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534325 Los(e)/Seite
Los 1432
A crimplene late 60s early 70s jumpsuit made by Devonshire Lady, size 14. Two large patch pockets. The sleeves and the top part of the jumpsuit are in a darker green check.A maxi dress in a light jersey and tulle with gold thread running through the dress. The yoke of the dress is a gold foliage design with a v scallop neckline. Approx. size 14.A lime green midi crimplene sleeveless dress made by Richmond London. The fabric is self-pleated fabric. Also includes a matching belt A plum-coloured crochet tank top, 1970s. A collection of aprons from the 1950s and 1960s. Remnants of fabric. One is from the late 50s in turquoise ribbed cotton with a splash modernist design of yellow and black. Also includes pale lemon cotton remnants and a small remnant of midnight blue and burnt orange design silk. A white synthetic dress by Pigalle, 1960s. Square neckline, sleeveless, and calf length.A vintage style corset by Nymph. Made in England, 1960s. The colourway of the corset is crimson covered in black lace. Also included are a pair of matching knickers in red crimson with black lace overlay and with elasticated sides. Comes with suspenders. It comes in its original box. This garment looks to be? unworn.Large Quantity (1)
Los 1461
A collection of women’s gloves in a variety of styles, including elbow length black velvet, mid-forearm length matte black and two leather gloves in dark and light brown. A collection of scarves in a variety of styles and patterns. Lot includes two 100% silk scarves by John Galliano, with the brand name bordering the fabric of the scarf. One is in turquoise blue and the other in dark grey. Also includes an 100% silk John Galliano scarf in black with a newsprint pattern bordering the edge. The John Galliano logo and a smattering of large cream stars covers the main body of the scarf. A Moschino 100% silk scarf in dove grey. The Pop Eye character ‘Olive Oyl’ is printed on it, as is the Moschino logo in spray painted font. A cream-coloured chiffon scarf bordered in red with a pattern of a map decorating the body. An 100% silk AssiDomän scarf in navy blue with a geometric pattern in yellow, red, and green. A chiffon Coach scarf in a colour way of aubergine, yellow, claret, white, and tomato red in a geometric circle pattern. A square coral coloured scarf patterned with poodles and street lamps. A square cream scarf bordered with a navy strip. It is patterned with a vintage style beach scene of deckchairs and beach parasols in a colour way of red, turquoise, navy and cream. A large black square scarf patterned in an opulent fleur de li design in gold, turquoise and red. A square scarf in a colour way of baby pink, aubergine, turquoise and cream. It has the logo Plaza Toros in the centre. The scarf is patterned in a collage pop art style with Ben-day dots, Spanish figures, and floral designs. A square paisley patterned scarf in cream and coral. A wide scarf in a colour way of coral, tangerine, brown and mustard and decorated in rows of abstract tribal designs. The fabric has a soft, corrugated texture and the edges are fringed. A large scarf with a Picasso style painting of a woman printed on it in taupe, coffee and white. A scarf in dove and slate grey and patterned with a whimsical stirrup design in brown gold and grey. Also includes a collection of fabric remnants, all of which are patterned cottons. A Christian Dior pair of black tights in Medium.
Los 197
Canelo Alvarez signed 12x8 colour photo. Santos Saul Álvarez Barragan (born 18 July 1990), popularly known as Canelo Álvarez, is a Mexican professional boxer. He has won multiple world championships in four weight classes from light middleweight to light heavyweight, including unified titles in three of those weight classes and lineal titles in two. Álvarez is the first boxer in history to become undisputed champion at super middleweight, having held the WBA (Super), WBC and Ring magazine titles since 2020, and the IBF and WBO titles since 2021. Good condition Est.
Los 198
Roy Jones Jnr signed 12x8 colour photo. Roy Levesta Jones Jr. (born January 16, 1969) is an American former professional boxer, commentator, and trainer who holds dual American and Russian citizenship. He competed in boxing from 1989 to 2018, and held multiple world championships in four weight classes, including titles at middleweight, super middleweight, light heavyweight, and heavyweight, and is the only boxer in history to start his professional career at light middleweight and go on to win a heavyweight title. As an amateur, he represented the United States at the 1988 Summer Olympics, winning a silver medal in the light middleweight division after one of the most controversial decisions in boxing history. Good condition Est.
