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Preisdatenbank abonnierenKENT RECORDS - ROCKABILLY 7" PACK. A stompin' selection of 5 rockabilly 7" rarities on Kent Records. Artists/ titles include Jesse James - South's Gonna Rise Again (45x314, record has some light surface marks, VG+), Danny Boy inc Don't Go Pretty Baby (x2) (45x300, Ex) & (45x300, label has some light storage wear, record VG+), Artie Wilson - Jerry Jerry (45x313, VG+) & Don Cole - Saturday Nite Party Time (45x305, record has some hairline paper marks, VG+).
TOM JAMES - TRACK DOWN BABY/ HEY BABY 7" (US ROCKABILLY - KLIX 45-001). A superb rockabilly 7" by Tom James; Track Down Baby/ Hey Baby (45-001, 1958 US pressing on Klix Records. Labels are bright and legible with some light storage/ handling wear. The record has quite a few hairline/ light paper surface marks. A strong, glossy VG).
CHARLIE FEATHERS - WHEN YOU COME AROUND 7" (US PROMO - ROCKABILLY - KING 5043). A timeless twangy rockabilly 7" cut by American legend Charlie Feathers; When You Come Around/ Too Much Alike (5043, 1957 US promo pressing on King. Labels are beautiful, bright and clean. The record is in wonderful strong VG+ condition, displaying a couple of light paper marks).
CECIL MCNABB JR - CLOCK TICKIN' RHYTHM/ NOTHING LIKE THIS 7" (US PROMO - ROCK N ROLL - KING 5116). A thunderous paced rock n roll 7" cut on King records by Cecil McNabb Jr; Clock Tickin' Rhythm/ Nothing Like This (5116, US promo pressing on King. Labels have some minor handling, storage wear. Still in great legible shape. The record has some light paper scuffing/ shimmering. Nice VG+).
CHARLIE FEATHERS - EVERYBODY'S LOVIN' MY BABY 7" (US PROMO - ROCKABILLY - KING 4971). Another superb 7" King Records promo by rockabilly legend Charlie Feathers; Everybody's Lovin' My Baby/ Can't Hardly Stand It (4971, 1956 US promo pressing on King. Labels are beautiful, bright and clean. The record is in strong VG+ condition, displaying a couple of light, wispy paper marks).
CHARLIE FEATHERS - ONE HAND LOOSE/ BOTTLE TO THE BABY 7" (US PROMO - ROCKABILLY - KING 4997). A foot tappin' slice of mid-50s rockabilly by Charlie Feathers with Jody and Jerry; One Hand Loose/ Bottle To The Baby (4997, 1956 US promo pressing on King. Labels are bright and legible, some light handling/ storage wear. The record has a couple of light paper marks, strong VG+ condition).
CUCA RECORDS - 7" RARITIES. A quality pack of 2 7" rock n roll/ rockabilly rarities on Wisconsin label Cuca Records. Dick Hiorns - I'm Movin' On/ The Gods Were Angry (J.1047, US pressing. Labels are beautiful, bright and clean. Record is VG+) & Rock-A-Fellers - Say Mama/ Reaction (J-1039, labels have some light, handling, storage wear. Record has a number of surface marks, VG).
L LABELS - ROCKABILLY 7" RARITIES. Gorgeous pack of 5 x 7" rarities. Titles / Artists include Macy (Skip) Skipper - Quick Sand Love (Light Records 2020 - Ex), Billy Martin - If It's Lovin' That You Want / Angel (Lucky Records 0009 - Ex), Bill Zekie Browning - Breaking Hearts (Lucky Records - 0001 - Ex), Al Sims and The Alpine Two Party (Listen Records - 45-681 - Ex+) and Ray Pennington - They Took the Stars Out of Heaven (Lee Records - 504 - Ex).
