534297 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534297 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534297 Los(e)/Seite
Fletcher (Hanslip, 1874-1955). Street scene with church in scaffolding, 1909, pen & black ink on wove paper, signed and dated lower right, mount mark to edges, with minor discolouration to upper left corner, sheet size 31.6 x 25.5cm (12 3/8 x 10ins), unframed, together with: Stained glass design, [for] Donhead E. Wdw, scale 3/4 in, c.1880, pen & black ink and watercolour on paper, one portion with an additional section of design tipped on (to cover original unfinished portion), title inscribed upper left, sheet size 25.3 x 13.5cm (10 x 5 1/4ins), laid on thick card (35.0 x 23.0cm), plus: Reddie (E.J., later 19th century), Portrait of a man, 1878, sepia watercolour on card, artist's monogram and dated centre right, pencil inscription to lower margin 'E.J. Reddie, 1 Bernard Street, W.C.', artist's pencil annotations to margins, closed tear to left side, extending 35mm into image, 45.3 x 33.6cm (17 7/8 x 13 1/4ins), unframed, with 52 other drawings, various mediums, some signed or initialled, a few dated, on paper or card, some laid down, various conditions, contained together in a card folder, works include: an oval watercolour Scottish castle and loch scene, signed A. Edwards, dated 1861, possibly by Amelia B. Edwards (1856-1891); a large portrait of two boys, coloured chalks on light brown heavy paper, laid on heavy paper, unsigned; and a group of pencil or pen & ink with watercolour wash copies of architectural or sculptural featuresQty: (55)
Hale (Kathleen, 1898-2000). Manda, the Jersey Cow, watercolour and pencil on paper, some light spotting (mainly at edges), mount aperture 26.0 x 34.0cm (10 1/4 x 13 3/8ins), framed and glazed (49.3 x 56.1cm), verso with red ink number 116, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, and 2 pencilled numbers, together with: Hassan and Grace go for a Drive, circa 1958, two preliminary sketches for facing pages in Orlando's Magic Carpet (pp.20-21), which together form a continuous scene of the car journey, with camels and donkeys sharing the road with Hassan's car, both watercolour and pencil on paper, mount apertures 14.4 x 18.8cm (5 5/8 x 7 3/8ins), & 16.1 x 19.1cm (6 1/4 x 7 1/2ins) respectively, framed and glazed (36.6 x 40.0cm & 38.6 x 40.5cm respectively), the first with pencilled title on verso, with inscription 'Goldmark No 13', plus label of Goldmark Gallery, Rutland, and several numbers in coloured inks, one of which (no.87) relates to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, the second with 'Orlando's Magic Carpet' inscribed on verso, with the number 88A[?], plus: Can you see Mr. Fluff sitting like a Pom-Pom on the old Lady's hat?, 1940s, pen & blue ink and watercolour on paper, with some white bodycolour corrections, title inscribed by the artist in blue ink, a few spots and minor marks, mount aperture 31.0 x 21.5cm (12 1/4 x 8 1/2ins), framed and glazed (53.2 x 42.5cm), verso with pencilled 'No. No.', and number 32, and with red ink number 71, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, with a print of the oil painting 'Orlando reclining amongst flowers', mount aperture 15.8 x 19.4cm (6 1/4 x 7 5/8ins), framed and glazed (27 x 29.8cm)Qty: (5)Footnote: Manda the Jersey Cow is also listed in the Michael Parkin exhibition A Summer Picnic of Pictures, 2002 (number 29) as 'Jersey Cow'. 'Can you see Mr.Fluff ...?' is a proposed illustration for an unpublished children's story 'Mr. Fluff', part reproduced in colour in Kathleen Hale's autobiography A Slender Reputation (plate 16).
Livingstone (Davis and Charles). Narrative of an Expedition to the Zambesi and its tributaries; and of the discovery of the Lakes Shirwa and Nyassa. 1858-1864, 1st edition, London: John Murray,1865, folding wood-engraved frontispiece, wood-engraved vignette to title, wood-engraved plates, and illustrations, folding engraved map at rear, intact, with some light spotting to verso, minor spotting to last few leaves, marbled edges and endpapers, contemporary half-calf, gilt decorated spine with morocco title label, rubbed and some marks (generally a good copy), 8voQty: (1)Footnote: Following the success of his first book Missionary Travels and Researches in South Africa (1857), Livingstone obtained Government funding for a further expedition up the Zambesi River. The journey took over six years instead of the expected just two, the expedition being recalled, following the impossibility of navigating the upper reaches of the Zambesi due to its rapids and waterfalls.
London. 'A perspective view of one frame of the centreing to Waterloo Bridge', circa 1817, pen and ink study by J. Neville, depicting a wooden frame bridging one column to another, builders carrying and chiselling wood work alongside the partially built bridge, artist's signature to lower right, ink caption and annotations to image, pale mount stain to image, some light toning, tipped onto card, unobtrusive closed tear to lower right blank margin, 16.3 x 23.9cm (6 4/8 x 9 3/8ins), mounted (24 x 30.2cm)Qty: (1)
Mason (John). Three Years in Turkey: The Journal of a Medical Mission to the Jews, 1st edition, London: John Snow, 1860, lithographic frontispiece, lithographic vignette to title, front hinge cracked, contemporary gift inscription to front free endpaper, sporadic spotting, original publisher's blue ribbed cloth, lacking tailcap, extremities worn, boards dust-soiled, 8vo, together with: Constantinides (C.L). Turkish Tobacco, a manual for Planters, Dealers, & Manufacturers, 1st edition, London: W. & J. Rounce, 1912, signed by the author to upper margin of front free endpaper, 2 maps (one folding), 8 black and white plates, all edges gilt, spotting, light marginal toning, hinges cracked, original publisher's brown cloth gilt with gilt tobacco plant device to front board, extremities rubbed and worn, 8vo, with Bunel (M. Louis). Jérusalem, la cote de Syrie et Constantinople, Paris: Sagnier et Bray, 1854, lithographic frontispiece, 7 colour lithographs, text block separated from backstrip, spotting, some gatherings loose, later paper-backed marbled boards, head of spine chipped with loss, extremities worn, 8vo, together with three further related worksQty: (6)
Reynolds (Sir Joshua, 1723 - 1792). 'The Honourable Augustus Keppel', 1760, uncoloured mezzotint by E. Fisher after Reynolds, caption to lower margin reads 'Commander of His Majesty's Ship the Torbay on the 20th: Novbr: 1759', trimmed to image and tipped onto later card, some surface marks and light wear, very small area of restoration to blank lower left corner, 35 x 24.5cm (13 3/8 x 9 6/8ins), mounted, framed and glazed (64.2 x 53cm), plus: 'Sir George Bridges Rodney BAR, Admiral of the White', uncoloured mezzotint by J.Watson after Reynolds, trimmed to image and tipped onto later card, some surface marks and light wear, title area with slight loss and professional restoration but not affecting the letters, 38 x 28cm (15 x 11ins), mounted, framed and glazed (67.4 x 56cm)Qty: (2)Footnote: The Honourable Augustus Keppel mezzotint was printed in London for 'Rob: Sayer at the Golden Buck in Fleet Street, Hen. Parker & Eliz. Bakewell in Cornhill, & John. Bonles & Son, in Cornhil.'
