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Los 73

Seven boxed 1/50 scale Corgi limited and Premium edition truck models to include 73101 Heritage Collection Berliet GLR8 Brasseur "Vini-Prix" (2494/4000), 97334 Lucozade Atkinson 8 Wheel Rigid With Crates (8728/11000, missing figure set), 97319 Bass Pale Ale ERF Tanker (contents factory sealed), Corgi Premium 23601 Robson's Of Carlisle Albion Reiver etc. All models checked and all are in mint/sealed un-displayed condition with CoA's, sealed accessory bags (except where noted above) etc. Boxes at least excellent with light storage wear

Los 74

Nine boxed 1/50 scale Corgi limited edition diecast truck models to include 9802 ERF 8 Wheel Rigid August 1995 Corgi Milestone Anniversary (3932/9200 with figure set), CC11608 Albion (LAD) Cameronian 8 Wheel Tipper-Russell Of Bathgate (1539/2400), 97956 Pickford's Foden Flatbed (contents factory sealed) etc (please refer to photos for further details/item specifics). All models checked and all are in mint un-displayed condition with CoA's, sealed accessory bags etc. Boxes at least excellent with light storage wear

Los 869

Various metalware, incl. a Verdigris copper log bin with claw feet, H32cm, pair of brass wall light fittings with rectangular back plates, H45cm, cobbler's lasts, Nu-Swift fire alarm, etc.

Los 140

A mahogany circular cased wall timepiece, for GPO use, 24cm white dial marked ERII GPO, with fusee movementUntested, assume it will need a full serviceCase quite knocked and scratched around the edgesdial face slightly miscoloured, light scratching and marks to the glass

Los 2

Three mid 19th century English loving cups and a pair of porcelain tea bowls, etcGeneral rubbing to gilt and light scratching throughoutRed ground loving cup handle restoredcorn sheaf loving cup both handles with signs of restorationOne saucer restoredSee images

Los 269

John Hopkins (exh. 1791-1809) after Sir David Wilkie Rent Daywatercolour over pencil with gum arabic on paper43.5 x 62cmProvenance:With The Fry Gallery, London, by 1970, when sold to Walter Brandt,Thence by descent to his grandson;Private collectionThe present watercolour is a copy after the oil painting by Sir David Wilkie in the collection of the Earls of Mansfield.Few surface scuffs near the top edge. Light tears to the mount in the lower left quadrant. Slightly abraded paint layer in the darker pigments - particularly in the bottom right corner, see for instance the wine cooler. Not examined out of frame. Framed size 65 x 83.5cm

Los 275

Nicolas André Courtois (1734-1806) Portrait miniature of a gentleman, bust-length, in a grey coat, his hair worn en queue and tied with a black ribbonsigned lower right 'Courtois'enamel on copper, oval3.5cmProvenance:From the estate of the late Barry Lock (1934-2021)There are some abrasian marks around the border where the copper meets the frame, this may be the reason for some touching to the edging. The signature is clear in the lower right. There are visible stained hairline cracks to the enamel located, just below the bottom lip, just below the collar, the third running from the top button to shoulder. Some light sratching to the glass. The frame base metal most likely brass.

Los 11

Patek, Philippe & Cie - An early 20th century 18ct gold cased full hunter crown wind pocket watch. The lever escapement movement signed PATEK PHILIPPE & CIE GENEVE No. 118090, the cuvette inscribed CHARLES GROTTENDIECK, BRUXELLES No. 118090 PATEK, PHILIPPE & CIE GENEVE, the 44mm white enamel dial signed, white Breguet numerals and dauphine numerals in red, subsidiary seconds dial, manufactured 1901, case 53mm, 139.5g; with an archive report on the pocket watch from Patek Philippe dated 2009.Doesn't wind or run. We do not guarantee the working order of watches and would recommend a service after purchasing. The compensation balance doesn't appear to be broken and moves freely when touched.The case is slightly scratched but otherwise is very good antique condition. The glass on the dial is missing, but the bezel is present. The dial is in good condition. All the hinges are good. Light scratches on the cuvette where a knife has been used on the opening.We do not guarantee the working order or accuracy of watches and recommend a service after purchasing.

Los 151

A Cartier Tank Divan stainless steel automatic wristwatch, ref. 2612. With signed 28mm silvered dial, sapphire set crown, Cartier pink leather strap with Cartier buckle, serial no. 1036xxxx, case 39mm.Currently running. The case has light scratches throughout. The strap is worn but generally good.We do not guarantee the working order of watches and would recommend a service after purchasing.

Los 152

A Breitling Colt Ocean stainless steel gentleman's bracelet automatic wristwatch, ref. A17350. With signed dark grey 26mm dial with date aperture, rotating bezel, Breitling bracelet, serial no. 2191xx, case 40mm.Currently running. General wear and tear with light scratches to the case and bracelet. The bracelet has a little stretch and looseness to it now. Clasp good.

