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Los 500

Richard Batterham (1936-2021)Dish and coverstoneware, light green ash glaze with blue highlights6.5cm high, 10cm diameter. Some firing imperfections otherwise condition appears good.

Los 501

Richard Batterham (1936-2021)Two small lidded vesselsone with a salt glaze, the other with a light ash glaze10.5cm and 8.5cm high (2). Salt glaze pot with chip to the lid. Both with minimal glaze and firing faults as expected. Otherwise seems ok.

Los 504

Richard Batterham (1936-2021)Footed bowlstoneware, light green ash glaze11cm high, 23cm wide. No damage or restoration. brown firing dots prevalent to the rim and body.

Los 506

Richard Batterham (1936-2021)Vasestoneware, with incised lines to the body, dark and light ash glaze39cm high. Appears in good condition with no sign of damage or restoration. Some firing dots to the glaze.

Los 517

Hazel Johnston (1933-2011) Footed bowlwith bands of light glazeimpressed potter's seal13cm high, 16.5cm diameter. Overall minimal glaze and firing faults. Some crazing to the glaze. One small what appears to be a hairline crack (might be a glaze fault) to the rim. As photographed.

Los 526

Peter Wright (1919-2003)Reclining Figure, 198742/200, with an oatmeal glazesigned25cm across. Appears in good condition. Some light crazing to the glaze.

Los 534

Marianne Westman (1928-2017)Bowl and vasestoneware with light glazesincised signaturesthe bowl 18.5cm diameter (2).

Los 537

Peter Wills (b.1955)Footed bowlporcelain, with flared rim and red glaze with a light green rimsigned and with impressed potter's seal9cm high, 23.5cm diameter. Small firing fault to the rim. Light crazing to glaze.

Los 538

Peter Wills (b.1955)Bowlporcelain, with sgraffito and red glazesigned and with impressed potter's seal7cm high, 21cm diameter. Appears in good condition. Some minor firing marks and light marks to glaze.

Los 569

Richard Batterham (1936-2021)Jar and coverwith cut sides and a light ash glaze12cm high. Overall good condition with no damage or restoration. Brown glaze imperfections prevelent.

Los 581

Gordon Baldwin (b.1932)Lamp base, 1972with the blue eclipsed circle to the central body, above coloured landscapeinitialled and dated76cm high. The smallest of chips to rim above turquoise circle. Light surface scuffs to base. See photos.

Los 595

Jonathan Chiswell Jones (b.1944) Large dishdecorated with lustre depicting a cockerelsigned to the base30.5cm diameter; and one other dish by the same artist decorated with birds around the rim, signed to the base, 20.5cm across (2) Both with overall minimal wear and some small scratches in places, consistent with age and use. Minimal crazing to glaze in places, otherwise both seem ok. Would benefit from a light clean.

Los 630

Eric Ravilious (1903-1942) for WedgwoodGarden Implements jugprinted marks to the base 'Wedgwood of Etruria, 6322, Barlaston'20cm high; together with a modern Wedgwood cup and saucer, with Ravilious design (2). JUGNo cracks or damage, images clear. Some patches of light dirt – would benefit from a clean. CUP & SAUCERGood condition.

Los 65

Theodore Mendez (1934-1997)Black and White, circa 1963oil on board114 x 91cm, unframed. Provenance:The artist's estate. Very outer edges and corners with scattered wood chips and losses.  Surface dust and dirt particularly to the edges and showing more on the white.  Once upon a time with drilled holes all around the edges, however now all restored and covered with other paint. Other light surface scratches upon close inspection. See photos.

Los 67

Frank Avray Wilson (1914-2009)Blue Rising, circa 1959oil on canvas122 x 91.5cm. Provenance:Bonhams, London, 24/04/2009, lot 125. Canvas appears sound. The paint surface has cracking from the thick impasto. but no signs of damage or paint loss. In need of a light clean.

Los 68

William Gear (1915-1997)Untitledsigned and dated (to reverse)oil on canvas92 x 61cm. The painting has a few cracks to the upper half. The black mark with other surface marks e.g. little white specks of paint scattered, and another white mark to the lower half. The painting has scattered bits of light fluff and dirt to it, thus would benefit a light and careful clean. See condition report photos.

