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534297 Los(e)/Seite
Los 229
An Indian shisha embroidered patchwork cloth, 20th century, woven with numerous foliate and geometric motifs and set with mirrored glass roundels,206 x 245cmCondition report: Fading and discolouration. Some glass panels cracked and other lost. General wear, light fraying and some small marks.
Los 234
A French glass and gilt-metal electrolier,mid-20th century, in the style of Maison Bagues, with multi-tiered scrolling branches supporting four light fittings and suspending variously-shaped multicoloured drops,52cm diameter73cm highCondition report: Metal dirty, tarnished and discoloured. Pendant finial possibly replaced. Some chips to glass pieces. General wear throughout.
Los 237
A George Smith chesterfield design settee,made by Ian McDonald, the deep buttoned back and arms above a stuff over seat upholstered in green fabric, on turned feet descending on to castors,184cm wide86cm deep81cm highCondition report: Good condition, no visible marks or staining to upholstery. Joint solid. Some very light wear to legs.Seat height - 40cm.Seat depth - 57cm. On the firm side, back slightly slopes backwards making for a comfortable seating position.
Los 263
A set of seven Davenport ornithological specimen plates,19th century, each painted with an exotic bird in a naturalistic setting after 'A Natural History of Uncommon Birds' by George Edwards and inscribed with title verso,19.5cm diameter (7)Condition report: Two with restoration to the rim on with small unrestored chip, all with light surface scratches and wear to the foot rim.
Los 276
A Minton porcelain fish service, 20th century, painted by L Sumner, consisting of:24 plates, 23cm diameter,2 serving dishes, 41cm diameter, anda sauceboat and stand, 11cm high,each hand-painted with fish specimens, gilt rims, with maker's stamp to the reverse (28)Condition report: General surface wear throughout. Some scratches to most pieces and light rubbing to paint and gilt. One oval serving dish with some slightly heavier scratches, including an approx. 2.5cm scratch near the smaller fish. Some minor pitting and firing faults. No apparent significant damage, chips or restoration. 8 plates signed JF Cole, 16 signed L Sumner.
Los 294
A pair of painted wooden Versailles planters,late 20th century, French, each decorated with faux porcelain plaques depicting figures in landscapes on a blue marbled ground,45cm wide45cm deep50cm high (2)Condition report: Knocks and chips to paint, light scratches in places overall.Fair order.
Los 295
A part canteen of Royal Copenhagen 'Flora Danica' porcelain and silver-gilt cutlery,20th century, the silver with marks for A Michelsen and Georg Jensen, Denmark, consisting of:18 table knives,18 table forks,18 spoons,all decorated with botanical specimens and with gilt highlights in original boxes,together with six further assorted pieces,unboxed (60)Condition report: The condition report photos can also be viewed here: https://we.tl/t-xUt9bFD9WSSome very light surface scratches, tarnish, discolouration and rubbing to silver gilt. Some light surface wear and rubbing to paint and gilt. Some crazing/ glaze cracks to some pieces -the majority of crazed/ cracked pieces seem to have suffered in the same areas, with a single strand to one or both edges of handle. One fork with apparent manufacturing imperfection. Some surface marks and blemishes. One knife blade disjointed and appears to have been repaired with glue. Dirt, scratches, breaks and tears to some boxes. The smaller unboxed knife cracked to handle. Around 15 pieces have crazing/ glaze cracks.