Los 166

ROLEX - A rare Rolex Oyster Perpetual 'Double-Red' Sea-Dweller Submariner 2000, ref. 1665. Rare Rolex Oyster Perpetual Date Sea-Dweller 'Double Red' Submariner 2000 stainless steel gentleman's wristwatch, reference no. 1665, serial no. 5057xxx, circa 1977, case 44mm. Purchased from new by the owner in 1977 and is complete with all the original packaging and related accessories, with the original box with outer cover, Chronometre certificate dated June 21/8-77, with 1665 sticker, green and red tag, anchor. Service guarantee dated 10/Aug/06. This rare Rolex Sea-Dweller belonged to Dave Townson (1939-2023). He was born in Hall Green, Birmingham, on the 2nd of May 1939. He pursued various careers before getting married. After several holidays in Cornwall, the family made the move to Cornwall, where Dave started diving for crawfish, lobsters, and sea urchins, which he sold for a living wage. He also obtained permission to own and dive on local wrecks and engage in salvage operations.In 1975, he joined Comex, working offshore on oil rigs in the North Sea. In later years, he would commute on his Kawasaki GT750 motorbike - a commute that spanned from Cornwall to Scotland! He purchased this Rolex watch new in 1977, and it rarely left his wrist, being extensively used throughout his diving career.Initially, he worked as a life support technician, eventually advancing to the position of supervisor. He worked in the North Sea, along the Norwegian coast, West Africa, and Brazil, following a schedule of one month on and one month off, with 12-hour shifts.After a life spent at sea, punctuated by many family holidays, he settled in Newquay and found enjoyment in renovating and collecting classic cars and motorcycles in his garage. In his 70s, he treated himself to a Honda CBR1000RR Fireblade motorcycle.He peacefully passed away in May 2023, having lived a very full life, reaching the age of 84. (Courtesy of the Townson family) Currently running. Light scratches to the enamel on the bezel. Some tiny dents to the lugs and some case scratches. Light glass scratches. We are unsure whether this is the original bracelet. Please satisfy yourself before bidding (see extra images). Clasp number 93150. Strap number 93150. End piece number 585. The clasps on the bracelet need tightening. The links on the bracelet are stretched. We do not guarantee the working order of watches, accuracy or the originality of parts on and within watches. We would recommend a service after purchase.

Los 2

An early Victorian silver gilt chronometer pocket watch by Cade & Robinson. The key wind fusee movement with spring detent escapement and helical hairspring, the engraved cock with rose cut diamond endstone, four turned pillars, the plate signed Cade & Robinson LEADENHALL STR. London, the 48mm cream dial with black Roman numerals and Arabic signed CHRONOMETER BY CADE & ROBINSON LONDON, subsidiary seconds dial, in an engine turned silver gilt case hallmarked London 1841, 56mm.This watch is currently running and winds.The dial has hairline cracks at the 9 o'clock position. The outer case has no dents. Some light wear to the engine turning and the gilding. The inner case hallmark is rubbed. The spring in the hinge is good. All other hinges are good. Please see extra images of the movement.We do not guarantee the working order of watches and would recommend a service after purchasing.

Los 70

A Victorian 9ct rose gold fob vesta case by Henry Matthews. Of plain form, length 43mm, Birmingham 1876, 17.3g.Two small dents to one bottom corner. The opposing bottom corner has a dent a small hole. Light scratches throughout.

Los 480

John Walsh Walsh, an Arts and Crafts opalescent glass light shade, circa 1901, baluster form with open crimped rim, optic moulded straw opal honeysuckle design, 375896, 19cm high, fitting 10cm to 12.5cm diameter

Los 579

Two World War One medal groups, brothers Private 48394 W.R. Affron of South Staffordshire Regiment and M2-116666 Private T.H. Affron Army Service Corps, first comprising British War Medal (W.R. Affron S. Staff R.), Victory Medal (W.R. Affron S. Staff R.), bronze memorial plaque (William Rueben Affron), ephemera including a photograph of his gravestone, a pocket book reputably gouged with the bullet that killed him, second comprising 1914-15 Star, British War Medal (Pte. T.H. Affron ASC), Victory Medal (Pte. T.H. Affron ASC), together with badges of Light Highland Infantry, The Royal Scots, Royal Warwickshire, British Red Cross Society for War Services 1914-1918, South Africa rifle brooch 1900-2, German prayer book, World War Two ephemera related to H.C. Affron and P.B. Shakespeare, note: William Affron died of wounds on 2nd October 1918 at the age of 18, and is buried at the Tincourt New British Cemetery, France

Los 595

Military interest, a Victorian mahogany campaign writing box, circa 1855, plaque for Major General Sir George Bingham K.C.B., hinged lid enclosing a fitted interior with compartments, brass carrying handles, 58cm long, 25cm deep, 17cm high, note: George Charles Bingham, 3rd Earl of Lucan ordered the Earl of Cardigan to lead the Charge of the Light Brigade during the Battle of Balaclava in October 1854, and subsequently was appointed K.C.B. in July 1855 after blaming Lord Raglan and Captain Louis Nolan for the debacle, he was promoted to Lieutenant-General in December 1858 but did not see active duty again

Los 795

Derek Emms (British, 1929-2004), two fluted incised porcelain dishes, decorated with a light green celadon glaze, maker's mark DE between the foot ring of each piece, 13cm diameter (2)

Los 181

An Arts and Crafts copper and opalescent glass pendant light fitting, in the style of Keswick School of Industrial Arts, circa 1900, the cylindrical straw opal glass shade by James Powell and Sons, Whitefriars, within a planished coiled strap and conical domed lantern cage, 26cm high