Los 27D
Make & Model: BMW Z4 SDrive 23IDate of Reg: SP09 WXGColour: Bluecc: 2497MoT: 30-06-2023Fuel Type: PETROLMileage: 58kTransmission: MANUALSummary: One owner from new. £3825 of extras including 18' light alloys, PDC, Coral red kansas leather, Sports seats. Eight service stamps with the last entry June 2021. Three keys (not tested)Sold with an after sales test driveVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156150
Los 75DK
Make & Model: BMW X1 XDrive25D XLineDate of Reg: YA65 WNFColour: Whitecc: 1995MoT: 14-01-2023Fuel Type: DIESELMileage: 42kTransmission: AUTOSummary: Over £7000 of extras including Panoramic glass sunroof, 19' light alloy wheels Y spoke (source HPI) Selection of bills including one service invoice at 33,368 milesVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156126
Los 1003
Yu-Gi-Oh! Ultimate Rare six card Yugioh bundle. This lot contains six ultimate rare cards from RDS, SOD, FET & EEN expansions. The cards include Sasuke Samurai 4 (1st ed Played condition), Raffleasia Seduction (Unlim Excelent condition), Blast Magician (1st ed Excellent condition), Ultimate Insect Lv 5 (1st ed Light Play condition), Jack's Knight (1st ed Near Mint condition) & Gearfried the Swordmaster (1st ed Light Play condition).
Los 1
JOSÉ ROYO (Valencia, 1945)."Young woman embroidering".Oil on canvas.Signed in the lower left corner.Measurements: 61 x 38 cm; 90,5 x 68 cm (frame).A precocious painter, José Royo began his drawing studies when he was only seven years old. After studying with the best masters of his city, he entered the School of Fine Arts of San Carlos, and finally completed his studies travelling around the great museums of the world, immersing himself especially in Goya, Velázquez and the impressionist masters. These influences marked his pictorial development to the point of becoming a master of post-impressionism himself, heir to Renoir, Sorolla, Monet and Bonnard. The decisive change in his life came when the painter and his family decided to move to the countryside; in a small village near Valencia, Royo built the house that would bring light and colour to his work, which would be an exact replica of his iconography and vice versa, a house full of geraniums and orange trees where the light is precious at every moment of the day, in a different corner. However, the essence of the Mediterranean culture that this artist carries within him demanded, more and more insistently, to paint the sea. Royo then found his second paradise in Mallorca, in the Salmunia cove, where he has moved every summer to paint since the seventies. At the same time, his career became increasingly successful, first in Spain and soon throughout Europe. The Mediterranean charm shaped by Royo's virtuosity also seduced the Japanese and then the South American market, although it was above all his success in the United States that consolidated this artist as one of the key figures of our time. On the other hand, Royo's eagerness to investigate has led him to explore other fields such as sculpture or silkscreen printing, always accompanied by public recognition. He has also excelled as a portrait painter, portraying the presidents and High Magistrates of the Spanish Supreme Court, aristocratic personalities and His Majesty Don Juan Carlos I for the Spanish Embassy in Japan. Royo is currently represented in the Diocesan Museum of Barcelona, among other collections.
Los 37
GONZALO BILBAO MARTÍNEZ (Seville, 1860 - Madrid, 1938).Untitled.Oil on canvas.Attached certificate issued by Don Gerardo Pérez Calero.It has damages in the frame.Stamp on the back.Signed in the lower right corner.Measurements: 40 x 32,5 cm; 52 x 43,5 cm (frame).In this work the artist depicts a picturesque corner consisting of a vaulted midá or fountain of ablutions, covered on the outside with whitish-blue tiles and situated at the open door of an oratory or mosque. It should be noted that Bilbao spent several years in Morocco, visiting Tangiers and other cities, the result of which is the series he produced at that time in which he evokes the aesthetics of Orientalism.Gonzalo Bilbao took up drawing as a child and in 1880 he began his career as a painter. Around this time he travelled to Italy and France with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and travelled around the various Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, travelled around Spain and also went to Morocco, Paris and Munich. In Spain he taught painting, initially as a private tutor and, from 1903, as Jiménez de Aranda's successor at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he took part in numerous fine arts exhibitions, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also took part in the National Fine Arts Nationals, winning second medals in 1887 and 1892, first in 1899 and 1901 and an honourable medal in 1915. A traditional painter, representative of Spanish genre painting, his pictures were colourful depictions of Andalusian life and its most popular figures, and he also painted landscapes, figures and portraits, depicting prominent figures of the time such as King Alfonso XIII and the actress Carmen Díaz. The light and vitality of his compositions bring his language closer to the Impressionist aesthetic, focusing on the essential representation of atmospheres and landscapes. Gonzalo Bilbao is represented in the Museo de Bellas Artes in Seville, where he has a room devoted entirely to his work, the Museo del Prado, the Museo Jaume Morera in Lleida and the Museo de Bellas Artes in Cordoba, among others, as well as in private collections both in Spain and abroad.
