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534297 Los(e)/Seite
Los 656
CHARLES MOTTRAM (1806-1876) AFTER JOHN MARTIN (1789-1854) THE PLAINS OF HEAVEN mixed method engraving printed in colour, published by Thomas Mclean 1857, mounted to within platemark, s71 x 101cm ++Light browning in the sky, also one or two attempts at cleaning visible and a small tear upper right, in what is probably the original ornate Victorian gilt wood and composition frame
Los 670
WILLIAM LEIGHTON LEITCH, RI (1804-1883) VIEW IN SOUTHERN ITALY signed and dated 1872, watercolour, 12 x 18.5cm ++A very pleasing and characteristic watercolour by Leitch with sporadic old light foxing and slight fading but the colours still retaining their luminosity, long in the present late Victorian gilt frame and mount
Los 672
JAMES STEPHEN GRESLEY (1829-1908) THATCHING THE COTTAGE signed and dated 1867, watercolour, 29.5 x 33cm ++A particularly pleasing bright and attractive example of this artist`s watercolour with some light foxing in the sky, the scene is almost certainly set in one of the south Derbyshire villages around Ticknall. On th reverse the label of Charles H Ward of Friargate Derby
Los 720
NORTHERN EUROPEAN SCHOOL, 19TH CENTURY DUTCH FISHING VESSELS IN ROUGH SEAS a pair, 19 x 23.5cm (2) ++Both with some craqueleur, rather more pronounced on one, on this work also a small patched repair, the varnish on both requiring a light clean. In ornate Victorian gilt cavetto frames that have been regilt and with small restorations
Los 730
ENGLISH SCHOOL, MID 19TH CENTURY PORTRAIT OF MARY COWPER STILES MRS ANDREW LOW OF SAVANNAH three quarter length in a light blue dress, 130 x 197cm Provenance: The family of the sitter, thence by descent to the present vendors. Famed for her beauty and charm, Mary Cowper Stiles (1832-1863) was born in Savannah, Georgia. Her father, William Henry Stiles (1808-1865), was a member of the US House of Representatives and lawyer. In 1845 he was appointed Chargé d`affaires to the Austrian Empire. She married, as his second wife, Andrew Low (1813-1866) a Scottish born cotton factor who had amassed a fortune in Savannah. In the years leading up to the Civil War the Lows became leaders of fashionable society in Georgia and guests at their grand new house (built 1848-9) on Lafayette Square in the centre of Savannah included William Makepeace Thackeray who stayed twice (1853 and 56) and General Robert E Lee, who was godfather to one of their daughters. Since 1952 The Andrew Low House has been a museum. ++Support lined and some localised professional restoration
Los 732
ENGLISH SCHOOL DOUBLE PORTRAIT OF A LADY AND GENTLEMAN OF THE DALTON FAMILY seated half length in an interior, 61.5 x 74cm ++In good condition, the varnish requiring a light clean, the present work of early 20th c date and probably a copy of an original of c1850, frame damaged and regilt in a bronzing paint
Los 733
DONALD WOOD (1889-1953) POSTHUMOUS PORTRAIT OF ANNIE EMILY HARRIETTE BARKER (1867-1908) half length in a pink dress with primroses in her right hand, signed and dated 1936, 75 x 61cm ++In entirely original and unrestored condition, the varnish requiring a light clean, in the original 1930s moulded and painted frame
Los 736
ELLEN CONELLY (EXH 1880-85) PORTRAIT OF MAY OLIVER signed and dated 1875, signed and dated again, inscribed with the title and artist`s address, 116 Gower St Fulham WC, 92 x 71cm ++In good original condition, unlined, on the original stretchers with brand of Winsor & Newton Rathbone Place London. The varnish requiring a light clean with some ingrained dirt, the pigments darkened in passages, in what is likely to be the original ornate Victorian giltwood and composition frame, some loss to the mouldings on the frame
Los 748
JOHN SANDERSON WELLS (1872-1955) THE MUSICIAN signed, panel, 19 x 29cm ++The medium a little thin in places but apparently free from restoration although not verified under UV light. The varnish in need of a light clean, in 18th c style gilt frame and on the backboards the label of a Toronto dealer and subsequent label of Cambridge Fine Art
Los 757
AN ENGLISH 18TH CENTURY GENTLEMAN`S CERULEAN SILK DRESS COAT AND WAISTCOAT both with three point pocket flaps and silver foil and thread passimentarie buttons with wooden core and of `custard squash` shape, backed on woollen cloth and lined in ivory silk, coat 92cm l, c1780, two contemporary waistcoats of plain or ribbed ivory silk, one embroidered in silk and silver tape with yellow flowers, the other in pink, cerise and green with rosebuds in trailing border and a slightly later 18th c day waistcoat of ribbed ivory silk with light blue and black bands (5) Provenance: Samuel Cox (18th century) of Eaton Bishop, Herefordshire, thence by descent to the present vendor. ++Some early, possibly contemporary, small alterations and repairs, but in remarkably original country house attic condition. Rather dirty/shabby with some staining and fading, in need of conservation
Los 790