Rowlandson (Thomas, illust.). Hungarian & Highland Broad Sword. Twenty Four Plates..., under the direction of Mess.rs H.Angelo and Son, Fencing Masters to the Light Horse Volunteers of London and Westminster, dedicated to Colonel Herries, London: H. Angelo, 1799, pictorial architectural title in aquatint with contemporary hand colouring, nine aquatint plates only (of 23), all with contemporary hand colouring, occasional light dust-soiling and minor spotting, 19th century half morocco, worn, oblong folio (plates 30.3 x 39.3 cm), together with a selection of seven loosely inserted 19th century fencing and military related prints etc. plus one related watercolourQty: (1)Footnote: Sold as a collection of plates, not subject to return.
Melland (Frank H.) Cholmeley (Edward H). Through the Heart of Africa, 1st edition, London: Constable, 1912, half-title, frontispiece, numerous plates, folding map to rear, occasional light spotting (mostly marginal), 'presentation copy' stamp to title, original publisher's red cloth gilt, top edge gilt, 8vo, together with: Sykes (C.A.). Service & Sport on the Tropical Nile 1903, 1st edition, London: John Murray, 1903, portrait frontispiece, 16 black and white plates after photographs, folding map at end, top edge gilt, fore edge untrimmed, leaves lightly toned and spotted, endpapers toned, original publisher's red cloth gilt, joints worn, faint water stain to lower margin of front board, backstrip faded, corners and extremities lightly bumped, 8vo, together with Pearce (F.B). Zanzibar, the Island Metropolis of Eastern Africa, 1st edition, 2nd impression, London: T. Fisher Unwin, 1920, half-title, portrait frontispiece, 48 black and white plates after photographs, 3 maps (one folding), lightly spotted, modern blue half morocco gilt, spine lettered in gilt, foliate embellishments to spine compartments, compartments bordered in gilt separated by raised bands, boards a trifle worn, 4to, with Howard (C). West African Explorers 1951Qty: (4)
Baxter (Lucy). The Life of William Barnes, Poet and Philologist, by his daughter Lucy Baxter ("Leader Scott"), 1st edition, London & New York: Macmillan and Co., 1887, photographic portrait frontispiece, advertisement leaf at end, a little light spotting, original cloth gilt, spine a little faded and rubbed at ends, one corner bumped, 8vo, with a 4 pp. autograph letter and other notes from George Hare Leonard (1863-1941, Professor of History at the University of Bristol), to his mother discussing a visit to Dorchester and William Barnes loosely laid-in, together with 3 others: Edward Slow's Wiltshire Rhymes with Glossary of over 1,000 words, used by the peasantry in the neighbourhood of Salisbury, Salisbury & Wilton circa 1895, Poems of Rural Life in the Dorset Dialect, by William Barnes, 1888, and Select Poems of William Barnes, chosen and edited with a preface and glossarial notes by Thomas Hardy, 1908Qty: (4)
Bindings. Seas and Lands, by Edwin Arnold, new impression, London: Longmans..., 1899, some light spotting & damp damage, bookplate to front pastedown, gilt decorated full red morroco bound by Bickers & Son, spine slightly faded & rubbed, 8vo, The Life of Napoleon Buonaparte, by J. G. Lockhart, new edition, London: Bickers & Son, 1891, some light toning & spotting, bookplate to front pastedown, original gilt decorated full tree-calf bound by Bickers & Son, boards & spine rubbed with some loss to the foot, 8vo, A History of Nineteenth Century Literature (1780 -1900), by George Saintsbury, London: Macmillan, 1906, some light Mark's, bookplate to front pastedown, original gilt decorated blue full calf, boards & spine lightly rubbed, 8vo, together with 43 further volumes of 19th & early 20th-century gilt decorated leather bindings, some odd volumes, some French language, overall condition is generally good, 8voQty: (46)
Crystal Palace. The Great Glass House Opend; or The Exhibition Wot Is ! ! With a good deal of what isn't - but what ought to have been. - The front and the back the outside and the, inside the beginning, the middle, and the end. The whole forming a complete facetious Guide to the Fair, by George Augustus Sala, London: published by the Compy of Painters & Glaziers, 1851, [cover-title], 21 (of 24) hand-coloured etched panels only, bound concertina-style to form a continuous panorama, some marks and light soiling, many outer folding corners restrengthened with old clear adhesive tape, a little loss to upper left margin of the final panel, slightly affecting the image, bound in original limp cloth wrappers, with original title label to upper cover (soiled and darkened with some loss along the lower edge), spine frayed and detaching, oblong 8vo, 13.5 x 26cm (5.5 x 10.25ins), (sold as seen, not subject to return)Qty: (1)Footnote: Abbey, Life, 594. Seemingly one of the scarcest of the Sala panoramas, and when it does appear it is rarely complete. Sala's riotous array of figures include: a picture of a distressed looking Maori captioned 'Shocking Case of Starvation "I have not tasted human flesh since I left New Zealand'; a gibbet with six 'foreigners' strung up; and an Ojibbeway Chief in ceremonial dress attempting to gain entrance to the theatre 'Wouldn't he have scalped the doorkeeper - oh no not at all!'
Dore? (Gustave, illustrator). The Holy Bible, containing The Old and New Testaments, 2 volumes, London & New York: Cassell, Petter, and Galpin, circa 1870, numerous wood engraved plates, occasional light dust-soiling & damp staining mostly to margins and some light scattered spotting, marbled endpapers with later cloth hinges, gilt gauffered edges, contemporary blind decorated black morocco, rebacked preserving original spines, some light wear to extremities, large 4to (36.5 x 28 cm), together with: Bible [English], The Self-Interpreting Bible, containing the Old and New Testaments, to which are annexed, an extensive introduction, marginal references..., by the Rev. John Brown, Glasgow, Edinburgh & London: William Mackenzie, circa 1870, numerous engraved plates, family genealogical notes at front, all edges gilt, contemporary blind & gilt decorated black calf, extremities a little rubbed and few scuffs, 4to, plus a Pitman's shorthand Bible, 1891Qty: (4)
Harris (John). Lexicon Technicum, or, An Universal English Dictionary of Arts and Sciences, explaining not only the terms of Art, but the Arts themselves, 2 volumes, 2nd & 1st editions respectively, London: for Dan. Brown [et al], 1708-10, titles printed in red & black, engraved portrait frontispiece, 12 (of 14) plates, some folding, numerous engraved diagrams, illustrations and tables to text, generally browned, occasional spotting, volume 2 with some dampstaining at front and rear (mainly to margins), some folding plates with a short closed handling tear, hinges cracked, contemporary Cambridge panel calf, worn, joints cracked, folio, together with: A Supplement to Dr. Harris's Dictionary of Arts and Sciences, by A Society of Gentlemen, London: for the authors, 1744, title printed in red & black, 6 engraved plates, some dampstaining and browning, armorial bookplate 'John Somers, Lord Somers', rear hinge cracked, contemporary sprinkled calf, worn, front cover detached, folio, plus: [Gregoire, Gaspard], Explication des Ceremonies de la Fete-Dieu d'Aix en Provence, Aix: chez Esprit David, 1777, engraved portrait frontispiece, 13 engraved folding plates, scarce light spotting, one plate browned, near contemporary half calf, rubbed with some wear to extremities, 8vo, with 3 others: Le Parfait Indigotier ou Description de l'Indigo, by Elie Monnereau, 1748; Epitome Grammaticae Hebraeae, by Johann Buxtorf, 1646; Aeschyli Tragoediae quae extant septem, Cum versione Latina, et lectionibus variantibus, by Aeschylus, volume 2 only (of 2)Qty: (7)Footnote: Volume 2 of Lexicon Technicum contains the first printing of Isaac Newton's only paper in chemistry, together with its English translation.