Los 50
JOSÉ NAVARRO LLORENS (Valencia, 1867 - 1923).Untitled.Oil on panel.Signed in the lower right corner.Size: 16 x 34 cm; 35 x 53 cm (frame).José Navarro Llorens took up painting at a very early age, and studied at the San Carlos School of Fine Arts in his native city. After his time as a student we lose track of him, and we do not meet him again until 1895 when, according to Pantorba, he took part for the first and only time in the National Exhibition of Fine Arts, receiving an honourable mention. That same year saw the consecration of Joaquín Sorolla, who was unanimously awarded the first medal in the competition. Although they were lifelong friends, it is possible that Navarro, given his bohemian and humble character, did not aspire, like Sorolla, to a brilliant career of official laurels and courtly prestige. It seems that he never intended to project his work beyond a limited local sphere, as can be deduced from the fact that in his early years he devoted himself to painting genre scenes and gallant scenes for fans. However, his early works reveal a certain influence of the style of Mariano Fortuny, whom Navarro admired and from whose example he may have been inspired to travel to Morocco in a second period. This trip must have taken place shortly after he finished his studies and he devoted himself to depicting local, North African and Orientalist themes. At the beginning of the 20th century he was contracted to decorate a palace in Buenos Aires, although Navarro never arrived in Argentina. He set sail for that destination, but during a stopover in Rio de Janeiro the painter decided to stay there indefinitely. He continued to work in the Brazilian city and held a highly acclaimed exhibition. However, nostalgia for his homeland, the absolute protagonist of his pictorial language, led him to return to Valencia, where he settled permanently in Godella. There he lived the rest of his life in a simple and humble manner, giving painting classes at the town's Academy and painting tirelessly. His style drew on various influences, such as Fortuny, Domingo Marqués and Levantine luminism, but was always deeply personal, linked to Navarro's own way of understanding the world. His painting is reminiscent of Mediterranean clarity through beautiful transparencies, a corporeal luminosity and nervous, vibrant brushstrokes. His is an energetic, robust and vital realism, which turns light into a plastic and even tactile value, rather than a chromatic one. José Navarro is represented in the Fine Arts Museums of Valencia and Asturias, the Museo Carmen Thyssen in Malaga and in the Gerstenmaier collection, among other public and private collections.
Los 8
GONZALO BILBAO (Seville, 1860 - Madrid, 1938).Untitled.Oil on canvas.Attached certificate issued by Don Gerardo Pérez Calero.Signed in the lower left corner.Measurements: 77 x 100 cm.Gonzalo Bilbao started drawing as a child and in 1880 he began his pictorial career. During these years he made a trip to Italy and France together with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and travelled around the various Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, travelled around Spain and also went to Morocco, Paris and Munich. In Spain he taught painting, initially as a private tutor and, from 1903, as Jiménez de Aranda's successor at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he took part in numerous fine arts exhibitions, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also took part in the National Fine Arts Nationals, winning second medals in 1887 and 1892, first in 1899 and 1901 and an honourable medal in 1915. A traditional painter, representative of Spanish genre painting, his pictures were colourful depictions of Andalusian life and its most popular figures, and he also painted landscapes, figures and portraits, including prominent figures of the time such as King Alfonso XIII and the actress Carmen Díaz. The light and vitality of his compositions bring his language closer to the Impressionist aesthetic, focusing on the essential representation of atmospheres and landscapes. Gonzalo Bilbao is represented in the Museo de Bellas Artes in Seville, where he has a room devoted entirely to his work, the Museo del Prado, the Museo Jaume Morera in Lleida and the Museo de Bellas Artes in Cordoba, among others, as well as in private collections both in Spain and abroad.
