Portrait of a lady, half length, in a large black hat and red cape oil on canvas, unframed 76 x 63 cmCondition report: Oil on canvas which appears to be unlined. There is possibly a patch or repair at the upper right corner. The paint layer is stable. There is a prominent network of age cracks in the sitter's face. There are localised areas of retouching but the extent of these is difficult to determine due to the varnish. The varnish is patchy and uneven with yellowed areas across the paint surface, there are some light scuffs and scratches across the surface.
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painted with a ruin in a river landscape with travellers, label verso lists tunes as: Valse Robert le Diable, Valse de Strauss and La Marseillaise, with a gilt frame 69 x 79cmFootnote: Combining traditional landscape painting, with complex musical movements, and specialised horological craftsmanship, the present lot is an example of the fascinating, and much neglected, genre of musical clock paintings. Although pioneered in Geneva, the most sophisticated examples of these works date from the mid-19 th century, when the genre was developed and elevated to a more elaborate standard in Paris. Owing to the multitude of expertise required to produce such an object, a ‘tableau horloge’ would have been costly, and therefore reserved for only the finest of homes. Surrounded by a gilt frame, carved with acanthus and honeysuckle motifs, this 1853 oil on canvas depicts an idyllic pastoral scene. On the left, a group of three figures, one sitting atop a donkey, are joined by a black and white dog, as the landscape in the background recedes away from them. On the right, in a state of romantic disrepair, stands the skeleton of a Gothic church. Dwarfed beneath the pointed arches of the arcade stands a pair of figures, behind them, in the cavernous belly of the nave, small shafts of light cascade through the opposing facade. Above the arcade, the upper storeys of the building are replaced by a temporary structure, with just a glimpse of the decaying clerestory visible below the apex of the pitched roof. The adjoining clock tower encases the functional timepiece, its white circular dial painted with black Roman numerals and complete with two hands. While the bucolic scene is well painted, the real intricacies of the piece are hidden behind the canvas. Activated by levers at the bottom of the frame, a steel comb and small revolving cylinder plays three tunes, Valse Robert le Diable (1831), Valse de Strauss, and La Marseillaise (1792), while the double-barrelled clock movement triggers an hourly gong. Coeval labels, adhered to the inside of the frame, and an inscription to the backplate of the clock movement, suggest that this work was produced by Maison Wurtel, the atelier of clockmaker Ferdinand Wurtel, who had his premises at 38 to 40 Galerie Vivienne, Paris.Condition report: Areas of woodworm damage to the inside of the frame, musical component not functional, with one of the levers jammed.
raised on square tapering legs 83 x 43 x 38cmCondition report: some light unobtrusive scratches to top, with areas of raised surface to veneer to top and door panel, general good condition with good colour and no losses, back raised panel to top slightly loose. mouldings to legs are probably later replacements
Hill (John). Eden: or, a Compleat Body of Gardening. Containing Plain and Familiar Directions for Raising the several useful Products of a Garden..., Compiled and Digested from the Papers of the late celebrated Mr. Hale, by the Authors of the Compleat Body of Husbandry. And comprehending the Art of constructing a Garden fo use and Pleasure; the best Methods of keeping it in Order.., London: T. Osborne, T. Trye, S. Crowder & Co., and H. Woodgate, 1757, 61 engraved plates including frontispiece, title with ink stamp of L.E. Newton Library to lower blank margin, some overall light toning, occasional spotting to few leaves of text, light dampstaining to margins of few leaves at front & rear, bookplate of Leonard E. Newton to upper pastedown, hinges repaired, 20th century half sheep, earlier red morocco title label preserved, lower joint cracked at foot, joints and extremities rubbed and scuffed, folioQty: (1)NOTESHenrey 776; Nissen 880. The work was issued in 60 numbers from 28 August 1756 to 8 November 1757.
Munting (Abraham). De vera Antiquorum Herba Britannica, Ejusdemque efficacia contra Stomacaccen, seu Scelotyrben, Frisiis & Batavis de Scheurbuyck. Dissertatio Historico-Medica, 2 parts in one, Amsterdam: Hieronymum Sweerts, 1681/1680, [ 28],231,[1]; 33,(19)pp., additional engraved title (frayed to margins & torn to outer corners, lined to verso), engraved portrait to verso of letterpress title, and 32 plates, woodcut decorative initials, plate of Rhubarbarum lanuginosum cropped at head with loss to upper ruled border, plates of Lapathum sanguineum, Lapathum planum paludosum & Aloe vera costa spinosa torn to upper blank margins, plate of Aloe mucronato with tiny hole & short closed to centre of image, some light dust-soiling, browning throughout and occasional spotting, some margins brittle and chipped, bookplate of Leonard E. Newton to upper pastedown, modern maroon half morocco, black morocco title label to spine, 4toQty: (1)NOTESPritzel 6557 and 6558; Hunt 360; not in Nissen. The work is an interesting attempt to identify a plant called Britannica by the ancient authors, which was used to cure scurvy. Depicting and discussing the various possibilities, Munting eventually chose for the Lapathum Longifolium Nigrum Palustre (of the Dock family). The second, most important work is a treatise on succulents, recently brought from America, illustrated with 8 plates. This work, although dated one year earlier, contains the index and errata of the first work at the end.
Steudel (Ernesto Theoph). Nomenclator Botanicus seu Synonymia Plantarum Universalis, enyumerans ordine alphabetico nomina atque synonyma, 2 volumes, 2nd edition, Stuttgart & Tubingen, 1841, half titles, some light spotting, bookplates of Leonard Newton, modern green cloth gilt, large 8vo, together with Rümpler (Theodor). Carl Friedrich Fõrster's Handbuch der Cacteenkunde in ihrem ganzen umfange, 2 volumes, Leipzig: Woller, 1886, wood-engraved illustrations,occasional light spotting and toning, Leonard Newton's ink stamps and bookplates, contemporary cloth over marbled boards, rubbed with splits to joints, 8vo, with others including J.J. Krook's Handbuch zur Kenntniss, Fortpflanzung und Behandlung aller bis jetzt bekannt gewordenen Cacteen, 1855, Philip Miller's The Gardener's Dictionary, 3rd edition, 1737 (lacking frontispiece), Harald Froderstrom's The Genus Sedum L. A Systematic Essay, 1936, Arlette Davids' Flowers. Rock Plants, 1939 and T. Kearney & R. Peebles' Flowering Plants and Ferns of Arizona, 1942Qty: (18)
Suringar (W.F.R. & Suringar, J Valckenier). Illustrations du Genre Melocactus, 3 parts in one, Leide: E.J. Brill, 1897-1905, 24 plates (including 19 monochrome photolithograph and 5 colour plates), light spotting mostly to first plate, original printed front wrappers bound-in with repaired closed tear to final wrapper, few tiny wormholes at foot of some pages not affecting contents, bookplate of Leonard E. Newton to upper pastedown, modern light blue cloth, gilt blocked title to upper board and spine, slim folioQty: (1)
Berry (William). [Composite atlas], London: sold by William Berry at the Sign of the Globe between Charing-Cross and White Hall, 1680-9, containing: 1. A Mapp of all the World. In two Hemispheres in which are exactly Described all the Parts of the Earth and Seas. Described by Sanson. Corrected and amended by William Berry, 1680, 2. Asia. Divided into its Principall Regions, 1680, 3. Africa. Divided according to the Extent of its Principall Parts, 1680, 4. North America. Divided into its Principall Parts where are distinguished the several States which belong to the English, Spanish and French, 1680 [i.e. c.1681], 5. South America. Divided into its Principall Parts where are distinguished the several States which belong to the Spanish, English, Portugals [sic], and French, 1680, 6. A New Mapp of the Kingdome of England and Wales, c.1685, 7. Spain … Portugal, 1682, 8. Italy, 1682, 9. The Empire of Germany, c.1685, 10. The Kingdom of Hungary, c.1685, 11. Poland, c.1685, 12. Russia Alba or Moscovia, 1682, 13. Scandinavia and its Confines, 1684, 14. The United Provinces of the Netherlands, c.1685, 15. The Catholick Provinces of the Low Countries, c.1685, 16. The Kingdom of France, c.1685, 17. The States of the Empire of the Turks in Europe, 1683, 18. The Empire of the Great Turke in Europe, Asia, and Africa. Divided into all its Beglerbeglicz or Governments, c.1685, 19. Mediterranean Sea divided into its Principall Parts or Seas, c.1685, 20. The Course of the River Rhine, c.1685, 21. The Circle of Swabia, 1685, 22. The Circle of Bavaria, 1685, 23. The Dukedom of Pomerania, 1685, 24. The Circle of Westphalia, 1685, 25. The Mountains of the Alpes, 1683, 26. Principality of Catalonia, c.1685, 27. Part of the Circle of Austria viz. the Archdukedom of Austria, c.1685, 28. Part of the Circle of Austria in which are the Dukedomes of Stiria … and other Heriditary [sic] Countrys of the House of Austria, 1688, 29. The Dukedom and Electorat [sic] of Brandenbourg, c.1680-5, 30. The Circle and Electorat [sic] of the Rhine, 1689, 31. The Archbishoprick and Electorat [sic] of Colen, c.1685, i.e. 31 engraved maps, each on two conjoined sheets (except Colen, on one sheet) mounted on guard, various sheet sizes (approx. 