Los 682

Bob Carlos Clarke (1950-2006)Nude Dionne; and Bob with Dionneboth signed by Dionnephotographic printsboth 20 x 25cm (2). Light surface scratches but otherwise condition seems fine.  Images now on website.  Thank you.

Los 686

Aldo Londi (1911-2003) for BitossiRimini pottery vasewith patterned blue glaze31cm high; and a Marmeca pottery lamp base (2). Turquoise - Close crazing effect to glaze. A few pin prick air pockets to internal rim. A few areas within the decor of glaze loss.Lamp base - Light surface scratches and wear to black and small area of paint loss. Plesse see photos.

Los 720

Gerrit Rietveld (1888-1964) Red and Blue chair, circa 1980produced by Cassinastained and lacquered woodwith Cassina mark to underside and serial no. 3493 91cm high, 60.5cm wide. Structurally sound.  Knocks, chips to some edges and corners.  Light surface scratches. Right arm rest with a dabbled and dotty mark to veneer. Some repair work to right of back rest along the edge, measuring 23cms and the paint covering is a mismatched orange. See photos.

Los 738

Harvey Guzzini for iGuzzini, ItalyTable lamp, circa 1970manufacturer's labels64cm high, 48cm diameter. The light is working, a good condition with two or three minor scuffs and very light surface scratches. See photos.

Los 78

David Humphreys (b.1937)Beach Hutsigned (to reverse)oil on board39 x 29cm. To green are specks and marks of an un-associated white paint.  Other brown dirt spots/round marks to yellow roof. Paint cracking in parts.Unglazed. Light surface dust. Green sky left of roof has slightly shiney area of paint which leads me to believe there's been possible restoration. Please see photos.

Los 82

David Humphreys (b.1937)Hop Farm Kent71/100, signed tilted, and numbered in pencil (in the margin)screenprint63 x 89cm, unframed; and another screenprint by the same artist, Fernlea, 53 x 76cm, unframed (2). Green - Mount with scuffs, marks and stains. Screenprint appears good bar some handling dents and light creases. Reverse of image one can see clearly the paper condition.Pink - Fingerprints and marks to mount. Upon close inspection and in a certain light are a couple of quite long lines running from the left side. Very, very faint light dents. Small scuff to blue tiled roof. See photos.

Los 90

Charles Robert Doyly-John (1906-1993)Mediterranean Fishing Villagesigned (lower right)oil on canvas35 x 69cm. To the right are some splodges/splash type marks, perhaps other paint from the artist’s studio (?). Cracking to some of the paint work most noticeably on the laundry, the path towards the sea, and the white wall. Few very small specks of white. These a combination of white paint and paint loss. Light surface dirt. The frame a bit grubby with crack to the top and two or three chips.High resolution images on website with zoom function:Lot 90 - Charles Robert Doyly-John (1906-1993) (mallams.co.uk)

Los 314

‡ A COMPOSITE GERMAN CLOSE HELMET, EARLY 16TH CENTURY with rounded one-piece skull formed with a low slender medial comb (pierced at its centre to receive a later crest), associated 'sparrow’s beak' visor pierced with a centrally-divided vision-slit and at its right with six ventilation-holes arranged in two groups, associated bevor secured at the right by a spring-catch, and two associated neck-lames (bearing a light mottled patina overall), 26.0 cm high Provenance Joe Kindig Jr. (1898-1971), thence by descent

Los 264

A VICTORIAN 1821 PATTERN HEAVY CAVALRY OFFICER'S SWORD BY HAMBURGER RODGERS & CO., 30 KING STREET, COVENT GARDEN, A 1796 PATTERN LIGHT CAVALRY TROOPER'S SWORD AND A VICTORIAN ARTILLERY OFFICER'S SWORD BY STILLWELL & SON, MADRASof regulation type, the first with pipe-backed blade etched with the crowned Royal cypher and foliage on a panel on each face and with the maker's details at the forte, 'honeysuckle' hilt, in its scabbard; the second with plain blade, stirrup hilt, in its scabbard; the third etched with the crowned Royal cypher, regimental and retailer's details on the blade, triple-bar hilt, in its scabbard, (all three swords with light surface rust throughout) and a 1907 pattern bayonet, in its scabbard, the first: 92.5 cm blade (4)