Los 9
GONZALO BILBAO MARTÍNEZ (Seville, 1860 - Madrid, 1938).Untitled.Oil on canvas.Attached certificate issued by Don Gerardo Pérez Calero.Signed in the lower right corner.Measurements: 69 x 88 cm; 73 x 93 cm (frame).The landscape was one of the genres in which Gonzalo Bilbao cultivated the most, in such a way that his work reflects a wide variety that goes from maritime, fluvial and terrestrial views, adapting pictorially diverse locations that go from the Andalusian countryside to the city of Morocco. Sometimes they are populated by people, while at other times they are desolate, as in this painting. His mastery and intense activity as a landscape painter involved a great mastery of technique, and he was a master of capturing light and atmosphere. This work is a clear example of this, as the artist captures a specific moment of the day.Gonzalo Bilbao took up drawing as a child and in 1880 he began his career as a painter. Around this time he travelled to Italy and France with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and travelled around the various Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, travelled around Spain and also went to Morocco, Paris and Munich. In Spain he taught painting, initially as a private tutor and, from 1903, as Jiménez de Aranda's successor at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he took part in numerous fine arts exhibitions, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also took part in the National Fine Arts Nationals, winning second medals in 1887 and 1892, first in 1899 and 1901 and an honourable medal in 1915. A traditional painter, representative of Spanish genre painting, his pictures were colourful depictions of Andalusian life and its most popular figures, and he also painted landscapes, figures and portraits, depicting prominent figures of the time such as King Alfonso XIII and the actress Carmen Díaz. The light and vitality of his compositions bring his language closer to the Impressionist aesthetic, focusing on the essential representation of atmospheres and landscapes. Gonzalo Bilbao is represented in the Museo de Bellas Artes in Seville, where he has a room devoted entirely to his work, the Museo del Prado, the Museo Jaume Morera in Lleida and the Museo de Bellas Artes in Cordoba, among others, as well as in private collections both in Spain and abroad.
Los 12
A group of four Italian second half 18th century 'lacca' and parcel gilt mirrorsVenetian, each one a different modelEach decorated with assorted flowers and scrolled foliage, one mirror painted with a bird and another depicting a rustic couple reclining together with a dog in a rural landscape, within similarly shaped pierced foliate C- and S-scroll, acanthus and rocaille carved surrounds, one surmounted by a classical profile medallion, one mirror with a 'Galleria Orsi' label to the reverse, one mirror approximately: 74cm high x 45cm wide. (4)Footnotes:ProvenanceGalleria Orsi.Purchased in the late 20th century by the current owner and vendor from the dealer Cesaro, in Padua.A Venetian 18th century 'lacca' mirror, which is similar to two of the mirrors comprising the offered lot, sold Christie's, London, 29 April-20 May 2021, The Collector: Onine, lot 85.The fashion for exotic lacquers from China and Japan reached the Occident through the centuries, and came to its apogee in Venice in the 18th Century. Venetian 'laccatori' were among the first to imitate lacquer, and their furniture and objects were much sought after as a result. Chinoiserie motifs closely imitated Oriental patterns at first, but during the second half of the 18th Century, Venetian lacquerers created different designs, loosely combining chinoiserie motifs with figures, animals, birds and landscapes. Other imitations of oriental lacquer were created in Venice, as the technique known as 'lacca povera' with printed glued vignettes. Interestingly, after the painted decoration was finished, the 'laccatori' used up to eighteen layers of a specific varnish called 'sandracca' which was applied to protect the decoration. With time, this precious varnish turned yellowish, therefore changing our perception of the initial ground colour, which most of the time was originally light blue or turquoise. Ageing 'sandracca' crackled, giving its surface a delicate fine craquelure only visible under close examination, which is a sign of an untouched decorative scheme.Related LiteratureG. Morazzoni, Il Mbile Laccato del Settecento, Vol II, 1958, Milan, tav. CDLXXX a sin.G. Mariacher, Specchiere Italiane e Cornici da Specchio, dal XV al XIX Secolo, 1963, tav. II.C. Santini, Le Lacche dei Venziani, 2003, Modena, p. 103, fig. 32.S. Levy, Lacche Veneziane Settecentesche, Vol. II, tavv. 318-319.Galleria Silva, Catalogo, No. 4, Settembre 2005, pp.'s 46-47.Galleria Silva,This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 7