Los 296
An extensive Royal Copenhagen 'Flora Danica' porcelain dinner service,20th century, consisting of:12 dinner plates, 27.5cm diameter,12 soup cups and saucers, 19.5cm diameter,1 large serving plate, 36cm diameter,1 smaller serving plate, 34cm diameter,2 sauce boats with integrated stands, 24cm long,2 covered tureens, 24cm diameter,2 pierced baskets, 23cm diameter,1 oval serving dish, 27cm long, and2 shaped pickle dishes, 21cm and 15cm,each decorated with floral specimens and highlighted in gilts, the dinner plates and serving dishes with pierced rims,together with five matching large dinner plates, 26cm diameter,and 20 dessert plates, 23cm diameter, decorated with fruit (74)Condition report: The condition report photos can also be viewed here: https://we.tl/t-xUt9bFD9WSGeneral light surface wear and scratches throughout. Some light scratches and rubbing to paint and gilt. 'Phaca Alpina Mull' dinner plate with small area of restoration to rim. Some pieces with surface marks, blemishes and residue. Some pieces in need of a bit of a clean. Extremely minor pitting and firing faults. One pear decorated dessert plate with small chips to rim. Grape dessert plate with small chip to rim. ’Atropa Belladonna L’ dinner plate with small chip to rim. Possible tiny chips to leaves at lower right of one gravy boat handle. Some tiny chips to backs where pierced. One 26cm diameter apple decorated plate with approx. 8cm scratch to back. Rosehip decorated dessert plate with small chip to rim. One soup bowl saucer with tiny chip to rim, although the chip is gilded over, suggesting that this may have been done at the time of manufacture. Oval serving dish with 1.5cm area of restoration to rim, although it appears that the break did not carry through to the outside of the rim. General wear to feet.
Los 297
A Royal Copenhagen 'Flora Danica' coffee service, consisting of: 18 coffee cans, 7cm high, 18 saucers, 14cm diameter, 12 side plates, 19.5cm diameter,12 cake plates, 17cm diameter, a coffee pot and cover, with a turned wooden handle, 18cm high, a cream jug, 7.5cm high, and a small covered sugar box, 11cm diameter, each decorated with botanical specimens and highlighted in gilt (64)Condition report: The condition report photos can also be viewed here: https://we.tl/t-xUt9bFD9WSCoffee can diameter 7cm.General light surface wear and scratches. Some very minor light rubbing and scratches to paint and gilt. Coffee pot marked to interior. Tiny chip/ dent to handle finial. Remnants of sugar to interior of sugar box. Some extremely minor pitting and manufacturing imperfections. No marks appear struck through. Generally in good condition throughout.
Los 3
*Frederick James Halnon (1881-1958),a gilt bronze bust, 'The Crown of Victory', depicting a woman facing ahead wearing a laurel wreath, signed 'F. Halnon', on a rectangular serpentine marble plinth, 13cm wide15cm deep38cm highHalnon studied at the Goldsmiths' College School of Art under Alfred Drury; the influence of Drury's 'New Sculpture' can be seen in the present example. From 1904 he exhibited at the Royal Academy.*Artist's Resale Right may apply to this lot.Condition report: Some dirt, patination and scratches and light surface wear to bronze. Chips, cracks, imperfections and possible sympathetic repair to marble - a similar example sold recently (Dreweatts 10/12/2020 lot 827) has an almost identical plinth, which bears similar flaws, suggesting that the marble may have been repaired or stabilised at the time of manufacture. This is corroborated by the fact that the bronze and marble appear to have been together for a long time.
Los 301
A Stourbridge engraved glass claret jug,late 19th century, the ovoid body well-worked with flowering foliage and swags below a crisply cast gilt-metal mount, cover and handle,23cm highCondition report: Pinprick holes to spout. Some very light surface wear and scratches to the glass. Some rubbing, tarnish and discolouration to metal.
Los 319
A Persian wool and silk Tabriz rug,of recent manufacture, the field woven with a central medallion, within densely scrolling floral and foliate motifs and multiple borders, the outermost bearing an elaborate signature and decorated with sheep, on an ivory ground, 313 x 200cmCondition report: General wear. Would benefit from a light clean. Some slight marks and dirt to edges. Fringe trimmed in places.
Los 336
An hexagonal brass hanging lantern,late 20th century, with six electric socket sconces,49cm across93cm highCondition report: Light tarnishing to the brass requires fitting by a professional electrician. Approx.16.5kg. Definitely cast. Knocks, surface wear, discolouration and some manufacturing imperfections. Glass not bevelled. General wear.