CAL VEALE / HOWARD READING TRIO - STANDING ON THE EDGE OF NOWHERE 7" (RR-G80W-1237). A quality 7" from 1956. Released on Las Vegas records, this excellent record features steel guitar by Howard Reading and lovely vocals by Country music singer / songwriter Cal Veale. The record is in VG+ condition, with a few light surface marks to the playing surface and run-out.
ROCK & ROLL / ROCKABILLY - 7" PACK. A smashing little pack of 8 x 7". Titles / Artists include Macy (Skip) Skipper - Who Put the Squeeze On Eloise (Light Music - 2020), Freddy Robinson - Not Like Now (Y-3005X45), Fay Simmons - Rock and Roll Music (1021), Martyn DeRose - Juvenile (Lane 502), Arnold Terry - Mark of Cain (45-109), The Martin Brothers - That Was Yesterday (45-107), Fox Hall - Do the Rock and Roll (Y-3003X45) and Joe Therrien Jr. - "Hey Babe" Let's Go Downtown (Lido Records 505). The condition is generally Ex to Ex+.
MARIE KNIGHT - I'M TROUBLED/ STOP NOW, IT'S PRAYING TIME 7" (US PROMO - GOSPEL/ SOUL - DECCA 9-48326). A gritty 7" of superb groovin' gospel/ soul by Florida legend Marie Knight: I'm Troubled/ Stop Now, It's Praying Time (9-48326, 1955 US promo pressing on Decca. Pink & black labels have some minor storage wear. Record is in VG+ condition, Aside has a little patch of hazing/ B side has some light paper marks).
KENT WESTBERRY - MY BABY DON'T ROCK ME 7" (ART RECORDS - 45-172). A twangy Rockabilly winner from Kent Westberry And The Chaperones with the 1958 cut My Baby Don't Rock Me c/w No Place To Park on Art Records (45-172-1/2). The record is in sharp Ex condition showing a couple of rather light and minor surface hairline marks, nothing heavier at all. With sharp and clean labels.
JOHNNY DENTON - HEY BABE (MEL-O-TONE RECORDS - M-45-1147). A super rare cut from Mel-O-Tone Records. Released in 1956, expect top shelf Rockabilly with tasteful lead guitar work and a super cool vocal narrative. The record is in glossy VG+ condition with a few faint marks and hairlines to the playing surface. The label is lovely and crisp with some light WOL.
JIMMY NOLEN - IT HURTS ME TOO/ HOW FINE CAN YOU BE 7" STOCK & PROMO PACK. A superb pack of 2 copies of Jimmy Nolen's 1956 7" It Hurts Me Too/ How Fine Can You Be on Federal. Pack includes a stock copy and a promo. SC: (45-12278, labels are beautiful, bright and clean. The record is in stunning Ex condition, displaying a couple of hairline paper marks) & (12278, promo pressing. Labels are bright and clean. Record is wonderful, strong VG+. Displaying a couple of light paper marks).
330 ELMORE JAMES - I BELIEVE MY TIME AIN'T LONG 7" (US BLUES - ACE 508). A scarce 7" slice of mid-50s blues by the legend Elmore James; I Believe My Time Ain't Long/ I Wish I Was A Catfish (508, 1955 US pressing on Ace Records. 45-60/ 45-61 matrix. Labels have some age related handling// storage wear but are still legible for the most part. The record is in lovely, glossy VG+ condition, displaying a small number of light paper hairline marks).
RAY SMITH AND HIS ROCKIN' WRANGLERS - GONE BABY GONE/ SWINGING BOOGIE 7" (ROCKABILLY - HEART OP-250-45). A timeless 7" of mid-50s rockabilly by Ray Smith & his Rockin' Wranglers; Gone Baby Gone/ Swingin' Boogie (OP-250-45, 1956 US pressing on Heart Records. Labels are lovely, bright and clean with minimal storage wear. The record has a number of light surface marks, nothing feelable of note. A glossy VG).
