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Preisdatenbank abonnierenA Collection Of 25 British Military Badges To Include The Royal Electrical And Mechanical Engineers, The Special Air Service, The Royal Artillery Regiment, The Royal Navy, The Royal Army Service Corps, The Rifle Brigade, The Parachute Regiment, The 1st Volunteer Battalion Of The Royal Fusiliers, The Kings Shropshire Light Infantry And The Carnarvonshire Volunteer Regiment.
A Collection Of 15 British Military Cap Badges To Include The Queens Own Yorkshire Yeomanry, The Cornish Light Infantry, The Royal Artillery Cadet Regiment, The Notts & Derby Regiment, The Queen's Own Hussars, The Army Cyclist Corps, The Auxiliary Territorial Service, The Royal Engineers, The Lancashire Fusiliers, The York And Lancaster Regiment, The 9th Lancers, The 8th Gurkha Rifles, The Essex Regiment, The Royal Armoured Corps And The Border Regiment.
A Collection Of 25 British Military Badges To Include The First Volunteer Battalion Of The Royal Fusiliers, The Royal Scots, The Leicestershire Regiment, The 32nd Cornwall Light Infantry, The Parachute Regiment, The Princess Of Wales Own The Yorkshire Regiment, The Royal Army Service Corps, The Kings Own Regiment, The Carnarvonshire Volunteer Regiment And The Hampshire Regiment,
A Collection Of 15 British Military Cap Badges To Include The Army Catering Corps, The Royal Warwickshire Regiment, The Suffolk Regiment, The Queens Regiment, The Royal Army Medical Corps, The Queens Own Yeomanry, The Royal Sussex Regiment, The East Yorkshire Regiment, The Royal Electrical And Mechanical Engineers, The Royal Army Ordnance Corps, The Royal Engineers, The Kings Own Yorkshire Light Infantry, The Royal Sussex Regiment, The Cheshire Volunteer Regiment And The Royal Artillery Regiment.
A Collection Of 15 British Military Cap Badges To Include The Royal Scots Greys, The Royal Artillery Regiment, The Tank Regiment, The Princess Of Wales Own Yorkshire Regiment, The Essex And Kent Scottish Regiment, The Royal Army Ordnance Corps, The Royal Green Jackets, The 20th Hussars, The Royal Army Medical Corps, The Royal Army Pay Corps, The Gordon Highlanders, The Buckinghamshire Battalion Of The Oxfordshire And Buckinghamshire Light Infantry, The 19th Queen Alexandra's Own Royal Hussars And The Lancashire Volunteers Wigan Corps.
A Collection Of 25 British Military Badges To Include The Essex Regiment, The Army Catering Corps, The Rifle Brigade, The Queens Own Regiment, The West Riding Regiment, The Buckinghamshire Battalion, The 48th Highlanders, The Royal Warwickshire Regiment, The Cornwall Light Infantry, The Reconnaissance Corps, The Hampshire Regiment, The Tank Corps, The Durham Light Infantry, The Royal Armoured Corps And The Royal Engineers.
A Collection Of 36 Military Hardback Book Mainly From The Famous Regiments Series To Include : The Royal Horse Artillery, The Durham Light Infantry, The Wiltshire Regiment, The King's Own Rifle Corps, The 7th Queens Own Hussars, The 17th / 21st Lancers, The East Surrey Regiment, The Lancashire Fusiliers, The Dorset Regiment, The Black Watch, The Highland Light Infantry, The 11th Hussars...etc.
A Collection Of 25 British Military Badges To Include The Royal Leicestershire Regiment, The Essex Regiment, The Kings Own Malta Regiment, The Royal Army Medical Corps, The Earl Of Carricks Own Ayrshire Regiment, The Royal Army Service Corps, The Durham Light Infantry, The Reconnaissance Corps, The Royal Air Force Police Auxiliaries And The Border Regiment.