58 x 90 cm to 61 x 96 cm), strip-titles to head, titles and dedications within large elaborate cartouche incorporating royal arms and ethnographic and allegorical elements (Spain with title and dedication within separate cartouches), all except England and Wales with secondary cartouche containing bar scales and imprint, contemporary outline colour throughout (except Asia, uncoloured; Africa colouring with modern enhancement including to cartouche, North America, South America, England and Wales and Pomerania colouring minimal, now faded), variable toning, various nicks and tears, professionally repaired and consolidated throughout, most closed up without loss, sometimes with visible but generally light disruption, margins often extended or consolidated several maps backed on archival tissue, Empire of The Turks in Europe and The Empire of the Great Turke both with old linen backing (outline colour showing through), a few maps closely trimmed, many with creases, bound with (between 1 and 2): Moll (Herman), To Her most Sacred Majesty Ann, Queen of Great Britain, France and Ireland. This Map of Europe according to the Newest and most Exact Observations is dedicated, London: for H. Moll, D. Midwinter and T. Bowles, sold by H. Moll and P. Overton, 1708, and (between 13 and 14): Jaillot (Hubert), Le Royaume de Danemark. Subdivisé en ses principals provinces, tiré de plusieurs mémoires par le Sanson, Paris: Hubert Jaillot, 1692, each on two sheets, conjoined, with cartouches, contemporary outline colour, toning, creasing and repairs, modern full calf binding, gilt red morocco label to front board, atlas folioQty: (1)NOTESBurden II 532 (for North America: 'very rare'); Chubb p. 420; Shirley British Isles 1650-1750 p. 29; Shirley World 501; Tooley Africa p. 56 ('uncommon'); Tooley America p. 122 (for North America). A near-complete set of Berry's series of maps known as 'the English Sanson', 'very rare' (Chubb), and with Europe and Denmark, the only missing maps according to the list at the foot of The Circle and Electorat of the Rhine , appositely replaced with contemporary examples by Moll and Jaillot. Based on Jaillot’s Atlas nouveau (1674), a reworking of Sanson, they were published separately between 1680 and 1689, which may account for their high attrition rate. Berry’s version of the North America map is especially important, being the first or at least the second map to name Pennsylvania, which was founded on 4 March 1681 (Thornton and Seller's map appeared in the summer of that year). Certain features of Jaillot's map are retained, including the easterly slant to the Mississippi River, and the omission of Montreal, but there are notable differences other than the inclusion of Pennsylvania. 'Much of it is the anglicising of the continent, New England's boundaries being pushed to the St Lawrence River and New Scotland laying claim to all of the territory to the Gulf and Acadia ... Penn's main rival Maryland is not ignored and the town of Baltamore [sic] is identified. The southern claims of England are also extended with the inclusion of Charles-Towne and Carolina. In the west one notable addition is a Straits of Anian. The engraver of the map is not known although it bears many ofthe hallmarks of Herman Moll. If his work it would be one of his earliest known' (Burden). The world map exhibits similar changes: 'Berry has patriotically marked the islands discovered by Drake just off Tierra del Fuego and has added New Albion in the northern part of California, shown as an island' (Shirley; California is depicted in the same manner in North America ). North America is in Burden's first state (it was re-issued in 1718); The New Mapp of the Kingdome of England and Wales is in Shirley's first state; the Moll map of Europe was also re-issued c.1730 with a re-engraved dedication to Caroline, consort of George II.
Taylor (George & Skinner Andrew). Taylor & Skinner's Survey and Maps of the Roads of North Britain or Scotland, 1776, frontispiece of an uncoloured engraved folding map of Scotland, stained with a long closed repaired tear, folding decorative calligraphic title page, folding list of an index of the principal cities, towns and villages with a list of the Stages of the Great Roads printed on the verso, sixty-one engraved folding linear strip maps, all but one printed back to back, some staining and fraying, map 27 torn with loss, bookplate of Lt. Genl. J. Fraser to rear pastedown, contemporary sheep, heavily worn and frayed, 8voQty: (1)NOTESGeneral John Fraser was officer commanding the 73rd Highlanders, the 71st Highland Light Infantry and the Royal York Rangers. He lost a leg during the defence of Gibraltar in 1780–82 but continued to serve in West Africa, the Caribbean, Morocco and Guernsey until his retirement.
Yokohama. Sadahide (Utagawa, also known as Hashimoto or Go’untei Sadahide,1807- 1878), Panorama of Yokohama, circa 1860, large colour woodblock, printed on light-weight Japanese paper, showing the rapidly developing city of Yokohama in a panoramic view with the title above the image, slight marginal fraying and dust soiling, old folds, some wear and loss where old folds cross and slight loss to printed text on the lower left-hand margin, 670 x 1840mmQty: (1)NOTESThis highly dramatic and colourful image shows the city viewed from across the bay from Kayasu or Kanagawa village. Numerous steamships from Japan, the Netherlands, United States, Great Britain, France and Russia are anchored in the harbour. The image was possibly produced to serve as a visitor’s guide and souvenir. The city had rapidly expanded in the middle of the 19th century and became a successful trading port, bringing with it a mass of foreign visitors, merchants and traders. This was an opportunity which Sadahide astutely targeted as a new and lucrative market for his work. He studied under Kunisada I and was especially known for his Yokohama landscape prints and portraits. During his career, he produced over eighty-five prints of Yokohama, and visitor guides, including in 1862 ‘Things seen and heard at the open port of Yokohama’ which depicted the Western’s style of dress, appearance, and way of life.
Ford (Richard). A Handbook for Travellers in Spain, 2 volumes, 3rd edition, entirely revised, with great additions, London: John Murray, 1855, chromolithograph frontispiece to volume 1 and engraved frontispiece to volume 2, folding engraved map by J. & C. Walker, 4 chromolithograph plates, both volumes interleaved with blanks, many with detailed manuscript notes and some with engraved images pasted-in, additional mounted double-page lithograph map to volume 1, occasional light dust-soiling, map pocket to front pastedowns and bookplate of George R. Alexander to each, contemporary terracotta brown half morocco, spines faded, slightly rubbed, thick 8voQty: (2)
* Leyden (Jock, 1908-2000). A collection of original cartoons, 10 pen & ink drawings on wove paper, all depicting Roland Welensky in various satirical scenes, including boxing, fishing, railways, motor racing, etc., each captioned and signed, some dated 1962 or 1963, occasional light spotting and finger-soiling, sheet size approximately 38 x 58cm (15 x 22.75ins), together with two other pen & ink cartoons depicting Welensky, one by Victor Weisz, and the other by John Jackson, and a large folding hand-coloured lithograph titled Nigeria's Leaders by Feliks TopolskiQty: (13)NOTESScottish cartoonist John Michael Leyden is best-known for his anti-apartheid cartoons as well as his 'man on the street' character Wilbur. He moved to South Africa in 1926 where he attended art school in Durban, his first cartoon appearing in the sports pages of the Natal Advertiser in 1927. He spent most of his subsequent life in South Africa, and for more than 50 years was a thorn in the flesh of the brutal apartheid regime there, during a career in which it is estimated that more than 20,000 of his cartoons were published. Leyden's campaign against injustice began in the late 1930s and he became South Africa's leading political cartoonist, shrugging off death threats during the Second World War when his drawings attacked the nationalists' support of Nazi Germany. During the 1950s and 1960s, his drawings sketched a biting insight into the turmoil in Rhodesia (now Zimbabwe). He said that he had ''gone to the limit'' with his anti-apartheid cartoons at a time when working on a newspaper was ''like walking over a minefield'', saying ''I used to test the editor. Some editors were a bit petrified. If a cartoon was not published, I regarded it as a bit of a compliment - it was obviously too strong.''