COUNTRY - 7" PACK. A classy pack of 16 x 7". Titles / Artists include Larry Collins - Get Along Home Cindy (3-41953 - Ex Condition), Don Epperson - Green Light In My Heart (Excel 133 - Ex+), Strawberry Terry - I'll Let You Go (45-BD-111 - G+), Dick Curless - China Nights (E-4266), Randy Meek - High Blood Pressure (1001), Johnny Houston - Playboy (E-4277), Fay Darling - Funny Bunny, Janet Greene - Fascist Threat, Joiners Trumpets - God Lift Me Up (45-138), Herb Tucker - When (45-101), Helen Mack - Baby Where Were You (112), Danny Edwards - I Don't Want To Live Alone (118), Kenny Mason - Honky Tonkin' Fever (Canary No.2004), Chuck Kyles - Cryin' My Heart Out (103), Ray Guyce - A Tribute to the Stars and Jimmy Copeland - Radar. The condition is generally VG+ to Ex+.
GENE MCKOWN - ROCK-A-BILLY RHYTHM 7" (AGGIE RECORDS A-1001). A 1958 Rocker from Liberty, MO with Gene McKown With The Tune Twisters - Rock-A-Billy Rhythm c/w My Dream Girl on Aggie Records A-1001. The record is in quite superb Ex+ condition showing only a couple of extremely light, faint and wispy paper hairline marks. With superb clean and sharp labels.
ROCKABILLY/R&R - ORIGINAL US 7" 'A' LABELS. Scorchin' pack of 5 x original US Rockabilly/R&R 45s on 'A' labels. Titles are Dorsey Burnette - Let's Fall In Love (Abbott 188 - fantastic Ex+ condition record, a little wear to the labels 'RR' handwritten on A side label), Betty Jo & Johnny Starr - Eskimo Boogie (Alaska 45-R1279 - glossy VG+ a few light surface scuffs), Ronnie Newton - Workingman's Blues (Armoneer 1003 - superlative Ex+ condition), Riley Walker ANd His Rockin-R-Rangers - Uranium Miner's Boogie (Atomic 701, original blue vinyl - VG+ a few light surface hairline marks) and Joe Montgomery - Walking With Memories (Abbott 189 - lovely Ex+ condition record, overall Ex grading with some light 'creasing' to the labels).
ROCKABILLY - ORIGINAL US 7" - 'B' LABELS. Jumpin' selection of 5 x original US Rockabilly 7" rarities on 'B' labels. Titles are Clyde Stacy - Honky Tonk Hardwood Floor (Bullseye B-1008 - impressive Ex condition with only a couple of very light and minor surface hairline marks), Jeff Daniels - Switch Blade Sam (Big Howdy 45-777 - superlative Ex+ condition showing very few marks), Frank Deaton And The Mad Lads - My Love For You (Bally 7-1042 - stunning Ex+ condition/with clean very scarce og company sleeve) and Don Ellis (x2) - Blue Diamonds (Bee Records BG1110/1111 - sharp Ex) and Party Doll (Bee Records, promo, B-201 - VG+).
FARRIS WILDER - HAUNTING DREAMS/ IT'S ALL YOUR FAULT 7" (US ROCKABILLY - Hi-Q 11). A foot-stompin' rockabilly 7" by Farris Wilder and his Band. Haunting Dreams/ It's All Your Fault (11, 1957 US pressing on Hi-Q. Labels are lovely, bright and legible. The record is in wonderful, strong VG+ condition. Displaying a small number of light paper marks. A great copy).