Mathews (Anne). Anecdotes of Actors: with other desultory recollections, etc, London: T.C. Newby, 1844, extra-illustrated with over 30 plates, portraits, playbills and autograph letters, including an autograph letter fragment signed by William Wilberforce, autograph letters from actors James Denman, Andrew Cherry and James Russell, 2 playbills, one Theatre Royal, Covent Garden, October 3, 1828, the other Theatre Royal, Liverpool, June 16, 1830, occasional light offsetting, all edges gilt, modern red morocco gilt by Bayntun, Bath, upper joint and head of spine a little rubbed, 8voQty: (1)
Rangachar (N.). Diary of a Pilgrimage to Lake Manasarowar and Mount Kailas with H.H. the Maharaja of Mysore in 1931, 1st edition, Mysore: printed by the Asst. Supdt., Govt. Branch Press, 1936, black & white illustrations from photographs, folding map at rear, original printed wrappers, slim 8vo, together with My Jubilee Visit to London by Subadar Mahammad Beg, Sirdar Bahadur, 1st Madras Lancers, Translated by K. Srinivasa Rao, edited by Lieut.-Colonel E.E.M. Lawford, 1st Madras Lancers, Bombay: Thacker & Co., 1899, faint library ink stamp and blue pencil marks to title, a little spotting, institutional library bookplate to front pastedown, original cloth with small manuscript paper label at foot of spine, 8vo, plus Wilson (Minden), History of the Behar Indigo Factories; Reminiscences of Behar; Tirhoot and its Inhabitants of the Past; History of Behar Light Horse Volunteers, 1st edition, Calcutta: Calcutta General Printing Company, 1908, 4 black & white illustrations from photographs, a little spotting, inner hinges cracked, original cloth, rubbed and partly faded, a little edge wear, 8vo, plus Alice, Grand Duchess of Hesse, Princess of Great Britain and Ireland. Biographical Sketch and Letters, with Portraits, Translated into Gujerati by Sunabai Dinshah Taleyarkhan, 1st edition, Bombay: Education Society Press, 1897, title, dedication and translator's explanatory preface in English, main text in Gujurati, black & white plates including frontispiece, ink presentation inscription from the translator to the Honourable M.N. Bhownaggree, MP, CIE [British Conservative Party politician, like the translator of Indian Parsi origin], some spotting, original cloth gilt, rubbed and soiled, 8vo, plus other assorted mostly early 20th-century India interest including 3 pamphletsQty: (14)
Needlework binding. The Love of the Angels, a Poem, by Thomas Moore, London: Longman, Hurst, Rees, Orme and Brown, 1823, half title, 4 pp. advertisements at end, some light spotting, unobtrusive Bolton Public Library ink stamps, decorative needlework over later plain boards, probably 18th century, with colour stylised flower designs and metal threads, a little rubbed at edges, modern cloth solander box, 8voQty: (1)Footnote: An old bookseller description at front states it is "covered with old Salonica needlework, a pretty design, worked in various coloured silks and gold threads". Probably a fragment from a larger panel.
Bellew (Henry Walter), Kashmir and Kashghar. A Narrative of the Journey of the Embassy to Kashghar in 1873-74, 1st edition, Trübner & Co., 1875, a little spotting and dust-soiling, pencil doodles to final blank page, inner hinges cracked, original cloth, rubbed and soiled, edges and spine ends frayed, 8vo, together with: Rennie (Surgeon [David Field]). Bhotan and the Story of the Dooar War including Sketches of a Three Months' Residence in the Himalayas, and Narrative of a Visit to Bhotan in May 1865, 1st edition, John Murray, 1866, frontispiece, title vignette, 3 plates from photographs and 5 illustrations to text, lacks map, a little spotting and soiling, and light marginal damp staining to early leaves, 32-page publisher's catalogue at rear, lacks front free endpaper, inner hinges cracked, original cloth gilt, rubbed and soiled, some fraying to spine and edge wear, plus Hooker (Joseph Dalton), Notes of a Tour in the Plains of India, the Himala, and Borneo; Being Extracts from the Private Letters of Dr Hooker, Written during a Government Botanical Mission to those Countries. Part I. Englad to Calcutta [all published?], Reeve, Benham & Reeve, 1848, original printed wrappers, some spotting and soiling, spine darkening and wear with some loss, a few corner chips, slim 8voQty: (3)
Eggert (Franz Xaver). Die Glasgemälder der neuerbauten Mariahilf-Kirche in der Vorstadt au zu München, ein Geschenk Seiner Majestaet des Koenigs Ludwig I. von Bayern und auf Allerh?chstdessen Befehl in der königl. Glasmalerei-Anstalt in München, unter der Leitung des Professors Heinrich Hess, gefertigt. In getreu auf Stein gravirten Abbildungen herausgegeben von Franz X. Eggert..., Munich: [Fr. Gyperu & R. Risch], circa 1845, 12 folding engraved plates (of 20), with original bright hand-colouring heightened with gum arabic (each made from two or three conjoined sheets with linen hinges), letterpress title of dark blue paper, hand-coloured decorative dedication leaf and single-page uncoloured plate, occasional light toning, scattered spotting, offsetting and minor dust-soiling, all loosely contained in portfolio (each folding plate opening out to sheet size of 120.5 x 40.5 cm)Qty: (1)
Indian Textiles. Illustrations of Textile Manufactures of India, London: Science and Art Department of the Committee of Council on Education, South Kensington Museum, 1881, printed title, 86 chromolithograph plates of Indian textiles, including turbans, men's garments, embroidered scarfs and shawls, carpets, etc., some light soiling, mainly to margins, light oval ink stamp to upper outer corner of each plate, just touching image, tissue-guard to each, one or two short closed tears, title with some light marks and vertical creasing, original library bookplate to front pastedown of the Science and Art Department, South Kensington, top edge gilt, contemporary yellow cloth, rubbed and some soiling, some wear to joints and loss to head and foot of spine, large folio (47 x 34 cm)Qty: (1)Footnote: The India collection at the Victoria & Albert Museum (formerly known as the South Kensington Museum) originated in the East India Company's Museum, or Oriental Repository, founded in 1791. Caspar Purdon Clarke (1846–1911), who became keeper of the art collections and subsequently director of the museum, had arranged the new Indian section in 1880, and in 1881 was sent to India with instructions to collect objects in everyday production to encourage the 'native art manufactures' of India, and provide models of design and ornamentation for British manufacturers and students.