Franklin (John). Narrative of a Journey to the Shores of the Polar Sea, in the Years 1819, 20, 21, and 22, With a n Appendix on v a rious subjects rel a ting to Science a nd N a tur a l His to ry, 1st edition, 1st issue, London: John Murray, 1823, iii-xvi 768 pp., 30 engr a ved pl a tes including 11 h a nd-coloured a qu a tints, 4 folding m a ps a t rear, half-title and advertisements discarded, err a t a slip present, occasional spotting, light marginal toning and few marks, closed tear to inner fold of final map, contemporary calf gilt, rebacked preserving original spine, corners showing through, 4to (26.8 x 20.5 cm)Qty: (1)NOTESProvenance: The David Wilson Library of Natural History. Arctic Bibliography 5193; cf. Abbey Travel 635 and S a bin 25624 for the second issue (sometimes referred to as an edition), with 784 pp. (Sabin also incorrectly cites 34 plates).
Alexander (William, Earl of Stirling). Recreations with the Muses, 3 parts in one, 1st edition, London: Thomas Harper, 1637, later mounted engraved portrait frontispiece by William Richardson dated 1795, title within ornamental woodcut border, lacking front and rear blanks, one or two leaves at front with small marginal insect damage, a few leaves towards end with corners repaired, a little light soiling and water stains, all edges yellow, later sprinkled calf gilt by Cecil & Larkins, spine with red and green labels, small splits at foot of jointsQty: (1)NOTESPforzheimer 5; STC 347. A few copies were issued with a portrait of Alexander by William Marshall, but these may have been added only to presentation copies. A handsome copy.
Alighieri (Dante). Con Nuove et Utili Ispositioni, Lyon: Guillaume Rouille, 1571, title with woodcut device, 3 full-page woodcut illustrations, small marginal water stain to U1, a little minor toning, later ownership signature 'G. Taylor' at head of title, front endpaper partly excised, later mottled calf gilt, rubbed with some light edge wear, 16mo in 8'sQty: (1)NOTESAdams D106; Re-issue of Rouille's 1551 edition, with the dedication dated 1551 and new title.
Bible [English]. The Holy Bible: Containing the Old Testament and the New, London: Robert Barker, and by the Assignes of John Bill, 1635, general & New Testament titles within decorative woodcut border, woodcut royal arms to verso of general title, Apocrypha present, short closed tear to upper outer corner of 3G3, bound with at front The Genealogies Recorded in the Sacred Scriptures, According to every Family and Tribe..., by J.S. [John Speed], 1634, woodcut genealogies with illustration of Adam & Eve, with loosely inserted double-page woodcut map of Canaan by Speed (slightly close trimmed at head & foot), bound with at front The Book of Common Prayer, and Administration of the Sacraments ... with the Psalter or Psalmes of David, Edinburgh: Printed by the Printers to the Kings most excellent Majestie, 1633, ornamental border to title with repaired closed tear, bound with at rear The Whole Book of Psalmes: Collected into English Meeter by Thomas Sternhold, John Hopkins, and others..., London: Printed by G.M. for the Companie of Stationers, 1635, title within ornamental border, lower outer corners of F1 & F2 clipped, contents of volume with occasional close trimming at head of few leaves, one or two small ink marks & smudges, toning and some light dust-soiling throughout, armorial bookplate of J. Elderton to upper pastedown, all edges gilt, contemporary dark brown morocco, elaborate gilt decoration to to boards with initials I.C. and R.C. (gilt faint), rebacked preserving original gilt decorated spine (gilt faint), upper board detached, lower board detached with spine reback, engraved silver corner pieces and three (of four) clasp attachments, some wear, 8vo (leaf size 167 x 110 mm)Qty: (1)NOTESHerbert 498; Darlow & Moule 386; STC 2318.
Bindings . Lives of the Queens Of England, by Agnes Strickland, 12 volumes, 1841-8, Lives of the Queens Of Scotland, by Agnes Strickland, 8 volumes, 1850-59, Lives of the Princesses Of England, by Mary Anne Everett Green, 6 volumes, 1850-55, Memoirs of the Queens of France, by Mrs. Forbes Bush, 2 volumes, 1843, Life of Agnes Strickland, by Jane Margaret Strickland, 1887, together with 8 further volumes by Agnes Strickland, some light toning, all edges gilt, all in uniform gilt decorated red half morocco by Sangorski & Sutcliffe, bright condition, very minor rubbing to spines, 8voQty: (37)
Ferguson (James). Astronomy Explained upon Sir Isaac Newton's Principles, and made easy to those who have not studied Mathematics, 2nd edition, London: printed for the author, 1757, folding engraved frontispiece, 13 folding engraved plates, some light spotting and offsetting, contemporary previous owner signature of George Ryley to front endpaper, small tears and repairs to front endpapers, contemporary sprinkled calf, rebacked and repaired, some worming to covers, 4toQty: (1)
Fielding (Henry). The History of Tom Jones, a Foundling, 6 volumes, London: for A. Millar, 1749, occasional light spotting and browning, a few leaves faintly creased where dog-eared, volumes 1 and 3 retaining either final blank or free endpaper only (the latter with offsetting from volume 2 title), volume 3 signature M2 torn in lower margin affecting catchword and signature mark recto, R3 with marginal tear not affecting text, old repair to head of R5 affecting headline verso, hole in R7 obscuring a word either side, volume 4 with closed tear through title-page sometime neatly repaired, quire B proud, volume 5 G7 with closed tear touching headline and first line of text, volume 6 F5 with closed marginal tear, contemporary sprinkled calf gilt, expertly rebacked to style, 12mo (16.8 x 10 cm)Qty: (6)NOTESProvenance: Robert Parker FSA (contemporary armorial bookplates with elephant's head gorged); 'T Fletcher' (faded contemporary ownership inscriptions to title-pages). Cross III p. 316 (cf. II p. 122); Rothschild 850-1. First edition, one of 2,000 copies, with the errata leaf (volume I signature c8), the errata uncorrected, volume I p. 21 with catch-word 'lected, volume VI signature B5 unsigned, and the following cancels: I B9-10; II B4-5 and N12; III H8-10 (signed *2-*4; in Rothschild 850 H8-10 are retained as slit cancellanda), M3 and Q11; IV B1; and V N8. The stubs of the cancelled leaves are visible except in the cases of II N12 and IV B1 (though the latter is evidently tipped to the title-leaf [A]1). The second edition is sometimes referred to as the second issue, but Cross argues that Millar distributed the original types, requiring them to be entirely reset.
[Gerbier, Balthazar]. The none-such Charles his character: extracted, out of divers originall transactions, dispatches and the notes of severall publick ministers, and councellours of state as wel at home as abroad, London: Printed by R.I. and are to be sold by John Collins in Little Brittaine, 1651, engraved portrait frontispiece (light fraying to fore-edge margin & some offsetting), front free endpaper with early signature Anthony Anchors, contemporary sheep, some loss to upper board, worn, 8vo (Wing N1226A, ESTC R203020), together with: Book of Common Prayer , The Book of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church ... together with the Psalter or Psalms of David, London: Printed by the Assigns of Thomas Newcomb, and Henry Hills, deceas'd, 1712, title and text borders ruled in red, leaves I2-I11 detached, all edges gilt, contemporary black shagreen, engraved silver cornerpieces and three (of four) clasp attachments without clasps, marked, 12mo, and a defective copy of Mercurius Rusticus: or, the Country's Complaint of the Barbarous Outrages begun in the Year 1642, by the Sectaries of this flourishing Kingdom, by Bruno Ryves, 5th edition, London: W. Mears, 1732Qty: (3)
[Glanvill, Joseph]. Saducismus Triumphatus: Or, Full and Plain Evidence Concerning Witches and Apparitions. The First Part thereof Containing Philosophical Considerations, which Defend their Possibility. Whereunto is added, the true and genuine notion, and consistent explication of the nature of a spirit, for the more full confirmation of the possibility of their existence, 2 parts in one, 3rd edition, London: S. Lownds, 1688 [1689], with part titles dated 1688, collation: A3-Z, 2A-2P2 including 7 part titles, lacks the additional engraved main title by William Faithorne, the printed title (A1), and first leaf of the Address to the Reader (A2), D4 (the first part title) has been transposed as a replacement for the main printed title, also lacking is the unnumbered engraved illustration or frontispiece to the title for the second part, and at the end, this copy lacks Pp3 and Pp4 (the latter being a blank), the main text is complete and ends on Pp2, full-page engraved illustration at end, woodcut diagram illustrations, near-contemporary annotations of Arthur and Mary Fox, 1699, previous owner signatures at head of title, occasional light soiling and spotting, a few short closed tears, small Gray's Court library label to front pastedown, later half roan, joints and edges rubbed, 8vo, together with a defective copy of William Drage's A Physical Nosonomy, in two parts, 1665?, first part lacking all before B2 at front, and second part (Daimonomageia. A Small Treatise of Sicknesses and Diseases from Witchcraft) defective or lacking after E4Qty: (2)NOTESESTC R21671; Wing G824. First published in 1681, this collection of seventeenth century tales of witchcraft, ghosts, demons and other paranormal occurrences was Glanvill's attempt at proving these supernatural happenings were real, in order to counter the increasing scepticism at the time and Glanvill's fear that this disbelief will lead ultimately to a rejection of Christianity.Sold with all faults, not subject to return.