Los 481

John Walsh Walsh, a large Arts and Crafts opalescent glass pendant light shade and a brass fitting, circa 1901, onion dome form, optic moulded vaseline straw opal 'honeysuckle' or peacock feather design, 375896, the six arm whiplash tendril crown in the style of Benson, overall 41cm long, shade 25cm, fitting 11.5cm to 14cm diameter

Los 498

Rene Lalique, a Lierre glass light shade, model 2469, designed circa 1927, frosted and polished, moulded mark R Lalique, engraved France, 36.5cm diameter

Los 2098

A pair of Design America Spinneybeck Knickerbocker Handrail chairs in the manner of Gilbert Rohde, Knoll, 1980s with maple frames upholstered in teal leather in the Art Deco style, height 82cm Good condition, some light wear to leather at corners

Los 2100

A post-modern stool with heavy spring base, height 50cm Good vintage condition signs of light use

Los 124A

CHINESE MONOCHROME JAR WITH COVER, 20TH CENTURY ovoid form, cracked ice green glaze, six character Xuande mark to underside31cm highVery tightly crazed throughout, glaze scratches, internal firing flaws, some slight pitting flaws with minor depressions, some glaze flaws, inclusions, light pitting, underglaze staining, no other visible issues to note, images available

Los 143A

GROUP OF CHINESE YIXING TEA POTS AND OTHER CHINESE YIXING PIECES, the largest tea pot decorated with flowers and a butterfly, all with character marks to base, along with a group of Yixing bowls and saucersQty: 13In overall good condition. Small tea pot with small imperfection to foot. Another tea pot with chip to foot. Strainer with some imperfections. Some small chips to saucers. Would benefit from a light clean. Bowls in good condition. Again, would benefit from a light clean. Largest tea pot with small white speckles to body. Additional images now available.

Los 454

VINTAGE PLASTIC LIGHT SHADE, ALONG WITH A MIRROR, TABLE LAMP, SET OF GLASSES AND TWO OTHER LIGHT SHADES the plastic shade in orange and cream

Los 510

GROUP OF GLASS LIGHT SHADES, including a pair of painted glass shades and three etched shades

Los 592

HISTORY OF MILITARY SERVICE, relating to A.McMillan, a Gunner with the Royal Artillery Light Anti Aircraft 30th Corp (1940-1946), including his soldier's release books, his service history, paperwork relating to his injuries sustained in action and to his medals, telegrams and other ephemera

Los 654

MODERN CEILING LIGHT, CHROME AND GLASS BALL with three lights40cm diamater

Los 726

PAIR OF HEXAGONAL LANTERNS, AND A HAND PAINTED GLASS LIGHT SHADE the lanterns with opaque glass29cm wide

Los 167

A Douglas Hayward grey herringbone three-piece morning suit made for Sir Roger Moore in A View To A Kill1985Identical to the suit worn by James Bond in the race scene in the Eon Production A View To A Kill, labelled 'Hayward, 95 Mount Street, London W1Y 5HG', typed 'Mr. R. Moore' and dated '6.6.84' numbered '17393', comprising a tail jacket, waistcoat, and trousersFootnotes:'Moneypenny, be a darling would you and collect that for me? I'll buy you a drink when we get back'- James Bond [Sir Roger Moore] after winning at Ascot Racecourse in A View To A Kill (1985)In his seventh and final outing as James Bond, Sir Roger Moore sports the full morning suit at Royal Ascot with M, Q, Moneypenny, and Sir Godfrey Tibbett (Patrick Macnee), while investigating Max Zorin's (Christopher Walken) and May Day (Grace Jones). In the film, Bond's matching morning coat, waistcoat and trousers are completed with a light grey top hat, gloves and Macclesfield tie, together with a traditional white carnation to the lapel.A View To A Kill marks the third and final Bond film for which Douglas Hayward was tailor, who would have produced more than one morning suit for the scene. Sir Roger fondly recalled that 'Doug's principle was 'Keep them as classic as possible, as I believe people will be watching Bond Films in twenty year's time'' (The Chap, December 2017). It was this stylish and conservative philosophy which has made Bond's wardrobe in this period one of the most timeless in cinema, with Sir Roger's central role celebrated fifty years on from his first appearance as the secret agent.Please note that the shirt and tie are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 205

A YPO 'Light And Gold' Award presented to Sir Roger Moore1993The resin award in the form of a female figure in the Classical style, mounted on marble plinth, with presentation plaque reading YPO LIGHT AND GOLD, ATHENS, JUNE 1993, 10cm wide, 23.5cm high, 7.5cm deep (4in wide, 9 1/4in high, 3in deep)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 213

A black and white film still of Sir Roger Moore with David Niven, Gregory Peck and Trevor Howard1980From the Paramount Production The Sea Wolves, taken in front of the Calcutta Light House, framed, 20cm x 25.5cm (8in x 10in)Footnotes:Sir Roger Moore was cast as Captain Gavin Stewart in the production, which was based on the real-life Colonel Gavin Stewart. The film was based on the 1978 book Boarding Party by James Leasor, which documented the true story of a covert mission to sink a German merchant ship during World War II.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 72