Los 349
An ebonised and ormolu mounted bracket clock, late 19th century, by Payne and Co., no. 1940, the silvered arching dial with a subsidiary strike silent dial, inscribed with black Roman numerals, the movement striking the hours on a bell, signed to the back and dial, the case decorated with turned finials, term figures and floral swags,22cm wide21cm deep40cm highCondition report: Dial with light marks to the silvering, ormolu slightly pitted and dirty in places, finials slightly bent, ebonised case with light wear complete with key and pendulum and seems to go and chime but no guarantee as to timekeeping. Dial diameter approx. 10cm. The silvered face 15 x 10cm.
Los 358
A Victorian rosewood breakfront bookcase,mid-19th century, the architectural pediment over glazed doors opening to reveal adjustable shelves, each with a cut leather fringe, single panelled doors below, on a plinth base,250cm wide48cm deep260cm highCondition report: light cosmetic wear, very good sympathetically restored condition, no obvious major faults
Los 501
After Maria Sibylla Merian (Swiss/German, 1647-1717)'Dissertatio de generatione et metamorphosibus insectorum Surinamensium': Plate 4 Jatropha moth, lizard and maniocPlate 62 PapayaPlate 63 Cacao treethree hand-coloured copper engravings, second edition 1719, engraved by Pieter Sluyter and others, published by J Oosterwyckplates 37.5 x 28.5cm, 38 x 27.5cm and 38 x 27.5cm respectively (3)Provenance: The Germaine Greer collection.Condition report: Each with a little discolouration to the paper, a little light surface dirt and a light wave to the paper. Not seen outside of glazed frames
Los 502
After Johann Herman Knoop (German, 1706-1769)'Pomologia, dat is, beschryvingen en afbeeldingen van de beste zoorten van appels en peeren'eight plates from volume IV, 'Beschryving van de Peeren' (1758), engraved by Jacob Folkema and Jan Casper Philips, coloured by the publisher's daughtersPlates I, II, III, IV, V, VI, VII, VIIIplate size 29.5 x 23cm (5) and 28 x 22cm (3)Provenance: The Germaine Greer collection.Condition report: All with a hard vertical crease running down the centre from top to bottom. All with occasional foxing, a little light dirt and paper discolouration, and some light staining adjacent to mount. The colours are faded on some. One torn in top right corner, another with a small hole near to lower edge. Not seen outside of glazed frames.
Los 504
Count Albert de Belleroche (French, 1864-1944)Lili au Cafélithograph50.5 x 33cmCondition report: The paper has discoloured and is a light brown. There are darker discolouration marks close to the edges of the mount. There are many horizontal ridge running across the paper, which become creases in the lower left corner. Two darker flecks in the lower left area, possibly surface dirt. The ink becomes lighter in the lower left corner. Not seen outside of glazed frame.
Los 508
Henri de Toulouse-Lautrec (French, 1864-1901)'Les juifs polonais, Carlsbad' (Wittrock 193)lithograph, 1897image 18 x 14cmCondition report: The paper has yellowed. A couple of spots of foxing. A diagonal crease across lower corner. Some scratches to the paper in lower right quarter. A little very light cockling to the left hand side. Not seen outside of glazed frame.
Los 510
Paul César Helleu (French, 1859-1927)Alexandra of Denmarkdrypoint, signed in pencilplate 54.5 x 33.5cmCondition report: A large area of foxing across the sitter's neck and chest, and the adjacent background. Some further very dark flecks of foxing close to the signature, and one or two elsewhere. There appears to be a light but large circular stain in the background close to her mouth. One or two spots of white top right and on neck. Some flecks of surface dirt. Not seen outside of frame.
Los 511
Flemish School, early 17th centuryA castle by a lake, a gentleman fishing in the foreground, and other figures in a boatpen and brown ink10 x 14.5cm Condition report: The paper has discoloured to a light brown, and has a light wave. Dark diagonal creases in each othe top corners. Some light dirt throughout. A diagonal line leading to the standing man on the right. Two pin holes close to right edge, halfway up the drawing. Some flecks of foxing. A very small piece of the paper is lifting on the handle of the left-hand figure's sword. The ink on the castle sometimes has a dark tone, as if added later, or could in fact be pencil. Not seen outside of glazed frame.