Harris (Joseph). The Description and Use of the Globes, and the Orrey. To which is prefix'd, by way of introduction, a brief account of the Solar System, 9th ed., 1763, folding engraved frontispiece (repaired closed tear to inner blank margin), 6 folding engraved plates, occasional spotting, light dust-soiling and few minor marks, early inscriptions to front free blanks, endpapers renewed, contemporary calf, rebacked and corners repaired, 8voQty: (1)
[Marlorat, Augustin]. Genesis cum Catholica expositione Ecclesiastica, id est ex uniuersis probatis Theologis ... excerpta, a quodam verbi Dei ministro, diu multumque in Theologia versato..., Morgiis: Sumptibus Ioannis le Preux & Eustathii Vignon, 1584, printer's woodcut device to title, ownership stamp and early annotation to title, some early marginalia, dampstaining to mostly to lower outer corners, late 19th century calf with bevelled boards, without title label, upper board detached, worn, thick 8vo, together with: Bible [Latin] , Biblia Sacra , sive Testamentum Vetus, Ab Im. Tremellio et Fr. Iunio ex Hebraeo Latine redditum, et Testamentum Novum, a Theod. Beza e Graeco in Latinum versum..., Amsterdam: Ioannem Ianssonium, 1648, engraved title, initial leaves lightly creased, without front free endpaper, contemporary vellum with yapp fore-edges, light soiling, 8vo, Luther (Martin), A Commentarie of M. Doctor Martin Luther upon the Epistle of S. Paul to the Galathians: First collected and gathered word by word out of his preaching, and now out of Latine faithfully translated into English for the unlearned, London: Imprinted by Richard Field, 1616, woodcut device to title (torn with loss and lined to verso), sewing broken and few leaves loose, dust-soiling and few marks, contemporary calf, lacking spine, worn, 4to,Qty: (3)
Milton (John). Paradise Lost. A Poem in Twelve Books. The second edition, revised and augmented, London: printed by S. Simmons next door to the Golden Lion in Aldersgate-street, 1674, [8] 333 [1] pp., engraved portrait frontispiece, woodcut initial, final blank discarded, frontispiece repaired, trimmed and mounted, quires A-B damp-stained, title-page somewhat marked, slightly chipped at lower fore corner, and with contemporary annotations including a transcription of the alphabet and numbers along the gutter, light damp-staining to lower fore corners from quire K, M1 and R7 each with loss at lower fore corner just touching one letter in R7 verso , closed tear in O1 with old repair in fore margin recto, later sheep, rubbed, loss to lower spine-compartment, front joint cracked but firm, 8vo (16.4 x 10.2 cm)Qty: (1)NOTESProvenance: 'Mrs Mary Smithsons Book' (contemporary ownership inscription to title-page). ESTC R13351; Grolier Wither to Prior 605 (not mentioning the final blank); Wing M2144; not in Pforzheimer. 'In this second edition the number of books in the poem has been increased from ten to twelve by dividing Books VII and XII into two each, and by adding three new lines to the beginning of Book VIII, and five new lines to Book XII. The "Argument" ... is also divided, and the separate parts prefixed to the books to which they severally apply. Milton's nephew, Edward Phillips, in his "Life of John Milton", 1694, states that these changes were made at Milton's direction' (Grolier). The second edition is also important for containing Andrew Marvell's commendatory poem 'On Paradise Lost'. According to ESTC the frontispiece is not found in all copies.
Philosophical Transactions. A collection of disbound articles, some defective, from Philosophical Transactions, 18th century, including: 1. An Account of the several Earthquakes which have happen'd in New-England, since the first Settlement of the English in that Country, especially of the last, which happen'd on Octob. 29, 1727. Communicated to the Royal Society by Paul Dudley, Esq; F.R.S. in a Letter to the Secretary, Nov. 13. 1727, 2. An Account of a new-discovered Species of the Snipe or Tringa: In a Letter to the Rev. Tho. Birch, D.D. F.R.S. from Mr. George Edwards, Librarian of the College of Physicians, read May 5, 1757, 3. Observations upon the Comet that appeared in the Month of September and October 1757, made at the Royal Observatory by Ja. Bradley, D.D. Astronomer Royal, F.R.S. and Member of the Royal Academy of Science at Paris, read Dec. 22, 1757, 4. An Account of an Encrinus, or Starfish, with a jointed Stem, taken on the Coast of Babadoes, which explains to what kind of Animal those Fossils belong..., In a Letter to Mr. Emanuel Mendes da Casta, F.R.S., by John Ellis, Esq; F.R.S., read Dec. 17, 1761, 5. An Account of the Eclipse of the Sun, October 16, 1762, in a Letter from Mr. Samuel Dunn, to Mr. James Short, M.A. and F.R.S., read Dec. 16, 1762, 6. An Account of the Nyl-ghau, an Indian Animal, not hitherto described, by William Hunter, read Feb. 28, 1771, 7. Description of a new Hygrometer, by Mr. John Smeaton, F.R.S., read March 21, 1771, 8. Account of a Mole from North America: In a Letter to Dr. Maty, Sec. R.S. from the Hon. Daines Barrington, F.R.S., read May 15, 1771, 9. Variation of the Compass, as observed on board the Endeavour Bark, in a Voyage round the World. Communicated by Lieut. James Cook, Commander of the said Bark, read Nov. 21, 1771, 10. Transitus Veneris & Mercurii in eorum Exitu è Disco Soli, 4to Mesis Junii & 10mo Novembris, 1769, observatus. Communicated by Capt. James Cook, read Nov. 21, 1771, 11. Description of a Method of measuring Differences of Right Ascension and Declination, with Dollond's Micrometer, together with other new Applications of the same, by the Rev. Nevil Maskelyne, B.D. F.R.S. Astronomer Royal, read Dec. 12, 1771, 12. A Supplement to a former Paper, concerning Difficulties in the Newtonian Theory of Light, by the Rev. S. Horsley, LL.B. F.R.S., read Dec. 19, 1771, 13. Observations on the Graduation of Astronomical Instruments; with an Explanation of the Method invented by the late Mr. Henry Hindley, of York, Clock-maker, to divide Circles into any given Number of Parts, by Mr. John Smeaton, F.R.S.; communicated by Henry Cavendish, Esq. F.R.S. and S.A., read Nov. 17, 1785, 14. Particulars relative to the Nature and Customs of the Indians of North-America. By Mr. Richard Mc Causland, Surgeon to the King's or Eighth Regiment of Foot. Communicated by Joseph Planta, Esq. sec. R.S., read Feb. 16, 1786, and others similar, engraved plates & diagrams (some folding), some fraying, dust-soiling and few marks, disbound 4toQty: (a small carton)NOTESSold with all faults, not subject to return.