A Collection Of 34 Military Hardback Books Mainly In The Famous Regiments Series To Include : Princess Patricia's Canadian Light Infantry, The Royal Flying Corps, The Royal Tank Regiment, The Royal Army Medical Corps, The Royal Engineers, The Rifle Brigade, The Royal Scots Greys, The Royal Horse Guards, The Buffs, The Royal Fusiliers, The West Yorkshire Regiment ..etc.
Modern solid light oak sideboard, rectangular top above two short and three long drawers, flanked by two panelled cupboards, each enclosing one shelf, panelled sides, square tapered supports, W170cm, H79cm, D45cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Modern solid light oak dining table, raised on square tapered supports (150cm x 86cm, H76cm) and four matching light oak dining chairs, shaped back, panel seat, square tapered supports, (W45cm) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Broken Silence by Robert Taylor, rare 33 x 24 inches WW2 print The sudden thunder of Merlin engines shatters the evening silence as two pairs of de Havilland Mosquitos head out over the Norfolk Broads on a low-level precision strike against enemy targets in Holland. Originally released in 1988 this immortal print is personally signed by some of the most iconic Mosquito pilots of World War II, all of whom have sadly since passed away. Having sold out very quickly on its release this is scarce. Each print has been signed by the artist as well as: Group Captain JOHN 'CATS-EYES' CUNNINGHAM CBE DSO** DFC* AE FRAES, Group Captain LEONARD CHESHIRE VC OM DSO** DFC*, SIR IVOR BROOM KCB CBE DSO DFC AFC. Condition report Rolled so colours excellent, some light foxing to white border. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Scramble by Gerald Coulson 32 x 17 inch print numbered 185/850. A telephone rings at a typical flight dispersal: a call from Operations sends pilots and ground crew running for aircraft ready fuelled and armed. A mechanic starts the engine of the spitfire in the foreground and it explodes into life, blasting out blue exhaust gases, the slipstream flattening the grass and kicking up dust. A young sergeant pilot with feelings a mixture of fear and excitement, runs for his machine. The painting captures the tense atmosphere of a much repeated action from these crucial events of the Battle of Britain, as Spitfires of No.66 Squadron scramble. Condition report rolled to colours excellent, some foxing to borders and light odd to image with small crease to white border on LH side. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Strike Leaders Outbound WW2 print 28 x 20 by Phillip West numbered 309/1000 signed by 26 Lancaster and Mosquito veterans plus Chantel de Havilland (granddaughter) and Toni Bennett (son of Don). A de Havilland Mosquito, equipped with the blind bombing navigational aid 'Oboe', outbound at first light over Beachy Head to lead fellow Pathfinder Avro Lancasters on a precision strike mission over enemy held territory. Other autographs include the Artist, Doug Read 156 Sqn, Jim Wright DFC 61 sqn, Geoff king DFC, A Pell DFC 100 sqn, George Cash DFC 139 sqn, Rupert Noye DFC 166 sqn, John Chapman DFM 156 sqn, Tony Hancock DFC 156 sqn, Ted Dunsford DFC 608 sqn, Dick Maywood 609 sqn, M Bayon DFC 128 Sqn, Don Briggs DFC 156 Sqn, A Gwynne Price 195 sqn, J Patient DFC 139 sqn, Ken Oakley, Harold Kirby 467 sqn. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
John E Davis PRINTED SIGNATURE on Great War Cover Third Ypres The Battle of Langemarck 16-18 August 1917. PM 80th Anniversary The Battle of Langemarck, Whitehall, London 16. 08. 97. Private J. E. Davis 9th Battalion, Duke of Cornwalls light infantry served during the Battle of the Somme and was in action at the battle of Langemarck and throughout the Third Battle of Ypres. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