Ruttledge (Hugh). Everest 1933, 1st edition, London: Hodder & Stoughton, 1934, 59 plates after photographs (including frontispiece), 4 maps (3 folding), newspaper article pasted to rear leaves, occasional light spotting, original publisher's cloth, dust jacket, extremities chipped with slight loss, library label to base of spine, rear panel slightly dust-soiled, 4to, together with: Ghambashidze (D). Mineral Resources of Georgia and Caucasia, with a chapter on the Manganese Industry of Georgia, 1st edition, London: George Allen & Unwin, 1919, 8 black and white plates, folding map, endpapers toned, original green publisher's cloth, dust jacket, extremities slightly rubbed, 8vo, with Hulbert (Homer B & Washington B Vanderlip). In Search of a Siberian Klondike, London: T Fisher Unwin, 1906, portrait frontispiece, numerous black and white illustrations after photographs, lightly spotted, original blue pubisher's pictorial cloth gilt, spine lettered in gilt, backstrip faintly marked rubbed, 8vo, together with 3 others relatedQty: (6)
Venturi (Lionello). Botticelli, New York: The Phaidon Press, no date, numerous full-page colour illustrations, lightly spotted to preliminaries, broad turn-ins bordered in gilt, signed by binder Bernard Kiernan to lower margin of rear pastedown, purple and yellow pictorial morocco gilt, spine lettered in gilt, boards decorated with spherical tools finished in gilt, joints and extremities slightly worn, rear board with a few light spots, housed in a custom beige chemise and slipcase, folio, together with: Aymé (Marcel). Images de l'amour, Paris: Éditions Georges Guillot, (1957), number 170 of 190, frontispiece, numerous full-page illustrations, further illustrations to text, broad turn-ins with quadruple gilt border, top edge gilt, fore and bottom edge untrimmed, contemporary red morocco gilt, title lettered in gilt to front board, spine lettered in gilt, joints and extremities worn, boards faintly marked, folio, with Hofmannsthal (Hugo). Ariadne auf Naxos, Munich: R.Piper & Co, 1922, numerous illustrations to text, top edge gilt, gilt turn-ins, preliminaries and rear leaves lightly spotted, contemporary calf gilt, raised bands with gilt edges, red morocco title label lettered in gilt, gilt borders to covers, extremities rubbed, folio, with 5 others relatedQty: (8)
Beeton (Isabella). The Book of Household Management, 60th thousand, London: S. O. Beeton, 1863, 8 colour plates plus numerous black & white vignettes, lacks original front & rear endpapers, some spotting, toning & light wear throughout, rebound in modern quarter morocco to brown cloth boards with gilt decorated black calf spine label, spine lightly faded, 8vo, together with; Soyer (Alexis), The Gastronomic Regenerator: a simplified and entirely new System of Cookery,..., 3rd edition, London: Simpkin, Marshall, & Co., 1847, black & white illustrations, lacks original front & rear endpapers, some spotting, toning & light wear throughout, rebound retaining the publishers original red cloth, original boards & spine rubbed with some minor loss to head & foot, 8vo The Modern Housewife; or Ménagère, 36th thousand, London: Simpkin, Marshall, and Co., 1861, black & white illustrations, lacks original front & rear endpapers, some spotting, toning & light wear throughout, rebound retaining the publishers original gilt decorated green cloth, original boards & spine rubbed with some minor loss to head & foot, 8vo, and plus 5 similar cookery books, 8voQty: (8)
Shanghai. "So - This is Shanghai", Shanghai: Kelly & Walsh Limited, (c.1935), 25 black and white plates after photographs, first plate toned to area exposed by front cover, lightly spotted, original paper wrappers, a couple of small light water-stains to front cover, extremities a little bumped, oblong 8vo, together with: Felkin (Margaret). Malayan Sketches, Singapore: Privately Printed, (c.1925), 8 (out of 12) colour plates after paintings by Felkin, one torn and detaching, plates loose, original paper wrappers, torn and worn to extremities, oblong 8vo, with Canary Islands. Views of Las Palmas, Grand Canary. Las Palmas: E.P.M. Lawson, (c.1925), 12 mounted black and white plates after photographs (1 loose), toned and offset, original paper wrappers, oblong 8voQty: (3)
Clarke (F. C. H.). The Franco-German War 1870-1871, 8 volumes (part 1 volumes 1 & 2, part 2 volumes 1 & 2 Maps part 1 volumes 1 & 2, Maps part 2 volumes 1 & 2), London: H.M.S.O., 1874-83, previous owner inscriptions to the front endpapers, some light toning throughout, all in contemporary gilt decorated plum half morocco, part 1 volumes 1 & 2 spines partially detached, part 1 rear board detached, boards & spines slight rubbed & faded, Maps part 1 volume 1 has 10 folding maps, Maps part 1 volume 2 has 24 folding maps, Maps part 2 volume 1 has 25 folding maps, Maps part 2 volume 2 has 16 folding maps, contemporary hand written lists tipped into the front of each Map volume, Map volumes in matching book boxes, slightly rubbed to head & foot, 8voQty: (8)
Fleming (Ian). Goldfinger, 1st edition, London: Jonathan Cape, 1959, ownership inscription to front free endpaper, some water-spotting to fore-edge, original publisher's pictorial cloth, dust jacket, small closed tear to front panel, some light spotting to verso, spine lightly toned, extremities rubbed with slight loss, 8voQty: (1)
Greene (Graham, editor). Night and Day, 26 issues [all published], July 1, 1937 - December 23, 1937, illustrations and advertisements, occasional light toning, loosely bound together in contemporary cloth boards, lacking spine, lower cover detached, 4to, together with the detached upper wrappers only, some adhered back to back with some edge wearQty: (1)Footnote: Short-lived periodical, edited by Graham Greene, with contributions by Evelyn Waugh, Anthony Powell, John Betjeman, Henry Miller, Christopher Isherwood and others.