Los 514
Circle of Thomas Daniell (1749-1840)A view of the Fort at Mattaira from the River Jumnainscribed and dated 1791 in wash border, pen and ink and grey washes30.5 x 56cmCondition report: The paper has discoloured and is a golden brown. Occasional spots of brown foxing. Scattered small stains throughout, and some smudges and lines of surface dirt. Scratches to the the surface of the paper centre right, some of these have been coloured over with grey pencil it seems. Further light surface scratches elsewhere, for example to the left of the title. Surrounded by a drawn and painted border. Not seen outside of glazed frame.
Los 516
Hungarian School, early 19th centuryA view of Budapest and the Danubeinscribed in border of mount 'Vue de Bude et de Pest', pen and ink and brown washes23.5 x 33cmCondition report: The paper has very lightly discoloured. A few small specks of foxing. There is a drawn and painted border. A line of dirt above the title. A few specks of dust under the frame and a little very light dirt in the sky. A light scratch across rock in lower left corner. Not seen outside of glazed frame.
Los 518
John William Waterhouse RA (1849-1917)Study for 'Psyche opening the Golden box'black and red chalk22.5 x 30.5cmInscribed by a previous owner ''study' by J W Waterhouse RA bought by me at Christie's sale 23.7.1926 (Mrs J W Waterhouse's sale) James Nivel (?)' in pencil.Provenance: The artist’s widow, Mrs. Esther Waterhouse, by whom sold Christie’s, London, 23 July 1926, ‘The Remaining works of the Late J.W. Waterhouse, Esq., R.A.’,Mrs George Packham; presented to her by Mrs L A Duran; by descent to Mrs M Duran in 1980.The story of Psyche, like many Greek myths, is one of great drama and passion. Psyche, a mortal princess, is cursed by Venus who is jealous of her beauty, which has inspired many to worship her rather than pay their respects to Venus. She sends her son Cupid to shoot an arrow at her to make her fall in love with a monstrous creature. Instead, Cupid scratches himself and falls in love with Psyche. Abandoned by her family, she is saved by Zephyrus, god of the west wind, and carried away to Cupid’s palace where she is waited on by invisible servants. There, Cupid visits her every night but she is not allowed to see his face. Encouraged by her jealous sisters, she lights a lamp one night to see her lover’s face and injures Cupid in the process by dropping hot oil on him and he flees. She travels the earth searching for him and entreats Venus to help her. Venus instead sends her on a series of impossible tasks, the fourth of which is to take a golden box to the underworld to obtain a dose of beauty from Proserpine. She is told not to look in the box. Like Pandora, however, she cannot resist and opens the box, finding within it not beauty, but sleep, and she falls into a deep slumber. Cupid eventually finds her, takes her to Zeus, who allows her to become a goddess and marry Cupid on equal terms.Waterhouse painted many mythological subjects including several depictions of Psyche: Psyche Entering Cupid’s Garden, 1904 (Harris Museum and Art Gallery) and Psyche opening the Golden Box, exhibited at the Royal Academy in 1903 (private collection). The finished picture shows Psyche, seated in a dark wood, bending her head low as she peers into the slightly open box. A small plume of smoke rises from the interior. Fewer than 150 preparatory sketches by Waterhouse are known. They consist mainly of model’s heads - generally the most important element of the painting - in chalks. Here we have a typical preparatory sketch, confidently exploring the composition with fluid strokes, exquisitely modelling the flesh of the shoulder and back of the model. Not much is known about Waterhouse’s models and while it has been argued that he had a single muse who he returned to repeatedly over the decades (Miss Muriel Foster has been identified as a contender), it may also be the case that he chose a series of women with the same swan-like neck, doe eyes, modest features, full of understated grace that made his paintings both sensual yet innocent; a duality that has delighted viewers for more than a century.Condition report: Inscribed in pencil by previous owner. The paper is a light beige/grey and could be a little faded. Some scattered spots of foxing. Some light discolouration and smudges of surface dirt throughout, in particular close to the edges. Lots of pentimenti visible. The pencil writing is a little smudged, and there is a pencil mark lower left. A pin hole centre top, and at each extreme corner. Attached to backing card by hinges of tape. A thin border of tape around the outside of the back of the sheet. Many specks of brown discolouration and grey lines verso (we assume dirt). The surface of the paper verso has some scuffs as if it was stuck down previously.