Slavery. Memoirs of a West-India Planter, re-published from an original manuscript: with an address to the Right Honourable Lord Glenelg on the present state of colonial slavery, by the Rev. John Riland, 2nd edition, London: Hamilton, Adams & Co., 1837, advertisement leaf, a little light soiling, 'Library of the Dissenters' Old Meeting-House, Scarborough' printed label cut and pasted to title verso, 'Old Meeting House Loan Library' ink inscription to title, with a presentation inscription from the author dated Oct. 6. 1837 at head of title, United College, Bradford library label to front pastedown, original cloth-backed boards, lower joint splitting, spine label chipped, some fading and corner wear, 8vo, together with Testimonies Concerning Slavery, by Moncure Daniel Conway, 2nd edition, London: Chapman & Hall, 1865, a couple of leaves with crease marks, shelf number to front endpaper, original cloth gilt, small tears and chips at spine ends, 8vo, The Lost Continent; or, Slavery and the Slave-Trade in Africa, 1875, by Joseph Cooper, 1st edition, 1875, folding map, advertisement leaf at end, slight soiling to title, original green cloth gilt, spine darkened, a few stains, 8vo, Liverpool and Slavery: An Historical Account of the Liverpool-African Slave Trade. Was it the cause of the prosperity of the town?, by a Genuine "Dicky Sam", 1st edition, Liverpool, 1884, folding wood-engraved plate of the Slave Ship "Brockes" of Liverpool (small repairs and tears to folds), The Liverpool Underwriters' Association triangular ink stamp to plates margin and title, press cuttings pasted front and rear (offset to dedication), hinges tender, original cloth gilt, a little rubbed with a few marks, slight lean, 8voQty: (4)
Smith (Godfrey). The Laboratory; or, School of Arts: in which are faithfully exhibited, and fully explain'd, I. A variety of curious and valuable experiments in refining ... gold ... II. Choice secrets for jewellers ... III. Several uncommon experiments for casting in silver ... likewise in wax ... IV. The art of making glass ... painting upon ... glass ... delf-ware. V.A collection of very valuable secrets, for the use of cutlers ... joiners ... bookbinders, distillers ... limners, &c. ... marbling books or paper. VI. A dissertation on the nature and growth of salt-petre ... other ... chymical experiments.--VII. The art of preparing rockets, crackers, fire-globes ... VIII. The art and management of dying silks, worsteds, cotton ..., 3rd edition, London: James Hodges & T. Astley, 1750, engraved frontispiece, some light dust-soiling, upper pastedown with skinned paper surface where bookplate removed, contemporary calf, worn at head of spine, extremities rubbed, 8vo, together with: Duméry (C.J.) , Combustion sans Fumée de tous les Cobustibles, Paris: Librairie Scientifique, Industrielle et Agricole de Lacroix-Comon, 1856, 32pp., folding table at rear, contemporary half calf, slim 8vo, Deleuze (J.P.F.) , Instruction Pratique sur le Magnetisme Animal, Paris: J.G. Dentu, 1825, library label and stamp to title, scattered spotting, contemporary calf-backed marbled boards, paper label at foot of spine, 8vo, Pigeaire (J.) , Puissance de l'Electricite Animale, ou du Magnetisme vital et de ses rapports aec la physique, la physiologie et la medicine, Paris: Dentu, Germer Bailliere & l'Auteur, 1839, ink stamp to half-title, original printed wrappers, worn & loose, ink stamp to upper cover, 8vo, Cernuschi (Henri) , M. Michel Chevalier et le Bimetallisme, Paris: Librairie de Guillaumin et Cie., 1876, scattered spotting, original printed wrappers, loose and spine worn, 8voQty: (5)
Sparrow (Anthony). A Collection of Articles , Injunctions, Canons, Orders, Ordinances and Constitutions Ecclesiastical; with other Publick Records of the Church of England, Chiefly in the Times of K. Edward VI, Q. Elizabeth, K. James & K. Charles. Published to Vindicate the Church of England, and to Promote Uniformity and Peace in the same, London: Robert Cutler & Joseph Clarke, 1671 , engraved frontispiece of the arms of the Bishops of England, title torn with loss to lower left and lined to verso, each part title within ornamental border, two folding tables (both with repaired closed tear), leaves A1, B1 & B2 strengthened to fore-edge, some light soiling and occasional spotting, later endpapers, contemporary calf, joints split, spine strengthened at head & foot, later manuscript title label, small 4to, together with: Gabriele d'Emillane (Antonio Gavin) , A Short History of Monastical Orders, in which the Primitive Institution of Monks, their Tempers, Habits, Rules, and the Condition they are in at Present, are Treated of, London: Printed by S. Roycroft, for W. Bentley, 1693, imprimatur leaf present, 19th century half calf, rebacked preserving original spine, contrasting labels including volume number label (possibly this work bound uniformly with other works as part of a set), 12moQty: (2)
Wingate (Edmund). Maximes of Reason: or, the Reason of the Common Law of England, 1st edition, by R. & W. L. for W. Lee [and others], 1658, text mainly in blackletter, initial blank discarded, worm-track to foot of quires Q-S touching a few words, diminishing thereafter, title-page slightly marked and with contemporary ownership inscription 'Ex libris Philippi Caryll' to head, signed bookplate of Nathaniel Lindley, Baron Lindley (1828-1921), English judge, contemporary calf, rebacked and recornered, worn, folio (29 x 17.5 cm), together with: An Exact Abridgement of all Statutes in Force and Use, upon the 4th day of January, in the year of our Lord 1641/42. Faithfully extracted out of the said statues, from the beginning of Magna Carta, 3rd edition ('corrected and amended'), London: by T. R. for Henry Twyford and Tho. Dring, 1659, without free endpapers, occasional light damp-staining, small hole in 2A1, minor worming in lower margin towards centre of volume, contemporary sheep, modern label and blind-stamped dated to spine, front joint split at ends, 8vo (16.5 x 10 cm), A Plain and Familiar Method for Attaining the Knowledge and Practice of Common Arithmetic, 19th edition ('additions and emendations ... entirely new, are added by James Dodson'), London: for C. Hitch [and others], 1760, engraved frontispiece, light browning, bookplates and ownership inscriptions of the Smith Barry family of Marbury Hall, Cheshire, contemporary mottled tan calf, gilt spine, extremities rubbed, 8vo (19.6 x 12 cm), and 3 other copies of An Exact Abridgement (2 of the 1700 edition, one of the 1704 edition, the latter with bookplate of Sir William Baird of Newbyth, 1654-1737), and 2 other copies of the Arithmetic (1708 and 1735, the latter with bookplate of Philip, 2nd Earl of Stanhope, 1714-1786), not collated, contemporary calf, one rebacked, 8voQty: (8)NOTESESTC R10401 (Maximes), R215608 (Abridgement, third edition; six UK copies), T86938 (Arithmetic); Sweet & Maxwell 244.10 (Maximes), 566.34 (Abridgement); Wing W3021 (Maximes), E905A (Abridgement, third edition).
Wingate (Edmund, editor). Britton. The second edition. Faithfully corrected according to divers ancient Manuscripts of the same Booke, London: assignes of John Moore, 1640, woodcut title-device and initials, text mainly in black letter, toning, occasional light spotting and damp-staining, dust-soiling to outer leaves including title-page, title-page nicked along top edge, contemporary calf, rebacked and relined, 16mo (14.6 x 8.2 cm), together with: Wingate (Edmund), The Exact Constable, with his Original, and Power in all Cases belonging to his Office ... The fifth edition, whereto is added, the Office of a London Constable, London: for Henry Brome, Thomas Passenger, and Thomas Sawbridge, 1680, damp-staining to outer leaves, 18th-century ownership inscriptions to blanks, contemporary sheep, rebacked and relined, tips worn, 12mo (14.8 x 7.6 cm), ibid., The Body of the Common Law of England ... The second edition corrected and amended, London: for H. Twyford and Roger Wingate, 1655, pp. [4] 90 [2] 76 [46], lacking signature G1, and possibly [superscript 3]C8 (probably blank) if called for (ESTC also calls for [6] leaves between parts 1 and 2, not [2] as here), toning, occasional staining, contemporary calf, rebacked and relined, 16mo (14 x 8.2 cm), ibid., Arithmetick ... The seventh edition, very much enlarged ... by John Kersey, London: by S. R. for R. S. and are to be sold by J. Williams, 1678, armorial and Bibliotheca Lindesiana bookplates of the earls of Crawford, contemporary calf, rebacked, free endpaper renewed, autograph letter from James Stevens Cox FSA (1910-1997) laid in, 8vo (17.2 x 10.7 cm), ibid., Arithmetick ... The eighth edition, very much enlarged ... by John Kersey, London: by E. H. for J. Williams, 1683, bookplate of William Charles Meuron, 7th Earl Fitzwilliam (1872-1943), contemporary calf, rebacked, 8vo (17.1 x 10.8 cm)Qty: (3)NOTESESTC S106709, R220029 (six copies world-wide), R220028 (four copies in UK libraries), R9795 (Arithmetick, seventh edition), R203214 (Arithmetick, eighth edition); STC 3804 (Britton); Sweet & Maxwell pp. 52.11 (Britton), 236.21 (Exact Constable), 242.46 (Body); Wing W3016 (Exact Constable) W3007 (Body), W3001 (Arithmetick, seventh edition), W3001A (Arithmetick, eighth edition). Britton, ' the first legal treatise in the French of the knightly families who ruled the shires rather than the Latin of the clerks of the king's household' (ODNB), was first published c.1533, and is so named owing to its attribution to the 13th-century bishop and justice John le Breton (d.1275).