Los 316

AN ITALIAN MORION IN THE 'SPANISH' FASHION, CIRCA 1590 formed in one piece with a rounded almond-shaped crown rising to a slight 'stalk' and a flat integral brim projecting to an obtuse point front and rear, the latter struck with a mark contained within a crowned escutcheon, and pierced with a later wiring-hole, its edge formed with a plain inward turn, the base of the crown encircled by fourteen round-headed lining-rivets with brass rosette-washers (areas of light pitting), 21.0 cm high

Los 319

A NORTH EUROPEAN BACKPLATE, SECOND QUARTER OF THE 17TH CENTURY PROBABLY FLEMISH formed in one piece with a slightly upstanding neck-opening and an outward-flanged lower edge, the main edges formed with plain inward turns, incised with a series of vertical lines in the centre, at each side and at the principle borders, all accompanied by punched circles, and studded with brass-capped lining rivets throughout (areas of pitting and light surface rust), 37.5 cm

Los 474

A RARE PAIR OF 54 BORE PERCUSSION PISTOLS FOR THE AMERICAN MARKET WITH GERMAN SILVER BARRELS AND MOUNTS SIGNED W. CHANCE & SON, LONDON, BIRMINGHAM PROOF MARKS, CIRCA 1850 with octagonal white metal sighted barrels inscribed 'London' in gothic script within a scrollwork frame on the flats at the breech, scroll-engraved steel tangs inlaid with two German silver lines and fitted with German silver plug, scroll-engraved German silver tangs fitted with back-sights and extending in a slender panel engraved with wrigglework over the spine of the butt, signed engraved flush-fitting back-action locks (light pitting, one signature partly obscured), fitted with dolphin hammers engraved en suite, figured half-stocks (one fore-end with small cracks), chequered rounded butts, engraved German silver mounts comprising trigger-guards (one repaired on the rear strap) and butt-caps with hinged circular engraved steel covers, barrel bolt escutcheons (one barrel bolt missing) and fore-end caps, and brass-tipped ramrods with iron worm, probably the original (one repaired): in a later lined and fitted case with embossed copper flask decorated with a scallop shell, 15.7 cm barrels (2) William Chance, Son & Co. are recorded in London circa 1842 and 1856 as 'American merchants'. Their main premises were at 152 Great Charles Street, Birmingham, though they marked their guns London. Between 1835 and 1845 they supplied the American Fur Company with 'Chiefs and North West' guns.

Los 415

A PAIR OF 14 BORE SILVER-MOUNTED FLINTLOCK HOLSTER PISTOLS BY W. TURVEY, LONDON, LONDON PROOF MARKS AND SILVER HALLMARKS FOR 1752, MAKER'S MARK OF JEREMIAH ASHLEY with slightly swamped barrels signed on the top flats within an engraved border drawn-out to a hatched and foliate terminal over the breeches, struck with proof marks and the barrelsmith's mark on the left, fitted with silver fore-sights chased with foliage, engraved tangs decorated with rococo scallops and foliage, signed rounded locks with slender raised borders, rounded cocks en suite, moulded highly figured full stocks (small repairs) carved with a raised moulding involving a shell behind the barrel tangs, silver mounts cast and chased in low relief comprising spurred pommels with engraved spurs and flowerhead caps, pierced side-plates decorated en rocaille, trigger-guards with scallop shell finials and engraved with rococo shells and foliage on the bows, vacant rococo escutcheons, and moulded baluster ramrod-pipes (later silver-tipped ramrods, the iron parts with light patination), 25.8 cm. barrels ProvenanceBonhams, Knightsbridge, 22nd April 2009, lot 339 William 2 Turvey was apprenticed to George Turvey in 1742, and free of the Gunmakers' Company in 1750.