ROCKABILLY - ORIGINAL US 7" - 'B' LABELS. Another terrific collection of original US Rockabilly 'B' label rarities with 7 included here. Titles are Bobby Mack - Crazy Heart (B-Mac 45-723 - extremely fine Ex condition with only a couple of very light and minor surface hairline marks), Benny Joy & Big John Taylor - Ittie Bittie Everything (Buck Ram BRP 1000 - strict VG condition with a light though feelable scratch on the A side, elsewhere lovely and clean), Jeff Daniels - Switch Blade Sam (Big Howdy 45-777 - neat VG+ condition with a small 'just about feelable' pitting mark (likely from the pressing) on the A side), Jules Blattner And His Teen Tones (x2) - Teen Town (Bobbin 113 - neat VG+ condition with a small 'just about feelable' pitting mark (likely from the pressing) on the A side) and Gamblin' Man (Bobbin 105 - VG condition record, lovely to see fully signed by the band on the A side label) and Bob Perry (x2) - The Rest Of My Life (Bandera 1303 - VG+) and Can't Hardly Wait (Bandera 1301 - VG+).
BOB LEERS - YOU THINK YOU'VE GOT TROUBLE 7" (US ROCKABILLY). A superb rockabilly 7" rarity by Bob Leers - You Think You've Got Trouble/ You Broke My Heart (19228, US pressing on Hiawatha. Labels are bright and legible with minor storage/ handling wear. The record has some light surface marks, nothing feelable. Glossy VG+).
Henry VI (First reign, 1422-1461), Annulet/Rosette-Mascle issue mule, Groat, London, mm. cross II/V, henric di gra rex angl z franc, saltire stops, rev. posvi devm adivtore mevm; civitas london, rosette after posvi and don, nothing before lon, 3.77g/9h (Stewartby p.324, Ib/II; Whitton 13f; N 1423/46; S 1835/58). Nearly very fine, light scratches, dark toned £90-£120
Henry VI (First reign, 1422-1461), Pinecone-Mascle issue, Groat, London, mm. cross IIIb/V, henric di gra rex angl z franc, mascle after rex, rev. posvi devm adivtore mevm; civitas london, pinecone after posvie and don, mascle before lon, 3.68g/3h (Stewartby p.325, IIIb; Whitton 19a; N 1460; S 1874). A few light marks, otherwise extremely fine and attractively toned £400-£600
Henry VI (First reign, 1422-1461), Pinecone-Mascle issue, Groat, Calais, mm. cross IIIa/V, henic di gra rex angl z franc, mascle after rex, rev. posvi devm adivtore mevm; villa calisie, mascle before la, pinecone after sie, 3.68g/3h (Stewartby p.325, IIIa; Whitton 29; N 1461; S 1875). Once cleaned with resulting light surface porosity, now re-toned, good fine and rare £90-£120
Richard II (1377-1399), Groat, Type Ia/IIc mule, London, mm. cross pattée, ricard di gra rex angle f francie d, lettering and bust as Edward III, double saltire stops, rev. posvi devm adivtorem mev; civitas london, new neat lettering, ts with small downward-pointing serifs, bar above n of don, 4.58g/3h (Stewartby p.261, I/II; Potter Ia/IIcA; N 1320 (a/b); S 1678/9). Light marks, otherwise good fine, reverse better with all distinguishing marks clear, toned and very rare £1,500-£1,800 --- BM 1923.1105.51, same dies
Henry VI (First reign, 1422-1461), Leaf-Pellet [C] issue, Groat, London, mm. cross IIIb on obv. only, henric di gra rex angl z franc, pellets by crown, leaf on neck, fleur on breast cusp, rev. posvi devm adivtore mevm; civitas london, pellets on lines under civi and lon, 3.59g/7h (Stewartby p.326, VIIIc; Whitton 61b; N 1505; S 1917). Light surface marks, nearly very fine, scarce £180-£220
Edward IV (First reign, 1461-1470), Light coinage, Groat, London, class Vc, mm. rose, edward di gra rex angl z franc, quatrefoils by neck, fleurs on cusps (except breast), rev. posvi devm adivtore mevm; civitas london, extra pellet in quarter under tas, 3.18g/13h (Stewartby p.430, Vc(i); B & W Vc.3; N 1567; S 2000). Good very fine, pleasing £400-£500