Wolf (Hans Kaspar). Gynaeciorum, hoc est, de mulierum tum aliis, tum gravidarum, parientium et puerperarum affectibus et morbis [...] Moschionos peri gunaikeion pathon [graece], id est, Moschionis medici Craeci de morbis muliebribus [sic] liber unus ... nunc primum editus opera ac studio Caspar Vuolphii, 2 parts in 1 volume, Basel: Thomas Guarin, 1566, woodcut title-devices and initials, 16 woodcut illustrations of anatomy and surgical instruments in text, title-leaf repaired in gutter, occasional marginal damp-staining, light intermittent worming to gutter, one consistent worm-track in text, paper-disruption to gutter of quires alpha-beta, closed tear in signature a4, old contemporary ownership inscriptions to title-page, bound with 2 related fragments at rear (Felix Plater, 'De mulierum partibus generationi dicatis', 10 leaves, woodcuts, extracted from Gynaeciorum, 1586-8 or 1597 edition; and Rueff, 'De conceptu et generatione hominis', 42 leaves, numerous woodcuts including foeti in utero, probably from Gynaeciorum, 1597 edition, later calf, gilt spine, endpaper renewed, spine refurbished, 4to (21 x 14.5 cm)Qty: (1)NOTESAdams W243 & M1836; Garrison-Morton 6011; Heirs of Hippocrates 364. First edition of 'the first encyclopaedia of gynaecology' (Heirs of Hippocrates), started by Konrad Gesner and completed after his death by Wolf, who added his own essays as well as excerpts from authorities including the great Arab physician Abu'l-Qasim al-Zahrawi (Albucasis).
Cobbett (William). A History of the Protestant "Reformation", in England an[d] Ireland, 2 volumes, 1st edition, London: Charles Clement, 1824-27, some light spotting and soiling, bookplates (including author and illustrator Harold B. Pereira), later burgundy half morocco, spine ends slightly rubbed, 8vo, together with Hill (Edwin Darley). The Northern Banking Company Limited. An Historical Sketch Commemorating a Century of Banking in Ireland by the First Joint Stock Bank Established in that Country, 1st edition, Belfast: M'Caw, Stevenson & Orr, 1925, numerous colour and monochrome illustrations, a few minor spots to endpapers, original green cloth gilt, upper cover with inset illustrations, spine ends a little rubbed, 4to, with a presentation leaf and manuscript inscription to Revd. J.W. Minchin, M.A., with others Ireland related, histories, literature, 20th century, hardbacks and paperbacks etc including William Cobbett's History of the Protestant Reformation in England and Ireland, 2 volumes, 1st collected edition?, 1829, William Carleton, J.P. Donleavy et alQty: (approximately 90)
Dulac (Edmund, illustrator). Rubaiyat of Omar Khayyam, [1909], 20 tipped-in colour plates, a little light toning to text, original cloth gilt, spine lightly faded, 4to, together with The Golden Cockerel, by Alexander Pushkin, Limited Editions Club, New York, [1949], colour illustrations by Edmund Dulac, original cloth gilt, glassine wrapper, contained in original chemise (spine torn), slipcase (some tears and small loss), folio, limited signed edition 142/1500, plus Aladdin and his Wonderful Lamp in Rhyme, by Arthur Ransome [1919], 12 tipped-in colour plates by Thomas Mackenzie, a little light spotting, contemporary ownership inscription, top edge gilt, original pictorial cloth, 4to, with six others including Richard Wagner's Parsifal, illustrated by Willy Pogany, [1912], Florence Upton's The Golliwogg's Air Ship, [1902], and Jean de Brunhof's Babar's Travels, 1935, and The Story of Babar the Little Elephant, 2nd English edition, 1934, and three Louis Wain annuals for 1913 & 1921 (2 copies)Qty: (11)
McConnell (Andy) . The Decanter, an illustrated history of glass from 1650, 1st edition, Antique Collectors' Club, 2004, numerous colour and black & white illustrations, publishers original cloth in dust jacket, covers lightly rubbed to head & foot, large 4to, together with: McAllister (Isabel) , Alfred Gilbert, 1st edition, A. & C. Black, 1929, 40 monochrome plates, spotting to the endpapers & some light spotting throughout, publishers original decorated cloth. spine slightly faded & rubbed with small tear to the foot, 4to, and Madeline (Laurence et al) , Women Artists in Paris 1850-1900, 1st edition, Yale University Press, 2017, numerous colour illustrations, original cloth in dust jacket, large 4to, plus Murphy (Paula) , Nineteenth-Century Irish Sculpture, Native Gems Reaffirmed, 1st edition, Yale University Press, 2010, numerous colour & monochrome illustrations, original cloth in dust jacket, large 4to, and Gould (Veronica Franklin) , G. F. Watts, The Last Great Victorian, 1st edition, Yale University Press, 2004, numerous colour & monochrome illustrations, original cloth in dust jacket, covers lightly rubbed to foot, large 4to, plus other art & antique reference, mostly original cloth in dust jackets, some paperbacks, 8vo/4toQty: (Approximately 50)
Muybridge (Eadweard). The Human Figure in Motion... An Electro--Photographic Investigation of Consecutive Phases of Muscular Actions, 1st edition, London: Chapman & Hall, 1901, numerous half-tone illustrations, one or two short closed marginal tears, previous owner inscription mostly erased from title, a few light fingermarks, bookplate and press cutting to front pastedown, original red cloth gilt, joints and edges a little rubbed, oblong folio, together with Animals in Motion, 5th impression, 1925Qty: (2)
Tennant (Dudley, illustrator). Poems of Passion and Pleasure, by Ella Wheeler Wilcox, [1912], 20 tipped-in colour plates, light spotting to endpapers, top edge gilt, original vellum gilt, lacking ties, one corner bent, light soiling to covers, 4to, limited signed edition 211/500, together with Robinson (W. Heath, illustrator). A Song of the English, by Rudyard Kipling, [1909], 30 tipped-in colour plates, small presentation inscription to front endpaper, original blue cloth gilt, spine a little darkened, joints and edges lightly rubbed, 4to, with three others: Arthur Rackham's Tales of Mystery & Imagination, by Edgard Allan Poe, 1935, Rip Van Winkle, von Washington Irving, 1st German edition, Leipzig, 1905 (with 50 tipped-in plates loosely contained in original illustrated cloth portfolio, text in plain green printed wrapper) and Poe's Tales of Mystery and Imagination, illustrated by Harry Clarke, January 1923 reprintQty: (6)
Ariel Poems. [A complete set], 38 volumes, London: Faber & Gwyer, [1927-31], numerous illustrations by Paul Nash, Eric Gill, Barnett Freedman, E. McKnight Kauffer, William Nicholson, Blair Hughes-Stanton, Stephen Tennant, David Jones et al, original sewn wrappers, Marina, by T.S. Eliot upper wrapper detached, a few small marks and occasional light dust soiling slight fading to a few extremities, 8voQty: (38)
Jauna (Dominique). Histoire générale des roïaumes de Chypre, de Jerusalem, d'Arménie, et d'Egypte ... On y a ajouté I. L'état présent de l'Egypte. II. Dissertation sur les caractères hieroglifiques des anciens Egyptiens. III. Reflexions sur les moïens de conquérir l'Egypte et la Chypre, 2 volumes, 1st edition, Leiden: Jean Luzac, 1747, title-pages in red and black, 2 engraved portraits (1 folding), 6 folding maps and plans (including a large map of Cyprus, opening to 40 x 50 cm), engraved headpieces to each chapter, variable generally light browning, short closed tears to inner folds of a few maps, Cyprus map slightly creased, spill-burn to C1 recto obscuring a few letters, marbled endpapers, edges dyed red, contemporary French marbled calf, richly gilt spines with twin morocco labels, French fillet frames gilt to sides, front joints cracked, wear to headcaps, 4to (24.2 x 18 cm)Qty: (2)NOTESProvenance: Michel-Marie de Pomereu, marquis de Pomereu (1769-1863), with bookplates. Blackmer 870; Cobham-Jeffery p. 28; cf. Atabey 614 for the second edition of 1785. 'Jauna, a councillor of [Empress] Maria Theresa, to whom the work is dedicated, states in his preface that he spent many years in the Levant. His book does not contain accounts of his travels, being mostly historical, but contains very good maps of Greece, Egypt, Cyprus and Palestine' (Blackmer).