Los 136

A FINE INDIAN GOLD AND GEM-SET JADE ARCHER'S RING, LATE 17TH/18TH CENTURY  of characteristic convex rounded form, inlaid on the outside with gold tendrils carrying flowers of rubies and diamonds, including a flower of two diamond petals and a single ruby petal front and back (light wear, very small chips, the gold with small losses), 4.2 cm ProvenanceAcquired from an English Collector, Easter 1979.A distinguished British Scholar and Collector, inventory number 105.

Los 48

A SOUTH INDIAN DAGGER (KHANJAR), PROBABLY 18TH/19TH CENTURY formed entirely of steel, with recurved double-edged blade of flattened-diamond section, integral flattened hilt incorporating a pair of trilobate mouldings at each end, and bud-shaped pommel (areas of light pitting), 27.7 cm overall Roy Elvis catalogue number D114.

Los 422

˜ A FINE CASED PAIR OF 32 BORE FLINTLOCK DUELLING PISTOLS BY DURS EGG, LONDON, LONDON PROOF MARKS, CIRCA 1790 with browned twist octagonal swamped sighted barrels signed in script along the top flats, breeches fitted with back-sights and engraved with a band of foliage behind, gold-lined vents, stamped beneath with proof marks, German silver fore-sights, border engraved case-hardened tangs each decorated with foliage, engraved case-hardened flat bevelled locks decorated with border ornament, a Brittania trophy on the tail, and signed in scripted beneath the pans, fitted with engraved blued safety-catches, engraved bevelled cocks and blued steel springs, the interiors fitted with detents and retaining much early blued and burnished finish, blued adjustable set triggers, highly figured walnut stocks, 'pineapple' chequered butts (light bruising), engraved blued steel mounts comprising pear-shaped butt-caps engraved with a flowerhead, trigger-plates with pineapple finials, large trigger-guards with a Britannia trophy on the bows, horn fore-end caps, early horn-tipped ramrods, one with steel worm, probably the original, much original finish throughout, perhaps unused: in contemporary fitted mahogany case, the lid exterior with brass flush-fitting carrying handle, the interior with trade label for 1827-31, lined in green baize (some old repairs, one compartment lid replaced, ring handles missing), 25.2 cm barrels ProvenanceDr. Robert Rabett, sold Bonhams Knightsbridge, 30th November 2011, lot 554 ExhibitedThe Craft Of The Gunmaker 1640-1870 (cat. no. 28) Durs Egg, the son of the gunmaker Leonz, was born in Switzerland in 1748. After a short stay in Paris he came to London and worked for John Twigg at 132 Strand. He was gunmaker to George IV and the Duke of York. He became blind in 1822 and died in 1831. A silver-mounted breech-loading Ferguson rifle by this maker is preserved in the Royal Collection at Windsor Castle. A pair of silver-mounted flintlock sporting guns by Durs Egg, marked for 1789 and made for Frederick, Prince of Baden (1756-1817) were sold in this room, 4th December 2012, lot 415. For a full account of the Egg family see Blair 1973, pp. 266-299 and 305-353.