A French Light Cavalry Trooper's sabreDated 1833With curved fullered blade (patches of old surface rust) etched M.ure R.ale de Klingenthal F.bre 1833 along the back at the forte, regulation brass hilt of two outer bars swept-up to join the knuckle-guard, the latter struck with indistinct inspector's marks on one side and numbered 490 on the other, langets (one incomplete), lobed rear quillon, and cord-bound leather-covered grip (oval mounts missing), in its reproduction brass-mounted leather scabbard with two suspension rings, overall length 102cm, the blade 88cmThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Los 80

A selection of twelve silk ties belonging to Sir Roger MooreOf mainly blue tones, to include: a silk Yacht Club tie; a striped silk tie made by Ralph Lauren; a light blue and patterned tie made by Louis Vuitton; five ties made by Hayward, etc. (12)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 82

A selection of twelve silk ties belonging to Sir Roger MooreOf mainly red tones, to include: two red silk ties with white spots by Harvie & Hudson; a red silk tie with light blue butterflies by Façonnable; a red silk tie with blue and yellow flowers by Battistoni; three silk ties made by Hayward, etc. (12)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 97

Six pairs of Sir Roger Moore's spectacles and aviator glassesComprising one pair of Dunhill aviator style glasses with dark brown plastic tortoiseshell-colour frame; a pair of large-rimmed black glasses with ROGER MOORE engraved in white on right arm, in Louis Vuitton case; a pair of Tom Ford metal, half-rimmed aviator style glasses; a pair of Gucci light brown tortoiseshell-colour glasses; a pair of Tom Ford half-rimmed silver glasses; and a pair of matte metal navy blue aviator-style glasses, with prescription lenses,(6)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 233

A crystal light fitting with five tiers of lustre drops and a painted chandelier

Los 249

A pair of five light chandeliers with glass flowerhead shades

Los 42

An Ercol light elm coffee table with a rectangular top on tapering legs

Los 108

SAMUEL WOODFORDE (ENGLISH 1763-1817) STONEHENGE WITH A SHEPHERD AND FLOCK OF SHEEP IN THE DISTANCE Oil on canvas 100.5 x 126cm (39½ x 49½ in.) Provenance: Property of the artist, and by descent in the family to, J.R. Woodforde Esq. Sotheby's, London, 17 March 1982, lot 50, where purchased by Robert Kime Private Collection Christie's, London, Wilton Crescent: A Robert Kime Interior, London, 23 July 2020, lot 31, where purchased by Robert KimeThe present work depicts Stonehenge prior to restoration in 1901 which was overseen by William Gowland. The restoration involved the straightening and concrete setting of sarsen stone number 56 which was in danger of falling. In straightening the stone he moved it about half a metre from its original position. Condition Report: The canvas has not been lined, but would benefit from being re-stretched and lined as it is starting to become loose (this is visible to the lower left framing edge). Stretcher marks visible. Light scuffs and surface scratches, particularly to the lower edge. There is an area of added canvas running horizontal to the lower framing edge and this is visible throughout the whole width of the canvas. There is a small area of repair (approx. 3cm) in the upper right quadrant. Undulation to the canvas throughout, especially to the framing corners. Inspection under UV reveals scattered infilling and retouching throughout, including to the aforementioned area of repair.Condition Report Disclaimer

Los 184

AN EGYPTIAN BRONZE FIGURE OF A SEATED CAT LATE PERIOD, CIRCA 664-525 B.C The tail curled around the haunches and touching the right forepaw mounted, 12cm highProvenance: Christie's East, New York, 11 May 1983, lot 317 Charles Pankow (1923-2004) Collection Sotheby's New York, The Charles Pankow Collection of Egyptian Antiquities, 8 December 2004, lot 137, where purchased by Robert Kime Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Surface had varied green cuprite build up throughout. Some of this surface now rubbed from handling- left ear with loss and two small wire armature protruding. Right ear with slight ding and fractional tear to edge. Small areas are fluorescing slightly darker under UV suggesting possible scattered small retouching to surface but this is unclear under very strong light. The piece is fixed to the modern bases making inspection of underside impossible. No further paperwork/provenance available. Cat is 12.2cm high, 16cm high overall. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Los 200

AN EGYPTIAN POLYCHROME PAINTED CARTONNAGE PANEL ROMAN PERIOD, CIRCA 1ST-2ND CENTURY A.D. Brightly painted in blue, red, black and white on a pink ground, the upper register, partially preserved, shows the mummified deceased lying on a bier with lion paw legs, the four canopic jars below; the register below with five mummiform deities, including the Four Sons of Horus, flanked on either side by Hathor heads; two vertical columns below arranged into four registers, the upper two registers with mummiform deities arranged in pairs and facing the deities in the opposite column; the third register with a standing winged deity in each column facing the deity in the opposite column; the bottom register with a jackal-headed deity in each column facing the other, rosettes around the edge Cartonnage: 58.5cm high; glazed frame, 77.3cm high, 40cm wide  Provenance: Collected by Gustave Jéquier (1868-1946) Christie's New York, Antiquities, 4 June 2008 lot 29, where purchased by Robert Kime Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. In sealed frame and not examined out of frame. On a textile ground- losses around all margins and to creasing points across the whole. Some signs (not evident under UV but strong light) or areas of retouching/strengthening to losses of painted surface.Please see additional images for visual references to condition which form part of this condition report.Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this saleAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of descriptionBuyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collectionCondition Report Disclaimer