Los 522
Louis Wain (1860-1939)Washing the dishessigned 'Louis Wain' l.l., pen and ink, on cut paper stuck down23 x 17cm irregularCondition report: Scattered dark spots of foxing throughout. The paper has discoloured to a golden yellow and there are paler spots and areas of variation near the edges. An oval stain above the dishes. The paper is an irregular shape and has been stuck down. Some pentimenti visible. A few pale scuffs to the paper, including on the cat's chest, near top left edge and in lower right corner. A few flecks of surface dirt. A light scratch under the left ear. Not seen outside of glazed frame.
Los 523
Louis Wain (1860-1939)Mine!signed 'Louis Wain' l.l., pen and ink on card24 x 28.6cmCondition report: The paper is a medium brown colour. There is a strong vertical crease running down through the lower left corner. There are further small creases elsewhere that are pale. A light horizontal crease running across the width of the paper, about one third of the way up. The paper surface is scuffed to the left of the near cat's face. The top left extreme edge of the paper appears irregular, although is mostly hidden under the frame. One or two very small spots of foxing. There appear to be pin holes in the left top and bottom corners, and possibly lower centre. A few flecks of dust under the glass. The paper is a little paler in lower right corner. Not seen outside of glazed frame.
Los 527
Yuri Gusev (Russian, 1928-2012)Young standing male nudesigned and dated '55 l.r., pencil 61 x 45cmCondition report: The paper is a little cockled and is a pale golden colour. A few light horizontal creases. Smudges and surface dirt in the margins, along with a couple of light pencil doodles and a sketch of an ear top left. A small hole in lower left corner and upper left corner. A couple of small brown stains in upper right corner, and one to the left of the signature. A couple of spots of foxing. Not seen outside of glazed frame.
Los 528
Yakov Khaimov (Russian, 1914-1991)River boats, 1963signed in pencil verso, black ink on paper27.5 x 39cmCondition report: The paper is lightly yellowed. A stain top right and centre left edge. Some light half moon creases throughout, most visible in lower left corner, and a harder crease top left. A little surface dirt in places. Not seen outside of glazed frame.
Los 529
Manner of Samuel Dixon Mallards on a riveran embossed watercolour41 x 71cmCondition report: The card or paper on which this is painted bows outwards. There are small light scratches in places, and small surface abrasions throughout. All the raised areas, i.e. all the ducks, have cracking to various degrees. A faint curved line from lower left duck up into the background, possibly overpainted. Light surface dirt throughout. Not seen outside of glazed frame.
Los 531
Samuel Hieronymus Grimm (Swiss, 1733-1794)Beckenham Church, Kent, with a horse-drawn carriagewatercolour37.5 x 53.5cmCondition report: The paper has discoloured to a yellow colour, with some areas more brown. There are brown stains around the extreme edges of the paper, which could imply that this has been stuck down. A horizontal crease running across the width of the paper about one inch from the lower edge. Scattered light pale scuffs to the paper throughout, some have been painted in. A very small tear in the sky above the church. Some specks of surface dirt. Not seen outside of glazed frame.
Los 537
Augustus Walford Weedon (1838-1908)A harvesting scenesigned 'A W Weedon' and dated '92 l.l., watercolour54 x 90cmCondition report: Some discolouration to the paper and brown staining, most visible in the sky. Some light dots of foxing in places. A couple of pale scratches under the horses, although these may have been made by the artist. A pale mark in the sky in the centre above the hay bails. A spot of water damage close the right side under the fence. Not seen outside of glazed frame.