Durrell (Lawrence). 'The Alexandria Quartet': Justine, 1957; Balthazar, 1958; Mountolive, 1958; Clea, 1960, 1st editions, London: Faber & Faber, a little light spotting front and rear and to fore edges, original cloth, Balthazar spine a trifle faded, dust jackets, Justine & Balthazar spines toned (Justine with small splits to lower joint, light spotting to Balthazar front panel and flaps), some fading to Clea spine with toning and small stain to band section of spine, 8vo, together with five others by Lawrence Durrell including Bitter Lemons, 1957 (with Book Society wraparound band), Esprit de Corps, 1957, Stiff Upper Lip, 1958, Sauve Qui Peut, 1966, all 1st editions, and Pope Joan, revised edition, 1960Qty: (9)
Fleming (Ian). A set of 13 James Bond titles, 1954-1966, comprising: Live and Let Die, 2nd impression, 1954, Moonraker, 1st edition, 1955, Diamonds Are Forever, 1st edition 1956, From Russia, With Love, 1st edition, 1957, Dr No, 1st edition, 1st issue (without silhouette of the dancing girl), 1958, Goldfinger, 1959, For Your Eyes Only, 3rd impression, 1962, Thunderball, 1st edition, 1961, The Spy Who Loved Me, 2nd impression, 1962, On Her Majesty's Secret Service, 1963, You Only Live Twice, 2nd impression, 1964, The Man With the Golden Gun, 2nd impression, 1965, Octopussy and the Living Daylights, 1st edition, 1966, occasional minor spotting, mainly to fore edges, bookplates of Sir Philip Brocklehurst, Bt. (1887-1975, soldier, polar explorer and member of Ernest Shackleton's Antarctic's Nimrod Expedition of 1907-09), Diamonds Are Forever, From Russia With Love and Goldfinger to You Only Live Twice all with front panels of dust jackets cut and pasted to front endpapers, original cloth in generally bright condition, one or two light marks, slight lean to Thunderball, Golden Gun & Octopiussy in original dust jackets, 8voQty: (13)
Green (Henry). Pack My Bag, 1st edition, 1st issue, London: Hogarth Press, 1940, some light spotting front and rear, original blue cloth, (spine a little faded), 1st issue dust jacket (priced at 7s 6d.), spine toned and a little rubbed, small closed tear and chip at foot of rear panel, 8vo, together with Caught. A Novel, 1st edition, London: Hogarth Press, 1943, a little minor spotting to endpapers and fore edges, original red cloth, dust jacket designed by Leonard Rosoman, joints and edges a little rubbed, 'Recommended by the Book Society' slip cut and pasted to front flap, 8vo, with two other 1st editions by the author: Nothing, 1950 and Doting, 1952Qty: (4)
Greene (Graham). Nineteen Stories, 1st edition, London: Heinemann, 1947, a few minor spots to fore margins, original cloth, dust jacket, spine and folds toned, 8vo, together with Loser Takes All, 1st edition, 1955, original cloth, dust jacket, spine a trifle faded, one or two minor spots, 8vo, plus The Spy's Bedside Book. An Anthology edited by Graham Greene and Hugh Greene, 1st edition, 1957, light spotting front and rear, original cloth, dust jacket, some fading to spine, light spotting to flaps, 8vo, with 14 other first editions by the author including In Search of a Character, 1961, The Comedians, 1966, Lord Rochester's Monkey, 1974 and an uncorrected proof for The Tenth Man, 1985Qty: (17)
Hamilton (Patrick). Hangover Square or the Man With Two Minds. A Story of Darkest Earl's Court in the Year 1939, 1st edition: London: Constable [1941], 2 pp. advertisement at end, a few minor spots to endpapers, original olive cloth, slight fading to spine, dust jacket, spine toned, light spotting to rear panel and folds, 8voQty: (1)NOTES"As a mystery writer, Hamilton is best known for Hangover Square, which is set in the squalid Earl's Court section of London. Its protagonist is a schizophrenic whose problems are complicated by his doglike devotion to a worthless trollop who is two-timing him. Grim and powerful, this work is possibly the most valid fictional treatment and psychological study of the criminally insane." (Steinbrunner and Penzler, Encyclopedia of Mystery and Detection, p.183).
Lawrence (T.E.) Seven Pillars of Wisdom, 1st trade edition, London: Jonathan Cape, 1935, portrait frontispiece, maps and illustrations, light spotting to fore edges, original brown cloth gilt, spine a little faded, light marginal mottled stains, dust jacket, spine lightly toned with stains and tears at ends, small tears and chips, 4to, together with Oriental Assembly, 1st edition: Williams and Norgate, 1939, map and half-tone illustrations, original cloth gilt, dust jacket, spine lightly toned, 8vo, with four other 1st editions related: T.E. Lawrence by his Friends, edited by A.W. Lawrence, 1937, The Letters of T.E. Lawrence, edited by David Garnett,1938, Lawrence of Arabia. A Biographical Enquiry by Richard Aldington, 1955 and Letters to T.E. Lawrence, edited by A.W. Lawrence, 1962Qty: (6)
Lehmann (John [editor]) . New Writing, numbers 1 - 5 (Autumn 1936 - Spring 1938), new series, numbers 1 - 3 (Autumn 1938 - Christmas 1939), The Bodley Head, Folios of New Writing, 4 volumes (Spring 1940 - Autumn 1941), New Writing and Daylight, 7 volumes, Hogarth Press, (Summer 1942 - 1946), some light toning & spotting, all original cloth in dust jackets, some spines slightly faded, covers slightly rubbed to head & foot with some minor loss, 8vo, together with: Orpheus, A Symposium of the Arts, 2 volumes, 1948-49, black & white illustrations, some minor toning & spotting, publishers original cloth in dust jackets designed by Keith Vaughan (volume 1) & John Minton (volume 2), spines slightly faded & rubbed with minor loss, 8vo, together with Daylight, volume 1, Hogarth Press, 1941, original wrappersQty: (21)
Maugham (William Somerset). Ah King, 1st limited edition, London: Heinemann, 1933, partly unopened, a few minor spots, top edge gilt, original buckram gilt, spine toned, glassine wrapper (torn with losses), slipcase, 8vo, limited signed edition 123/175, together with The Judgement Seat, 1st edition, London: Centaur Press, 1934, wood-engraved frontispiece by Ulrica Hyde, signed by the artist, original black cloth gilt (lacking glassine wrapper), spine faded, lower corners bumped, slim 8vo, limited signed edition 137/150 The Book-Bag, The Lungarno Series No. 9, G. Orioli, Florence, 1932, portrait frontispiece signed by the author, original cloth-backed boards, light fading to extremities, dust jacket, rear panel with tear and loss, some light toning, 4to, limited edition 67/725, with other 1st editions by the author including The Painted Veil, 1925, Cakes and Ale, 1930, The Gentleman in the Parlour, 1930, Six Stories Written in the First Person Singular, 1931, Cosmopolitans, 1936, and Liza of Lambeth, Jubilee signed limited edition 883/1000, 1947, all in dust jacketsQty: (25)