Los 202

NORTH AMERICAN SCHOOL (MID-19TH CENTURY) THE GREAT PYRAMID OF CHEOPS, GIZEH Oil on canvas, the oak frame with remnants of a paper label 113 x 160cm (44¼ x 62 in.)Provenance: The Niagara Falls Museum Collection The Michael C. Carlos Museum Collection, Emory University Their sale, Sotheby's, New York, Egyptian, Classical and Western Asiatic Antiquities, Including Property from the Collection of the Late Marion Schuster, Lausanne, 7 December, 2001, lot 258A, where purchased by Robert Kime The present lot was created sometime during the mid-Nineteenth century for the Niagara Falls Museum (later Daredevil Hall of Fame). Founded in 1827, by Englishman Thomas Barnett, the museum was an eclectic institution devoted to displaying natural history, taxidermy, curiosities, and local relics, including the barrels used by people to plummet over the falls. By 1854, Barnett's son made the first of three trips to Egypt. In an attempt to appeal to the growing public interest in the land of the pharaohs, the museum began to acquire Egyptian objects and artifacts, including a large collection of mummies (including Ramesses I) and coffins.Artworks such as The Great Pyramid of Cheops, Gizeh, were commissioned to enhance and compliment the setting of these artifacts. The collections were enormously popular and visited by Henry Clay, Abraham Lincoln, Ulysses S. Grant, Jenny Lind, and Theodore Roosevelt. In 1878 the museum was taken over by the Davis family, and in 1888, was relocated to Niagara Falls, New York. In 1999, the whole collection was sold to Canadian collector William Jamieson. It was at this time that 145 Egyptian works were purchased by the Michael C. Carlos Museum of Emory University in Atlanta. Sotheby's sold part of the collection in 2001 where Robert purchased the present painting. Condition Report: The canvas has been relined and is on its original stretcher which is providing good support. It is lifting away from the stretcher in a small line along the left edge (approx. 8 cm long). There are some very small spots of paint loss, surface scratches and abrasions. Stretcher marks and surface cracking is visible across the image. Under UV light there are scattered areas of retouching, the largest being an L shape in the upper right corner (6 x 3 cm) which most probably covers an old tear. It has a thick layer of discoloured varnish and surface dirt.Condition Report Disclaimer

Los 21

A ROMAN GREYWARE POTTERY URN CIRCA 2ND CENTURY A.D. With encircling bands around the mid-body and a band of undulating wave pattern, base of urn inscribed in ink: 'Roman cinerary urn Upchurch (?) ware, River Medway 1940', now converted to a lamp with removable two-light fitting, with fabric shade 25cm high, 47cm high to top of existing shade Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. The body with varying areas/dates of restorations visible under strong natural light and UV. Chip to top rim, edge wear and scuffs. Shade slightly dirty and with small fraying to join points ELECTRICAL GOODS. Sold with a portable appliance test (PAT) certificate September 2023 Please see additional images for visual references to condition which form part of this condition report. Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this sale All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.  Condition Report Disclaimer

Los 211

A MATCHED PAIR OF GEORGE II SILVER-GILT CANDLESTICKS DAVID WILLAUME, LONDON 1729 AND WILLIAM GOULD, LONDON 1747 With cylindrical capital, baluster stems to square bases, later flat-chased with strapwork, engraved with the Walpole crest, numbered 3 and 4 11cm (4 1/4in) high 680g (21.85 oz) gross Provenance: Lord McAlpine, Fawley House Sale, Sotheby's, 14 October 2003, lot 33 Sotheby's, London 14 December 2004, lot 405, where purchased by Robert Kime. Condition Report: David Willaume - Marks are partially obscured, slightly wobbles, wear to the gilding, heavier wear to the flat surface, engraving is crisp, numbered 4William Gould - Marks are partially obscured, slightly wobbles, wear to the gilding, heavier wear to the flat surface, engraving is crisp, numbered 3Both with light scratches and wear commensurate with age and useCondition Report Disclaimer

Los 214

λ&nbspDUNCAN GRANT (BRITISH 1885-1978) FLOWERS IN AN URN Oil on papier-mâché tray Diameter: 35cm (13¾ in.)Executed circa 1925, this tray is thought to be from a pre-Christmas selling exhibition from the same year.Provenance: Christie's, South Kensington, 6 July 2006, lot 179, where purchased by Robert KimeWe are grateful to Richard Shone for his kind assistance in cataloguing this work. Condition Report: Light discolouration to the varnish and slight abrasions to the extreme edge of the tray. Otherwise in original condition. Condition Report Disclaimer