Los 546
Alexander Mark Rossi (Italian, 1840-1916)A fisherman and his daughter on a quaysidesigned 'A M Rossi' l.r., watercolour and bodycolour42 x 55cmCondition report: On card. The card has discoloured throughout, but most prominently at extreme edges. When outside of the frame the card bows outwards horizontally, although when within the frame this is not noticeable as it is pushed flat. The occasional very light scratch, and some very small indents in the sky. Surface abrasions resulting in rubbed paint all around the edges, and one or two small spots of rubbed paint elsewhere, for example in the sea. A pin hole in each of the lower corners. A little cracking to the gum arabic in the fisherman's beard and the lady's boot. A long scratch lower left corner, and in jetty. A horizontal crease running along the harbour wall behind the lady. A very pale diagonal line, possibly water damage, top right. The occasional small spot of foxing. Corners a little soft. Some spots of glue and tape verso.
Los 553
William Lionel Wyllie RA (1851-1931)'Low water, early morning'watercolour14 x 23cmProvenance: With Royal Exchange Art Gallery, London, 1993.Condition report: The paper has discoloured to a light brown. There are occasional small spots of foxing. There are a few small brown stains. The edges of the paper are paler as if less faded from an earlier mount. A few very tiny pale spots, for example in the clouds above the figure on the left. Is possibly stuck down on backing card. Not seen outside of glazed frame.
Los 554
Maung Saya Saung (Burmese, 1898-1952)Figures gathering water from a river at dusksigned 'M Saung' l.r., watercolour24 x 37cmCondition report: A little discolouration and fading in the sky. Some scattered light foxing throughout. A little surface dirt including a brown drip-like mark to the left of the signature. Not seen outside of glazed frame.
Los 562
English School, mid-18th centuryPortrait of a young gentleman, bust length, in a blue coat and white stockminiature on ivory3.3 x 2.8cm, oval, in a gilt-metal frame;and another of a young boy, half length, in a brown coatminiature on ivory3.3 x 2.8cm, oval, in a gilt-metal frame (2)Condition report: Gentleman in blue coat: Some damage at neck and around back of the head. Some light scratches to background and on blue coat. Lightly faded. A little wear along lower edge and in background on left. Gentleman in brown coat: The paint is worn and faded. Neither seen outside of glazed frames.
Los 571
English School, early 19th centuryPortrait of a young gentleman, bust length, in a black coat and white stockminiature on ivory8.7 x 6.4cm, oval, in an ebonised frame and gilt-metal slipCondition report: A light scratch across the coat lapel. A pale line in front of the sitter's sideburn. The dark paint on the coat looks a little unfinished and blotchy. There is a pinky orange tinge to the top area of the portrait, including the hair. Not seen outside of glazed frame.
Los 572
English School, early 19th centuryPortrait of a young officer, bust length, in a red coat and white sashminiature on ivory7.6 x 5.8cm, oval, in a 9ct gold frame, the back inset with plaited hairCondition report: The white paint on the sash has flaked quite considerably and there are many flecks of loose white paint under the glass. Both epaulettes also appear a little flakey. The left shoulder close to the edge has been rubbed. The upper half appears faded and there is some yellowing to the background. When held at a certain angle there appear to be lots of light scratches on and around the head. Not seen outside of glazed frame.
Los 60
A Black Forest carved linden wood and horn musical hook,19th century, in the form of a hare in traditional hunting garb, fitted with a C Spiess musical movement,34cm highCondition report: One horn leg broken and lost. Light abrasions and rubbing to areas of high relief, musical movement loose chips to ears.
Los 600
Charles Sillem Lidderdale (1830-1895)Portrait of a woman, half length, in a white cloaksigned with monogram l.l., oil on canvas53 x 43cmCondition report: Oil on a fine weave canvas support. The canvas is unlined and generally in plane with good tension. Stretcher bar marks have formed where the canvas rests against the wooden frame behind. The upper stretcher bar mark is very pronounced and glossy. There are also glossy patches above this line which fluoresce strongly under ultraviolet light. There are a few small punctures to the canvas along the lower edge. The paint layer has a network of age cracks which are raised in areas and pulling the canvas forward slightly. The varnish is yellowed and dull with a few matte spots, notably in the sitter’s hair. There is a thick layer of dust on the front and reverse of the painting. The unusual, decorative frame has several areas of loss and flaking.
