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Preisdatenbank abonnierenCHARLES THOMAS BALE (1849-1925) STILL LIFE WITH AN OIL JAR; STILL LIFE WITH A RENNISH JUG two, both signed, oil on canvas, 43.5 x 34cm and 44 x 33.5cm (2) ++Framed as a pair as when acquired by the late owner from Savidge Fine Art of Northampton, both lined with some restoration and craqueleur and the varnish requiring a light clean
A TURNOVER BUTCHER'S STEELYARD, 19TH C the notched beam graduated with scales from 1 to 16 and from 15 to 55, with bell shaped poise, hook and two loops, with three further hooks, 44cm l, stamped HERBERT & SONS LTD, 6/7 WEST SMITHFIELD and No 39 ++A good quality example in fine condition with some light old treated surface rust
A VICTORIAN SILVER TABLE SERVICE Beaded Old English pattern, crested, by Chawner & Co, London 1865, the teaspoons 1863 and 64, 68ozs (31) ++In fine condition with only a few light scratches but heavy gauge and with hardly any sign of wear, comprising 6 table spoons, 6 table forks, 6 dessert spoons, 6 dessert forks, gravy spoon and 6 tea spoons
†SYDNEY ROBERT JONES (1881-1966) ST MARTHA'S CHURCH CHILWORTH; BLANCHLAND NORTHUMBERLAND; BOSCASTLE AND TWO SHEETS OF VIGNETTES five, all signed or signed with initials, three inscribed, pencil, 21 x 31.5cm and smaller, sold on behalf of a Charity (5) ++All in fine condition in matching good quality light wood frames with on the backboard the printed trade label of Alfred Stiles & Sons Ltd, Hammersmith
A GOSSAGE'S PATENT SHEFFIELD PLATE CLOCKWORK ALARM, C1`825 the clockwork mechanism to the underside of the lid with enamel dial, applied embossed royal arms badge inscribed W GOSSAGE PATENT, the iron bell contained in the base, 7.5cm diam, base stamped 239 A rare example of the ingenious 'Portable Alarum' that could be attached to clocks and watches invented by William Gossage (1799-1877) on which he took out a patent in 1824. Its original purpose was to wake his French tutor earlier in the morning than had been his custom. The archetypal Victorian self made man, Gossage established the famous soap making business in Widnes which bore his name. ++Enamel dial slightly damage and with light wear to the plating, movement with some rust. Apparently complete and in working order, a well made object in original condition
A NATURAL PEARL, DIAMOND, CULTURED PEARL AND PLATINUM PENDANT the irregular filled, hollow open-back natural blister pearl (saltwater) 19-22mm l, 12g Sold with Gem & Pearl Laboratory Pearl Report. ++In very good condition the pearl with a few fine light scratches just visible under 10x magnification
MARINE SCHOOL, 19TH CENTURY DUTCH COASTAL SCENE; A MAN O'WAR AND DUTCH BARGE AT DAWN two, one signed indistinctly, oil on panel, 36.5 x 59cm and 38 x 60cm (2) ++One with old repaired horizontal split, both cleaned and restored c mid 20th c and the varnish now in need of a light clean, in 19th c style gilt cavetto frames as a pair
AN ENGLISH PORCELAIN BOUGH POT, Wxxx FACTORY, C1800 painted with a rectangular panel of travellers crossing a bridge in blue and gilt borders, 25cm h, impressed W(xxx), painted title Craigie Hall Bridge The Property of the Honble William Hope Weir Linlithgow shire in sepia script ++Old restoration to one back foot and light wear, originally with a grid cover now lacking
ENGLISH NAIVE ARTIST, 1839 A DAPPLED PONY IN A STABLE indistinctly signed... Shaw and dated, oil on canvas, 39 x 49.5cm ++A charming primitive horse portrait in reasonably good unrestored condition apart from a small puncture near the manger repaired on the reverse with two strips of masking tape, unlined, the varnish requiring a light clean
AN ENGLISH GLASS SQUAT CYLINDER BOTTLE, RMB FLEXBURY SEAL, C1800 23cm h The initials are those of Richard Martyn Braddon of Flexbury in the Parish of Poughill, Cornwall. ++Not chipped but with faint vertical hairline crack in the centre of the bottle, only really visible under strong transmitted light, Burton, p1070.