Los 217

A ROCK CRYSTAL, GLASS AND GILT METAL SIX LIGHT CHANDELIER POSSIBLY ITALIAN OR NORTH EUROPEAN, CIRCA 1740 AND LATER The branches with mirrored plates The chandelier 105cm high, 69cm diameter, overall 117cm high Condition Report: Previously gilt metal, this has largely worn to reveal base metal, this appears to be iron. Dirt and discolouration. Marks, knocks, scratches, abrasions.This has never been wired, the arms still take candles, it has clearly been used and there are stubs and deposits presentThe drops and accessories are wired to the frame, this appears to be in an idiosyncratic 'Rustic' manner, the drops are various, it is not possible to say which are original and which would be replacement - the overall aesthetic is naive and 'estate' built. One shell-shaped drop with crack within the glass. Three other shell-shaped chipped. Some drops have flaws. Some missing. As catalogued a mixture of Rock Chrystal and Glass. Natural variation as to be expectedOverall appearance is used but presentable and not 'perfect', in accordance with the cataloguing and dating of this piece There is a packing case available with the lot for transport.Please see additional images for visual reference to condition and appearance Condition Report Disclaimer

Los 231

WILLIAM JOSEPH JULIUS CAESAR BOND (ENGLISH 1833-1926) SHIPPING ON THE MERSEY, WITH ST. MARGARET'S CHURCH TOWER BEHIND Oil on canvas Signed and dated '1901' (lower left) 125 x 99cm (49 x 38¾ in.) Condition Report: The canvas is presented in original frame and has not been examined out of glazed frame but appears to have been lined. Some fine surface cracking and light surface dirt, but overall, the work appears to be in good original condition. Inspection under UV reveals no visible sign of restoration or repair. Condition Report Disclaimer

Los 232

WILLIAM JOSEPH JULIUS CAESAR BOND (ENGLISH 1833-1926) BOATS AT ANCHOR Oil on panel Signed and dated '01' (lower right) 17 x 14.5cm (6½ x 5½ in.) It has been suggested that this is the preparatory sketch for lot 231 Condition Report: Light rubbing and abrasions to the framing edges, and some light surface dirt. Inspection under UV reveals no evidence of restoration or repair. Overall appears to be in good condition. Condition Report Disclaimer

Los 237

ATTRIBUTED TO PIETER CLAESZ (DUTCH CIRCA 1579-1660) PARROT TULIP Body colour and watercolour on laid paper 23 x 8.5cm (9 x 3¼ in.) Provenance: Christie's, South Kensington, Old Master Pictures and Drawings, 12 December 2003, lot 528 where purchased by Robert KimeThe attribution to Claesz is based on comparison with a group of drawings of the same size and technique formerly with Noortman, which Dr. Sam Segal compared to a drawing signed 'A.C.' and dated 1641 in an album in the Lindley Library, London (S. Segal, Tulips by Anthony Claesz., Maastricht, 1987, fig. 1) Condition Report: There is some light discolouration to the extreme edges, as well as some undulation. The colours are generally good, although the green pigment is a little down. Unexamined out of glazed frame. Condition Report Disclaimer

Los 243

AN REGENCY BROWN OAK, BURR OAK, EBONY AND LABURNUM CENTRE TABLE ATTRIBUTED TO GEORGE BULLOCK, CIRCA 1815 The cedar lined drawer with ebonised divisions, the lock stamped 'GR' under a crown and 'PATENT', on turned laburnum legs 68.5cm high, 63.5cm wide, 48.5cm deep Provenance: With James Graham-Stewart, from whom purchased by Robert Kime 29th June 2019. Literature: A. Coleridge, 'The work of Bullock cabinet maker in Scotland', Connoisseur, 1965, vol. CLVIII, pp. 249-252; vol. CLIX, pp. 13-17. E.T. Joy, 'A Modernist of the Regency: George Bullock, Cabinet-maker - I, Country Life, 22 August 1968, pp. 456-457; 'A Source of Victorian Romanticism: George Bullock, Cabinet-maker - II', Country Life, 29 August 1968, pp. 507-508. C. Wainwright, 'Walter Scott and the furnishing of Abbotsford', Connoisseur, 1977, pp. 3-15. C. Wainwright et al, George Bullock Cabinet-Maker, London, 1988. M. Levy, 'George Bullock's partnership with Charles Fraser, 1813-1818, and the stock-in-trade sale, 1819', Furniture History, 1989, pp. 145-213. This table is attributed to the cabinet-maker, sculptor and designer, George Bullock (d. 1818) based on two designs for marquetry borders that form part of the Tracings by Thomas Wilkinson from the designs of the late Mr. George Bullock 1820 found on the table top and frieze (Birmingham Museums Trust 1974M3.124 and 1974M3.150). Evidence from Bullock's stock-in-trade sale, Christie's, 3-5 May 1819, and on documented furniture 'suggests that the most frequently used borders and friezes used by Bullock were kept in stock and applied to appropriate pieces as required' (Levy, 1989, p. 152). A similar band of inlay but in brass (to that of the table top border) can also be seen on a pair of larchwood cabinets made by Bullock for Blair Castle (Coleridge, 1965, vol. CLVIII, nos. 4 and 5).The form of this table can be compared to an oak, ebony and satinwood games table illustrated in Wainwright, 1988, p. 110, fig. 47, which in turn relates to a bog oak and marble-top table supplied by Bullock for the Duke of Atholl (Coleridge, 1965, vol. CLVIII, no. 3). A related 'Elizabethan' style centre table following a design attributed to William Atkinson and probably made by George Bullock was supplied to the 3rd Earl of Mansfield at Scone Palace circa 1815 (sold Christie's, London, 'Scone Palace and Blairquhan: The Selected Contents of Two Great Scottish Houses', 24 May 2007, lot 414). An example of the striking contrast of light and dark timbers as found on this table is also found on a games table attributed to Bullock, sold Christie's, New York, 23 October 2018, lot 270. Condition Report: Overall there are some scratches, marks, knocks and abrasions consistent with age and use.Observations include:The top has a few slightly distinct scratches, some knocks to the front right corner and a barely discernible slight indentation along an underlying carcass construction joint, some slight raised veneer - all that said, these observations are only apparent on close inspection.There are some vertical veneer cracks to the corners of the frieze over carcass construction joints.There is one key that operates the lock.Two legs have cracks along the grain of the timber.There are cracks to one drawer runner so that part of it is loose.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