Hodgson (William Hope). Carnacki the Ghost-Finder, 1947; Deep Waters, 1967, 1st US editions, Mycroft and Moran & Arkham House, Sauk City, Wisconsin, slight toning at gutter of Carnacki endpapers, original cloth, dust jackets, spines a little toned with small nicks at ends, 8vo, together with: Machen (Arthur). Luncheon on Wednesday 3rd March 1937, at the Westgate Hotel, Newport, Mon in Honour of a Man of Gwent, 6 pp. menu including a 2 pp. extract from Henry Danielson's bibliography bound-in, some light spotting, a folded compliments slip from the Arthur Machen Testimonial Committee loosely inserted, original stiff string-bound wrappers with monochrome illustration to rear wrapper, 8voQty: (3)Footnote: Carnacki the Ghost-Hunter was first published in London in 1913; Deep Waters is the first book form edition of short stories. The author was an observation officer in the Royal Field Artillery during the First World War and was killed near Ypres in April 1918. Unusual item of Arthur Machen ephemera.
Pakistan and Kashmir. Story of the North West Province, Peshawar: Government Printing and Stationery, 1929, half-title, frontispiece, 9 black and white plates after photographs, 2 folding maps to pockets, tissue-guards, light marginal dust-soiling, spotting, original publisher's leather binding, lettered in gilt to front cover and backstrip, gilt border, lacking head and tailcap, margins worn, extremities rubbed resulting in loss, 8vo, together with: Neve (Arthur). The Tourist's Guide to Kashmir, Ladakh, Skardo, &c, Lahore: Civil and Military Gazette, 1933, two folding colour maps to rear, endpapers and pastedowns marginally spotted and damp-stained, bookseller's ticket to lower margin of front free endpaper, original publisher's cloth-backed pictorial paper boards, upper margin of rear cover damp-stained, boards worn, extremities rubbed, 8voQty: (2)
Inky Parrot Press. Night Thoughts & Other Poems, written by C.H. Sisson between August & November 1982, Inky Parrot Press, Oxford Polytechnic, 1983, linocut illustrations by Annie Newham, original wrappers, small tears at head of spine, 4to, together with Nash (Paul, illustrator). Mister Bosphorus and the Muses or a short history of poetry in Britain, variety entertainment in four acts, words by Ford Maddox Ford, London: Duckworth, 1923, wood-engraved illustrations by Paul Nash, some light spotting, original cloth-backed boards, marginal toning to covers, 4to, with seven others including Essex: Highways, Byways, and Waterways, by C.R.B. Barrett, 1892 (limited edition 117/120), Geographia Antiqua: Being a complete set of maps of antient geography, beautifully engraved from Cellarius..., new edition, 1812, Gilbert Rumbold's The Wayside Book, [1934] and Frank Carr's Sailing Barges, 1931 (inscribed by the author)Qty: (9)
[Isaac, Frederick Simeon?]. Odds and Ends in Prose and Verse, by Pater, London: privately printed at the Chiswick Press, 1908, half-title, photographic portrait frontispiece, occasional light spotting, all edges gilt, original black morocco gilt, tall 8voQty: (1)Footnote: A handsome copy in fine condition of a scarce title, privately printed in small numbers.
Johnson (Lionel). Poems, 1st edition, London: Elkin Mathews and Boston: Copeland & Day, 1895, title-page vignette and colophon device printed in red, signed presentation inscription from the publisher Grant Richards to his grandson Peter Taylor to title upper right, 'To Peter Taylor on his sixteenth birthday from his grandfather Grant Richards, this rare and beautiful book by a Wykehamist', and with a long signed note from Richards to his grandson respecting the book loosely inserted, paperclip impression and light markings to upper margins of preliminary leaves and loose note, uncut, original boards, soiling and edge wear, remains of backstrip loosely inserted, 8voQty: (2)Footnote: The first issue of this key British literature publication of the 1890s comprised 25 numbered and inscribed copies by Johnson. This is a second issue, one of 750 regular copies.
Liddell (Colonel R.S.) The Memoirs of the Tenth Royal Hussars (Prince of Wales's Own). Historical and Social, London: Longmans, Green and Co., 1891, portrait frontispiece of the future King Edward VII, colour illustrations by Oscar Norie, light spotting to endpapers, bookplate of Gerald Berkeley Portman, top edge gilt, original cloth gilt, small repaired tear at head of spine, thick 8vo, together with Historical Record of the Third (King's Own) Hussars. Containing an account of the formation of the Regiment in 1685, and its subsequent services to 1903, London: W.P. Griffith & Sons, 1903, colour illustrations, some toning to a few leaves, previous owner inscription of Claude S. Foster, 3rd King's Own Hussars, bookplate, all edges gilt, contemporary calf gilt, slightly rubbed, 8voQty: (2)
Morris (William). The Illustrations of William Blake for Thornton's Virgil, London: The Nonesuch Press, 1937, number 170 of 1000 copies, engravings in folder to rear, illustrations to text, original publisher's paper boards, spine toned, extremities rubbed, 8vo, together with: Ford (Ford Madox). Mister Bosphorus and the Muses, decorations by Paul Nash, London: Duckworth & Co, 1923, 12 wood engravings by Nash, half-title, endpapers toned, pen markings to front free endpaper, original publisher's pictorial paper boards, margins toned and spotted, extremities bumped, 8vo, with Morris (William). An Address Delivered the Xith November MDCCC at Kelmscott House Hammersmith before the Hammersmith Socialist Society, London: Chiswick Press, 1902, uncut, occasional light spotting, original publisher's quarter vellum, boards lightly marked, extremities dust-soiled, 8vo, together with 16 other related worksQty: (19)
Orwell (George). Nineteen Eighty-Four, A Novel, 1st edition, London: Secker & Warburg, 1949, light spotting to endpapers and fore-edges, ownerships signature of Eric C. Carpenter, 6-7-49 to front endpaper, and later ownership inscription of P. R. Carpenter, dated 1970 to front endpaper, original green cloth, some marks and spotting to spine and edges, spine faded, minimal fraying to extremities, 8vo, together with Animal Farm, a fairy story, reprinted October 1946, original blue cloth, rubbed and spine faded, both 8voQty: (2)
Ross (Alan). The Onion Man, typescript carbon copy, c.1959, [1] 23 (i.e. 24) wove-paper leaves (text on rectos only), most numbered, title with central crease, contained in thick paper wrappers, the whole hole-punched and tied with ribbon, front cover with typescript title label, signed by the author in blue ink, wrappers rubbed and lightly soiled, small slim 4to, together with: The Wreck of Moni, original typescript, c.1965, [2] 47 (i.e. 49) wove-paper typescript leaves (text on rectos only), most numbered, some authorial ink manuscript amendments to text, title signed by author in blue ink, several red ink manuscript printing annotations, especially to title and dedication leaf, some light toning in places, first (dedication) leaf with amended replacement version in pencil manuscript, was adhered over original leaf with adhesive tape (now detached), contained in thick paper wrappers, the whole hole-punched and tied with a Treasury tag, ink manuscript title to front cover, rear cover with name & address ink stamp of Raymond Briggs, wrappers somewhat faded and marked, some edge-fraying, slim 4to, with 5 additional ink manuscript and typescript leaves loosely inserted, giving possibly original versions of the title, dedication page and page '46a', plus 13 leaves of loosely inserted manuscript and typescript ephemera relating to lists of contributors to [The] London MagazineQty: (2)Footnote: The Onion Man and The Wreck of Moni were both published with illustrations by Raymond Briggs. These are possibly working copies that were sent to Briggs, as suggested by the ink stamp on the wrapper of Moni.