Edward IV (First reign, 1461-1470), Light coinage, Groat, London, class Vc, mm. rose, edward di gra rex angl z franc, quatrefoils by neck, fleurs on cusps (except breast), rev. posvi devm adivtore mevm; civitas london, extra pellet in quarter under civi, 2.92g/6h (Stewartby p.430, Vc(i); B & W Vc.3; N 1567; S 2000). Small chip at 1 o’clock, bright metal, otherwise about very fine £60-£80
Edward IV (First reign, 1461-1470), Light coinage, Groat, London, class Vc, mm. rose (partially obscured on obv.), edward di gra rex angl z franc, quatrefoils by neck, trefoils on cusps, rev. posvi devm adivtore mevm; civitas london, extra pellet in quarter under don, 2.74/6h (Stewartby p.430, Vc(ii); B & W Vc.4; N 1567; S 2000). Very fine, attractively toned £150-£180
Edward IV (First reign, 1461-1470), Light coinage, Groat, London, class Vd, mm. rose, edward di gra rex angl z franc, quatrefoils by neck, fleurs on cusps (except breast), rev. posvi devm adivtore mevm; civitas london, extra pellet in quarter under don, p with elongated serif, 3.13g/6h (Stewartby p.430, Vd; B & W Vd.1; N 1567; S 2000). Double-struck on obverse, about very fine, toned £90-£120
Edward IV (First reign, 1461-1470), Light coinage, Groat, London, class VI/Vd mule, mm. sun/rose, edward di gra rex angl z franc, quatrefoils by neck, fleurs on cusps (except breast), rev. posvi devm adivtore mevm; civitas london, p with elongated serif, 2.98g/3h (Stewartby p.431, VI/Vd; B & W VI/Vd.2 [mule 2]; N 1569/8; S 2000). Slightly double-struck, otherwise better than very fine and toned, scarce £200-£260
Edward IV (First reign, 1461-1470), Light coinage, Groat, London, class VI, mm. sun, edward di gra rex angl z franc, quatrefoils by neck, fleurs on cusps, rev. posvi devm adivtore mevm; civitas london, p with elongated serif, nothing after tas, 2.78g/2h (Stewartby p.431, VI; B & W VI.1; N 1569; S 2000). Minor roughness in obverse legend and slightly short of flan, otherwise about very fine, attractively toned £120-£150
Edward IV (First reign, 1461-1470), Light coinage, Groat, Bristol, class VIIa, mm. crown, edward di gra rex angl z franc, quatrefoils by neck, b on breast, fleurs on side cusps, rev. posvi devm adivtore mevm; villa bristoll, 2.62g/1h (Stewartby p.431, VIIa; B & W VIIa; N 1580; S 2004). About very fine, toned £240-£300
Edward IV (First reign, 1461-1470), Light coinage, Groat, Norwich, class VI, mm. sun, edward di gra rex angl z franc, quatrefoils by neck, n on breast, fleurs on side cusps, rev. posvi devm adivtore mevm; civitas norwic, 2.84g/11h (Stewartby p.431, VI; B & W VI.1; N 1582; S 2011). Somewhat short of flan and light scratches on reverse, otherwise nearly very fine, toned and scarce £200-£260
Edward IV (First reign, 1461-1470), Light coinage, Groat, York, class VIIa, mm. lis/crown, edward di gra rex angl z franc, quatrefoils by neck, fleurs on side cusps, e on breast, rev. posvi devm adivtore mevm; civitas eboraci, 2.86g/12h (Stewartby p.431, VIIa; B & W VIIa; N 1583; S 2012). About very fine, toned £180-£220
Henry VI (Restored, 1470-1471), Groat, London, mm. pierced restoration cross, henricv di gra rex angl z franc, small trefoils on cusps above crown, saltire stops, rev. posvi devm adivtore’ mev; civitas london, 2.72g/3h (Stewartby p.432; B & W 8; N 1617; S 2082, this coin illustrated). Light surface porosity, otherwise very fine, rare £400-£500