Los 249

A VICTORIAN MAHOGANY GALLERY GLASS CIRCA 1850 the lens 14cm diameter, 34cm high overall Together with an architectural fossil fragment Mounted on wooden base with silver coloured plaque inscribed "Nummulites from the Great Pyramid Nr Cairo" 8.5cm high, base 12cm wide Condition Report: The fragment is mounted on the wooden base and secured, the base is dished to allow for the irregular shape of the fragment, the Nummulites are plainly visible and of varying size to the fossil, the appearance is as to be expected, variously rough and with breaks to some fossils, areas that have taken on a polish from handling and wear. The base with marks, the silver plaque discoloured and may well benefit from a light clean to allow the text to be more visible, there are no hallmarks.The gallery glass handle is slightly loose, the frame with marks, knocks, scratches, abrasions consistent with age and use, some signs of old woodworm, the glass with a chip to the very top side near the hanging hook. the glass with surface marks and dirt. Please see additional images for visual reference to condition Condition Report Disclaimer

Los 260

Y&nbspAN INDIAN HARDWOOD AND IVORY INLAID CABINET GUJERAT OR SINDH, LATE 17TH/EARLY 18TH CENTURY The doors enclosing nine drawers, the inlay to five sides, on a walnut notch carved stand in the Cotswold School taste The cabinet 25cm high, 38cm wide, 29cm deep; the stand 75cm high, 38.5cm wide, 30.5cm deep  Provenance:Purchased by George Byng Esq MP (1764-1847) and by descent until sold, Christie's, London, Two Late Regency Collectors: Philip John Miles and George Byng, 9th June 2005, lot 173 where purchased by Robert Kime. Literature: 5 St James's Square, 1847 Inventory: 'BACK DRAWING ROOM a small India Cabinet enclosed by 2 doors and drawers inside.'  Cabinets of this general type, inlaid with flowers in ivory onto a hardwood ground were made in north western India, in the provinces of Gujarat or Sindh, from the late 16th century. A similar cabinet is in the Victoria & Albert Museum, but with a fall front. The use of doors in this example may denote a European commission, reflecting as it does the more usual use of doors on a cabinet (see: https://collections.vam.ac.uk/item/O115588/cabinet-unknown/ and A. Jaffer, Luxury Goods from India..., London, 2002, no. 25). The cabinet was bought by George Byng, whose collecting reflected high fashions of the 1820s -1840s, in company with great collectors such as George Watson Taylor, William Beckford and the king, George IV. Byng's manuscript 'List of Furniture, Porcelain, Paintings &C. purchased by George Byng for Wrotham Park, 1816-43', testifies to his avariciousness for superb objects, paintings and furniture. He lived at Wrotham Park, begun by his great-uncle, the unfortunate naval officer executed following the loss of Menorca in 1757, completed by his father George Byng (d. 1789) and extended by his son, the collector, George Byng MP (d. 1847). Saleroom notice:This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory Act 2018. Goods containing African elephant ivory cannot be imported to the USA, while other countries have in place wide-ranging restrictions on exporting and importing property containing elephant ivory. Prospective buyers are advised to familiarise themselves with the export and import restrictions prior to bidding. We will not be able to cancel your purchase if your lot may not be exported, imported or it is seized for any reason by a government authority. Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: KCT1C37J) Condition Report: Correction to the original catalogue description - there are seven interior drawers, not nine as stated in the catalogue description, as the top drawer is inlaid to simulate three drawers but is in fact one long drawer.Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The ivory has a light applied staining.Overall there are wood and ivory veneers that are missing.There are some areas, including the lower border of the back that are painted instead of inlaid - this is probably a repaired section, and there are other small areas of repair including some filler.The gilt metal escutcheons and hinges have good engraved detail, as do the ivory flowers which are finely engraved to the front, sides and the interior, though not to the back.The base is missing a section of the border.A notch to the edge of one door and a later lock to the other door, there is no key.There is some evidence of worm.Some drawers are missing handles.There is some later black paint around the edge of the interior.The stand shows few signs of wear.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

Los 261

A GILT TOLE PEINTE SIXTEEN LIGHT CHANDELIER ITALIAN, 19TH CENTURY Applied throughout with foliate ornament, wired for electricity approximately 71cm high, 93cm wide Condition Report: Overall there are some scratches, marks, knocks, cracks, abrasions and minor repairs consistent with age and use.There are some losses, restorations and observations including:The finish is of aged red and gilt paint.The central section is turned wood, there is some evidence of old worm, with some splits.The electrical wires are wired along the branches and there are holes drilled to the drip pans. The chandelier requires re-wiring.Some repairs include possible re-soldering, later screws, later fixings for the electric wires. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Los 274