Larken (Sir Frank, 1875-1953). Archive of Royal Navy service, c.1890, comprising: 1. 'Log of H.M.S. "Tyne", "Bellerophon", "Emerald", "Partridge", "Blake", and "Cleopatra". Kept by Frank Larken, Mid.' [cover-title], North America and West Indies Station, 15 July 1891 – 30 November 1893, approx. 190 leaves, printed headings and red rules, completed by hand on some 145 leaves, 31 charts and plans (including Bermuda Harbour, the first International Naval Review at New York, 1893, many of Newfoundland and environs, many of route from Bermuda to Jamaica via Antigua, Barbados and Trinidad) and 32 technical drawings and views (including a view titled 'Ice-Berg, ashore off St John's') , nearly all in watercolour on card (a few in pen-and-ink ), tipped in or mounted (some partially lifting), occasional adhesive-staining (stronger to first few leaves), damp-staining to blanks at rear, original blue morocco binding, spine defective, covers detached and worn, folio (30.3 x 19.8 cm), 2. 'Journal. Mr. F. Larken, H.M.S. Cleopatra', North America and West Indies Station, 1 December – 14 May 1895, approx. 90 leaves, printed headings and red rules, completed throughout, 16 charts and plans (including Port Royal in Jamaica, Ireland Island in Bermuda, Bermuda dockyard, and Bermuda minefield) and 9 technical diagrams, nearly all in watercolour on wove paper (a few in pen-and-ink), tipped in or mounted (some partially lifting), original half sheep, spine defective, worn, folio (32 x 20 cm), 3. Larken's personal bicorn hat, dress epaulettes and sword belt, black felt bicorn hat by Gieves Ltd with gilt braid and button, gilt braid epaulettes by Gieves, Matthews & Seagrove (each with three stars; one epaulette with crown and one of the stars detached), leather sword belt by Gieves Ltd with gilt metal buckle and acorn and oakleaf gold bullion embroidery (some wear), in japanned metal tin with brass plaque engraved 'Rear Adml F. Larken' and maroon velvet lining, 30 x 48 x 25 cm, 4. Three Royal Navy commemoration volumes, i.e. a) H.M.S. Dreadnought. Memorabilia, Malta: printed for private circulation by Antonio Bartolo, [1886], 125 [3] pp., folding table, 2 albumen print diagrams mounted to blank pp. 4 and 36 (soiling to adjacent leaves), annotation by Larken to front free endpaper, original blue skiver, worn, date '1886' gilt to front cover, worn, 4to (23.5 x 17.8 cm), one copy on WorldCat (Mariners' Museum Library, USA), b) Visit of the French Fleet, August, 1905 [cover-title], London: Eyre and Spottiswoode, [1905], 9 pp., 4 plates, folding colour map on silk in end-pocket (frayed at edges), silk doublures, original blue calf gilt, 8vo (24 x 16 cm), one copy on WorldCat (National Maritime Museum), c) Visit of Colonial Premiers and the Houses of Parliament to Portsmouth, [London]: Private and not for Publication, [1907], 23 [1] pp., 7 mounted photographic plates, folding text-leaf, folding map, silk doublures, original blue calf richly gilt, 4to (23.5 x 18.5 cm), 5. Three personal notebooks and scrap-albums including notes on science, c.1930, 6. Original silver bromide print portrait photograph of Larken by Walter Stone, [1934], faded, in folding case (poor condition) with similar portrait opposite (probably his wife)Qty: (10)NOTESProvenance: By direct descent to the present owner. Admiral Sir Frank Larken KCB CMG (1875-1953) entered the Royal Navy in 1889. On the declaration of war in August 1914 he took command of light cruiser HMS Doris in the eastern Mediterranean, with instructions to launch amphibious raids on Turkish positions along the Syrian coast. His demolition of the railway at Alexandretta in December 1918 forced the Turks into negotiations by which they agreed to destroy their own railway engines and stores, under British supervision, a somewhat farcical event which was key to Churchill's appraisal of Turkish military capability and his decision to launch the Gallipoli campaign, during which the Doris provided support for the Anzac landings. Larken later commanded battleship HMS Valiant (1922-4), was promoted rear-admiral in 1924, vice-admiral in 1929, and admiral in 1933.
Maugham (William Somerset). The Hero, 1st edition, 1st issue, London: Hutchinson & Co., 1901, a little minor spotting, mainly to endpapers, small label removed from front pastedown, original red cloth gilt, 1st issue with 'evil eye' symbol on front cover upside down, spine toned and a little rubbed with small stains and manuscript number '66', lower cover with light ring mark, 8vo, together with Mrs. Craddock, 1st edition, London: Heinemann, 1902, publisher's 32 pp. catalogue at end, slight marginal toning and a few minor stains, original cloth, some fading to spine, edges a little rubbed, 8voQty: (2)
Orwell (George). The Collected Essays, Journalism and Letters of George Orwell, edited by Sonia Orwell and Ian Angus, 4 volumes, 1st edition, London: Secker & Warburg, 1968, half-tone frontispieces, a few light spots at front, original blue cloth gilt, dust jackets, some fading to spines, 8voQty: (4)
Pound (Ezra). Homage to Sextus Propertius, 1st UK edition, London: Faber & Faber, 1934, light partial offsetting to endpapers, original cloth, dust jacket, spine faded and chipped at head, 8vo, together with Heaney (Seamus). Selected Poems 1965-1975, 1st edition, London: Faber & Faber, 1980, original cloth (some fading to spine), dust jacket (light fading to blue lettering on spine), 8vo Eliot (T.S.) Murder in the Cathedral, 1st UK edition, London: Faber & Faber, 1935, a few minor spots front and rear, original cloth, dust jacket, spine slightly faded with some hole, with other poetry and drama including T.S Eliot's East Coker, 1940, Burnt Norton, 1941 and Little Gidding, 1942 (all 1st Faber editions in wrappers), and others by T.S. Eliot, Sylvia Plath, Ted Hughes, C. Day Lewis,, John Betjeman, Thom Gunn et alQty: (approximately 90)
Scott (Paul). The Jewel in the Crown, 1st edition, London: Heinemann, 1966, original cloth, dust jacket, spine faded, light edge wear and some light spotting to rear panel and flap, 8vo, together with The Day of the Scorpion, 1st edition, London: Heinemann, 1968, a few minor spots to fore margins, original cloth, dust jacket, spine faded to green, 8vo, with four other 1st editions by the author: The Chinese Love Pavilion, 1960, The Birds of Paradise, 1962, The Bender, 1963 and The Corrida at San Feliu, 1964Qty: (6)
Tolkien (J.R.R.) Lord of the Rings: The Fellowship of the Ring, 7th impression, 1957; The Two Towers, 6th impression, 1959; The Return of the King, 3rd impression, 1957, London: George Allen & Unwin, folding map at end of each, a few minor spots mainly to fore edges, light partial offsetting from flaps to Fellowship endpapers, top edge red, original red cloth, dust jackets, some fading to spines, one or two short closed tears to spine ends and folds, publisher's slipcase (a little rubbed and soiled with small splits), 8vo, together with The Hobbit or There and Back Again, 11th impression, 1959, colour frontispiece, 5 illustrations, map endpapers, a little minor spotting, original green pictorial cloth, dust jacket in bright condition, very slight toning to spine and at head of flaps, 8voQty: (5)
Waugh (Evelyn). A Handful of Dust, 1st edition, London: Chapman and Hall, 1934, frontispiece, 3 pp. advertisements at end, occasional minor spotting, original snakeskin patterned cloth, dust jacket, some toning to spine, vertical crease to spine, short closed tear to one fold, one or two light marks and creases, 8voQty: (1)NOTESA bright copy in the scarce dust jacket of arguably 'Waugh's masterpiece' (ODNB).
Waugh (Evelyn). Put Out More Flags, 1st edition, London: Chapman & Hal, 1942, occasional light spotting, original cloth (some toning to spine and extremities), dust jacket with Book Society wraparound band (torn in two, chip at head of spine portion), spine faded to yellow as usual, one or two small nicks and tears, 8voQty: (1)
* Waugh (Evelyn, 1903-1966). Autograph letter signed, 'Evelyn Waugh', Grand Hotel, Oslo letterhead, no date, [1947], to Mr Some, thanking him for sending a book about the artist Edvard Munch, 'which I shall keep as a treasured souvenir of Oslo, as well as a valuable addition to the art books in my library', saying how much he enjoyed the previous evening and hoping to see him again before he leaves Oslo, a little light creasing to lower left corner, one page, 8voQty: (1)NOTESWaugh spent four nights in Oslo in 1947 and perhaps Munch's 'The Scream' might be interpreted as his true feeling about Oslo itself.

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