Attributed to Claude Galle (French, 1759-1815): A pair of early 19th century bronze and marble figural twin light candelabracirca 1815formed as Grecian maidens clad in formalised classical robes holding candle arms formed as cornucopiae with bird cast nozzles, raised on rouge marble square bases, 28.5cm high overallFootnotes:The son of a farmer, Claude Galle rose beyond his humble roots to become an important bronze caster and gilder by the end of the 18th century. Although very rarely marking his works and producing in a variety of styles popular at the end of the 18th and start of the 19th century, he collaborated with numerous other craftsmen, and scholars.By 1784 Galle had become extremely successful, producing mounts for furniture, clocks, and other objects in gilt bronze for the palaces of Fontainebleau, Versailles, Saint-Cloud, and Compiègne in his workshop and he was made a master bronzier in 1786.After the French Revolution, Galle continued to produce numerous pieces for Napoleon Bonaparte, receiving an order worth more than 65,000 francs for the Château of Saint-Cloud. As many of his clients were slow to pay their bills, however, he fell increasingly into debt. In 1811 he was even forced to write a begging letter to the government asking for its help and protection reminding them of the awards he had won, the large family he had to feed, and the four hundred employees who depended on him for their jobs. However, he died in poverty four years later, having been forced to close his shop.For further information on this lot please visit Bonhams.com
Los 348
Unbekannter Genremaler, 17. Jh.Einladung zur Bootspartie. Öl auf Leinwand, doubliert. Unsigniert. Rückseitig von fremder Hand bezeichnet "D.Cook". In Schmuckrahmen. 56 x 50 cm (Ra). Restaurierter Zustand: Leinwand doubliert, kleine Retuschen unter Firnis. Narrative Genreszene am See im Abendlicht. Der Einladung zur Bootspartie folgt die junge Dame nur sehr zögerlich; der Sprung vom festen Felsengrund in den wackeligen Kahn an der Hand des hoffnungsvoll schauenden jungen Herrn scheint ihr nicht geheuer. Sinnreiche Allegorie auf die junge Liebe und das Wagnis der Ehe. Unknown genre painter, 17th century. Invitation to a boat trip. Oil on canvas, relined. Unsigned. Backside with remark "D.Cook" by unknown. Ornamental frame. Restored condition: small retouches under varnish. Narrative genre scene on the lake in evening light. The young Lady is stumbeling into the open arms of the Gentleman. The passing from the solid rocks onto the shaky boat is a nice allegory on first love and the ventures of marriage.
Los 109
Unbekannter Künstler, 20. Jh.Goldener Herbst. Öl auf Leinwand, 1930. Unten links unlesbar signiert und datiert. Gerahmt. 96 x 76 cm (Ra). Stimmungsbild mit Lichtspiel durch goldgelbes Herbstlaub in urbanem Umfeld. Golden Autumn. Oil on canvas, 1930. Hard to read signed and dated bottom left. Framed. Impression of flickering light through golden coloured leaves in an urban place.
Los 412
Unbekannter KünstlerMeeresbrandung an felsiger Küste im Abendlicht. Öl auf Leinwand, 1921. Unten rechts schwer lesbar signiert (Hans ...?) und datiert. Gerahmt. 50 x 56 cm (Ra). Etwas angeschmutzt. Warme und sinnliche Abendlichtstimmung an mediterraner Steilküste mit illusionistischer Wassermalerei. Sunset mood at a rocky coastline. Oil on canvas, 1921. Hard to read signed and dated bottom right. Framed. A bit dirty and tanned. Very warm evening light and illusionist painting of the surging sea.
Los 345
Hilverdink, Johannes (1813 Groningen - 1902 Amsterdam)Spätsommerliche Flusslandschaft mit kleiner Insel und Fischerbooten. Öl auf Leinwand, doubliert, 1842. Unten mittig signiert und datiert. In aufwendigem Schmuckrahmen. 66 x 73 cm (Ra). Guter Zustand, neuer Firnis. Delikate Landschaftsszene mit fein abgestimmtem Licht- und Wolkenspiel. Riverscape with small island and fishing boats in late summertime. Oil on canvas, 1842. Sigend and dated bottom middle. Ornamental frame. Canvas relined, varnish renewed. Good condition. Delicate painting with elegant light and clouds.
Los 540
A mixed lot of items to include a copper flour dredger, three small jelly moulds, porcelain whistle in the form of a baby in a shoe, a Victorian green double-ended scent bottle, and a smaller example in amber, a Victorian ceramic light pull, tin vesta case in the form of a letter box, and other items Location: SL
Los 1525
An H. & R. Daniel porcelain tea service: in the shell shape and comprising a teapot and cover, sucrier and cover, milk jug, waste bowl, nine breakfast cups, six tea cups, ten saucers and two plates, each painted in pattern no. 5199 with flower sprays within gilt embellished wine borders, circa 1835, [tea pot cracked, some light stain].
Los 1937
A pair of 19th century French gilt metal three-light wall appliques: with flared urn-shaped nozzles and pierced drip trays mounted on foliate branches issuing from a pieced scroll and foliate backplate 36cm; together with a gilt bronze twin-branch wall applique with garland and ram's head decoration, 45cm high.
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534325 Los(e)/Seite