AN EARLY VICTORIAN CARVED AND BURR OAK SMALL MANTEL CLOCK VINER, LONDON, CIRCA 1841 The twin fusee gong-striking movement with anchor escapement and 4 inch lancet-arch gilt Roman numeral dial with fine foliate scroll decoration, the Gothic gabled case with carved foliate finials over cluster columns, the door carved with Prince of Wales feathers, the backplate engraved Viner, 235 Regent St. London 31cm high, 20cm wide, 14.5cm deep Charles Edward Viner is recorded working from several different addresses in London 1776-1842. Queen Victoria's eldest son Albert Edward, later King Edward VII, was born in 1841 and created the Prince of Wales later that year on 8th December. The inclusion of the Prince of Wales feathers on the arch suggests this may have been made to commemorate the newly conferred title. Condition Report: The movement is in fine original working condition with no visible evidence of alteration or notable replacements. The mechanism is a little dull/tarnished hence a gentle clean/service is advised if intending to put into service. The dial retains original gilding albeit a little dirty/tarnished. The numerals are rubbed and the chapter ring has some slight scratching to the burnished finish. The case is in fine original condition and of good colour. Notable faults are limited to losses and replacements to the slender strip of veneer bordering the front door aperture and some tape residue to the glass and lower rail if the rear door, otherwise case is in fine condition with only minor age-related shrinkage, a few light bumps and scuffs and some very small well-matched veneer repairs to the surround of the right hand glazed aperture.Clock has original pendulum, a non-original winding key but no case key. Condition Report Disclaimer

Los 291

GEORGE FREDERICK WATTS (ENGLISH 1817-1904) HAYSTACKS (STUDY ON BRIGHTON DOWNS) Oil on canvas 33.5 x 65.5cm (13 x 25¾ in.) Provenance: With the artist 1887 Given by the artist to Frederic, Lord Leighton His sale, Christie's, 14 July 1896 (3rd day), lot 343 Where bought by Sir William Agnew, Bt., for 290 gns Still with Sir William Agnew in 1905 Christie's, London, 11 June 2002, lot 118, where purchased by Robert Kime Exhibited: Grosvenor Gallery, London, 1883, no. 59, as Study on Brighton Downs Manchester, Royal Jubilee Exhibition, 1887, Fine Art Section, no. 249, as Haystacks, lent by the artist Royal Academy, London, Exhibition of Works by the late George Frederick Watts, R.A., O.M and the late Frederick Sandys, Winter 1905, no. 26, as Landscape, lent by Sir William Agnew City Art Gallery, Manchester, G.F Watts Memorial Exhibition, 1905, no. 148, as Landscape, lent by Sir William AgnewLiterature: Times, 30 April, 1883, p.4 Mrs Watts's Manuscript catalogue, vol. I, p.16 as Brighton Downs The present lot was painted in 1882 and exhibited the following year at the Grosvenor Gallery as Study on Brighton Downs, although the name Haystacks was already given to it when it was noticed briefly in a review in the Times, and Watts himself seems to have adopted this title later. No doubt the subject was one he had seen when travelling to or from the town, where he had a winter studio from 1876. Like so many of Watts's landscapes, Haystacks (Study on Brighton Downs) is astonishingly minimal. No other Victorian artist made more daring experiments of this kind; they are one of his work's most original aspects. Haystacks as a subject seem to have been a constant source of wonder and inspiration to Watts. The picture is reminiscent of Evening (Ashmolean Museum, Oxford), a small panel of 1864 in which he introduced some examples he had seen in the vicinity of Little Holland House, Kensington. However, unlike the Oxford picture which has overt literary associations; an armed knight is seen riding by, and the picture's alternative title, 'All the air a solemn stillness holds', taken from Thomas Gray's Elegy, this picture focuses attention on the haystacks alone. Characteristically though, Watts still manages to suggest a symbolist dimension. Stark as it is, the image has none of the objectivity of a painting of a haystack by for example, Monet. Watts must have thought highly of the picture to have sent it to the Grosvenor, and it was still in his possession when he lent it to the Royal Jubilee Exhibition at Manchester in 1887. He subsequently gave it to Sir Frederic Leighton, who had, according to Mrs Watts in her manuscript catalogue of her husband's works, 'admired' it. Leighton and Watts were not only close friends but neighbours in the artists' colony which had developed in the Holland Park area since the 1860s. When the picture appeared at Leighton's posthumous sale at Christie's in July 1896 it was bought by the dealer Sir William Agnew, who apparently wanted it for his own collection rather than stock. He still had it nine years later, when he lent it to the first two venues of the memorial exhibition which toured the country following Watts's death in 1904. Condition Report: The canvas has been lined with a new stretcher, but this is providing good supports and the paint layer is stable, and the old exhibition labels have been preserved. There is a diagonal surface scratch (approx. 4cm) to the upper right corner, and a very small spot of paint loss above it. Inspection under UV light reveals no visible signs of retouching, although the glaze layers and discoloured varnish do make it difficult to read under UV.Condition Report Disclaimer

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