Los 424

A 20 BORE SILVER-MOUNTED LONG FLINTLOCK PRESENTATION PISTOL BY H.W. MORTIMER, LONDON, MAKER TO HIS MAJESTY, BIRMINGHAM SILVER HALLMARKS FOR 1803, MAKER'S MARK OF JOSEPH BUNNEY with three-stage barrel inlaid with a spiralling design of two alternating patterns of foliage over its forward half, a series of celestial motifs enclosing a scroll inscribed 'London, Gunmaker to His Majesty' at the median, an elaborate spray of silver flowers over the full length of the breech, (rubbed), fitted with silver 'spider' foresight, gold-lined vent and much blued finish, stepped bevelled lock inlaid with silver, decorated en suite with the barrel and incorporating the maker's signature on a scroll, fitted with bolt safety-catch, gold-lined pan, and steel spring with roller, figured walnut full stock profusely inlaid with silver wire and chased silver plaques, involving an elaborate design of scrolling tendrils filled with cornucopiae, celestial motifs and pierced trophies-of-music (the inlay with expert restorations), chased full silver mounts comprising spurred pommel with chased spiral cap of characteristic form and engraved with the owner’s name in Arabic, solid side-plate decorated with a Britannia trophy, trigger-guard with pineapple finial and a Britannia trophy on the bow, two engraved ramrod-pipes, and vacant shield-shaped escutcheon (light wear throughout, ramrod replaced), 37.7 cm barrel ProvenanceW. Graham Lewis, formerly on loan to the Walters Art Gallery, Baltimore, Maryland (1971-2001)Sold Sotheby’s Olympia, 7th December 2001, lot 265 Harvey Walklate Mortimer (1753-1819) specialised in repeating pistols and gold-mounted guns for the Eastern market. The Morning Herald of 20th August 1784 advertised “For the Inspection of the Curious, just finished, Three Pair of Elegant Pistols, mounted in solid gold value 547£ intended as a present to a foreign Prince”. In 1801-2 he made gold mounted firearms set with diamonds for U.S. Government as presents for Bey of Tunis. The auction of stock by Harvey Walklate Junior in 1816 included ‘2 cases of grand ornamented pistols with their stocks, locks and barrels richly inlaid with gold and silver ornaments’. The Arabic inscription reads ‘S. Hussein’.

Los 22

A SOUTH INDIAN SWORD, 17TH/18TH CENTURY, PROBABALY MADRAS, TAMIL NADU with broad curved heavy blade double-edged towards the point, formed with a fuller along the back edge and struck with a mark at the forte (light pitting), copper alloy hilt cast and chiselled in low relief, comprising a pair of langets with engraved border decorated with a pattern of eyes, a pair of quillons with horse hoof terminals, integral grip incorporating a pair of wings rising to a horse head pommel issuant with a string of pearls forming the knuckle-guard, 71.0 cm blade Roy Elvis Catalogue Number C75.

Los 214

THREE BRITISH COURTSWORDS, EARLY 20TH CENTURY the first with etched blade, gilt brass hilt cast with beadwork including downturned shellguard cast with a crown, in its brass-mounted leather scabbard; another with etched blade, beadwork hilt, in its scabbard, and another (scabbard missing, light wear throughout), the first: 81 cm blade (3)

Los 352

RULES AND REGULATIONS FOR THE SWORD EXERCISE OF THE CAVALRY London 1796, octavo (158 x 240 mm), later half leather and marbled boards, rough cut pages, with 29 folding plates, gilt label on spine (rebound, light staining)

Los 173

TWO ELEMENTS OF ASIAN MAIL AND FABRIC ARMOUR, LATE 19TH CENTURY of two panels of differing size, each formed of small butted rings of circular section iron wire within lozenge-shaped frames of matching copper alloy wire, stitched onto pink fabric with blue velvet borders and copper alloy rings for suspension (areas of light wear, small losses), 97.0 cm The panels are of Chinese form incorporating rings of Indo-Persian mail.

Los 9

A SOUTH INDIAN SWORD (FIRANGI), 17TH CENTURY, PROBABLY HYDERABAD OR GOLCONDA, ANDHRA PRADESH with European straight blade double-edged towards the point, stamped with a brief inscription within a pair of long slender fullers on each face (small areas of light pitting), finely pierced and chiselled iron hilt with beadwork borders, extending over the lower portion of the blade with a pair of langets with shaped foliate terminals, a pair of quillons with pierced bud-shaped terminals, figure-of-eight shaped guard of low V-section, broad knuckle-guard, cup-shaped pommel with long attenuated button, integral grip with an early red velvet covering and the hilt with a padded green velvet liner on the guard, in its leather-covered wooden scabbard (small losses, opening at the seam), 106.7 cm blade Roy Elvis Catalogue Number C28.