The Abbeville Boys by Robert Taylor, rare 36 x 25 inches WW2 print signed by Taylor and WW2 Luftwaffe ace Gen Adolf Galland They fought in the Battle of France, and throughout the Battle of Britain. At the time they were the Luftwaffe's best known Fighter Wing, and for the next two years they duelled daily over northern France with the very best of the RAF who nicknamed them the 'Abbeville Boys'. One of Robert Taylor's most iconic paintings, 'Abbeville Boys' features the outstanding Kommodore Adolf Galland leading the battle-hardened pilots of JG-26 as they power away from their base in the Pas de Calais for yet another tussle with the cream of RAF Fighter Command. Originally published in the late-1980s, this incredibly rare print is highly sought after on the Secondary Market. Condition report Rolled to colours excellent, some light foxing to white border. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
An early 20th century purple leather writing slope box. Inset fold over slope with hinged top opening to reveal sectional inner with appointed writing equipment. The slope having inset light and ink box wells being bound and with notation, Polished steel clasps and hinge work. Purple textured leather top with inset campaign handle. Unmarked but believed to be from Harrods. Measures 19cm x 41cm x 28cm
Farm Worker in a Sussex Landscape signed 'Carel Weight' (lower left) oil on canvas laid to board (Dimensions: 46 x 66cm)(46 x 66cm)Footnote: Provenance With New Grafton Gallery, London, May 1990 The collection of Lady Reiss Sale: Christie's London, 7 June 1991, lot 284 Moulton Grange, Pitsford, Northamptonshire Exhibited London, New Grafton Gallery, 17 May 1990, cat.no.2Condition report: Oil on canvas mounted onto board. The paint layers are in a good condition. There is a vertical scratch in the paint layer at the right hand side. There is a light dust layer and a few fly spots on the surface. The frame has a few knocks and dents.
signed 'Nessler' (lower left) oil on canvas (Dimensions: 39.50cm x 50cm)(39.50cm x 50cm)Footnote: Provenance The Hertfordshire County Council 'Pictures For Schools' collection' Their sale; Cheffins, 21 March 2019, lot 6, where acquired by the present owner Born in Leipzig, Germany, Nessler began his artistic career at the Castelli Italian School of Art, Dresden. Despite not being Jewish, he strongly opposed National Socialism, and eventually moved to London in 1937, joining the British army shortly thereafter. After the war, he studied sculpture at St Martin's School of Art and travelled to Paris, meeting the likes of Cocteau, Sartre, Picasso, Giacometti and Matisse. French modernism, particularly Cubism, exerted a strong influence on his subsequent work. The bright colours and geometric planes used to depict the landscape surrounding Jersey, the subject of numerous works in the early 1950s, reveals the artist's optimistic post-war outlook. Nessler first exhibited his work at the Molon Gallery in 1961. He also took part in several group exhibitions at the Royal Academy, the Royal Society of British Artists, and commercial galleries in London, the provinces, and abroad. A retrospective of his work was held in 1990, which coincided with his increasing recognition in Germany. Nessler's works are now held in numerous public collections internationally.Condition report: Oil on canvas. On the reverse of the painting is an area of modern adhesive which appears to be a crude repair to a tear at the right of the painting. Around this area are raised flakes of paint. The area appears pink under ultraviolet light suggesting it may have been retouched or reworked following the damage. Quite extensive cracking throughout.
