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Preisdatenbank abonniereneach decorated with scrolling vines and stylised botanical forms, one with dedication to foot from the Primrose Society, the other with stamped marks to base, retailed by Hutton & Sons, Sheffield35cm highCondition report: With some light surface pitting, glass apparently free from chips or damages, a presentation inscription to foot rim of one.
§ § Duncan Grant (British 1885-1978) Two studies of female nudespencil, framed as one20 x 13cm and 20 x 15 cmProvenance: Angelica Garnett, by whom gifted to Isabelle AnscombeCondition report: The top sketch bisected by a deep vertical crease, a lighter crease runs horizontally across the top third of the image and with two vertical creases in the top left hand corner, one around 13cm long, the other approx 5cm, the lower left corner with some small dogear creases, other very light surface handling creases visible under raking light. The surface with some light toning, deepening very slightly in colour around the mount, some very light foxing and a few grubby marks, for example on the right hand edge. The second sketch with a crease of around 10cm running upwards from the bottom left hand side. The surface with some light toning, deepening very slightly in colour around the mount. Some very light, scattered foxing, otherwise in good condition.
§ Bryan Pearce (British 1929-2007) Bethesdasigned and dated 'Bryan Pearce / 82' (lower right); numbered 55/90 (lower left)screenprint 61 x 44cm Provenance: With Montpelier Studio, LondonCondition report: Not examined out of the frame. The surface with some minor undulation and the margins toned and discoloured, and with some light foxing throughout. Other accretions in the margins appear to have been caused by flies beneath the glass, evidence of insect activity is largely confined to the margins, though there are some accretions evident in the lower left hand corner of the image and around the door in the centre of the image; a small number of flies can be seen beneath the glass on the right hand side of the image. The colours in the image appear good. See additional images.
§ John Emanuel (British 1930-) Buttermere, Northern Fellssigned and titled to the reverseoil on canvas, unframed25 x 41cmCondition report: Overall in good condition, the surface with a light layer of dust and with some minor scuffs, the top left corner with a small brown accretion. Otherwise good.
comprising 12 forks, 12 knives with steel blades, 12 tablespoons, 12 dessert spoons, 12 cake forks and 12 teaspoons, all within their original cardboard boxes in sets of six, stamped marks (72)Condition report: Some light surface wear and scratching from use, but in good overall used condition. The knives are app. 22.75cm long, the larger spoons are app. 19cm long.
§ § Anna Mayerson (German 1906-1984) The Wedding; the reverse painted with a Bride and Groomsigned with initials and dated 71oil on canvas127 x 121cm Exhibited: London, Annely Juda, Anna Mayerson Paintings, 16 February - 11 March 1972, cat.no. 19Condition report: The canvas tension is quite slack and generally quite rough where paint has been thickly applied or applied over extraneous material. The surface has accumulated a light layer of dirt, which is most evident at the top and bottom of the image where the canvas is raw. The bottom of the canvas also shows a number of small brown splatters. There are a few small small abrasions and consequent paint loss, a tiny area of flaking beneath the shoe of the groom, a grubby mark approximately 1/4 of the way up on the left hand edge, and a small dent on the upper right hand side of the canvas.
§ § Lynn Chadwick CBE, RA (British 1914-2003) Moon Series Asigned and dated 'Chadwick.65.' (lower right); artist's prooflithograph on BFK Rives paper, unframed49.5 x 65cmCondition report: The print has been stuck down to card. Appears to have been previously framed as the image is toned overall, with a paler border around the edge and darker toning at the very edges of the sheet. There are a few handling creases visible under raking light and the surface is slightly undulating. The lower edge with two small knocks and what appears to be a stain from some small liquid droplets. The print appears slightly faded, likewise the signature and date. Otherwise good.
§ § Alan Green (British 1932-2003) Green Descending to Brownsigned, titled and dated 94 to the reverseoil on canvas (unframed)70 x 70cmProvenance: With Annely Juda Fine Art, LondonFootnote: In the mid-1960s, no doubt inspired by American abstract painters such as Mark Rothko and Barnett Newman and reacting against the increasingly pervasive influence of the St. Ives School, Alan Green unveiled his first field-paintings. Green would continue to mature and refine his style of abstraction over the next four decades. Born in London in 1932, Green studied at Beckenham School of Art and The Royal College of Art where he trained as an illustrator, printmaker and graphic artist. It is thought that this path of study, free from the spectre of art history and the shackles of traditional painting techniques, helped steer Green towards abstraction. During this period, Green also spent two years on National Service, posted in Japan and Korea, where he developed an appreciation for the aesthetics of Japanese Minimalism and met the distinguished Japanese potter, Shoji Hamada, who would prove to be a hugely influential figure in his life and work. A peer of Bernard Leach, Hamada not only tutored Green in studio pottery techniques, but also instilled in him the importance of grinding his own pigments and fashioning his own tools. Both colour and tool use would remain critical in Green's practice throughout his career. Displaying a restrained, modulated palette and a meticulously scraped and combed surface, the present lot is reflective of Green's larger body of work and the experiences that helped to shape it.Condition report: The white painted areas of the canvas show a very light layer of dirty, the surface is rough and textured as per the artist's technique. Overall in very good condition.