A VICTORIAN PAPIER MÂCHÉ TRAY BY BENJAMIN WALTON & CO of gothic shape with elaborate gilt border of scrolling foliage , 80 x 61cm, impressed B. WALTON & CO WARRANTED, later folding wood stand (2) ++The tray a good example of the type with only light wear to the gilding around the rim, no breaks or repairs
Los 809
AN ENGLISH PAINTED AND VARNISHED WHITEWOOD WORKBOX the lid applied with a coloured engraving of RHAIADER BRIDGE, 20.5cm w, early 19th c ++Good unrestored condition with minor wear, paint/varnish scratches and chips, the interior with a tray now lacking but retaining the original light pink lining paper
Los 828
TWO CONTINENTAL PORCELAIN LION`S HEAD NOVELTY OIL LAMPS AND A CONTINENTAL PORCELAIN DOG HEAD HAND LAMP comically designed and painted with shaggy mane in tones of brown, brass mount, 8.5cm h, impressed EBS 4279, printed anchor in blue, the dog as a shaggy light grey terrier with red collar and glass eyes, brass fitment, all late 19th c ++Both in fine condition, no restoration and very unusual
Los 898
A CUNO & OTTO DRESSEL CHARACTER DOLL the bisque head with hazel glass sleeping eyes, open mouth with upper teeth, painted eyelashes and rosy cheeks, on composition body, 52cm h, impressed marks including 3149, early 20th c, in white undergarments and lace trimmed light blue dress ++In satisfactory condition
Los 177
A HEXAGONAL PERCUSSION PISTOL having white metal trigger guard and fixings, the ram-rod made of wood with horn end, the pistol marked to the top of the barrel "London" and marked H.Nock for British inventor and gun maker Henry Nock.***Henry Nock was appointed gun maker to the King and his business then became Wilkinson Sword. barrel length-25cm, overall Length-39cm Condition Reports: In good condition, the metal work in good order apart from some light rusting, the woodwork in very good order.
Los 29
Walter Frederick Osborne RHA ROI (1859-1903) THE VILLAGE STREET, RUSH & LUSK, COUNTY DUBLIN, c.1898 oil on canvas signed lower left; with inscribed exhibition label on reverse 7.25 by 10.75in., 18.125 by 26.875cm. L The Collection of Sir George F. Brooke, Bart.;Thence by descent to Lady Brooke;with Mealy`s, Castlecomer, May 1991, lot 1028;Private collection `Memorial Exhibition of the works of Walter Osborne`, Royal Hibernian Academy, Winter 1903-04, catalogue no. 145 (Lent by George Brooke, Bart.) Sheehy, Jeanne, Walter Osborne, Gifford & Craven, Ballycotton, Cork, 1974, p.144, catalogue no. 498 (listed) Walter Osborne`s passion for painting en plein air is thought to have been the cause of his premature death in an unusually cold April in 1903. He was forty-three and at the height of his artistic powers. The present work, which dates to the most prolific period in his oeuvre, is testament to this passion and captures the rustic charm of a village street in half-light in North County Dublin. The scene is an intimate view of an ordinary street where the everyday humdrum of village life is taking place. Fowl peck at the dirt in the centre of the road by a water pump while a figure with a cart stops and engages with another in a doorway on the left. This scene appears to repeat itself further down the street on the opposite side of the road where hints of figures and animals are suggested. Osborne elevates the routine happenings of village life to the level of the extraordinary by seeing beauty in its simplicity and communicating this to the viewer in an honest vocabulary that draws on the Realist`s in subject, tone and palette and the Impressionist`s in execution and responsiveness to light. Osborne`s brushstrokes are deceptively simple. The fowl in the centre are delivered to the viewer by a mere dab of the paint-brush; a single, fluid and bold movement that is unassumingly brilliant. They lift out of the canvas in delicate impasto that invite the eye into the composition. The flatter façades of the buildings lining the street draw the viewer towards the brightest corner of the street, treating us to insights into village life on route. The glow that radiates from this point touches road and wall until resting back in the foreground in the fowl`s plumage.A charged, powerful and unpretentious painting, The Village Street, Rush & Lusk formed part of a large memorial exhibition held at the RHA, Dublin after Osborne`s death. It was one of 270 paintings and drawings loaned mostly from private collections. The present example was owned at that time by a wine merchant based on Gardiner`s Row, Dublin. 1Footnote:1. Brooke, George F., 1 Gardiner`s Row (wine merchant) [ex Dublin City Directory 1850]
Los 188
Terence P. Flanagan RHA PPRUA (1929-2011) A FLOWERING POST, 1980 charcoal and chalk pastel over pencil with incising signed lower right; titled lower left; inscribed with title on David Hendriks gallery label on reverse 32 by 23in., 80 by 57.5cm. P David Hendriks Gallery, Dublin;The Collection of Jim O`Driscoll SC `T.P. Flanagan`, David Hendriks Gallery, Dublin, 22 November - 20 December, 1980, catalogue no. 14 From 12 - 21 September this year Taylor Galleries, Dublin hosted an exhibition entitled `T.P. Flanagan: Painter of Light and Landscape, an exhibition of selected work by T.P. Flanagan (1929-2011)` to accompanies the launch of Dr. S.B. Kennedy’s newly published monograph on the artist.