Los 606
Ralph Peacock (1868-1946)Portrait of Mary Dowie, daughter of Colonel L A Dowie, in a pink and white striped dress, seated cross-legged between two large Japanese Kutani korossigned 'RALPH PEACOCK' l.r., also signed and inscribed verso, oil on canvas89 x 100.5cmExhibited: Royal Academy, 1925, no.372.Condition report: Oil on canvas which is unlined. The canvas has good tension and the picture is in plane. The paint layers are in a very good condition overall. Stretcher bar marks are starting to form where the canvas rests against the wooden stretcher behind, The varnish is clear, even and glossy. There is a light layer of surface dust present.
Los 617
Charles Augustus Henry Lutyens (1829-1915)Portrait of a lady with a bay hunter and a sheepdogsigned 'C Lutyens' and dated ‘79 l.l., oil on canvas61 x 50.5cmCondition report: Oil on canvas which has not been lined and has an artists’ suppliers stamp on the reverse for Wood & Co. The canvas tension is good and the picture is in plane. The paint layer has a network of vertical age cracks, some of which are slightly raised. The painting has a thin varnish layer which is glossy and even. Under ultraviolet light there are some dark brushy areas which appear to be later overpaint.
Los 620
William Logsdail (1859-1944)A mother and child on a donkey on a Mediterranean roadsigned 'W Logsdail' and dated ‘91 l.l., oil on artist's board36.5 x 26cmCondition report: Oil on artist’s board. The support and paint layers are in a very good condition overall. Under ultraviolet light there are some dark patches around the child and donkey. It is unclear if this is later overpaint or reworking by the artist but the area is minimal. There is a thin varnish layer which is clear and glossy. The painting is secured in the frame with a wooden panel backboard.
Los 64
A Black Forest carved wooden bear tobacco jar,mid-19th century, Swiss, the head and shoulders forming a hinged cover, with glass eyes and a painted tongue,24cm highCondition report: Front leg broken and repaied.Small splits to top of head.Light scratching all-ver, especially to chest.Rubbing to areas of high relief.
Los 647
Edward Henry Holder (1847-1922)A view of the Thamessigned 'E Henry Holder' and dated 1912 l.l., oil on panel29 x 45cmCondition report: Oil on canvas. It was not possible to examine the reverse of the painting as the frame has a solid backboard which is well attached and covered with black painted fabric. The surface texture of the painting would suggest that it has not been lined. The paint layer is in a good condition overall. Under ultraviolet light the sky has a mottled appearance but this seems likely to be reworking by the artist rather than later overpaint. A hazy bloom is starting to form in the darker paint passages, especially at the left hand side. The painting is glazed and the glass is dirty both inside and out.
Los 651
Ivan Fedorovitch Choultse (Russian, 1874-1939)Harvestsigned in Cyrillic l.l., oil on canvas63 x 90cmCondition report: Oil on canvas which is unlined. The canvas tension is slack and there is a large, convex deformation near the centre of the canvas. The thickly applied paint layers have developed a network of age cracks which are slightly raised in the sky, but stable overall. At the upper left side is a small damage and loss which has been overpainted. The varnish is yellowed but even and glossy. There is a light layer of dirt and some fly spots present on the surface.