Richard II (1377-1399), Groat, Type IIc/IIa, London, mm. cross pattée, ricard di gra rex angle z francie, new lettering, bust as Edward III, double saltire stops except after ricard (saltire and crescent), contraction bar over di, rev. posvi devm adivtorem mev; civitas london, new lettering, ts and as without serifs, 3.68g/7h (Stewartby p.261, II; Potter IIc/IIa; N 1320(b); S 1679). Perhaps slightly waterworn and with some light scratches, reverse double-struck, otherwise very fine with dark cabinet tone, very rare £1,200-£1,500
Richard III (1483-1485), Groat, London, type IIb, mm. boar’s head (no.2), ricard di gra rex angl franc, early ls both sides, rev. posvi devm adivtore mevm; civitas london, 2.90g/5h (Stewartby p.434, IIb; Winstanley 6; N 1679; S 2156). Light surface marks, otherwise very fine, rare £1,500-£1,800
Henry VII (1485-1509), Facing Bust issue, Groat, class IIIc, mm. pansy (no. 3), henric di gra rex agl z f, double-arched crown (outermost jewelled), lettering series E, broken d in di, rev. posvi dev adivtoe mev; civitas london, mintmark over additional p before posvi, 3.03g/11h (Stewartby p.436, IIICi; SCBI Ashmolean 319ff; N 1705(c); S 2199). Light scratch on face and with some central striking weakness, otherwise better than very fine, attractively toned £300-£360
Henry VIII (1509-1547), Second coinage, Groat, Tower, mm. rose, henric viii d g r agl z france, bust right with ‘Roman’ nose, rev. posvi dev adivtore mev, saltires in cross ends, 2.55g/6h (Stewartby p.471, 1(iii); Laker D; Whitton (i)3; N 1797; S 2337E). Light deposits in legend, otherwise better than very fine, the obverse reading scarce £300-£360
Henry VIII (1509-1547), Second coinage, Groat, Tower, mm. lis (A), henric viii d g r agl z franc, bust right with ‘Roman’ nose, open f, rev. posvi dev adivtore mev, saltires in cross ends, 2.67g/2h (Stewartby p.471, 1(iii); Laker D; Whitton (iv); N 1797; S 2337E). Light scratch on cheek, otherwise very fine, clear portrait £300-£360
Henry VIII (1509-1547), Third coinage, Groat, Tower, mm. lis, henric 8 d’ g’ agl’ fra’ z hib’ rex, bust 1, rev. posvi dev’ adivtore mev’, saltire stops, saltires in fork ends, 2.38g/9h (Stewartby p.526, i; Laker A; Whitton A1; N 1844; S 2369). Light surface marks and some doubling in obverse legend, otherwise about very fine and neat for issue; the variety rare £400-£500
Elizabeth I (1558-1603), Second issue, Groat, mm. martlet, wire-line and beaded inner circles, bust 1F, elizabeth d’ g’ ang’ fr’ et hib’ regina, rev. posvi dev’ adivtorem mev’, 1.96g/3h (BCW MR-1C:MR-B1; N 1986; S 2556). A scattering of light marks, otherwise good very fine, dark tone £500-£600
Amédée-Julien Marcel-Clément (French, 1873-1950)The Tuileries Gardens, Parissigned 'Marcel Clément' l.r., oil on canvas65 x 54cmProvenance: The Estate of Sir Jack and Lady Baer.Condition Reportoverall: 75 x 66cmThe canvas does not appear to be lined. Under UV light there is evidence of a little retouching to the the coat of the most forward figure, and a little to the skirt of a lady to the left hand side. Beyond this, there is no sign of any additional retouching. Well presented and ready to hang.
French School, 19th centuryStudy of a nude arranging her hairoil on canvas50 x 33cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportFramed size: 60 x 43cm.Canvas has been relined. An uneven paint surface, paint crack from left edge across torso and also two from right edge toward arm, also upper left and right corners, under uv light retouching evident around edges, across figure's right arm and along cracks, please refer to condition report images for detail. Work is now in a stable condition.