Los 481

˜ A 16 BORE PIN-FIRE SPORTING PISTOL BY PERRINS & SONS, WORCESTER, CIRCA 1860 with twist sighted barrels inscribed 'Worcester' on the rib, rounded rotary underlever action engraved with a hound on each side, signed scroll-engraved flush-fitting back action locks, associated moulded dolphin hammers, figured half-stock, chequered butt, engraved steel mounts (the steel parts worn areas of light pitting) and ivory fore-end cap, 22.2 cm barrels

Los 372

A 1796 PATTERN HEAVY CAVALRY OFFICER'S DRESS SWORD with double-edged blade of flattened-hexagonal section (light pitting), regulation gilt-brass hilt including boatshell guard with foliate engraved border, knuckle-guard and pommel chiseled with designs of conventional foliage, the grip bound with plaited silver wire between gilt moulded collars, in leather scabbard with engraved gilt-brass locket, chape, and middle-band, en suite with the guard (rings missing) and retaining much early gilding, 74.2 cm blade

Los 254

˜ A GERMAN LIGHT CAVALRY GENERAL OFFICER'S MAMELUKE-HILTED SWORD, CIRCA 1815-33 in the Turkish manner, with curved blade double-edged towards the point, steel hilt comprising cross-piece with acorn finials, and a pair of ivory grip-scales rising to form a pierced rounded pommel and shaped for the fingers, in its steel scabbard, 76 cm bladeProvenanceSchloss Cumberland, Gmunden, inv. nos. 1529, 1530Schloss Marienburg, Hanover, sold Sotheby's October 2005, lot 3690 Ivory Registration reference 9XZZRWAU

Los 374

AN 1803 PATTERN INFANTRY OFFICER’S SWORD RETAILED BY GRIFFIN & ADAMS, SWORD CUTLERS TO HRH THE DUKE OF CLARENCE, 76 STRAND, CIRCA 1803-27 of regulation type, with curved blade etched and gilt with foliage, the crowned Royal arms and Royal cypher on a blued panel over the lower half (light wear), gilt-brass regulation hilt with crowned GR cypher, wire-bound fishskin-covered grip, in brass-mounted leather scabbard, the locket signed by the retailer, 76.5 cm blade

Los 469

A CASED PAIR OF FRENCH 50 BORE PERCUSSION RILFED TARGET PISTOLS SIGNED DEVISME A PARIS, NO. 929, MID-19TH CENTURY with octagonal sighted barrels (light wear and pitting) rifled with ten grooves, engraved with scrolling foliage and numbered ‘1’ and ‘2’ in gold over the respective breeches, engraved tangs decorated and numbered en suite and incorporating the back-sights, signed stepped flush-fitting border-engraved locks, fitted with hammers decorated en suite (one hammer nose repaired) and detents, figured half-stocks with carved fore-ends and fluted butts, engraved steel mounts decorated en suite, including spurred trigger-guards and moulded butt-caps, and no provision for ramrods (some wear throughout), in a later case with embossed copper flask decorated with foliage, 24.2 cm barrels (2)

Los 238

‡ A GERMAN SMALL HUNTING TROUSSE, MID-18TH CENTURY comprising knife with broad single-edged blade struck with the letter 'P' on one face, moulded ferrule, natural staghorn scales retained by three rivets on foliate washers and engraved silver pommel, fork and bodkin mounted en suite, in its iron-mounted tooled leather scabbard (light insect damage), 26.0 cm overall ProvenanceJoe Kindig III (1923-2021), thence by descent

Los 396

A 14 BORE FLINTLOCK SPORTING GUN BY JOHN FOX TWIGG, WITH SPANISH BARREL, CIRCA 1775-7 with Spanish barrel formed in two stages fitted with silver ‘spider’ fore-sight, chiselled girdle, and octagonal breech stamped with the gold-lined mark of A. P. Esteva and Barcelona town mark (Neue Støckel 328 and 8512), further gold-lined decorative marks and inlaid on each side with silver-inlaid scrolling foliage (small losses, areas of light pitting), gold-lined vent, engraved breech tang decorated with a flower, scrolls and foliage, stepped bevelled lock with second form of signature beneath the pan, fitted with bevelled cock (top-jaw replaced) and moulded steel, iron trigger retaining traces of early blued finish, figured walnut half-stock carved with a raised moulding involving a rococo shell behind the tang, cut with pineapple chequering over the grip, iron mounts comprising butt-plate decorated with scrolls and border ornament, trigger-guard with acorn finial and engraved with a rococo flower on the bow, three ramrod-pipes, horn fore-end cap, and horn-tipped ramrod, perhaps the original, 104.7 cm barrel ProvenanceChristie’s, King Street, 29th March 1995, lot 190 John Fox Twigg was born in Grantham, Lincolnshire in 1732, he is recorded Gunmaker at Angel Court, Charing Cross 1755-60; 132 Strand (opposite Catherine Street), 1760-76; Piccadilly, 1776-90. He was contractor to the East India Company, worked in partnership with John Bass from 1788, and died in 1790.