Los 652
William Albert Clark (fl. 1906-1937) 'Castleton Style', a six-year-old dairy shorthorn bullsigned 'W A Clark' and dated 1925 in red l.r. oil on canvas51 x 61cmThe Staffordshire Weekly Sentinel of 9th February 1924 reports: 'The Hilderstone Dairy Shorthorns - Mr. A. Ross Fielding's successes. At the head of the herd, and Mr Fielding has proved that the sire is more than half the herd, is the great six year old Castleton Style that earned a big reputation while with the Duke of Westminster, and that was bred by Mr. T.W. Workman of Castleton, Carlisle' The article goes on to list pedigree and milk yields of his progeny. (Full article on website)Condition report: Oil on canvas that has been relined. Seen under UV light. Some small patches of retouching throughout, mainly focused in the top left area of the sky, the lower left grass, and in a few places on the body. A few of these dabs of retouching are noticeable to the naked eye. There appears to be some old retouching to the face. Craquelure throughout although this appears to be sealed in by the varnish. Old imprints of all four stretchers are visible, although the top one is the most noticeable. The varnish is even, glossy and a little yellowed. A few specks of surface dirt in places. In a stable condition ready to hang.
Los 658
Henry Deacon Hillier (1858-1930)Loch Levensigned 'H D HILLIER' l.r., oil on canvas44 x 33cm Condition report: Oil on canvas which is unlined with an artist supplier stamp on the reverse for Roberson and Co. The painting is in a very good condition. The canvas is in plane and the paint layers are stable. There is a thin varnish layer present which is even and semi-glossy. The surface has a light layer of dust present.
Los 661
*John Miller (1931-2002)La Santa Maria della Salute, Venice from across the Lagoonsigned l.r. and inscribed and signed verso, oil on canvas56 x 76cm*Artist's Resale Right may apply to this lot.Condition report: Oil on canvas which has not been lined. The canvas has good tension and the paint layers are in a very good condition. Under ultraviolet light there is a dark patch in the middle of the right edge, but this is possibly related to the artist as it matches other dark blue brushstrokes. The painting has a layer of dirt and on close inspection there are small brown spots across the surface which may be related to a fine varnish layer. But overall the painting is in a very good condition.
Los 664
Agoston Acs (Hungarian, 1881-1947)In the fieldsindistinctly inscribed and signed 'Ascher ...ston' l.r., oil on canvas51 x 41cmCondition report: Oil on canvas that has not been lined. Two small patches and one area of glue verso. Seen under UV and there is some overpainting in the lower half, and the majority of the top half flouresces. Craquelure throughout. The canvas is uneven in the lower left corner. Some light surface dirt throughout.
Los 666
Serge Marshennikov (Russian, b.1971)Odalisque signed 'S Marshen' l.l., signed verso, oil on canvas54.5 x 90cmCondition report: A couple of very light horizontal cracks in the paint, lower centre, very faint, only visible under close scrutiny. A couple of small spots in the bronze shirt on the right where the paint may have been disturbed whilst drying, including a little fluff caught in the paint. No other obvious flaws, in overall very good condition.
Los 669
Oleg Osin (Russian, b.1939)Lilac bouquet with fox terriersigned in Cyrillic l.r., inscribed and dated 1967 verso, oil on canvas80 x 90cmCondition report: Two light cracks across the dog's neck. A small dark spot at extreme edge top right. A few of the strokes of thick paint are a little fluffy and squashed. A hair has been painted into the picture on the cabinet. A couple of strands of the canvas are coming through in two places, barely noticeable.
Los 674
*James Longueville (b.1942)Windmill on Thurne, Norfolk Broadssigned 'James Longueville' l.r., oil on board40 x 50cm *Artist's Resale Right may apply to this lot. Condition report: Some light surface dirt. The paint in the sky has been applied thinly so the board is quite visible in areas. A couple of small scratches in top right corner.
Los 676
Paul Gehrmann (German, 1861-1923)An interior scene, with a view of a lakesigned 'P Gehrmann' l.l., oil on canvas71 x 101cmCondition report: Oil on a fine weave canvas support which is unlined. The canvas tension is slightly slack and there are minor undulations across the surface. The aged, thin canvas is not strong enough to adequately support the thick paint layers. In the upper half of the painting the paint layer is in a good, stable condition. In the lower half it is extensively cupped with raised and flaking paint in the darker paint passages. There are small losses at the junctions of cracks and larger, scattered losses present. The surface of the painting is quite matte, there is a thin varnish layer present although this has sunk in many areas. There is a light layer of dirt across the surface.
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534297 Los(e)/Seite