one with a perching goldfinch above a scrambled latticino cushion, signed with 'JD' cane, 8cm diameter; a second with a perching kingfisher above a scrambled latticino cushion, signed with 'JD' cane, 8cm diameter; the third with close ground millefiori above a latticino ground and set within a pink and white overlay, signed and dated 2001 to cane, paper label to base, 7cm diameter (3)Condition report: Some very light wear to undersides only, otherwise in good condition.
§ § Anthony Gross CBE, RA (British 1905-1984) Rounded Hills (Les Mamelons)signed 'anthony gross' (lower right); numbered 14/50 (lower left)etching40.5 x 52cmCondition report: Not examined out of the frame. The surface with overall toning and discolouration, lightening in colour around the margins. Some creases visible to the lower edge and upper right hand section of sky, together with some lighter handling creases visible under raking light. Some light scattered foxing, but overall a good image.
John Terrick Williams RA, RI, ROI (British 1860-1936) Boats in the harbour, Concarneausigned 'Terrick Williams' (lower right); further signed, titled and dated 1906 to the reverseoil on canvas29 x 44cmsCondition report: With a light layer of surface dirt, the top left hand corner with a small brown accretion and a very small pinhole (see additional images), image is overall quite dark, otherwise in good condition. From a private vendor.
§ § Lynn Chadwick CBE, RA (British 1914-2003) Moon Series Esigned and dated 'Chadwick.65.' (lower right); artist's prooflithograph on BFK Rives paper, unframed49.5 x 65cmCondition report: The print has been stuck down to card. Appears to have been previously framed as the image is toned overall, with a paler border around the edge and darker toning at the very edges of the sheet. There are a few handling creases visible under raking light and the surface is slightly undulating. The print appears slightly faded, likewise the signature and date. Otherwise good.
Minou STEINER (1940-2008)Still Life - PansiesOil/mixed media on boardSigned38 x 56cmTogether with Blue Primroses - Still LifeOil/mixed media on paperSigned28 x 38cm Condition report: Each is in good condition, the work on paper has minor peripheral damage and each is in need of a light clean
'Morning Tide: John Anthony Park and the Painters of Light, St Ives 1900-1950,' Signed and inscribed by the author "For Terry and Marion. With my very best wishes, Austin.' Once in the library of Terry & Marion Whybrow; With a signed 'The Coat of Many Colours,' by Sven Berlin; With a five other art books , about Bryan Pearce, Peter Lanyon and 'Alfred Wallis: Primitive,' by Sven Berlin. (7)
Anthony BENJAMIN (1931-2002)White StarEtching in coloursSigned, inscribed and dated '84Numbered 21/35Paper size 56 x 48cmIn the mid-1950's Anthony Benjamin moved to St Ives to live in a small cottage that had previously belonged to Sven Berlin. He quickly became associated with fellow artists such as Peter Lanyon, Patrick Heron, Bryan Wynter and Terry Frost, and became a member of the Newlyn Society of Artists in 1958. Condition report: This etching is in good condition. Of course, as is common with handmade paper - the paper is very slightly cockled. There is a light brown stain to the right-hand side of the paper, perhaps minor foxing.
Leon DAVIES (1947)Penwith Moorland, Zennor Oil on board Initialled and dated '18Inscribed to verso 18 x 23cmCondition report: Condition good. Paint surface stable with no losses. The thickest peaks of impasto show signs of flattening when the paint was still wet. Would benefit from a very light clean.
William Banks FORTESCUE (c.1855-1924)The Old QuarryOil on canvasSignedFurther signed and inscribed to verso91 x 71cmCondition report: This oil has been lined, but under UV light there is no sign of repair or re-touching, there also is no sign of significant flattening of impastoWe believe the conservation work was done some 30 plus years ago and that a light clean would now be beneficial.The artist painted a number of works of a similar nature but they tend to be darker.
Hugh E. RIDGE (1899-1976)Autumn Scene - The Village of Zennor from Trewey HillOil on canvas Signed Inscribed to verso 45 x 56cmCondition report: We feel this has had a light varnishing which has yellowed very slightly and there is a very little surface dirt. The frame although it has lost none of its integrity is a little scruffy.