Autumn and the Poet (study) chalk pastel on board (Dimensions: 54 x 75cm )(54 x 75cm )Footnote: Provenance The Artist, by whom gifted to Margaret Lliffe née Goodwin, by descent within the family Sale; TW Gaze, Diss, Suffolk, June 2011, where purchased by the present owner We are grateful to Dr Gill Clarke for her assistance with cataloguing this lot.Evelyn Dunbar (1906-60) was part of a neglected generation of artists whose lives and artistic output are now being reappraised and their contribution to the practice and spirit of twentieth century British art duly recognised. Dunbar had a profound understanding and love of the countryside and it is notable that she was the only woman commissioned, on a salaried basis, to record women’s activities on the Home Front during the Second World War. These works for the War Artists’ Advisory Committee and in particular her lyrical, yet unsentimental paintings of the Women’s Land Army provide an important documentary record of women’s contribution to the war effort. Post war Dunbar gave more reign to her imagination and allegorical work and while living in the small village of Enstone and employed as a visiting teacher at The Ruskin School in nearby Oxford commenced work on Autumn and the Poet. Perhaps her most significant allegorical painting Autumn and the Poet was finally finished in her studio at Staple Farm, near Wye, Kent during 1958-59 having absorbed her intermittently for the previous 10 years or so. This present work is one of a number of preparatory depictions for Autumn and the Poet. The two figures symbolise “Autumn and the Poet” and are set against a backdrop of verdant Cotswold countryside at harvest time. Dunbar used her husband Roger Folley, an agricultural economist as her model for the poet, the completed work now in Maidstone Museum interestingly shows ‘the Poet’ reclining rather than seated. Much else remains the same including as here the mellow colours which convey the feeling of autumn glow as the light begins to fade. In Autumn’s right hand is gripped a long white sheet which bears the fruits of the earth, a comment on life brought to fruition. There is a sense of time passing and like the seasons, it comes full circle. Although the seasons and nature endure, Dunbar, a Christian Scientist may have had a sense of her own life coming to an end, and her inner thoughts to this effect are fused deep within the contours of the painting. She died suddenly within a year of finishing the painting. Evelyn Dunbar had signed Autumn and the Poet,a mark that it was completed. Gill Clarke author of Evelyn Dunbar War and Country published by Sansom & Company.
Reading the Signs, 1990 oil on canvas (Dimensions: 51 x 46cm)(51 x 46cm)Footnote: Provenance Sale; Sotheby's, London, 19 May 2004, lot 295Condition report: Oil on canvas which is unlined and attached to an open window stretcher. All keys are present and the canvas has good tension, there is a light layer of dust on the reverse. The paint layer has been built up in numerous layers and in areas scraped back and scratched into. There is one are of horizontal cracking near the top centre of the paint layer.
Trompe l'oeil signed and dated 'Martin Battersby. '67' (lower right) oil on canvas (Dimensions: 59 x 74.5cm)(59 x 74.5cm)Footnote: Provenance With 20th century Gallery, London, 2004 Martin Battersby is best remembered for his work as a trompe l’oeil artist, a theatrical set designer, and a connoisseur of the visual arts of the 1920s and 30s. Battersby initially trained as a draughtsman at Gill & Reigate, before studying acting at RADA. His interest in a stage career soon dissipated when he discovered his love of painting and set design. Battersby’s first commission was for a production of Hamlet , starring Laurence Olivier, at the Old Vic in 1937. Later commissions included designs for the Royal Shakespeare Company, and a collaboration with Cecil Beaton for a 1945 production of Lady Windemere’s Fan. Developing concurrently with his career as a set designer, Battersby’s artistic work was noted for its neo-classical style and surrealist inflections. The present work typical of Battersby’s paintings, which often took the trompe l’oeil form and, alluding to his work as a set designer, featured sphinxes (see lot ?) and theatrical masks. Notable patrons include Lady Diana Duff Cooper, Evelyn Waugh and John Profumo.Condition report: Oil on canvas attached to a wooden stretcher, the canvas tension is slack but the picture is in plane. The paint layer is in a good condition, there is a light scratch at the upper left corner. The varnish is even and glossy. The frame is in a good condition.
Flowers III signed, titled and dated 2002 to the reverse oil on linen (Dimensions: 92 x 92cm)(92 x 92cm)Footnote: Provenance With Martin Tinney Gallery, Cardiff, 2003Condition report: Oil on canvas which is attached to a wooden stretcher. The canvas tension is slightly slack but in plane. The paint layer is in a good condition, there is a light layer of surface dust across the surface.
Fête Champétre signed 'ROBB' (lower right) oil on canvas (Dimensions: 55.5 x 67cm)(55.5 x 67cm)Footnote: Provenance Sale; Bonhams, Knightsbridge, 8 April 2008, lot 16Condition report: Oil on canvas attached to a wooden stretcher. The canvas is slightly slack but in plane. The paint layer is in a good condition overall, there is a light layer of dust present. The frame is in a good condition.