Stanislas Lépine (French, 1835-1892)A river landscape with a village signed 'S Lepine' l.l., oil on board 20.5 x 28cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportFramed size: 33 x 40.5cm.Unexamined out of frame. The panel is cradled. Light surface dirt, panel has slipped down a little in the frame so thin strip of non-painted area visible along top right edge, one thin crack to paint lower right but this is stable, overall work is in good order, under uv light no obvious signs of retouching.
French School, late 19th centuryFashionable figures with bathing machines and donkeys on a beachoil on canvas61 x 107cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportThe canvas is lined. Under UV light, there is some retouching to the lower right portion of the canvas, with some small flecks in places elsewhere, most notably a small repaired tear to the lower left. The painting is well presented in a gilt frame and ready to hang.
English School, 19th centuryPortrait sketch of a young girl, half-length, in a brown shirtoil on canvas46 x 41cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportFramed size: 63 x 57.5cmThe canvas is lined. Under UV light, there are scattered retouchings apparent in places throughout the composition, mainly to the back ground, edges of the canvas and corresponding to stretcher marks. There is, however, some careful infilling of craquelure to the face and figure with minimal touches of paint, and further touches to the right side.Well presented in a Watts style frame, ready to hang.
Ernest Ange Duez (French, 1843-1896)Blue hydrangeassigned 'E. Duez' l.r., oil on canvas74 x 54cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportOverall: 92 x 72cmthe canvas is unlined. There is a little craquelure. Under UV light, there is evidence of some isolated spots and flecks in places throughout the composition, most significantly to the leaves bottom centre and around the edges due to peripheral frame rubbing. It is not clear the reason for these retouchings, possibly there has been some flaking in the past which has been consolidated.
Attributed to Friedrich Carl Gröger (German, 1766-1838)Portrait of Field-Marshal Prince Gebhard von Blücher (1742-1819), bust-length, in uniformwith copy inscription 'Gröger pinx 1816' verso (on re-lining), oil on canvas27 x 33cmCondition ReportThe painting is executed in oil on a canvas support which has been lined. Although the canvas tension is stiff, the picture has undulations across the surface. At the lower edge a deformation has been caused by debris trapped between the lower stretcher bar and the canvas. The paint layers are stable overall, some age cracks in the sitter’s face are slightly raised but secure. The varnish is glossy and even but is starting to degraded with matte patches occurring following lines of age cracks. There is a light layer of dirt across the surface.
Circle of Samuel Woodforde (1763-1817)Portrait of a lady, bust-length in profile, in a white dressoil on canvas61 x 51cmCondition ReportThe canvas is unlined. There is craquelure throughout and stretcher marks, which has begun to make the surface is a little uneven. There are a few touches of discoloured restoration to the skin tones where there has been an attempt to infill the craquelure, see illustration. Under UV light, the surface is fluorescing however, this appears to be an effect of pooling varnish rather than any further signs of restoration. Generally therefore, the painting is in original condition. It would be fairly straightforward for a restorer to remove the discolouration to the face and re-apply.
Circle of George Richmond (1809-1896)Portrait of a lady, three-quarter-length seated, in a silver dress and a crimson shawl wearing a white lace bonnet with pink flowersoil on canvas89 x 70cmCondition Reportoverall: 107.5 85cmPlease note the size should read: 89 x 70cm. The canvas has been lined. There are stretcher marks and some craquelure apparent. Covered with a layer of surface dirt and would benefit from a light clean. There is a dent to the upper right of the canvas, where the surface has received pressure from the front which has left an indent. There is possibly a repaired tear to the upper left background. The surface is covered with a thick and dirty varnish layer which makes any reading under UV light difficult, however, there are some small retouchings to the bosom and to the forehead, and small specks elsewhere.
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