Sendak (Maurice). Pictures by Maurice Sendak, London: Bodley Head [cover-title], 1971, 19 colour and black & white illustrations on single sheets, reproduced from books illustrated by Sendak, with four-leaf artist's explanatiory text (with colour illustration at head), with an additional illustrated poster for Dear Mili, by Wilhelm Grimm and illustrated by Maurice Sendak, loose as issued in original drop-spine box, upper cover with decorative floral print paper from a design by Sendak, some light fading to edges, printed paper label to upper cover, folio, (limited edition, 144/1000 copies)Qty: (1)Footnote: Included are illustrations from Where the Wild Things Are, Lullabies and Night Songs, In the Night Kitchen, Mr. Rabbit and the Lovely Present, and others.
St. Dominic's Press. The Philosophy of Art, being 'Art et Scholastique', by Jacque Maritain, translated by the Rev. John O'Connor, S.T.P. with an introduction by Eric Gill, O.S.D., Ditchling, St. Dominic's Press, 1923, wood engraving by Eric Gill to title and colophon at rear, untrimmed, original grey printed wrappers, small chip to extreme foot of spine (generally a good copy), 8vo, together with Gill (Eric). Sculpture and the Living Model, 1st edition, Sheed & Ward, 1932, printed by Hague & Gill, High Wycombe, wood-engraved frontispiece, a few small spots, original printed wrappers, stitched as issued, a few marks and light soiling, slim 8vo, plus Social Justice & the Stations of the Cross, 1st edition, London: James Clarke & Co., 1939, wood-engraved illustration to title, original printed wrappers with the same design by Gill repeated to upper cover, a few minor marks, small 8vo, and other Eric Gill interest, including Money 7 morals, new edition, 1937, The New Testament, illustrated by Eric Gill, volumes 1, 2 & 3 only, 1934-36, the first and third volumes top edge gilt, and bound in original publishers red morocco, the second volume bound in red cloth with original dustwrapper, Jacque Maritain, Religion and Culture, essays in order: No. I, 1st edition, London: Sheed & Ward, 1931, original printed boards with vignette to upper cover by David Jones, Last Essay by Eric Gill, 1st edition, 1942, in dustwrapper, Art and a changing civilisation by Eric Gill, 1st edition, 1934, etc.Qty: (17)Footnote: Sewell & Taylor A110 for the first volume.
Wilcocke (Samuel Hull). History of the Viceroyalty of Buenos Ayres; containing the most accurate details, relative to the topography, history, commerce, population, government, & c. & c. of that valuable Colony, London: H. D. Symonds, 1807, single-page engraved plan of Buenos Ayres as frontispiece, two folding engraved maps, four engraved plates, including two with hand-colouring, some light browning and discolouration, endpapers renewed, 19th century half-calf, rubbed and a little scuffed, 8voQty: (1)Footnote: Sabin 103963.
Judges (A.V.). The Elizabethan Underworld: A collection of Tudor and early Stuart tracts and ballads telling of the lives and misdoings of Vagabonds, thieves and cozeners, and giving some account of the operation of the criminal law, London: George Routledge & Sons, Ltd., 1930, monochrome frontispiece and plates, original navy blue cloth gilt, 4to, together with: Tristram (W. Outram), Coaching Days and Coaching Ways, London: Macmillan & Co., 1888, monochrome frontispiece, plates and illustrations, original gilt-blocked cloth, rebacked preserving original spine, light wear, folio, Thurley (Simon), Whitehall Palace: An architectural history of the Royal apartments, 1240-1698, New Haven & London: Yale University Press in association with Historic Royal Palaces, 1999, monochrome illustrations, original cloth in dust jacket, large 4to, Smith (A. Croxton), About our dogs, the breeds and their management, London& Melbourne: Ward, Lock & Co., Ltd., 1931, tipped-in colour frontispiece, colour and monochrome plates, light scattered spotting, original cloth, slightly spotted, large 8vo, together with other miscellaneous books, including historical reference, literature, biographies and UK guidebooks etc.Qty: (3 cartons)
Brooke (Ralph). A Discoverie of Certaine Errours [& A Second Discoverie of Errours], Published in print in the much commended Britannia, 1594..., to which are added, the learned Mr. Camden's answer to this book; and Mr. Brooke's reply..., 2 parts in one, 1724 & 1723 respectively, engraved portrait frontispiece (repaired to inner blank margin), title in red and black, early marginal notes throughout, volume separated throughout by several contemporary vellum slips each with manuscript sectional caption written at end, 19th century half calf, rubbed, 4to, together with: Valerius Maximus, Valerius Maximus: editionis Pighianae, [Leyden]: ex officina Plantiniana Raphelengii, 1612, some browning to title, toned throughout volume, front free endpaper with ownership of Franciscus Within dated 1649 (leaf torn at head), contemporary calf, upper joint split, worn at head and foot of spine with loss, paper label to spine, 16mo in 8s, Ambulator: or, A pocket companion in a tour round London, within the circuit of twenty-five miles..., 7th edition, corrected and improved, London: Scatcherd & Whitaker, 1794, folding hand-coloured engraved map (cropped to margins), contemporary half calf, morocco title label, light wear, 8vo, and other miscellaneous antiquarian, some odd volumes, including 3 volumes set of Gough's edition of Camden's Britannia, lacking all mapsQty: (a carton)
Moore (Thomas). Paradise and the Peri, London: Day & Son, (1860), numerous elaborate chrome-lithograph plates, hinges cracked with gatherings loose, a couple of leaves loose, spotting, some leaves with closed marginal tears, original blind-stamped leather, gilt turn-ins, all edges gilt, margins worn, spine extremities rubbed, rear board stained, 4to, together with: Jerrold (Walter). The Big Book of Fables, London: Blackie and Son, 1912, numerous colour and black and white plates, pictorial endpapers, hinges cracked, spotting, original red publisher's cloth gilt, extremities rubbed, backstrip slightly faded, 8vo, with Burne-Jones (Edward). The Beginning of the World, Twenty-Five Pictures, London: Longmans, Green & Co, 1902, numerous illustrations after Burne-Jones, endpapers toned, light dust-soiling, original publisher's quarter cloth, inner margin of front board and rear board stained, extremities worn, 4to with 1 carton of other worksQty: (a carton)