Living at Barnsbury Terrace signed with initial 'GJ' (lower left) oil on board (Dimensions: 121 x 182cm)(121 x 182cm)Footnote: Provenance The artist and by descent to the present owner Exhibited Norwich, Art 18/21, Gwyneth Johnstone, 18 June-12 July 2013 This present painting, with its wonderfully busy composition, depicts the period when Gwyneth and her mother, Nora Back, née Brownsword, owned a pair of houses in Barnsbury Terrace, London, during the 1950s. Gwyneth is depicted in the foreground towards the right of the painting wearing a yellow coat, whilst her mother can be seen entering the house. To Nora’s left is Mrs Green, the housekeeper, beating a rug whilst smoking a cigarette. The rooms in Barnsbury Terrace were divided up and panelled with wood salvaged from skips. They were rented out to lodgers, including Fenella Manners, whom Gwyneth has painted in the foreground with long blond hair and wearing a brown hat.Condition report: Oil on hardboard support which is supported with a wooden stretcher attached to the reverse for rigidity. At the lower right hand corner is a repair to the support, a rectangle of hardboard has been attached to the reverse. Losses to the front have been filled and retouched, the texture of this repair is smoother compared to the surrounding areas but not obvious when viewed at a normal viewing distance. The artist has combined a gritty material, such as sand, into the paint layer to add texture. Overall the paint layers and frame are in a good, stable condition. There is a light layer of surface dust.
Painting II, 1962 signed 'Sadler' (lower left); artist's label to the reverse oil on board (Dimensions: 78 x 105cm)(78 x 105cm)Condition report: Oil on a wooden board which is attached to a wooden frame at the reverse with thin wooden veneers around the edges. The support and paint layers are in a good condition overall. There are a few light scuffs and scratches across the surface and a few insect droppings.
Portrait of a woman oil on board (Dimensions: 14.5 x 9cm)(14.5 x 9cm)Condition report: Small oil on panel which is attached to a piece of hardboard with a gessoed surface. The gesso has staining across the surface. The painting itself is in a good condition with a few light scuffs and scratches.
Au Guignol signed 'Alfred Cohen' (upper left); titled and dated 1963 to the reverse oil on board (Dimensions: 76 x 55cm)(76 x 55cm)Footnote: Provenance With Brook Street Gallery, London, 9 November 1963Condition report: Oil on hardboard. The support and paint layers are in a good condition. There is a light layer of dust across the surface. There are chips to the painted surface of the outer frame and the top edge is sticky. There canvas slip has staining.
Les Musiciens signed 'Mané-Katz' (lower left) oil on canvas (Dimensions: 54.5 x 36.5cm )(54.5 x 36.5cm )Footnote: Provenance With O'Hana Gallery, London, 16 September 1961 Exhibited London, O'Hana Gallery, 1958 Born Mané Leyzerovich Kats in Kremenchuk, Ukraine, Mané-Katz is best known for his depictions of Jewish life. Les musiciens, which features a range of Hasidic characters, is typical of Mané-Katz’s work, both in subject matter and, with its loose and gestural brushstrokes, in style.Condition report: Oil on a fine weave canvas which is unlined and attached to a wooden stretcher with a horizontal cross bar. The canvas tension is sound and the paint layers are in a good condition. There is a light layer of dust on the surface. The frame is in a good condition.
Cathryn Painting Jemimah signed 'Kuhfeld' (lower right) oil on canvas (Dimensions: 59 x 94cm)(59 x 94cm)Condition report: Oil on canvas attached to a wooden stretcher, the canvas tension is good and the picture is in plane. The paint layer is in a good condition. There are light scratches in the paint layer at the lower edge. The frame has several losses to the decorative surface. The frame is glazed.
Still life with fruit and a vase of flowers signed and dated 'Cartwright '02' (upper left) acrylic on board (Dimensions: 85 x 74cm)(85 x 74cm)Condition report: Oil on panel. The panel is attached to a secondary board which is then framed. Overall the painting and frame are in a good condition, there is a light layer of dust gathered on the lower edge of the frame.
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