Los 451

A CASED PAIR OF 16 BORE FLINTLOCK OFFICER’S PISTOLS SIGNED CUFF, LONDON, BIRMINGHAM PROOF MARKS, CIRCA 1830 with twist octagonal sighted barrels inscribed ‘London’ over the breeches (rubbed, light pitting), struck beneath with proof marks and ‘Stubbs twisted’, platinum-lined vents, foliate engraved tang incorporating the back-sight, signed engraved flush-fitting lock decorated with border ornament, foliage and a sunburst, fitted with bolt safety-catch, semi-rainproof pan, steel spring with roller (one cock and steel replaced), figured full stocks (small cracks and dents), chequered rounded butts, engraved iron trigger-guards, stirrup ramrods and vacant German silver escutcheons: in a later lined and fitted case, 20.5 cm barrels (2)

Los 193

˜ A 14 BORE NORTH MOROCCAN SNAPHAUNCE MUSKET, 19TH CENTURY, PROBABLY TÉTOUAN with tapering sighted multi-stage barrel retained by seven chased silver bands, octagonal breech fitted with standing back-sight, flat lock struck with a mark, retained by three side-nails over shaped washers, fitted with cock and battery each engraved with lines, blackened full stock, inlaid with two mother-of-pearl panels behind the tang (the third missing), carved with scrollwork beneath the lock, ivory butt-plate, iron trigger-guard and iron ramrod (light wear), 128.7 cm barrel For a discussion of this group see Waelty, 2022 p. 92-101. Ivory Registration reference PG3KNDXB

Los 285

A GERMAN OFFICER’S LIGHT BLUE PARADE ATTILA probably of Hussar Regiment No.19, trimmed and edged with silver chain gimp forming five loops each side in front (shoulder-cords absent, moth damage, mainly to bottom of skirts)

Los 467

˜ A CASED PAIR OF 40 BORE PERCUSSION RIFLED TARGET PISTOLS BY GASTINNE RENETTE ARQR DE L' EMPEREUR A PARIS, NO. 941, DATED 1856 with browned octagonal swamped sighted barrels chiselled with vine foliage within a gothic framework around the muzzles and the breeches (small areas of light pitting), signed in encrusted gold on the flats, struck beneath with the serial number, the date and initials 'GR', chiselled case-hardened breeches decorated en suite and stamped beneath with the barrelsmith's mark, the initials 'GR' crowned in an oval, chiselled tangs decorated with foliage on a matted ground and incorporating the back-sights, flush-fitting locks chiselled en suite with the breeches and signed in script within a shaped panel, fitted with matching hammers, detents and blued triggers, ebony half-stocks finely carved with neo-rococo scrolls, flowers and shell ornament on a matted ground over the fore-end, the same design centring on a vacant escutcheon and fluted over the butts, engraved case-hardened mounts comprising trigger-plates, spurred trigger-guards and moulded pommels all decorated en suite with the locks, case-hardened barrel bolt escutcheons, and some early finish throughout: in original fitted ebonised case, the exterior of the lid inlaid with brass bands, a central foliate panel and the crowned initials 'CL' beneath the coronet of a Marquis, the interior lined in blue velvet, the lid with the gilt maker's name and coat of arms (compartment lid damaged, areas of wear, the lid forced and lock damaged), complete with accessories including 'G & J. W. H. Fireproof' white metal flask, bullet mould, turn-screw, nipple-wrench and loading rod, 26.7 cm barrels The firm of Gastinne-Renette was one of the leading target and duelling pistol makers in Paris during the 19th century. They won medals at the Paris exhibitions of 1839 and 1844, as well as holding appointments to Napoleon III and the King of Spain. Duelling lessons were still available at the firm's premises in the Champs-Elysées until the outbreak of the First World War, where it is still represented to this day. The champion shot, Walter Winans devotes a chapter to "Gastinne-Renette's gallery in Paris", in The art of Revolver Shooting (1911), where he concludes 'in regard to galleries where one can get pistol practice, that of Gastinne-Renette in Paris stands easily first, and not only is it lit up in the best style for all sorts of shooting, but the weapons supplied are the best in the world'.