Carter (Howard & Mace, A.C.). The Tomb of Tut Ankh Amen discovered by the late Earl of Carnarvon and Howard Carter, volumes 1 & 2, 4th & 1st ed. respectively, London: Cassell & Company, Ltd., 1930 & 1927, monochrome plates, hinges torn, original cloth, light wear, 8vo, together with: Barnes (William), Poems of Rural Life, in the Dorset Dialect with a dissertation and glossary, 2nd edition, London: John Russell Smith, 1847, light scattered spotting, original cloth, rubbed and some wear, 8vo, Waterfield (Margaret, illust.), Garden Colour..., London: J.M. Dent & Co., 1907, colour plates, light scattered spotting, top edge gilt, remainder untrimmed, original cloth, extremities scuffed, 4to, and other miscellaneous 19th & 20th century books, including Daniel Martin by John Fowles, 1st UK edition, 1977, original boards in dust jacket, 8vo and Shame by Salman Rushdie, 1st UK edition, 1983, original boards in dust jacket, 8vo, etc.Qty: (3 cartons)
Jekyll (Gertrude). Wood And Garden..., 6th impression, London: Longmans, Green, and Co., 1899, monochrome illustrations, period inscription to the front pastedown, 8vo, Wall & Water Gardens, 2nd edition, London: "Country Life", 1903, monochrome illustrations, bookplate to the front endpaper, both with some light toning, both in publishers original cloth, boards & spines slightly toned & rubbed, 8vo, together with other 19th-century & modern gardening reference, including, My Garden Its Plan and Culture, by Alfred Smee, 2nd edition, London: Bell and Daldy, 1872, 8vo, Insects Abroad..., by J. G. Wood, London: Longmans, Green, and Co., 1877, 8vo, British Vegetable Galls, an introduction to their study, by Edward T. Connold, London: Hutchinson & Co., 1901, 8vo, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQty: (5 shelves )
Stanley (Henry M.). In Darkest Africa..., 2 volumes, 1st edition, London: Sampson Low, 1890, 150 black & white illustrations & maps, period inscription to the front endpaper of volume 1, volume 1 front & rear gutters cracked with boards partially detached, some spotting & toning throughout, original uniform gilt decorated red cloth, volume 1 spine torn & partially detached with minor loss, 8vo In Darkest Africa,..., 2 volumes, 1st U.S. edition, New York: Charles Scribner's Sons, 1891, 152 black & white illustrations, folding maps to the rear pockets, bookplates to the front pastedowns, volume 1 gutters cracked, some light toning, original uniform gilt decorated green cloth, boards & spines rubbed & marked, 8vo, together with; Johnson (R. W.), The Making Of The Tyne..., 1st edition, London: Walter Scott, 1895, colour folding map, numerous black & white illustrations, some minor toning & marks, all edges gilt, publishers original gilt decorated blue cloth, spine slightly rubbed & toned, 4to, plus Cruikshank (George [illustrator]), The Tower of London. A Historical Romance, by William Harrison Ainsworth, London: George Routledge & Co., 1853, numerous black & white illustrations, some light toning, top edge gilt, contemporary gilt decorated half calf, boards & spine slightly rubbed with minor loss, 8vo, and other 19th & 20th-century miscellaneous literature & reference, including travel, U.K. topography, history, some odd volumes, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQty: (6 shelves )
Woolfit (Susan). Idle Women, 1st edition, London: Ernest Benn, 1947, black & white frontispiece, period inscription & bookplate to the half-title, some spotting to the text-block, original red cloth in dust jacket, covers rubbed with some loss to head & foot, 8vo, together with; Irving (Laurence), Windmills and Waterways, the log of a summer cruise through Holland, 1st edition, London: William Heinemann, 1927, numerous black & white illustrations, some light spotting & toning, original cloth in dust jacket, covers slightly rubbed & marked, top of the spine repaired with tape, 8vo, includes a handwritten letter, plus Hadfield (Charles), The Canals of Southern England, 1st edition, London: Phoenix House, 1955, black & white illustrations, some minor toning, original cloth in dust jacket, spine slightly rubbed to head & foot, 8vo, and other modern canal & waterways reference, including publications by David & Charles, Yachting & Boating Weekly, Eyre & Spottiswoode, Robert Hale, mostly original cloth in dust jackets, G/ VG, 8vo/4toQty: (6 shelves )
Connolly (Cyril). Enemies of promise, 1st edition, London: George Routledge, 1938, light spotting to endpapers, original dark blue cloth gilt, a few marks, in dustwrapper, 8vo, together with Wright (David and Swift, Patrick, editors). X, Volume 1, VO, 1960-61, 1st edition, London: Barrie and Rockliff, 1961, monochrome plates, original cloth gilt in dustwrapper, large 8vo (limited edition of 800 copies), plus Alderson (Brian). Edward Ardizzone, A Bibliographic Commentary, 1st edition, London: Private Libraries Association/The British Library/Oak Knowle Press 2003, colour frontispiece, monochrome illustrations to text, original maroon cloth gilt in dustwrapper, 8vo, vg, and other literary biographies, and literary criticism, mainly 20th-century writers, including Hugh Kenner, The Invisible Poet, T. S. Elliot, 1959, Donald Mitchell, Britten and Auden in the Thirties: the year 1936, T. S. Elliot Memorial lectures, 1st edition, London: Faber & Faber, 1981, George Lilley, Anthony Powell, A bibliography, Oak Knowle Press, 1993, Letters of Louis Mac Nice, edited by Johnathan Allison, Faber & Faber, 2010, etc., all original cloth, mostly in dustwrappers, 8vo, g/vgQty: (6 shelves )
Stark (Freya). Letters From Syria, reprinted, London: John Murray, March 1943, black & white portrait frontispiece, sketch map & 24 monochrome plates to the rear, previous owner inscription to the front endpaper, some light toning & spotting, original cloth in dust jacket, covers rubbed with minor tears to head & foot, 8vo, The Valley of the Assassins, and Other Persian Travels, reprinted, London: John Murray, June 1934, 31 monochrome illustrations plus 5 maps, bookplate & previous owner inkstamp to the front endpaper, some liht spotting throughout, publishers original green cloth, boards slightly rubbed & faded, 8vo, together with; Coulson James (Edith E.). Bologna, it's history, antiquities and art, 1st edition, London: Henry Frowde, 1909, 79 monochrome illustrations plus 2 maps, some spotting & toning throughout, all edges gilt, publishers original gilt decorated blue cloth in book box, 8vo, plus Tuohy (Thomas), Herculean Ferrara, Ercole d'Este (1471-1505) and the invention of a ducal capital [Cambridge Studies in Italian History and Culture], 1st edition, Cambridge: University Press, 1996, black & white illustrations, original cloth in dust jacket, large 8vo, and Chambers (D.S.), Individuals and Institutions in Renaissance Italy [Variorum Collected Studies Series], 1st edition, Aldershot: Ashgate Publishing, 1998, publishers original blue cloth, 8vo, plus other early 20th-century & modern Italian & European travel reference & British topography interest, including Buildings of England series, by Nikolaus Pevsner, mostly original cloth, many in dust jackets, some paperbacks, G/VG, 8vo/4toQty: (5 shelves)