Los 9
An 18kt. Yellow Gold, Ruby and Diamond Ring, An 18kt. Yellow Gold, Ruby and Diamond Ring, Having an antique off round cut genuine natural ruby measuring approx. 9.59-9.06 x 5.20mm. and weighing approx. 2.90ct. with a medium light red color tone- slight inclusions, also a cloud like area in 1/4 of the gem, slightly abraided upper crown facets. Also set with eight old minor to old european cut diamonds measuring approx. 4.4-5.10mm. and weighing approx.25-.45ct. with a SI-1 to I-2 clarity, H-F color, and the finish grade is fair. Ring size: 4. Total approximate weight: 2.50ct. Starting Price: $8600
Los 135
An 18kt. White Gold, Ruby and Diamond Pendant, An 18kt. White Gold, Ruby and Diamond Pendant, Having one prong set round standard brilliant cut natural ruby meauring 4.6 - 4.5 x 2.9 mm. and weighing approx.49 ct., and thirty-one round brilliant cut diamonds measuring 2 - 2 x 1.2 mm. and with a total approx. weight of.91 ct. Clarity SI, color H. Together with an 14kt. white gold light oval cable link chain 18” in length with a lobster claw clasp. Identified with markings 750kt. Total weight of pendant and chain: 3.7 gm. Starting Price: $275
Los 149
A Frederic Sage 18kt. White Gold, Pearl, Garnet and Diamond Pendant and Chain, A Frederic Sage 18kt. White Gold, Pearl, Garnet and Diamond Pendant and Chain, Having one prong set modified step cut natural rhodolite garnet meauring 10.1 x 6.5 x 4.4 mm. and weighing approx. 1.65 ct. (GIA rP 7/5), one black tahitian cultured pearl measuring 16.3 - 12.4 mm, and twenty-two micro-pave set round brilliant cut diamonds with a total approx. weight of.12ct., clarity VS-2 to SI-1, color G-H. Together with a light double cable link chain, 18” in length with a lobster claw clasp. Total weight of pendant and chain: 12.8 gm. Starting Price: $600
Los 196
A Pair of 18kt. Yellow and White Gold, Emerald and Diamond Earrings, A Pair of 18kt. Yellow and White Gold, Emerald and Diamond Earrings, Having two prong set pear standard brilliant cut natural emeralds, measuring 5.20 x 4.00 x 2.60mm., with a total approx. weight of 0.58ct., clarity is slightly included, type III, medium light, strong, green color, (GIA G 4/5), cut is very good. Two prong set pear standard brilliant cut natural emeralds, measuring 6.30 x 4.20 x 2.50mm, with a total approx. weight of 0.72ct., clarity is slightly included, type III, medium, strong, green color, (GIA G 5/5), cut is very good. Fifty-eight bead set round brilliant cut diamonds, measuring 1.50-1.50 x 0.90mm., with a total approx. weight of 0.71ct., SI clarity and G color, cut is very good. Two bead set round brilliant cut diamonds, measuring 1.70-1.70 x 1.02mm., with a total approx. weight of 0.04ct., SI clarity and G color, cut is very good. Condition is excellent. Trademark is 750. Total weight of diamonds: 0.75ct. Total weight of earrings: 3.20 gm. Starting Price: $300
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534297 Los(e)/Seite