A VICTORIAN SILVER SHIELD SHAPED VASE AND COVER finely chased in high relief with scenes of warriors reserved on a textured ground, the cover applied with the figure of Victory, 62cm h, fully marked, by Hunt & Roskell, London 1875, stamped HUNT & ROSKELL LATE STORR & MORTIMER 6965, 103ozs ++Of fine quality in fine condition with light polish wear. No repairs
ENGLISH SCHOOL, 19TH CENTURY WOODED LANDSCAPE WITH CATTLE WATERING oil on canvas, 64 x 87cm ++Approx 2 inch square patch on reverse (in centre of sky) and old localised overpainting when restored perhaps 30 or 40 years ago, the varnish now in need of a light clean, in 18th c style gilt frame
HILTON LARK PRATT (1838-1875) INGESTRE HALL STAFFORDSHIRE signed and dated 1842, oil on canvas, 88 x 133cm In 1842 Ingestre Hall was the seat of Charles Chetwynd-Talbot, 2nd Earl Talbot, KG, PC,FRS (1777-1849) ++Lined and restored in probably the early 20th c, the varnish now yellowed with age and requiring a light clean
A PHOTOGRAPH ALBUM OF CAPTAIN HUMPHREY WATTS, 3RD VB CHESHIRE REGIMENT, C1905 including mounted whole plate photographs of Oxford colleges, boating and groups of officers, mainly at camp, 28 x 37cm and c, several smaller, albumen and platinum prints mounted one to a page on linen hinged leaves, black half calf gilt with initials HW, aeg ++In very good condition with light wear to spine, the leaves and photographs in excellent condition
†JOHN FARLEIGH, CBE, RE (1900-1965) BIG BEN; WESTMINSTER ABBEY two, wood engravings, both signed by the artist in pencil, inscribed with the title and Special Edition No 5, 45.5 x 34.5cm, one unframed (2) ++Both in good condition with light time stains. The unframed print with tape hinge remainder at top and minor creases well clear of the image
ALFRED PRIEST (1810-1850) RETURN FROM THE BEACH oil on canvas, 85 x 126cm; sold with the artist's pencil sketch for the same, signed and inscribed sketch for Return from Beach, 23.3 x 34cm (2) ++In the same restored condition as when purchased by the late owner many years ago, lined with overpainting, of fine appearance, the varnish possibly in need of a light clean, in 18th c style gilt frame. The drawing with faint horizontal crease and minor surface marks but in apparently good condition, unexamined out of the modern frame, on the reverse the printed label of E D Levine, Cromer
A FRENCH JEWELLED CORAL MOUNTED SILVER AND BLACK ENAMEL LIPSTICK HOLDER BY CARTIER, C1935 60mm h, French control marks, signed Cartier Paris with stamped inventory number ++Slightly chipped with fine light scratches the carved coral ladybird cracked but unrestored reflected in modest estimate
JAMES ABBOTT MCNEILL WHISTLER (1834-1903) READING BY LAMPLIGHT, K32, M30, GLASGOW 37 etching and drypoint, 1859, third state of three, 6.2 x 12cm, with wide margins, hinged on a mount with inscription in pencil "Purchased at Edmistons Glasgow 1931", unframed Provenance: Acquired by the family of the present vendor in 1931. ++In very good condition with light to moderate foxing mainly confined to the margin; deframed for the present sale
JOSEPH FARQUHARSON, RA (1846-1935) A RIVER IN SPEIGHT signed, oil on artist's board, 34.5 x 24cm and a studio photograph of the artist, sepia printed vintage silver print (2) ++In very good condition the varnish requiring only a light clean, in what is almost certainly the original gilt Victorian rosette frame which is also in satisfactory condition
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![AN ENGLISH GLASS HALF SIZE CYLINDER BOTTLE, BAGOT SEAL, C1760-1810 23cm h, affixed old handwritten label Elderflower [18]79](https://cdn.globalauctionplatform.com/13371180-6317-47f2-af1d-a6b80108359a/bcc300db-1e3c-4d31-a89a-1e2c03cd72db/468x382.jpg)