Woolf (Virginia). The Moment and Other Essays, 1st edition, London: Hogarth Press, 1947, original maroon cloth gilt, 8vo, together with Forster (E. M.). The Celestial Omnibus and other stories, 5th impression, London: Sidgwick & Jackson, November 1924, original grey-brown cloth, a little rubbed, plus Elliot (T. S. editor). Literary Essays of Ezra Pound, 1st edition, London: Faber & Faber, 1954, some light spotting to endpapers, original grey-blue cloth gilt, and other 20th-century literature, philosophy, criticism, and general reference including, Simone Weil, Jacques Maritain, Poetry London, issues 7, 9, 11, 12 & 15, 1942-49, Aldous Huxley, etc., mostly original cloth, some in dustwrappers, mainly 8voQty: (6 shelves)
Smithe (Stevie). Over The Frontier, 1st edition, London: Johnathan Cape, 1938, light spotting to fore-edges, original red cloth, rubbed and slightly frayed dustwrapper (splitting to lower half of upper joint), together with Fuller (Roy). With my little Eye, a mystery story for teen ages, decorations by Alan Lindsay, 1st edition, London: John Lehmann, 1948, illustrations to text, original grey cloth in somewhat frayed dustwrapper (designed Ronald Searle), plus Le Carré (John). The Tailor of Panama, 1st edition, London: Hodder & Stoughton, 1996, signed by the author to title, original blue cloth in dustwrapper, vg, and other 20th century 1st editions modern and classic fiction including Ian McEwan, Julina Barnes, Doris Lessing, Iris Murdoch, John Fowles, Ian Rankin, etc., all original cloth, mostly in dustwrappers, 8vo, mainly g/vgQty: (6 shelves )
Lambeth (Joseph). Lambeth Method of Cake Decoration and Practical Pastries, 1st edition, London: Virtue and Company, 1936, numerous colour & monochrome illustrations some light marks & toning, publishers original gilt decorated embossed red cloth, boards & spine slightly rubbed, large 8vo, together with other early 20th-century & modern cookery reference & related, including A Manual of Vegetarian Cookery, by George Black, London: Horace Marshall & Son, 1908, 8vo Mrs A. B. Marshall's Larger Cookery Book of Extra Recipes, sixth thousand, London: Marshall's School of Cookery, circa 1891, large 8vo, many original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/4toQty: (6 shelves )
Talbot-Booth (E. C.). Talbot-Booth's Merchant Ships, 3 volumes, 1st edition, Kent: Marinart, 1977-79, numerous black & white illustrations, tape marks to the front & rear endpapers, some light marks, all original cloth in dust jackets, covers lightly rubbed to head & foot, large 8vo, together with; Lubbock (Basil), The Best of Sail, Cambridge: PSL, 1975, 26 colour plates by J. Spurling, original cloth in dust jacket, covers slightly toned & rubbed to head & foot, large 4to, plusother mid-20th-century & modern maritime & Merchant Navy reference, including Merchant Ships 1940, by E. C. Talbot Booth, London: Sampson Low..., 1940, oblong 4to, mostly original cloth in dust jackets, some paperbacks, 8vo/4to, G/VG, plus a carton of related ephemeraQty: (6 shelves & a carton)
Lord Roberts of Kandahar. Forty-One Years In India, from Subaltern to Commander-in-Chief, 2 volumes, 2nd edition, London: Richard Bentley and Son, 1897, monochrome illustrations, some marginal toning, publishers original gilt decorated blue cloth, lightly rubbed to head & foot, 8vo, together with; Ruhl (Arthur), Antwerp To Gallipoli...,1st edition, Toronto: McClelland, Goodchild & Stewart, 1916, 29 monochrome illustrations, previous owner inscriptions to the front endpaper, some light toning, publishers original decorated blue cloth, spine slightly rubbed to head & foot, 8vo, plus other late 19th to mid 20th-century military reference, biography & reference, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQty: (6 shelves )
C. Julii Caesaris. Que extant Monica Cum Animadversionibus integris Dion. Vossii, J. Davisii..., Lyon: C.Boutesteyn & S. Luchtmans, 1713, monochrome title page plus 3 folding maps & 10 plates, period inscription to the head of the title page, some water damage to foot of the text-block, some light toning & spotting, contemporary gilt decorated full vellum, boards & spine rubbed, marked & toned, 8vo, together with; Eliot (George), The Works of George Eliot, 11 volumes, Library Edition, London: William Blackwood & Sons, 1901, some minor marginal toning, contemporary uniform gilt decorated plum half morocco, spines lightly rubbed, 8vo, plus Burns (Robert), The Complete Works of Robert Burns:..., London: Virtue & Co., circa 1840, monochrome illustrations, some light marginal toning, all edges gilt, contemporary gilt decorated half morocco bound hy C. S. Smith Edinburgh, boards & spine slightly rubbed, 8vo, and other 18th & 19th-century literature & reference, many contemporary leather bindings, some original cloth, some odd volumes, some Latin language, overall condition is generally good, 8bo/4toQty: (6 shelves )
Hellström (Pontus). The Rock Drawings, 2 volumes (text & plates) [The Scandinavian Joint Expedition to Sudanese Nubia], Stockholm: Scandinavian University Books, 1970, numerous monochrome illustrations & maps, original uniform cloth in dust jackets, minor rubbing to head & foot of the covers, 4to, together with; Gresham (Colin A.), Medieval Stone Carving in North Wales..., 1st edition, Cardiff: University of Wales Press, 1968, numerous monochrome illustrations, some minor marginal toning, original cloth in dust jacket, covers slightly rubbed to head & foot with minor tears & loss, 4to, plus Bullied (Arthur & Harold St. George Grey), The Meare Lake Village..., 3 volumes, privately printed, Taunton Castle, 1948-66, black & white illustrations, some light toning, publishers original uniform boards with cloth spines, the foot of volume 3 boards looks to have scored with a sharp object, boards & spines slightly rubbed, large 8vo, and other modern archaeology reference & related, Lives In Land, Mucking Excavations by Margaret and Tom Jones, 1965-1978, 1st edition, Oxford: Oxbow Books, 2016, large 8vo, mostly original cloth, some in dust jackets, G/VG, 8vo/folioQty: (3 shelves )
Whitaker (Thomas Dunham). Ducatus Leodiensis: or, the Topography of the ancient and populous Town and Parish of Leeds,...2nd edition, Leeds: printed by B. Dewhirst, 1816, black & white engraved plates & illustrations, Loidis and Elmete; or, an attempt to illustrate the districts described in those words by Bede; and supposed to embrace the lower portions of Aredale and Wharfdale..., Leeds: printed by T. Davidson, 1816, black & white engraved plates & illustrations, both with modern endpapers, some light spotting & toning throughout, both in modern brown full morocco, boards & spihes lightly rubbed to head & foot, folio, together with other mostly 19th-century reference, some leather bindings, some original cloth, some odd volumes, overall condition is good, 8vo/folioQty: (3 shelves )

-
534297 Los(e)/Seite