Los 209

David Spiller (British, 1942-2018)Love is the Light (Goofy) Screenprint in colours, 2012, on Arches Satin wove paper, signed, titled and numbered 1/75 in pencil (there were also ten artist's proofs), printed and published by Harwood King Studio, Sussex, with margins, framedImage 762 x 762mm (30 x 30in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 113

Robert Motherwell (American, 1915-1991)Beau Geste V, from Beau Geste Suite (Belknap 421) Lithograph in colours, 1989, on light grey Gampi handmade paper, signed with the initials and numbered 19/100 in pencil (there were also 25 impressions in Roman numerals), printed by Trestle Editions Limited, New York, co-published by the artist, Éditions Daniels Papierski, Paris and Waddington Graphics, Ltd., London, with the artist's blindstamp, the full sheet, framedSheet 559 x 381mm (22 x 15in)Footnotes:ProvenanceThe collection of Theo Waddington, London.For further information on this lot please visit Bonhams.com

Los 41

A collection of boxed die-cast Dinky toys, to include: - 276 Airport Fire Tender with Flashing Light - 70 AEC Mercury Tanker, Shell/BP (repainted) - 192 De Soto Fireflite Sedan with Windows - 067 Austin Taxi / 068 Royal Mail Van (boxes only)

Los 21

A pair of boxed Bachmann 44-021 North Light Factory 00 Scale model buildings

Los 248

Siddy Langley - A contemporary studio glass vase of tapered form in light turquoise with speckled detail, white dotted trails and purple blooms, signed to underside and dated 2004, 25 cm high

Los 260

Two boxed Dinky military diecast models sets, both incomplete or mis-completed, in cardboard boxes for the 162 18-Pounder Quick Firing Field Gun Unit, and the 152 Royal Tank Corps Light Tank set

Los 221

A Rolleiflex SL 66 SE film SLR camera, with Planar 1:2,8 f=80mm lens, Nr 8108469, in black with built-in light meter, with box and manual

Los 266

A small collection of Dinky Toys aircraft to include a Light Racer in yellow, two Light Transport in blue and red, Shooting Star, Tempest II, Meteor, Fighter, Spitfire, Hawker Hurricane and Medium Bomber

Los 528

British Indian Army by John Ruddle: Bikanir Camel Corps Camel Gun 4th Dragoons Guards in foreign service order and Guides Cavalry with Jat Sikhs at attention, Cameron Highlanders and Duke of Cornwall's Light Infantry in foreign service order (Condition Very Good, gun traces and one rifle damaged) (89)

Los 172

Britains set 78, Royal Navy Bluejackets running at the trail with Petty Officer, with additional seven Bluejackets and two Petty Officers (Condition Good, one base replaced) and from set 97, Royal Marine Light Infantry, SIXTH VERSION five running, closed elbow, infantry helmet (two rifles damaged), and SEVENTH VERSION ten running with Officer (Condition Very Good) (33)

Los 484

British Army by John Ruddle: Drums and Pipes of the Liverpool Scottish Band and Bugles of the Cameronian Rifles, Drums and Pipes of the Gordon Highlanders, Band of the King's Own Scottish Borderers with escort and Highland Light Infantry (Condition Very Good, one bass drumstick missing, one piper damaged) (103 approx.)

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