Rose HILTONAcross the Bay (Val)Oil on canvas Signed Further signed and inscribed to verso, circa 1990 91 x 75.5cmProvenance with Val, the artist's modelCondition report: This picture is in untouched original condition, although it may benefit from a very light clean. It was given by the artist to Val the model and has never been out of her possession until now. Val has told us of her long association with Rose and she remembers this being painted in a friends apartment, high-up in the harbour at St Ives.
Samuel John Lamorna BIRCH (1869-1955)The Cornish RivieraOil on canvasSigned122x152.5cmAn extract from the news publication "Truth" - Wednesday 18th May 1927.Art - The Royal Academy - "The most uplifting view of Mount's Bay from the hills a Mr. S.J. Lamorna Birch, A.R.A. entitled "The Cornish Riviera". The G.W.R. ought to have an eye on this picture".The painting was reproduced in the Illustrated London News - Saturday 07 May 1927 under the heading "Pictures of Outstanding Interest".Extract from the Western Morning News - Friday 18 March 1927THE CORNISH RIVIERA - "Though a Lancashire man, Mr Lamorna Birch practically makes his home Cornwall, which has brought him fame, culminating in the new honour of A.R.A. He shows several oils this year. "The Cornish Riviera" an exquisite combination landscape, and seascape. On the hills between Penzance and Gurnard's Head Mr Birch felt the beauty of springtime in Cornwall and, looking back over Mount's Bay, the Great Western Railway, and St Michael's Mount, was impressed with the magnificent view that so many thousands of people admire". Condition report: This impressive oil has been lined and restored with the lightest of touches, the lining seems to have had virtually no effect on the impasto, under UV light there is no sign of damage and very, very little re-touching
A very scarce boxed Tri-ang Pressed Steel Mechanical Horse with Rocket Launcher from their 'Junior Series' range, measuring approximately 64cm when coupled. The model appears overall G+, looking to have had little actual 'play' use, the trailer does however suffer from a good deal of spots and scratches of light surface corrosion predominantly affecting the area towards the rear of the trailer bed, however the elevating rocket firing mechanism is present and appears complete as are all the decals on both tractor unit and trailer. A large Tri-ang M531 'Minic' Bomb, still carded, is also present. The model is housed in a F-G, somewhat tired box, with partial loss to the end of one of the lid flaps and some internal tape repairs.
A boxed Tri-ang #512S 'Cata-Marine' 'Sunfish' 12” electric Speedboat, F/G untested with a hairline crack on the port side, in a G+ illustrated box together with three boxed Pedigree Toys including 'Prairie Express', M230 'Tug Boat', both from their 'Playtime' range, and a battery operated Traffic Light complete with instructions, all appearing generally G+/VG in G to G+ boxes. (4)
A vintage illuminated British Tri-ang double-sided retailers shop sign, with 'Come in and Look Around Tri-ang Toys Last Longer' to one side and 'Come in and Look Around Pedigree for the most precious' on the other, approximately 52 x 14.5 x 23cm, with some light corrosion to the lower metal lip on both sides overall appears G but untested. Please note that whilst this vintage sign would appear to contain most of its internal component parts, it will need to be professionally re-wired prior to connection to a mains supply.
A genuine Citizen Eco-Drive RAF Red Arrows watch in original presentation ox and paperwork. In perfect working order. Powered by light, it never needs batteries! The Red Arrows, the world renowned aerobatic display team, were established in 1965. Since then, they have completed over 4,800 displays in 57 countries.
A late 19th Century French Violin labelled Paul Bailly, circa 1881, numbered 340, with two piece flamed maple back and rims, figured scroll and neck, light amber varnish, length of back 35.5 cms, CasedWith hand written letter dated 28.3.43 from William Morley, Bedford Park London W12, stating that the violin was made for the 1881 Manchester Exhibition, and that the violin had been in his possession for about 45 years and played in various orchestras including the London (late) Queens Hall, London Philharmonic and London Symphony Orchestra, and a note that the violin had been valued in 1972 by Messers Beare, 179 Wardour Street W1 for £300
Victorian Period - Queen Anne Style Superb Quality and Large Sterling Silver Lidded Porringer Cup of Wonderful Proportions, With Coronet Finial. Hallmark London 1881, Makers Mark Lambert & Co. Height 8 Inches - 20 cms. 994.9 grams - 32 ozs. Nr Mint Condition. Inscription to Porringer Cup, Reads - Presented to the Rev. W. Goodwin Kerr, By the Friends of All Saints - Fulham In Affectionate Remembrance of His Four Years Work Amongst Them, September 1890. The Inscription Is Light Not Deep, Easy to Remove If So Wished.
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