in a rainbow of colors, ca. 1974. Pen signed along the lower right; numbered 265/340 along the lower left.Sight; height: 23 1/4 in x width: 19 in. Framed; height: 24 in x width: 19 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations when viewed under UV light. Framed under glass; light wear to the frame. Not inspected out of frame. Dust gathered along the verso.
Large print on canvas depicting an airplane.Sight; height: 70 1/2 in x width: 95 1/4 in. Framed; height: 71 in x width: 95 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are minute losses to the pigment throughout and a spiral fracture approximately five inches in diameter along the upper left corner that is visible when viewed at a critical angle. There are visible stretcher bar marks along the upper left quadrant. Light wear to the frame.
18k yellow gold sapphire & diamond pendant on a 14k yellow gold chain. 14k yellow gold rope chain with barrel clasp closure and safety latch. Marked 14k along the tongue.The 18k yellow gold pendant comprised of a central oval cut blue sapphire of approximately 1.85 carat. Surrounded by a halo of ten round brilliant cut diamonds of approximately 1.1 ctw. Marked 18k ALB along the reverse of the bale.Length: 18 in. (Pendant) Length: 21.04 mm x width: 13.05 mm x depth: 17.05 mm. Gross weight: 8.7 g.Condition: Light wear, clasp working well. some accretions to the pavilion of the sapphire.
Group of nine garnet. Six oval cuts, 3.30 ctw, one round cut 0.35 ct, one pear cut 0.65 ct, one trillion cut 0.45 ct.(Smallest) Diameter: 4.11 mm x depth: 2.72 mm. (Largest) Length: 5.95 mm x width: 3.93 mm x depth: 2.33 mm.Gross weight: 4.90 ct.Condition: Light wear, not inspected individually under magnification.
Zelman & Friedman, United States. 14k yellow gold domed woven link V-shaped necklace set with a central round cut garnet. The round cut red Almandine garnet in a full-bezel mounting. With box clasp. Marked along the back of the clasp. With a recent appraisal.Width: 5.50 mm x depth: 2.10 mm. Chain length: 16 in. Weight: 29.8 g.Condition: The necklace is in good condition with only light wear. The necklace shows no visible dents, cracks, or losses. The clasp works smoothly.Garnet: the garnet measures 7.50 x 7.50 x 4.04mm (approx.) and weighs and est. 1.55 carats. Medium dark, strong, and slightly purplish red coloration. Very slightly included. Refractive index reading - singly refractive - 1.79.
Pablo Picasso (Spanish, 1881-1973). White earthenware studio ceramic plaque with black engobe titled "Profil de Jacqueline (Jacqueline's Face)" depicting the face of a feminine figure from her right side, 1956. Impressed "Empreinte Originale de Picasso," "Madoura," and "Plein Feu" along the underside with Madoura's flame-form maker's mark.Lot Essay:Pablo Picasso stands as one of the most renowned and prolific artists of the 20th century, whose innovative and groundbreaking work revolutionized the course of Western art. Born in Malaga, Spain, Picasso demonstrated exceptional artistic talent from a young age and received formal training at various art academies. His early works, influenced by Symbolism and the Blue and Rose Periods, showcased his versatility and mastery of traditional techniques.Picasso's career underwent a seismic shift with the advent of Cubism, a movement he co-founded alongside Georges Braque. Cubism shattered conventional notions of perspective and representation, presenting multiple viewpoints simultaneously and breaking objects down into geometric forms. Picasso's seminal work "Les Demoiselles d'Avignon" (1907) marked a turning point in art history, foreshadowing the radical innovations that would follow.Throughout his prolific career, Picasso continued to push artistic boundaries, experimenting with diverse styles and mediums, including sculpture, ceramics, and collage. His involvement with Surrealism and his exploration of African and Iberian art further enriched his artistic vocabulary. Picasso's work often reflected his personal experiences, political convictions, and tumultuous relationships, imbuing his art with emotional depth and psychological complexity.In 1946, the owners of Madoura Pottery - Suzanne and Georges Ramie - invited Pablo Picasso to their workshop in Vallauris, France. Picasso made three pieces in the workshop which he left to dry and bake. A year later, he returned to see how the pieces had developed. Picasso was delighted by the quality and continued to work with the Madoura team for several years, producing a number of ceramics similar to the work featured in this lot ranging from vases, sculptures, plaques, and even a complete dinner service.Diameter: 7 1/2 in.Condition: There are no visible cracks, losses, or restorations. Light chipping to the pigment along the front of the piece, especially around the contours of the woman's hair. Small chip along the upper left of the footrim.
Kari Lennartson (America, 20th/21st c.). Oil on canvas painting titled "Northern Shoreline" depicting a peaceful nature scene with two trees in the shore, 1999. Signed and dated along the lower left. Likely depicting the North Shore region of Lake Superior in Minnesota.Kari Lennartson is grew up in Minnesota and received BFA at Gustavus Adolphus College in Saint Peter, MN. She earned her MFA at Colorado State University and has been active in Colorado as an artist and an art educator. Unframed; height: 14 in x width: 11 in. Framed; height: 14 1/4 in x width: 11 1/4 in x depth: 1 3/4 in.Condition: The colors are bold and bright and the surface is stable. There are no losses, cracks, or restorations. Light wear to the frame.
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